从中国美术史到文图学：一场范式转移 From Chinese Art History to Text and Image Studies: A Paradigm Shift

探讨人文学研究中的一次关键转向： 从以艺术作品为中心的研究，转向将图像视为“文本”的诠释路径。 以中国美术史为起点，重新思考学术问题的变化： 从形式与风格的描述，走向意义、语境与诠释的分析。 这一转向引出了“文图学”，并进一步发展为“AIGC文图学”，成为理解生成式人工智能时代人文学的重要方法论。 这并不是对美术史的取代，而是对其边界的扩展——连接视觉文化、诠释实践与跨学科思维。 This video explores a fundamental transformation in humanities research—from the study of art objects to the interpretation of images as “texts.” Starting from Chinese art history, it examines how scholarly inquiry has shifted: from describing visual forms to analyzing meaning, context, and interpretation. This shift leads to the emergence of Text and Image Studies, and further to Text and Image Studies on AIGC, a methodological framework for understanding the humanities in the age of generative AI. Rather than replacing art history, this paradigm shift expands its scope—bridging visual culture, interpretation, and interdisciplinary thinking. 衣若芬《从中国艺术史到文图学》 I Lo-fen, From Chinese Art History to Text and Image Studies https://papers.ssrn.com/sol3/papers.cfm?abstract_id=6441242 https://zenodo.org/records/19107490 -- Hosting provided by SoundOn