AI is being trained to replace us: Sushin Shyam

In this episode of Frontline Conversations, music director Sushin Shyam talks about what led to his return to independent music with "Ray" after years of composing for Malayalam films. From his first experiment with “Under the Apple Tree” in 2013 to blockbuster scores for “Kismath”, “Ezra”, “Kumbalangi Nights”, “Aavesham”, and “Manjummel Boys”, Shyam reflects on how his sound has evolved and why Ray marks a personal full circle. He shares why he values melody over virality, how creative blocks keep him grounded, and why taking long breaks is essential for artistic survival. The conversation also explores the pressures of commercial cinema, the demand for “viral” tracks, the unique space Malayalam music offers for experimentation, and the rising concerns over AI-driven compositions and restrictive contracts. For Shyam, “Ray” is about slowing down, reclaiming freedom, and rediscovering why he makes music. Highlights: -Shyam’s journey from “Under the Apple Tree” to “Ray” -Why he sees “Ray” as a return to freedom and patience -How “Kumbalangi Nights” made his music a national phenomenon -Virality, reels, and the pressure to “go viral” -AI and the looming threats to musicians’ rights -Why Malayalam cinema remains a ground for experimentation -Taking long breaks to protect creativity and longevity Perfect for: -Admirers of Sushin Shyam’s music and his new music video “Ray” -Independent musicians navigating the pull of commercial cinema -Students of music, film, and sound design -Anyone curious about the future of music in the age of AI and reels Credits: Interview by Greeshma Kuthar Camera and editing: Origin Story, Kochi Produced by Team Frontline Subscribe to Frontline: https://frontline.thehindu.com/online Follow us on: Facebook -   / frontlineindia   Twitter -   / frontline_india   Instagram -   / frontline.magazine   LinkedIn -   / frontline-magazine-b12921295