EPISODE · Jul 8, 2022 · 56 MIN
Ep.19 | Cusson Cheng on queer narratives, the problem with labels and the challenge of curating art.
from The Last Supper - Art in Asia · host Oscar Venhuis
Cusson Cheng, the curator of Retrograde, talked about his exhibition at Galerie du Monde in Hong Kong, how he developed this show, how he navigated the labyrinth of labels and we discussed the art works that are being shown. We also delve into the narratives behind some of the pieces and the questions that art curators need to address. Cusson Cheng is a curator and art critic from Hong Kong. He has been Assistant Curator at Para Site since January 2021, where he has worked on exhibitions including Curtain (2021), Liquid Ground (2021), Noble Rot (2021–2022), and Minding the G(r)a(s)p (2022). He was invited by Galerie du Monde to curate ‘Retrograde’, a group exhibition on queer and sexual politics that opened in June 2022. He is currently organising his first major exhibition at Para Site, which will open in late 2022. He was also one of the candidates for the 2019 Para Site International Conference & Workshops for Emerging Professionals. In addition to his curatorial work, Cheng serves as Art Editor at the Hong Kong-based leading Chinese-language art periodical Art and Piece (美紙). He has interviewed internationally renowned artists, including Marina Abramović, Pipilotti Rist, Daniel Arsham, Nicolas Party, and Genieve Figgis. He is frequently invited by galleries and organizations to write exhibition reviews, including Korean artist Lee Bae's solo presentation at Perrotin, Hong Kong. Cheng received his BA with Honours in comparative literature, sociology, and Buddhist studies from the University of Hong Kong. Para Site | 美紙 Art and PieceRetrograde, 18 June - 13 August 2022, Galerie du Monde, Hong Kong Instagram @cusson.cheng ----- The Last Supper Website The Last Supper Intagram @thelastsupper.asia Email: [email protected] ----- The Last Supper is supported by the Hong Kong Art Gallery Association http://www.hk-aga.org
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Ep.19 | Cusson Cheng on queer narratives, the problem with labels and the challenge of curating art.
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