Between exclusion and escape: necropolitics, biopolitics, and queer narratives in Nollywood films

Abstract: This research examines the representation of queer characters in Nigerian films through the lenses of necropolitics and biopolitics. Although LGBTQ+ presence in Nollywood has increased, there is a lack of scholarly focus on their experiences of internal migration and the forces impacting their lives. This study analyzes Hell or High Water, We Don’t Live Here Anymore, and Walking in Shadow to explore themes of exclusion, escape, and erasure amidst societal norms and necropolitical pressures. Using Achille Mbembe’s concept of necropolitics alongside Michel Foucault’s biopower, the research investigates how these narratives navigate social stigma, state violence, and internalized discrimination, revealing broader patterns of marginalization. This work emphasizes the need for inclusive and nuanced portrayals of LGBTQ+ experiences in Nigerian media.Citation: Okadigwe, M. N. (2025). Between exclusion and escape: necropolitics, biopolitics, and queer narratives in Nollywood films. African Identities, 23(4), 1047–1065. https://doi.org/10.1080/14725843.2025.2501794 This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit necropolitics.substack.com