BEHIND THE LENS #503: Featuring Ryan Francis

It's the last BEHIND THE LENS for 2025! And this week, we shine a light on producer, director, writer, and actor RYAN FRANCIS and his latest film, SPEED TRAIN. I have had the pleasure of knowing Ryan for more than two decades. I reviewed his first directorial short film and multiple feature films thereafter, and interviewed him. And over the years, he has moved from being an actor in front of the camera to going behind the camera into directing and, most recently, also producing. And now he brings us a fast-paced, entertaining futuristic film that posits some interesting questions for us as individuals and a society – SPEED TRAIN. In this very candid, fun, and unfettered exclusive interview, writer/director RYAN FRANCIS discusses his career growth from acting to directing, highlighting his recent film SPEED TRAIN, as well as discussing at length some of his prior films of late in which he only acts or serves an Executive Producer versus directing; notably, "Reverence", "The Jurassic Games: Extinction", "Trail of Vengeance", "The Flood", and "3 Days in Malay". He also discusses two upcoming films he's excited about, "Bruton" and "Bring the Law." As we specifically dig into the making of SPEED TRAIN, Ryan shares the challenges of directing a futuristic sci-fi film in 12 days with a small budget, praising his team, including DP Nico De La Fere and editor Austin Nordell, as well as producer Daemon Hillin and his Thailand team. A large portion of our conversation also discusses the film's themes of AI and human reliance on technology. An interesting aspect of our discussion revolved around the challenges of the film industry, the importance of maintaining a passion for making movies, and the need to bring audiences back to the theater experience. As you'll hear, Ryan speaks with a mix of candor, humor, and hard-earned perspective about a career that has quietly but decisively evolved. Once primarily known as an actor, Ryan has increasingly stepped behind the camera, carving out a space as a filmmaker unafraid of ambition—or of admitting when that ambition nearly outruns the clock. http://eliasentertainmentnetwork.com