At The Starting Line: Caleb Wiebe: Best Practices for Starting and Sustaining an Ensemble episode artwork

EPISODE · Jan 4, 2018 · 1H 8M

At The Starting Line: Caleb Wiebe: Best Practices for Starting and Sustaining an Ensemble

from Crushing Classical · host Jennet Ingle

- Why he wasn't sold on the traditional orchestra path and the ONE question he asked himself to know for sure (critical if you are considering an orchestral position) - The top 3 traits The Brass Project ensemble has that enabled them to start a group AND keep it going (if you want to start an ensemble, you don't want to miss this) - WHO you should choose to be in your ensemble (Hint: it's not "only the best players") - How they managed to get 32 commissioned works without breaking the bank (this is a must listen!) ...and much more Mentioned in the show: https://www.thebrassproject.com/  https://www.facebook.com/thebrassproject/ Nick DiBerardino http://www.nickdiberardino.com/  https://www.facebook.com/nickdiberardinocomposer/  Artist Year: https://artistyear.org/ Music From Angel Fire: https://musicfromangelfire.org/  I want to thank Ficks Music for sponsoring Crushing Classical. When you’re looking for high quality sheet music, look no further than  https://www.ficksmusic.com/discount/CRUSH Use the link above to get 10% off your order!Book a free discovery call with me! We can spend an hour looking at your creative career. You deserve to thrive, and your artistry matters. https://calendly.com/jennet/thmMake sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website.  https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there! 

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- Why he wasn't sold on the traditional orchestra path and the ONE question he asked himself to know for sure (critical if you are considering an orchestral position) - The top 3 traits The Brass Project ensemble has that enabled them to start a group AND keep it going (if you want to start an ensemble, you don't want to miss this) - WHO you should choose to be in your ensemble (Hint: it's not "only the best players") - How they managed to get 32 commissioned works without breaking the ban...

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At The Starting Line: Caleb Wiebe: Best Practices for Starting and Sustaining an Ensemble

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