21. 到灯塔去，看伍尔夫作品的形式之美

要谈论伍尔夫作品的创新性，仅仅“意识流”一词是不够的，我们需要将她的作品与哲学思考和绘画、音乐等艺术形式在二十世纪的发展联系起来。本期我邀请到小慧和Nina，一起共读弗吉尼亚·伍尔夫的《到灯塔去》（To the Lighthouse），我们一起讨论了作品中反映的主观与客观、物与人、瞬间与永恒的关系，比较了印象派画作、现代音乐与伍尔夫作品的相似性，并提出一个大胆的想法，如果要拍电影，《到灯塔去》一定要拍成视听大片。最后我们留给自己也留给听众朋友们一个问题：现今哪位导演有能力改编这部作品？特别介绍本期节目的音乐：片头片尾来自当代作曲家Max Richter以伍尔夫作品为灵感创作的《Three Worlds: Music from Woolf Works》。片头选用第一首“Mrs Dalloway: Words”，其中添加了伍尔夫生前唯一的珍贵录音片段，完整录音共八分钟，名为“Craftsmanship”，有兴趣的听众朋友可以自行搜索。片尾名为“Orlando: Love Songs”。在Nina朗读的片段中，背景音乐来自莫里斯·拉威尔的《夜之幽灵 M.55》，悠扬的旋律如同在微波荡漾的水面上起伏跌宕，又与本书第二章中的幽灵感相呼应。节目中提到的伊戈尔·斯特拉文斯基《春之祭》，首演于1913年，其粗糙刺耳的音效来自高度的不协和和半音化，再加上首演舞剧中的祭祀情景所表现的原始主义音乐力量，这种激进的创新引发了出席首演之夜的巴黎观众的激烈争吵。首演之后的第二年，一战爆发了。本期引用的中文片段采用瞿世镜先生的译本。节目中提到的其他作品：保罗·塞尚《黑城堡上方洞穴附近的岩石》Virginia Woolf’s Essay “Modern Fiction”晒后假日 Aftersun (2022)-制作-封面：伍尔夫肖像主播：王师嘉宾：Nina，小慧剪辑：罗师节目Logo：刀刀在小宇宙查看该单集文稿

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21. 到灯塔去，看伍尔夫作品的形式之美

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