EPISODE · Mar 16, 2026 · 9 MIN
28mm Prime - The Best Street Photography Lens? Uncommon Sense with Mike Kovaliv
from Uncommon Sense with Mike Kovaliv · host Mike Kovaliv
Why the 28mm lens might be the perfect wide-angle for you — even if it didn't click at first.In this video, I share my personal evolution with the 28mm focal length. I started photography heavily focused on 50mm and 35mm primes (with 85mm and 105mm for portraits), and the 35mm never quite connected for me. Wider needs? I'd grab a zoom. But about 5-6 years ago, seeing the popularity of 28mm in cameras like the Leica Q and Ricoh GR made me reconsider.I picked up the classic Nikkor 28mm f/2.8 AIS — a beautifully built manual focus lens with metal construction, silky smooth focus ring, satisfying aperture clicks, and that traditional manual control feel I love. On my Nikon D750 (full-frame), it's native 28mm; on APS-C it gives a natural ~42mm equivalent view.Key things I love about this lens:Solid, premium build quality — wish Nikon still made them like thisExcellent manual controls: damped focus ring, clicky aperture ring you can see and feelf/2.8 is the sweet spot — compact, plenty of light, great depth of field for street and environmental shotsSuper close focusing (great perspective and detail up close without crazy distortion)Natural rendering: minimal distortion, elegant fall-off, classic character (especially in black & white)Hyperfocal magic for zone focusing on the street — set it and forget itSharp enough for modern standards, but it's about the feeling and inspiration, not pixel-peepingI took it on a photo walk (park + downtown) and share real-world shots from that day. This focal length strikes a perfect balance: wide enough for storytelling and context, but not so wide it feels gimmicky. It's become one of my top 3 primes alongside the 50mm — a true workhorse for personal projects and paid work.Whether you're into street photography, environmental portraits, or just want a fun, inspiring lens that feels classic on a modern mirrorless body, give the 28mm a try. Focal lengths are personal — what didn't work for me years ago now resonates deeply.If you're enjoying these lens deep-dives and photography chats, hit LIKE 👍, SUBSCRIBE for more, and turn on notifications!Support the channel: https://buymeacoffee.com/mikekovaliv ☕Check out my other videos on primes, vintage glass, and real-world shooting.Timestamps:0:00 - Why 28mm polarizes photographers0:15 - My early days with 35mm & 50mm1:18 - What made me try 28mm1:49 - Introducing the Nikkor 28mm f/2.8 AIS2:01 - Build, feel, and manual controls3:28 - Why f/2.8 is perfect here4:23 - Close focus & natural perspective4:55 - Street photography advantages & hyperfocal5:26 - Photo walk samples6:27 - Character & black & white magic7:19 - It's about the feeling8:56 - Final thoughts & recommendationShot mostly on Nikon D750 + Nikkor 28mm f/2.8 AIS.#Nikkor28mm #28mmLens #ManualFocus #NikonPhotography #StreetPhotography #VintageLens #PrimeLens #PhotographyGear #BlackAndWhitePhotography #nikond750Thanks for watching — see you in the next one!Mike Kovaliv
What this episode covers
Why the 28mm lens might be the perfect wide-angle for you — even if it didn't click at first. In this video, I share my personal evolution with the 28mm focal length. I started photography heavily focused on 50mm and 35mm primes (with 85mm and 105mm for portraits), and the 35mm never quite connected for me. Wider needs? I'd grab a zoom. But about 5-6 years ago, seeing the popularity of 28mm in cameras like the Leica Q and Ricoh GR made me reconsider. I picked up the classic Nikkor 28mm f/2.8...
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28mm Prime - The Best Street Photography Lens? Uncommon Sense with Mike Kovaliv
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