The Last Supper - Art in Asia

In this episode Som Supa’parinya shares insights about her recent solo exhibition in Bangkok, Thailand where she is showcasing works that delve into her personal and Thailand’s geo-political histories. Her artistic journey has been deeply shaped by her connection to the Ping River, which has influenced Supaparinya family's legacy and her understanding of how landscapes change as a consequence of political and environmental forces.Through Supaparinya works, she revisits past experiences during the COVID-19 pandemic and engages with the current political climate in Thailand. By intertwining personal narratives with broader themes of climate change and history, Som Supaparinya seeks to invite viewers to reflect on the impact of human activities on nature and the importance of remembering lost landscapes.Som Supaparinya's body of work is a powerful interpretation, blending past and present, and encouraging dialogue about the environment, economic implications, and the ongoing narrative of the Thai landscape.-----⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠-----Follow The Last SupperWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Artist Lin Yan shared insights into her journey from Beijing to Paris and New York, highlighting her deep connection to Xuan paper as a medium. Lin’s work blends traditional Chinese techniques with contemporary themes, reflecting her lived experiences, including caring for her aging parents. She discussed his latest exhibition, showcasing small installations that invite viewers to engage with the material and concepts of memory and nature. Lin's art serves as a diary of her experiences, merging personal narratives with artistic expression, creating a unique dialogue between the past and present.More on www.thelastsupper.asia-----⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠-----Follow The Last SupperWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

TSAI Ming-Jiun is a curator and an artist based in Taichung, Taiwan. Ming-Jiun shares her journey from studying art in Taiwan and the UK to her current role as a deputy director of Asia University of Fine Art. Ming-Jiun discusses her curatorial practice, emphasising her research while highlighting her recent project, "We as Partners," which focuses on the often-overlooked roles of art administrators. Ming-Jiun reflects on Taiwan's complex cultural identity, the importance of collaboration in the creative field, and her work that focuses on the practice and research  of contemporary curating.More on www.thelastsupper.asia-----⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠-----Follow The Last SupperWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Stefano Rabolli Pansera is the curator and director of both the Bangkok Kunsthalle and the Khao Yai Art Forest in Thailand. Originally from Italy, Stefano relocated to Thailand to initiate a new project that blends art, nature, and healing.With a background as the former director of Hauser & Wirth Gallery in Switzerland, Stefano brings a unique perspective to the art world, emphasising the importance of nurturing our environment through artistic expression. We delve into his curatorial process, his philosophy on art and nature, and the exciting developments of the two initiatives. Founded by philanthropist and art patron Marisa Chearavanont, I talk with Stefano about the Khao Yai Art Forest initiative and the  Bangkok Kunsthalle.More on⁠ www.thelastsupper.asia⁠⁠⁠⁠⁠⁠-----⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠-----Follow The Last SupperWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

In this episode of The Last Supper I speak with Burmese  artist Thee Oo Thazin, currently residing in Thailand's Songkhla province for an artist residency. Thee Oo Thazin shares insights into her artistic journey, from her early passion for drawing in Myanmar to her evolving work that explores themes of identity, societal expectations, and environmental issues. We discuss her most recent projects, including her series "Braids," which reflects on the burdens faced by women in Burmese society, and "Pressure to Entertain," which examines the pressures of social dynamics in the context of recent political turmoil.  We also touch on her collaborative work titled ‘Record of Rain’ with British artist Lauren Smith, focusing on environmental awareness through art. Thee Oo Thazin (1993, Yangon) graduated from the National Management College, Yangon, Myanmar, specialising in English for Professional Purposes in 2012 and worked as a copywriter in advertising agencies. Although drawing has been a major interest since a young age, digital art was introduced to her by her designer colleagues. She decided to learn fine arts and began attending LASALLE College of the Arts, Singapore, specialising in Fine Arts (Graphic Novel) in 2017, graduating in 2020. She is now working as a freelance illustrator and full-time artist. Her works became well known among youths through social media in 2018. She participated in two group exhibitions: "Word Therapy" and "Building Bridges" in 2019, and another one called "Midsummer" in April 2022. "18/29" is her first solo show.More on⁠ www.thelastsupper.asia⁠⁠⁠⁠⁠⁠-----⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠-----Follow The Last SupperWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

In this episode, we're diving into a conversation with our guest, PR and Communication specialist Irene Lam, whose multicultural background offers a unique viewpoint on the art world. We’ll explore her early years and fascinating journey from studying history to becoming an editor in the art and culture field.We’ll also discuss the rise of South Korean art, the differences between working in Seoul and Hong Kong, and how spatial environments influence artistic expression.Irene shares insights into PR strategies for abstract art, the unique characteristics of communication in the art scene in South Korea, and what emerging artists can do to gain visibility.Finally, we’ll reflect on the future of art in Asia and the exciting projects on Irene’s horizon.More on⁠ www.thelastsupper.asia⁠⁠⁠⁠⁠⁠-----⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠-----Follow The Last SupperWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Today, I’m really excited to have Meg Maggio, a veteran in the contemporary art scene in China, who played a key role in establishing one of the first foreign-invested art galleries in the country. With over 20 years of experience in the art business, Meg specialises in 20th and 21st century art. Originally trained as a corporate lawyer, she has spent nearly 30 years living in Beijing, Shanghai, and Hong Kong. A Mandarin speaker, Meg continues to guide clients in building their contemporary art collections. In our conversation, we’ll explore the intricacies of art collecting, the challenges of managing multigenerational family collections in Asia, and the current state of affairs of the art world in the region.More on⁠ www.thelastsupper.asia⁠⁠⁠⁠⁠-----⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠-----Follow The Last SupperWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

In this episode I visit Hong Kong born stand-up comedian Vivek Mahbubani. We’ll talk about his creative journey, starting from his days in a heavy metal band to his transition into comedy.Vivek opens up about his experiences growing up as an Indian kid in Hong Kong, how lymphoma cancer was a blessing, confronting discrimination and how these challenges influenced his outlook on life. We explore how comedy acts as a powerful medium for self-expression, allowing him to provide a unique perspective on everyday situations.At the end we talk about his introspective research that informs his performances and we touch on his next project, a possible comedy world tour.More on⁠ www.thelastsupper.asia⁠⁠⁠⁠-----⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠-----Follow The Last SupperWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Hong Kong-based curator and producer Joel Kwong discusses mental wellness, the central theme of this year’s Microwave International New Media Arts Festival. We explore how Artificial Reality tackles various mental wellness issues, such as domestic violence, and consider how technology can foster empathy. Additionally, we delve into concepts like a panic room for relaxation and the potential for AI to provide emotional support, among other topics. Microwave International New Media Arts Festival 2024 How You Doin’ Public opening: 26th October 2024 Closing: 24th November 2025 Exhibition Hall, Low Block, Hong Kong City Hall5 Edinburgh Place, Central, Hong Kong http://www.microwavefest.net/ ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

In this podcast I sat down with artist Liao Jiaming and talked about his current show in Hong Kong, talked about tarot card reading, we discussed the intricate relationship between artificial intelligence or AI and humanity, the search for personal identity and Liao discuss the complexity of fingers. Liao Jiaming was born in 1992 in Guangdong, China, and currently lives and works in Hong Kong. He obtained his BA in Journalism from Sun Yat-sen University in 2016, and his MFA from School of Creative Media, City University of Hong Kong in 2019. Liao’s practice investigates the physical and bodily manifestations of identity vis-à-vis gender, technology, and socio-cultural influences. His works span across objects, videos, installations, and performance, crafting narratives that explore traditional as well as contemporary social practices via post-technological means of image-making. ⁠⁠⁠More on ⁠www.thelastsupper.asia⁠⁠⁠⁠ ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

This episode features the group exhibition ‘Karmic Fissures’ at Podium Gallery in Hong Kong by Phoebe Hui, Chloë Cheuk, Kin Ting Li, Genie Hui, and Yi To. Interweaving media art, sculptures, installations, and paintings, the exhibition navigates between philosophies drawn from quantum physics and Buddhism to speculate how one may uncover microscopic, nuanced dynamics within hegemonic, overpowering orders. Through acute mindfulness of complex yet traceable loci of causes and effects, the artists open up karmic fissures to evoke radical transmutation and intervene in the logic of impossibility. ⁠⁠More on ⁠www.thelastsupper.asia⁠⁠⁠ ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

In this special 100th episode, we sit down with photographer and writer No.223, to explore his unique approach to capturing the essence of modernity and sexuality over the last two decades. From his unconventional process of discovering subjects on social media to his boundary-pushing depictions of nudity, Lin offers a glimpse into the moments that define our contemporary experience. Lin Zhipeng (aka No.223) Born in Guangdong, China in 1979, Graduated from Guangdong University of Foreign Studies with major of financial English. Lin Zhipeng is a photographer and freelancer writer based in Beijing. Created in 2003, his blog “North Latitude 23” where he published everyday pictures accompanied by short texts received millions views and made him famous among the web community. Presented for years in group exhibitions in China and abroad , Lin’s works have also been the object of several solo shows both nationally and internationally ( Delaware Contemporary Museum ; Walther Collection Ulm ; De Sarthe Gallery Beijing ; Stieglitz19 Gallery Antwerp ; M97 Gallery Shanghai, etc). He has published photography books in China, France, Canada, Japan and Italy. With Lin Zhipeng, everything is tinged with a resolutely pop seduction. The colour, the shapes, the textures, the framing used are all symptomatic of a visual culture rocked by the flow of images, bodies and symbols that have marked our entry into the second millennium. Far from the traditional and unconstructive criticism of an "overconsumption" or "saturation" of images, those of the artist celebrate the vitality of his generation, starting with the staging of his life and that of his entourage. Mixing love and chaos, fantasy and eroticism, his photographs act as the collective poetic diary of a generation eager to escape social pressures and to aspire to the pleasures of life in a society that is as indifferent as it is rapidly evolving. More on ⁠www.thelastsupper.asia⁠ ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

I sat down with Dr. Marty Miller, a Hong Kong based artist and researcher. Our discussion spanned a broad range of topics, starting with an exploration of image ontology. We delved into Dr. Miller's research involving AI models and their ability to detect and reinterpret patterns in Sham Shui Po, a busy residential and shopping district in Hong Kong, and we explored AI hallucinations and human imagination. Marty Miller (PhD) is a visual culture and technology learning researcher pursuing his PostDoctorate at CityU's School of Creative Media within The Studio for Narrative Spaces. His research notes how image-creation practices adapt to emergent technology and why this influence informs the meanings created. Specifically, found photography and technological literacy designs fuel his scholarly output, funded creative work, and integrated teaching practice. More on www.thelastsupper.asia ----- The Supper Club event is initiated by Willem Molesworth and Ysabelle Cheung (PHD Group), Alex Chan (THE SHOPHOUSE), and is co-organised with the Fringe Club in Hong Kong, and will be curated by independent curator Anqi Li. The exhibition space will be adapted by BEAU Architects. Supper Club is open from 25 - 30 March 2024, and will operate late night hours daily from 4pm -1am. More information on ⁠⁠www.supperclubhongkong.com⁠⁠ ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Artist Trong Gia Nguyen discussed the role of appropriation in his work and how he dissociates himself from materiality. We also delved into the notion of distributed ownership and possession of art, the intricate relationship between physicality and virtuality and how he sold his work on eBay. Trong Gia Nguyen is a multi-disciplinary artist currently based in Brussels, Belgium. Having also lived in Vietnam and New York City over the last 20 years, his wide array of works examines structures of power in their myriad forms, scrutinizing the soft foundation upon which contemporary life plays out, often behind the façade of fairness, sincerity, tradition, and civility. Regularly employing humor while at other times engaging sober reflection, Trong's work elevates the condition of doubt as it reveals and disrupts the undercarriage of our most trusted spaces - domestic, cultural, political, and economical. His work includes everything from iPhone applications to installation, film, painting, sculpture, performances, and web-based projects. More on www.thelastsupper.asia ----- The Supper Club event is initiated by Willem Molesworth and Ysabelle Cheung (PHD Group), Alex Chan (THE SHOPHOUSE), and is co-organised with the Fringe Club in Hong Kong, and will be curated by independent curator Anqi Li. The exhibition space will be adapted by BEAU Architects. Supper Club is open from 25 - 30 March 2024, and will operate late night hours daily from 4pm -1am. More information on ⁠www.supperclubhongkong.com⁠ ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Gallerist and art technology founder Shyevin S'ng discussed her journey of becoming a gallerist in Vietnam, we addressed frequently asked questions from new artists, how to price new art, what good art is, and we talked about the future of art with Cohart which is a new online social marketplace for artists and art collectors that Shyevin co-founded in San Francisco. As a community and business builder, Shyevin S'ng serves as an art dealer, gallerist, advisor and friend to the art community, where she is able to extend my network far and deep. She has worn multiple hats over the past 15 years and was responsible for guiding and nurturing artists and collectors who believe in her. As a business owner, Shyevin has built a global team with the purpose to extend and expose her brand to all the art community. She has been fortunate to have enjoyed a successful career in art, where now she extended her career to art and tech with Cohart where she serves as co-founder. Shyevin has an extensive background in strategy and business development, fund raising, advising / mentoring and community development. More on www.thelastsupper.asia ----- The Supper Club event is initiated by Willem Molesworth and Ysabelle Cheung (PHD Group), Alex Chan (THE SHOPHOUSE), and is co-organised with the Fringe Club in Hong Kong, and will be curated by independent curator Anqi Li. The exhibition space will be adapted by BEAU Architects. Supper Club is open from 25 - 30 March 2024, and will operate late night hours daily from 4pm -1am. More information on www.supperclubhongkong.com ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Artist Serene Hui delved into meaning-making, the impossibility of communication in an unknown environment, the origins of scold, gossip and siren, voice modulation or how we understand voices within our body and how this impacts female leaders. Serene Hui is a Hong Kong-born artist. Her practice is research-focused and multi-faceted, engaging primarily with installation, audio and live works, printmaking and text. Serene's work is involved in a discursive, artistic and political exploration of her own context, using the geographical distance from personal lived experiences to investigate the wider socio-political impact of how meaning is made and who has access to making it. Her practice is currently invested in epistemological colonialism for the ways it affects social structures, languages, psychology and its potential susceptibility for manipulation. In her works she addresses obscurity and nuances by creating an ontological shift of displacement - meaning to transform social conventions, normative ignorance, and language ambiguity into resistance, reflection and criticism of contemporary systems. More on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Artist, designer Lin Pei-Ying delved into the fascinating world of viruses and how genomes offers us a look into our past, the origin of why we believe viruses are hostile, how viruses inform her work and how her work addresses the relationship between knitting and genomes, and we talked about how humanity can benefit from the development of AI. Pei-Ying Lin is an artist/designer from Taiwan and is currently based in Eindhoven, the Netherlands. She is a PhD Candidate in the department of Industrial Engineering and Innovation Science and the Department of Industrial Design at the Eindhoven University of Technology. She also holds a MA in Design Interactions from the Royal College of Art, UK and a BSc in Life Science from National Tsing Hua University, Taiwan.  Her main focus is on the combination of science and human society through artistic methods and is particularly interested in building a common discussion ground for different cultural perspectives regarding elements that construct our individual perception of the world. Recently she has been focusing on manipulating the boundary of invisible/visible, living/non-living and finding ways to build tools and methods that facilitate such explorations.  She has won the Honorary Mention of STARTS Prize 2020, Honorary Mention in Hybrid Arts Category of Ars Electronica 2015, Professional Runner Up in Speculative Concepts of Core 77 Awards 2015, and BioArt and Design Award 2016. Her project PSX Consultancy is a permanent collection of the Museum of Architecture and Design, Slovenia. More info on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Su Yu Hsin is an artist originally from Taiwan but now based in Berlin. We delved into her captivating exploration of water, her unique filmmaking techniques to understand intricate ecological relationships, and her fascinating discovery of an underground waterway in Taipei. Su Yu Hsin(b.1989) is an artist and filmmaker based in Berlin. She approaches ecology from the point of view of its close relationship with technology. Her artistic practice is strongly research-oriented and involves fieldwork where she investigates the political ecologies of water. Her work reflects on technology and the critical infrastructure in which the human and non-human converge. Her analytical and hydropoetic storytelling focuses on map-making, operational photography, and the technical production of geographical knowledge. Her video installations are exhibited worldwide in museums and International Art Biennials: the Centre Pompidou-Metz, the Museum of Contemporary Art Busan, Taipei Biennial 2020 and 2023, ZKM Karlsruhe, UCCA Center for Contemporary Art and Haus der Kulturen der Welt, among others. Her films have been screened at Kurzfilm Festival Hamburg, Experimental Film and Video Festival in Seoul and e-flux. More on ⁠www.thelastsupper.asia⁠ ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Taiwanese-based artist Lo Yi-Chun talked about her captivating projects including "Carbohydrate Fueling Cycle I, II, III", an exploration of the history of economic crops within the global trade context. We also delve into "The Diver," a piece that she created for the Green Island Human Rights Art Festival and capoeira. Lastly, we re-experience Neolithic artefacts in Kaohsiung, delving into the rich historical significance they hold. Lo Yi-Chun (b. 1985, Taipei) uses natural media such as banana peels, tobacco, and bagasse to create a wide range of objects and spatial installations that reflect on the history of economic crops in the context of global trade. In addition to exploring the relationship between agriculture and politics, her work also addresses the movement of people and commodities in the globalized world. More on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

In today’s discussion, artist Ting-Ting Cheng delved into the complexities of individualism in the context of post-colonialism. She shared her project that explores the challenges of constructing one's own island, as well as her work centred around inconclusive debates. We also addressed the concept of fluidity in identity and how a seemingly simple interview request for the Steel Art Festival unexpectedly transformed into a new art project. Ting-Ting Cheng is an artist from Taiwan, graduated from MFA Fine Art at Goldsmiths College, London. She likes to reinterpret archival and found materials to construct narratives in the current context. She had solo exhibitions at Taipei Fine Art Museum and other institutions and galleries in Taiwan, Hong Kong, Japan, Spain, UK and more. She had participated in Tokyo Biennial, Contemporary Art Festival Sesc_Videobrasil (São Paulo), Bi-City Biennale of Urbanism\Architechture (China), and group exhibitions at Jim Thompson Art Center (Bangkok), Daegu Art Factory, Hong-Gah Museum (Taipei), Künstlerhaus (Vienna), ISE Cultural Foundation (New York), National Taiwan Museum of Fine Art, National Art Museum of China...etc. She was the resident artist at Iniva (London), CFCCA (Manchester), Zero Station (HCMC), MMCA (Seoul) and more. More on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Vietnamese artist UuDam delved into power dynamics, including his notable project called "Fuck Button." We also explored the theme of pollution in his work titled "Serpents Tail" and delved into the symbolism of countries represented as weapons in his thought-provoking piece called "Weapon Country." At the end we discussed the role of technology and artificial intelligence in the realm of art and society. The most fascinating artist of Vietnam Contemporary Art, UuDam was born into an artist family in Kontum, central highland of Việt Nam. He attended the University of Fine Arts in Sài Gòn (HCMC) and later got his Bachelor of Arts at UCLA and Master of Fine Arts at School of Visual Arts in NYC. UuDam has a unique and diverse practice ranging from conceptual sculpture, drawings, installation, video to robotics app art & performances realized in many media. Not for the faint hearted, UuDam's art deals with many social issues and power in a global context with a sense of humor. He exhibited widely in many museums and Biennales in Asia, Europe and the US. UuDam is one of the co-founder of the XEM collective. He lives and works in HoChiMinh City, Vietnam. More on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter⁠

In today’s episode with Lo Sheng-Wen we delved into the weirdness of the Netherlands, the implications of the post-human crisis, and how science has become a new religion. We also discussed his work Watch Out, a treasure hunt in Arles in France, and we spoke about society’s challenge of living with discomfort. Sheng-Wen LO (b. 1987, Taiwan) is currently based in the Netherlands. His works investigate the relationships between non-humans and contemporary society, often taking daily experiences as points of departure. As a maker his practice comprises still/moving images, installations, video games, escape rooms and various media. He received MA in Photography from AKV|St.Joost in the Netherlands, and MSc in Computer Science from the Computer Music Lab at National Taiwan University. Lo is the creative director of Lightbox, a public photo library and a center for contemporary photography at Taipei. During his residency in Europe, he facilitates connections between Taiwanese and the international contemporary photography scene through talks, discussions, writings, and collaborations. Lo is an alumnus artist at the Rijksakademie (2019-2021) in Amsterdam. More on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠Art Courses⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

From Yangon in Myanmar, artist Thynn Lei Nwe talked with me about her past and current work, how memories inform art, why she sleeps during the day, the significance and meaning of animals and plants in her work, how Covid motivated her art practice, and the expectations of artists in Myanmar.  Thynn Lei Nwe (b.1991) is based in Yangon and studied Fine Arts, specializing in Painting at Lasalle College of the Arts, Singapore from 2012 to 2014. Nwe's practice explores different mediums of painting and sculpting with the interest in relations between memories, humans and places in a form of surreal works. Since 2008, Nwe has participated in exhibitions in Yangon, Singapore, Malaysia, Indonesia and Hong Kong, and a solo exhibition in 2018 in Yangon. She was the former residence artist at Cemeti Art House, Yogyakarta, Indonesia in 2010 and Rimbun Dahan, Selangor, Malaysia in 2016.  More on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Cambodian-based artist Khvay Samnang talked about Calling For Rain, a work that consists of a video installation but also multiple sculptures that are inspired by Reamker, the Cambodian version of the poem Ramayana. We talked about ecology and the impact of urban development, the critical role of animals in the Chang community and Stiev Selapak, an art collective committed to reevaluating and preserving Cambodian history as well as exploring the connections in visual practices that were disrupted by the civil war of the Khmer Rouge regime. Khvay Samnang was born in 1982 in Svay Rieng, Cambodia. He graduated from the Painting Department at the Royal University of Fine Art in Phnom Penh, where he lives and works today. Khvay’s multidisciplinary practice offers new views on historic and current events as well as on traditional cultural rituals using humorous symbolic gestures. In his work, which includes all media, he focuses on the humanitarian and ecological impacts of colonialism and globalization. The development of each body of work is based on thorough research and investigation of local specificities, structures and conditions. Traveling is a crucial tool for his practice. Engaging directly and personally with local communities – within and beyond the cultural scene – is an integral part of his work, which makes it highly relevant, critical and connectable to various contemporary discourses. His work shows a remarkable ability to engage with cultural and geographic contexts as well as with spatial and institutional settings.  More on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Taiwanese-based artist Chang Wen Hsuan discussed the roles of paper as a social movement and as a tool for activism, the challenge of normalisation, how a new generation appears to have a disembodied experience about current affairs in Taiwan and addressed her work the international suicide award. The artistic practice of Chang Wen Hsuan questions the narrative structure of institutionalised history with re-readings, re-writing, and suggestions of fictional alternatives in order to expose the power tensions embedded in historical narratives. Through versatile platforms including installations, videos, and lectures, she often navigates skewed documentations and first-person accounts to trigger reflections on how the understanding of history affects the purport of the present and thrust of the future. In 2018, she launched the project Writing FACTory. Prizes and awards include the Taipei Art Awards(2018), Kaohsiung Awards(2015), and Lin Yutang Literary Prize(2012). She has presented projects in Taiwan, China, Korea, USA, Singapore, Germany, Mexico, etc. More on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

I sat down with Cambodian-based artist Svay Sareth. We began our conversation talking about how the Blue Art Center provides free art education to children to become independent and find their own way, the impact of imagination, Sareth spoke passionately about his mission to preserve Cambodian’s artisanship and history for the next generation, and his performance work eat rubber sandals. We talked about Sareth’s experience of walking for 250 kilometres with a metal ball from Siem Reap to Phnom Penh and the amazing story how this work did not fit in the Singapora Art Museum, an UNESCO protected building. Svay Sareth’s works in sculpture, installation and durational performance are made using materials and processes intentionally associated with war – metals, uniforms, camouflage and actions requiring great endurance. While his critical and cathartic practice is rooted in an autobiography of war and resistance, he refuses both historical particularity and voyeurism on violence. Rather, his works traverse both present and historical moments, drawing on processes of survival and adventure, and ideas of power and futility. More recently, Svay confronts the idea that “the present is also a dangerous time” through the appropriation and dramatization of public monuments that hint at contentious political histories. Svay Sareth was born in 1972 in Battambang, Cambodia during a period of political turmoil and violence that would last until he was 18 years old. Svay began making art as a young teenager in the Site 2 refugee camp, near the Thai-Cambodian border. He describes life as a refugee as “a void nationality…a time and place you imagine escaping from.” Drawing and painting became a daily activity for Svay – a process of bearing witness to the psychological and physical violence that was an everyday experience, as well as a way to symbolically escape and dream of change. After the wars ended, 1994 Svay went on to co-found Phare Ponlue Selepak, a non-governmental organization and art school in Battambang that continues to thrive today.In 2002, the artist continued his studies in France, earning the Diplôme National Supérieur d'Études des Arts Plastiques / MFA in 2009, after which he returned to Siem Reap to live and work and 2019 he found Blue Art Center. ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- Follow The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Researcher and curator Michelle Wong talked about her PhD research, discussed her work on Hong Kong artist Ha Bik Chuen, big egos, the weird sculpture in Aberdeen, and she explained her project New Park. Michelle Wun Ting Wong is a PhD candidate in Art History at the University of Hong Kong, exploring the modernity emerging from Post WWII Hong Kong. Her writing has been published in Ambitious Alignments: New Histories of Southeast Asian Art, 1945–1990 (2018), the journal Southeast of Now (2019) amongst others. From 2012–20 she was a researcher at Asia Art Archive (AAA), focusing on Hong Kong art history and histories of exchange and circulation through exhibitions and periodicals. Curatorial projects include Portals, Stories, and Other Journeys at Tai Kwun Contemporary (2021), Afterglow, Yokohama Triennale 2020, and 11th Edition of Gwangju Biennale (2016). She runs the independent space New Park with artists South Ho Siu Nam and Billy HC Kwok. More on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Jolene Mok is an experimental artist. We talked about a range of subjects but started with her experience of not being able to see anything, the mundane or the exciting part of boredom, heuristics, deep ocean exploration in Barbados, and the red forest of “Life Is Elsewhere” Jolene Mok (b. 1984) was born and raised in Hong Kong. An experimental artist, she takes video art and experimental film as her major creative platforms. Mok earned her M.F.A. in Experimental and Documentary Arts at Duke University in 2013. She has been exposed to an interdisciplinary learning and working environment since her undergraduate education in the School of Creative Media through her major in the Critical Inter-Media Laboratory (2003-2007). Since 2006, Mok’s works have been shown worldwide. From 2011 onwards, she has been on itinerant taking part in artist residency programs, and she has a particular interest in undertaking artist residency programs in relatively remote locations. More on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Researcher Shih-Yu Hsu and director, curator Zoe Yeh of the Honggah Museum in Taipei talked about the upcoming Taiwan International Video Art Installation (TIVA) that is opening on the 4th of November, we discussed the multiple narratives of this year’s theme Living Togetherness, and how they make art more inclusive. Shih-yu Hsu is an independent researcher and writer. She has been a member of the study group lam-nua since 2021. She graduated from Communication Engineering and Visual Art Administration at National Central University in Taiwan and New York University. Her research field includes image, media and new material feminism. She co-founded bi-lingual online media art platform SCREEN in 2015 and was the executive assistant of Taiwan Pavilion in Venice Biennale 2017. She was the curator at Taipei Contemporary Art Center in 2018-2021. Her writing on art has been published on several publications including Artforum.cn, Artist Magazine, Art Investment, Leap, No Man's Land and Yishu. She is going to co-curate the 8th Taiwan International Video Art Exhibition. Zoe Yeh is the director and curator of the Honggah Museum. She studied Curating and Cultural Production in the Institute of Trans-disciplinary Arts of National Taipei University of the Arts. She also received a BA degree in National Cheng-Chi University Commerce School. Yeh has actively contributed to the arts community as a board member of Polymer Art Studio and has been involved in various projects within artist-run spaces. In addition to her involvement in community projects, Zoe Yeh also spearheads research on Taiwanese video artists and curates annual solo exhibitions for emerging talents. ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Cambodian-based artist Yim Maline talked from her place in Phnom Penh about her dream of becoming an artist, her experience of going to France without a grant and not being able to speak the language, we also delved into how nature informs her work, and we discussed why she began the Blue Art Center initiative. Yim Maline’s artworks. From her meticulous graphite-on- paper drawings to her bold sculptures, her conceptual foundations have been a processing of memories specific to her childhood growing up amidst civil war in Cambodia, and a means to consider the complex effects of this period on the natural environment and individual and societal structures of today. Yim’s ambitious and skillful use of materials challenges our perception, while an inherent vein of uncertainty and tension challenges our comfort. Maline was born in 1982 in Battambang, and is a graduate of Phare Ponleu Selpak art school (1995-2003) and received a BFA, Fine Art, École Supérieure des Beaux Arts de Caen la Mer, France (2010). Yim’s solo exhibitions include Having a Hole or empty space inside at SA SA BASSAC (2015), and Silk Threads at Insider Gallery, InterContinental Hotel, Phnom Penh (2012). Her group exhibitions include Futurographies: Cambodia – USA – Paris, New York, Phnom Penh, Paris; And that which was always known, Yavuz Gallery, Singapore (2015), Eight Women, French Institute, Phnom Penh (2011). She was resident at Japen (2017), Jose Arts Lab, Johannesburg, South Africa (2016), at Vermont Studio Center, VT, USA (2015) and at Bose Pacia Transparent Studio, NYC with Season of Cambodia’s IN RESIDENCE program (2013) More on www.thelastsupper.asia ----- The French Chamber Foundation is pleased to present Make It Bloom, Make It Work HK’s Charity Auction 2023. For the second time, Hong Kong art galleries and artists have come together to help and contribute by donating artworks to be auctioned for this worthy cause.  A preview exhibition of the artworks will be hosted by Christie’s on the 22nd floor of their Alexandra House space in Hong Kong. The exhibition will culminate in a live auction directed by Christie’s auctioneer Georgina Hilton during a cocktail evening on Friday the 3rd of November. More information on www.makeitwork.hk ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

In today’s episode I sat down with Jeannie Wong, a print maker based in Hong Kong. We talked about her journey into print making, what inspires and informs her drawings, and she talked about her work she made for Art Basel. Wong Jeannie Ho Ching was born and raised in Hong Kong, and is currently based in Hong Kong. She graduated from MA Print, Royal College of Art in 2021, Visual Arts Academy, Hong Kong Baptist University in 2017. She has participated in various group shows in Hong Kong, London, Bremen and Japan, and held her first solo show in 2019 in Hong Kong Open Print Shop, and got shortlisted by Awagami mini-print exhibition in the same year. She held her solo show Fragments of time in 2022 at Odd One Out after she return from her study. Her works are collected by public and private collections.  More on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Architect turned artist Justin Hui sat down with me to talk about his journey into art that started in Africa, how globalisation is shaping cities in Africa and the rest of the world, the impact of colonialism and appropriation, the erosion of Hong Kong’s history, and we discussed the semiosis of imagery. Justin started making images when he took a one-way flight to Africa back in 2014 to document Chinese infrastructure for a year. Since then, he has drawn on his practice in architecture to explore topics about land development, borders, globalisation, alienation, memory, and oneself. Besides photography, he works with zines, cartography, space, writing, and found material. He published his first photobook, New Territories, with Asia One in 2022. Trained in architecture at Cornell University, he’s a licensed architect who worked at Herzog & de Meuron and Office for Metropolitan Architecture. More on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

In today’s episode I talk with artist Chi Yu from his studio in Taiwan. Together we delved into several areas such as the ambiguous roles of the Han Chinese as settlers and occupiers in his work called “Settlers and the Unhomely”, we continued our discussion about his project "Atlas of the Closed Worlds", a work that illustrates the global development of the closing of nations, and we looked at society through an alien world. Wu Chi-Yu is a multimedia artist whose works include photography, film, and video installation. He delves into the lost and unestablished links among species, environment, and the technology that constructs human civilization, exploring the complex historical geography of Asia and the interdependence of various beings through multiple narratives. His works have been exhibited and screened at Times Art Museum, Guangzhou (2021); MoCA, Taipei (2020); 2018 Shanghai Biennale; 2016 Taipei Biennial; Beijing International Short Film Festival (2017) and was a resident artist at Rijksakademie van beeldende kunsten (2014-2015). More on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

In today’s episode I have the pleasure of talking with Vuth Lyno, a Cambodian-based artist, curator, and educator. From his studio in Phnom Penh, we delved into his work Spirit Houses, spirituality in Cambodia, and his rainbow machine maker. Vuth Lyno also talked about his collective Sa Sa Art Projects and the role of placemaking in his work. Vuth Lyno is an artist, curator, and educator interested in space, cultural history, and knowledge production. His artworks often engage with micro and overlooked histories, notions of community, place-making, and the production of social relations. He works across various media, including photography, video, sculpture, light, and sound, often constructing spatial and architectural bodies as situations for interaction. He introduces human stories and knowledge within these installations by drawing on a wide range of materials such as original interviews, artifacts, and newly made objects. Lyno is also a member of Stiev Selapak collective which founded and co-runs Sa Sa Art Projects, a long-term initiative committed to the development of contemporary visual arts landscape in Cambodia. Lyno has presented his artworks in Cambodian and international venues such as the Asia Pacific Triennial of Contemporary Art, Biennale of Sydney, Singapore International Festival of Arts, and Gwangju Biennale. His artworks have appeared at institutions such as the Museum of Contemporary Art Taipei; Gallery of Modern Art, Brisbane; Metropolitan Museum of Manila; the Art Gallery of New South Wales, Sydney; the National Gallery of Indonesia, Jakarta; Centre for Contemporary Art Ujazdowski Castle, Warsaw; Guangdong Times Museum, Guangzhou; Osage Gallery, Hong Kong; and Chiang Mai City Arts & Cultural Centre. Lyno holds a Master of Art History from the State University of New York, Binghamton, New York, a Fulbright Fellowship (2013-15), and a Master of International Development from RMIT University, Melbourne, supported by the Australian Endeavour Award (2008-2009). More information on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

In today’s episode I had the pleasure of meeting Dr Sonia Wong, a performance artist and poet based in Hong Kong. We began our conversation about her role at the Chinese University of Hong Kong, how her diglossic poetry and writing has informed her body of work, we talked about embodied experiences, and lastly we discussed her latest 3-day performance work One Sheet of Warm Coexistence in which she invited people to share her bed with her. Sonia Wong is an interdisciplinary artist, writer, and researcher based in Hong Kong. Her work explores sexuality, identity, intimacy, and violence, within the context of Asian histories and colonial legacies. Her recent projects focus on exploring femininity, relationship, connection, desire, vulnerability, intimacy, and trauma, through a combination of performed text, installation, and immersive visuals and ambient soundscapes. She debuted at Tai Kwun with Becoming The Wild Thing (2022) at the opening of Myth Makers—Spectrosynthesis III Exhibition (2022) with collaborator Zoë Marden, with two reruns of the performance in March and April 2023, and a solo performance Delivered Not Read presented by Eaton HK in February 2023. More information on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Michelle chan is a photographer, artist and in today’s episode we talked about how she shifted her career from computer science to behavioural therapy to art, how she discovered the unexpected passion of her late uncle, and the different reasons why people take Citybusses in Hong Kong. Michelle Chan Wan Chee is an artist who works primarily in photography. She uses the camera and manipulated images to generate connections and conversations with people, so as to discover, reflect and nurture our impressions of people, places and things. She is interested in systems, human behaviours and habits, the everyday and the notion of home. Her work often explores and reflects on the inherited familial and Chinese beliefs that inform our daily gestures and rituals. Her work has been exhibited in Hong Kong and internationally, including the Angkor Photo Festival 2019, Singapore International Photography Festival 2020 and Objectifs’ Women in Film and Photography 2021 (Singapore) and as part of the Hong Kong International Photo Festival 2022. Alongside her individual artistic practice, she founded Hong Kong Photobook Club (Phoboko), a platform that brings people together through their interest in photobooks and the topics that they foreground. As a community, Phoboko hopes to interrogate photography as a medium, promote the vision of Hong Kong artists and dialogue with other photographers in the Asia-Pacific region. More information on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Poet and artist Maung Day talked with me from his home in Yangon, Myanmar which is also formerly known as Burma. We began our conversation about what was driving him to draw, the ugly and the beautiful, how he reconstructives narratives through poetry and drawings, and the challenge of translation between languages and domains. MAUNG DAY is an acclaimed poet and visual artist hailing from Myanmar. He has penned a number of poetry books in Burmese, and some of his English poems have appeared in journals such as Guernica, The Margins, The Awl, Shampoo, Mekong Review, and more. His art practice encompasses drawing, painting, installation, video, and photography. He has shown his artwork in Japan, Hong Kong, Vietnam, Singapore, Thailand, Germany, Australia, and Myanmar. He last showed his artwork at SEA Focus 2023 and ART SG 2023, both held in Singapore. His first full-length collection of poems written in English titled Death in Summer is coming out in September, 2023, from Chin Music Press.  More information on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

In today’s episode I met Mindy Lui, a Hong Kong-based artist. From her studio we discussed her work and began our conversation with her airing blanket project, we discussed the background of her tangerine peel work, talked about how she collaborated with Hidden Space team and we delved into how the value of objects change over time. Mindy LUI (b.1997, Hong Kong) obtained her BA in Fine Arts from the Academy of Visual Arts, Hong Kong Baptist University in 2020. She works primarily with drawing and painting, and increasingly experiments with adjacent video and found objects installation. Focusing on the material cultures of various everyday objects, her practice examines the value ascribed to man made objects and opens up the possibilities of intimacy and the bond between humans and objects. More on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

I’m back on the ferry to another island in Hong Kong. I travelled to meet artist Yip Kai Chun on Peng Chau where we talked about how he learnt to speak Hakka, the impact of its decline, how a new generation was exposed to Hakka through his community project and the upcoming Inter-Island Art Festival in Hong Kong. Yip Kai Chun is an artist-curator born and based in Hong Kong. Neglected history, culture and language of the localities are at the core of his research-based creations. Exploring the Hakka root of his own and others in Hong Kong and abroad through the Hakka language has been one of his interests. His art often involves community/audience participation, sound and language (spoken & written), through which new collectivities and action emerge. In recent years, he has initiated and participated in several socially-engaged projects and artist residencies, immersing into disparate milieux and issues. He considers curation as an extension of his artistic creation and a chance to create broader connection and collaboration. More on www.thelastsupper.asia ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Wing Sze Lam is a Hong Kong-based video artist and she talked about her role at the M+ museum, why she identified herself with a fisherman, the foundation of creativity and we discussed the meaning of art. Lam Wing Sze is a Hong Kong–based video artist. She received her BA from the Academy of Visual Arts, Hong Kong Baptist University, in 2015. Lam currently works in museum education. Participated exhibitions and projects include “Our Manifestos II: Videography, Documentary Impulses” (Floating Projects, Hong Kong, 2021), “Portals, Stories, and Other Journeys” (Tai Kwun Contemporary, Hong Kong, 2021), “Sightlines” (Hong Kong Art Centre, Hong Kong, 2019 and 41 Ross, San Francisco, 2017 ), “DREAM Video 100” (West Bund Art & Design, Shanghai, 2018), “Wonder Foto Day” (Songshan Cultural and Creative Park, Taipei, 2019), “The Aerial Actor” (Art Omi, New York, 2018), “Observe / Scrutinise / Perceive” (Gallery EXIT, Hong Kong, 2018), “Weighty Light” (Affordable Art Fair, Hong Kong, 2018), “from here to there” (Kunstquartier Bethanien, Berlin, 2016).  Lam’s image narratives are often composed of scenes and situations she encounters by chance, but also those that she both anticipates and manipulates. Her role as an image-maker is to create a situation that gives the audience a viewing experience, opens up a conversation with that which was captured, and generates new meaning. Lam looks at scenery in the city and inverts daily observations into moving images that depict the perception and reflection of seeing.  Website www.lamwingsze.com Instagram @cameraisasketchbook ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter

Artist Aktin Drieglo is my next guest on The Last Supper. From his Cheung Chau studio we spoke about the role of alter egos, how they function as a kind of escapism, social-ecological issues, and how his work has evolved from graffiti to paintings. Olgierd is a professional visual artist, designer and architect. Born in 80s  Poland, he practiced arts in Berlin, notably street art. He then moved to Hong Kong fourteen years ago, where he established a studio on Cheung Chau island. In his works, Olgierd explores the boundaries between abstract and figurative painting. He mixes different media, from painting with photography, to collages, stencil and stamping.  His aesthetic method uses line sketching, as well as abstract patterns, drippings and splashes of colour. The art that results from this plurality of techniques is whimsical, unexpected yet infused with art historical references. Olgierd’s work expresses a quest to make sense of the world and the times we live in. He addresses socio-political and ecological questions, such as achieving a more balanced and sustainable lifestyle; to philosophical questions, such as finitude or folly of human endeavours. @aktin.dreiglo ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter⁠⁠⁠⁠

Artist and illustrator Pearl Law talked about adapting to European sensibilities, Hong Kong - Japanese dog owner behaviour, the notion of modernology or Kougengaku, and we spoke about her art residence in Japan. Pearl Law is an illustrator, comic artist, and a zine publisher. She graduated from University of the West of England with a degree in Illustration. Much of her work takes inspiration from humour, literature, history, and behavioural observations. She loves to play around with visual wit and exploring the best narrative possible through problem-solving. Website: ⁠https://pearlperoni.com Instagram ⁠@pearlperoni ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠⁠www.thelastsupper.asia/newsletter⁠⁠⁠⁠

Dr Caroline Ha Thuc is a researcher, curator, writer and lecturer. I met her at Asia Art Archive in Hong Kong and together we talked about her residency programme Walden, her current project about the ecology of cacao in Asia, we delved into the challenges of today’s discourses, and her role as a lecturer. Dr. Caroline Ha Thuc is a French Hong Kong based independent art writer and curator. She holds a PhD from the School of Creative Media, City University Hong Kong. Specialised in Asian contemporary art, Ha Thuc contributes regularly to different magazines such as ArtPress in France and Artomity in Hong Kong. Ha Thuc’s field of research focuses on research-based art practices and the emergence of alternative modes of knowledge production in Asia.. She is a lecturer at City University HK, the HK Art School and at Lingnan University where she is teaching curating. Prior to moving to Hong Kong, Ha Thuc spent two years in Tokyo and published ‘Nouvel Art Contemporain Japonais’ (Nouvelles Editions Scala 2012) about the post-Murakami Japanese art scene. Her book ‘Contemporary Art in Hong Kong’ (Asia One, 2013 & Nouvelles Editions Scala, 2013), provides essential keys to apprehend the city’s vibrant contemporary landscape and exposes the countless links between art, history, culture and identity. She also published a book about Chinese contemporary art analysing the interactions between the art scene and China’s rapidly changing society (‘After 2000: Contemporary Art in China’ published in French and English (2015). Her book “Research-based art practices in Southeast Asia: the Artist as Producer of Knowledge” has just been published in the UK (Palgrave Macmillan, London 2022). As a curator, she focuses on promoting dialogue between artists from different cultures, while reflecting on social and political contemporary issues. Her main exhibitions include ’31 WOMEN ARTISTS HONG KONG’ (10 Chancery Lane, Hong Kong 2022), ‘Boundless Sea: the artist becoming researcher’ at the Art Museum of Guangzhou Academy of Fine Arts (Guangzhou, 2021-2022), ‘Constructing Mythologies’ (Edouard Malingue Gallery, Hong Kong 2018), ‘Documenting Myanmar’ (Charbon Art Space, Hong Kong 2018), ‘Carnival’ (Hong Kong, 2017), ‘Human Vibrations’ (5th Large-scale Urban Media Arts Festival, 2016), ‘The Human Body: Measure and Norms’ (Blindspot Gallery, Hong Kong, 2015), ‘Shelters of Resistance’ an in-situ installation by Kacey Wong in the courtyard of the City Hall (YIA Art Fair Paris, 2015), ‘Hong Kong Bestiary’ (Platform China, Hong Kong, 2014), ‘Radiance’ (French May, Hong Kong, 2014). Ha Thuc has recently founded Walden, an art residency in the South of France, dedicated to artistic exchanges between Asia and France. ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠ ⁠⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠ Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠www.thelastsupper.asia/newsletter⁠⁠⁠⁠

Strange Strangers curated by Cusson Cheng is a duo-artist exhibition at Para Site in Hong Kong. I sat down with both artists, Shuyi Cao who is based in New York and Hong Kong-based Leelee Chan. I began the conversation asking about their working method, their relationship with materiality, their work at the current show at Para Site, and what art is for in relation to climate change. Leelee Chan (b. 1984, Hong Kong; lives and works in Hong Kong) makes enigmatic sculptures that incorporate urban debris, ancient artefacts, natural materials, and industrial products, generating visual paradoxes in which these objects move seamlessly between past, present, and future. Reflecting the shifting urban fabric in her immediate surroundings in Hong Kong, Chan's sculptures undergo an elaborate transformation through tactile experimentation with materials and processes. The artist pushes the limits of her objects' physicality and expands the possibilities of the language of abstraction. In 2020, Chan was the recipient of the ninth BMW Art Journey. She’s participated in exhibitions including at Tai Kwun Contemporary, Hong Kong (2021, 2018); Para Site, Hong Kong (2021); Skulpturen Park Köln, Cologne (2020); and UCCA Dune, Beidaihe (2019). Chan's work is in the permanent collections of M+, Hong Kong; Skulpturen Park Köln, Cologne; and Kadist Art Foundation, Paris and San Francisco. Chan received her MFA in painting from the Rhode Island School of Design and her BFA from the School of Art Institute of Chicago.  The practice of Shuyi Cao (b. 1990, Guangzhou; lives and works in New York) explores alchemical approaches to object making and knowledge osmosis. Through archeological speculation and ecological fiction, she contemplates the plurality of relations between technoscience, mythology, and cosmology. Her multi-medium installations synthesise various organic and inorganic materials, and natural and artificial processes. Combining hand-crafted and digital artefacts, moving images, and sounds, the assemblages suggest heterogeneous material temporalities. She has exhibited internationally including at NARS Art Foundation, New York (2021); Power Station of Art, Shanghai (2021); and MASS MoCA, North Adams, MA (2018). She is the recipient of the Today Art Museum Wang Shikuo Nomination Award, The New School Tishman Environment and Design Center Research Grant, and MASS MoCA’s Assets for Artists Grant. She is an assistant professor at Pratt Institute and adjunct faculty at Parsons School of Design. She received her MFA from Parsons School of Design, New York, and her MPA and LLB from Fudan University, Shanghai.  Website ⁠www.para-site.art⁠ Instagram ⁠@parasite.hk⁠ ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠⁠ ⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠ Intagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠www.thelastsupper.asia/newsletter⁠⁠⁠

This episode addresses viewer stones or scholar’s rocks. These are naturally occurring or shaped rocks that are cherished by scholars. Together with curator and writer Olivia Wang we explored the tribulations of writing, what makes a stone a scholar’s rock and we discussed her project Unsung Heroes of Ink that she directed and produced. Olivia Wang is an independent curator and writer based in Hong Kong. Her writing on contemporary Chinese ink art has appeared in the Wall Street Journal, ArtAsiaPacific, Orientations, Journal of Contemporary Chinese Art, among others. She is the Director and Producer of "Unsung Heroes of Ink" (2020), a short documentary on the role of paper in ink painting.  Writing Unsung Heroes of Ink Pop Rock IG: @unsungheroesofinkfilm ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠⁠ ⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠ Intagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠www.thelastsupper.asia/newsletter⁠⁠⁠⁠ ----- The Last Supper is supported by the Hong Kong Art Gallery Association ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.hk-aga.org

In this episode I travelled to Kowloon Bay in Hong Kong where I met painter Jeremy Ip in his studio and gallery space. We talked about how emptiness evokes imagination, the challenge of owning a gallery space, why it is important to have different viewpoints, and how Jeremy cultivates different perspectives through the activities at his art gallery. Jeremy Ip is a painter based in Hong Kong, a busy city shaped with rational rules. Through painting, a temporary suicide, he strives for humility and stillness. Creating an ambiguous purity and immersive flatness using thinly layered oils reflects Japanese notions of Wabi-Sabi. In accepting and appreciating nature, these immersive surfaces are often inhabited by a fluid nucleus, calling attention to the subtle beauty of imperfection as an essence of simply ‘being’ and a possible alternative to our frenetic existence. The intensive labour of flattening and the smoothing colour is somehow meditative with the painter’s personal traces. Repeated slowly and deliberately, it renders the outcome a kind of container for the soul. The release of paint on canvas becomes a metaphor for decay as energy is broken down and quieted, then stored as a latent potential for regeneration. Chance is embraced in marks interwoven by fate rather than conscious decision-making. The painter becomes a tool and the artwork as a bi-product of inevitability in simply ‘being’, an individual passive existence such as a fruit, a mountain or a landscape. Viewers are invited to enter the absent emptiness as a space of grounding self-awareness. Perhaps associating this sense of calmness and absence with a reduction of the intelligent self to a creature in contemplation. A temporary escape from imposed rationality and order, it may feel like the hollowness or exhaustion that remains after an impactful experience has passed. In fact, the only subject of the painting is balancing the struggles and compromises of being both a culturally ‘civilized’ human and a weak, inadequate animal. In this context, the painting marks a phase of the painter’s life born within the flow of destiny. Both silent and passive, they foreground an attitude of acceptance that evades any specific communication beyond sharing the welcoming of fate. “Box of LeeLeeLooLoo!“ 《哩哩囉囉的盒子》at WURE AREA. Three Hong Kong artists, Cho Wing Ki, Wong Mei Yin, and Yeung Sin Man, who also habitually collect small items like stickers and pins, present their recent drawings, paintings and printmaking in this exhibition. Exhibition Period: 30/6/2023 > 23/7/2023 Friday to Tuesday 1PM - 6PM (Close on Wed and Thur) *Open on 1/7/2023 IG @wurearea ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code. ⁠⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠⁠ ⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠ Intagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠www.thelastsupper.asia/newsletter⁠⁠⁠⁠ ----- The Last Supper is supported by the Hong Kong Art Gallery Association ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.hk-aga.org

I sat down with Winsome Wong in Hong Kong. We talked about what she meant by textures and layering in her video work, what she finds so fascinating about imperfections and we delved into her family’s project Lorna’s Party that features her mother and family from the Philippines.  Winsome Wong mainly works on videography and the sculpting of images. Through moving along with her camera, composing and sculpting the texture and rhythm of the images, she believes that art helps guiding her to comprehend and step into daily life. Therefore, most of her works are about her daily life and people around her, leading her works to be created in different cultural contexts along her mobility. She also spent a lot of time thinking about the authority of images and artwork, that there are times she credits that the sources of her works are people around her and that she acts as an “agent” or “co-creator” of the works. She’s a member of Floating Projects Collective. ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code. ⁠⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠ ⁠⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠ Intagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠www.thelastsupper.asia/newsletter⁠⁠⁠⁠ ----- The Last Supper is supported by the Hong Kong Art Gallery Association ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.hk-aga.org

In this episode I sat down with artist Reo Ma in his studio in Wong Chuk Hang, Hong Kong. We touched on multiple aspects of his work including how he has learnt to make garments, the value of creation, how he dealt with depression and his latest project Form n Void. Atelier Reo Ma represents a life philosophy aimed at inspiring people from different background and walks of life. Different mediums are used to present ideologies associated with the philosophy. Living in a world filled with norms often makes oneself follow a path which is considered “good life”, with the illusion that they have consciously chosen the right path for themselves. We are not discouraging the following of norms, but rather we would want oneself to make decisions in life based on their own inner will rather than external expectations. During the span of a busy urban life, we often lack the space, time and an open-mind to reflect about what we truly want and desire; leading to pursuits of readily-available materialistic satisfaction set out by societal norms and forgetting about the deeper spiritual fulfilment. Atelier Reo Ma aims to provide mediums and platforms to inspire urban souls in reflecting what they truly desire during the span of a limited lifetime. Web https://www.formnvoid.org/ IG @form_n_void ----- ⁠⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code. ⁠⁠⁠⁠⁠⁠⁠See ⁠⁠programme⁠ ⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠ Intagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠www.thelastsupper.asia/newsletter⁠⁠⁠⁠ ----- The Last Supper supports the Hong Kong Art Gallery Association ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.hk-aga.org

In today's episode I sat down with Hong Kong based artist May Yeung. We talked about how she began as a sculptor and how she transitioned to a full-time mixed media artist, her motivation behind her charity Art of MY Family, the impact of cancer on her art practice , and how she engages the general audience through her art workshops.   May Yeung specialises in sculpture-making and public arts. Graduate of the University of Chicago in Visual Arts and Political Science, she was yet the one and only Asian to have had public exhibitions at Chicago Union Station, Rockefeller Memorial Chapel, and Harper Memorial Library, showcasing her public art works - Citation, What If... (2010) and #. (2012). Upon her return to Hong Kong, May was invited to showcase Cocoon at The Residence of the Netherlands Consul General to Hong Kong and Macau. She was selected to be the only local sculptor to exhibit at French May Arts Festival (2017 & 2018). May established Art of MY Family to organize community art events for social impacts (2018) primarily to bring community arts to the public mass and promote cultural exchange. She was the curator and artist for Fill Central with Love Exhibition and Workshops (2021) supported by Urban Renewal Authority at Central Market. Since 2021, Art of MY Family has been partnering up with Hong Kong Cancer Fund in several initiatives, including the advocacy of up- cycling, transforming worn-bamboo steamers into artworks, as well as the promotion of women empowerment and social harmony. FB: myeungsculpture WEB: http://www.artslant.com/global/artists/show/195405-may-yeung ----- ⁠⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code. ⁠⁠⁠⁠⁠⁠See ⁠⁠programme ⁠>⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠ Intagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠www.thelastsupper.asia/newsletter⁠⁠⁠⁠ ----- The Last Supper supports the Hong Kong Art Gallery Association ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.hk-aga.org

During this episode, I had the pleasure of meeting Jiyoung Park, who serves as the director of Whitestone Gallery in Seoul, Korea. Our conversation covered a range of topics, including political science, the difficulties posed by fake news, the impact of a new generation of art collectors on the art market, the Frieze art fair in Seoul, and the current state of art fairs in Asia. Jiyoung Park is Director of Whitestone Gallery Seoul. She started working at Whitestone Gallery Tokyo in 2011 and then moved to Whitestone Gallery Hong Kong branch as a gallery manager. Currently, she is based in Korea, where she is preparing a new space for Whitestone Gallery in Seoul, which is scheduled to open this September. Website whitestone-gallery.com Instagram @whitestonegallery.official ----- ⁠⁠⁠⁠⁠⁠⁠Christie's Education⁠⁠⁠⁠⁠⁠⁠ Enjoy 15% Discount and Join a virtual or in-person art course, lecture, workshop, city or art gallery visit. Use 'LASTSUPPER15' discount code. ⁠⁠⁠⁠⁠See ⁠⁠programme >⁠⁠⁠⁠⁠⁠⁠ ----- The Last Supper Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thelastsupper.asia⁠⁠⁠ Intagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelastsupper.asia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Newsletter: ⁠⁠⁠⁠www.thelastsupper.asia/newsletter⁠⁠⁠⁠ ----- The Last Supper supports the Hong Kong Art Gallery Association ⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.hk-aga.org