表演治国——从陈真到电视认罪

from 22 George Street · host 22 George Street

《乔治街22号》：剧场国家——从陈真到电视认罪梁小龙走了，陈真的时代远去了。但陈真的影子还在——它投射在外交部司长刘劲松的立领对襟上，投射在战狼外交官的怒吼里，投射在电视认罪的忏悔泪水中。1980年，人类学家吉尔茨在《尼加拉：十九世纪巴厘岛的剧场国家》中提出了一个颠覆性的公式：权力服务于排场，而非排场服务于权力。四十年后，这个理论完美解释了当代中国的治理逻辑——当经济下行、内外交困，实际问题越来越难解决，剧场的功能就变得越来越重要。刘劲松穿陈真的衣服接待日本代表，解决了什么问题？没有。战狼外交让中国更受尊重了吗？没有。电视认罪消除腐败了吗？年年播，年年有。但这些都不重要，因为表演的目的从来不是解决问题，而是生产让观众在精神上"赢了"的感觉。问题是，剧场国家的权力基础是观众的参与和相信。一旦观众离场，演员就只是在对着空座位表演。#剧场国家 #吉尔茨 #战狼外交 #电视认罪 #刘劲松 #陈真 #梁小龙 #福柯 #阿Q #乔治街22号

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表演治国——从陈真到电视认罪

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