"Cinematografia Inclusione e Generazioni" con Virginio De...

What this episode covers

🎞️ Perché il linguaggio cinematografico può essere uno strumento di inclusione e di crescita?🎬 Come può il cinema attivare nuove connessioni mentali e generare nuove consapevolezze?🎙️Con Virginio De Maio, autore, ricercatore indipendente e esperto di apprendimento cinematografico, esploriamo la metafora del cinema applicata alla formazione e al contesto organizzativo, scoprendo come i film (e le scene dei film) siano un potente strumento di veicolazione di messaggi culturali, anche per disinnescare i pregiudizi e aprire ai temi di inclusione attraverso le peculiarità della neurocinematica. ▶️ Riflettiamo su come sia cambiata la fruizione cinematografica tra generazioni e come può essere declinata la visione formativa di un film tra età diverse anche in azienda.🎥 Impariamo che il linguaggio cinematografico può diventare sviluppo di competenze soft e al contempo essere canale di intergenerazionalità sul lavoro e non solo.📌 APPROFONDIMENTI: il sito web di Virginio www.virginiodemaio.it/, e i suoi portali di supporto alla formazione www.ilcinemainsegna.it/ ; www.filmatrix.it/ ; www.filmanager.it/SPECIAL GUEST PLAYLIST (https://spoti.fi/2Mr6bfk ) 🎹La canzone suggerita da Virginio è “La Verità” di Brunori Sas (www.youtube.com/watch?v=AUPIKaT7pI0) FOLLOW ME! -------------> https://zaap.bio/thatsY IG: www.instagram.com/giulio_thatsyLinkedIn: www.linkedin.com/in/giulioberonia FB: www.facebook.com/ThatSyouth Website: www.thatsy.net

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Frequently Asked Questions

How long is this episode of That's Y - Generazioni al Lavoro!?

This episode is 27 minutes long.

When was this That's Y - Generazioni al Lavoro! episode published?

This episode was published on January 19, 2026.

What is this episode about?

🎞️ Perché il linguaggio cinematografico può essere uno strumento di inclusione e di crescita?🎬 Come può il cinema attivare nuove connessioni mentali e generare nuove consapevolezze?🎙️Con Virginio De Maio, autore, ricercatore indipendente e...

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