Different Noises 121

What is cool? What is trendy? Who decides these things? In the context of this show what constitutes “Different”? In simplistic terms people send me things, or I buy them, based on past listening experience. I listen to them, if they sound sufficiently interesting, or they tug at some emotional string somewhere in the brain or heart, then they get on the show. This music sounds good to me, not stuck in some mainstream dreamed up in a committee meeting somewhere. It feels like Miles Davis Birth of the Cool did when I first heard it, recognisable as jazz but somehow completely unique in its’ construction of delivery. So this is “cool” music, or is it? PLAYLIST Jesse Sykes And The Sweet Hereafter - Forever, I’ve Been Being Born Old Dirty Buzzard - Death Becomes Your Dying World microplastique - Propane Dubmatix - Echoes In The Smoke Ugly Stick - Pig Pen  Perpacity - Lille Flamme Kariti - Fragile  Joe’s Truck Stop - Midnight On The Ohio Coleman Williams - Alley Song Oromet - Forsaken Tarn Denial Of Life - Love Sting Paitra - A Universal Feeling Scissorgun - Gone Rogue Kawol Samarqandi - The Mirage of Khor Fajklan (part two) Mark Corrin - Stone Tape Recorder Jessie Kilguss - Lost Causes Dave Graney ‘n’ The Coral Snakes - Night of the Wolverine (live) Mark Snarski - I Need Convincing On Diamond - Hold the Cloak of Time The Apartments - A Handful of Tomorrow West Coast Sick Line - Break In Play Moff Skellington - fark nebrous yelkin 2 Lost Souls - Ballad Of A Lost Soul The Parasite - The Men Who Drop The Bombs The Go-Betweens - The Clock (Airlock Demo) Tortoise - Vexations Ember Rev - Esprit De Corps