EPISODE · Feb 3, 2026 · 31 MIN
Chord progressions, jazz rhythms, and a call for community: The Baker’s Daughter (Laila Biali)
from The Musician's Loupe
Listen to the songYouTube - https://www.youtube.com/watch?v=yCOWHFugLhc Spotify - https://open.spotify.com/track/6axEByVcWO1rGvJ8wbG2Fy?si=832914b3dd424062 Apple Music - https://music.apple.com/au/song/the-bakers-daughter/1502087315 Amazon - https://amazon.com/music/player/albums/B085NW7BRC?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_EYeB2kM01aUtFssDMJz3YWKlw&trackAsin=B085NWGRXL Key takeawaysTrist and Elaine discuss Laila Biali’s “The Baker’s Daughter,” which Biali had initially composed as an instrumental piece during her college years and later added lyricsThe podcast highlights the song's structure, rhythm, lyrics, mix, and the subtle use of brass and doubled vocals in creating the lush jazz soundIn the Mailbag portion, Trist and Elaine discuss the importance of consuming media and engaging in activities with intention rather than by defaultAbout usTrist Curless is a Los Angeles-based vocalist, educator, and sound engineer. As a performer, Trist has toured worldwide as a co-founder of the pop-jazz vocal group m-pact and a 10 year member of the Grammy-award winning The Manhattan Transfer. In addition to these two vocal powerhouse groups, he’s also performed with Take 6, Bobby McFerrin, New York Voices, Vox Audio, Naturally 7, and The Swingle Singers. His latest venture, The LHR Project, is a new vocal group collective celebrating legendary jazz vocal group Lambert, Hendricks, and Ross.As an audio engineer, Trist has toured nationally with several vocal groups and bands in a large variety of venues, working for Grammy award winners Pentatonix and Take 6, as well as prominent a cappella vocal groups Straight No Chaser, VoicePlay, and Accent.Elaine Chao, M.Ed is a San Francisco Bay Area-based vocalist, multi-instrumentalist, vocal percussionist, and songwriter whose career spans a cappella, contemporary worship, and classical music. She has leveraged her training in classical and choral music over the course of her contemporary performance, including in orchestras for musical theatre and in sacred spaces. In addition to music, she also is a martial artist and published author. She currently leads a product management team at a major software company dedicated to creative expression. All statements in this podcast are her own and do not reflect the opinions of her employer.
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Chord progressions, jazz rhythms, and a call for community: The Baker’s Daughter (Laila Biali)
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