EP350 75歲才被世界看見，她說我一直在工作——Louise Bourgeois的故事

她做了一隻鋼鐵蜘蛛，高度超過九公尺，放在倫敦泰特現代美術館的渦輪廳。她說那隻蜘蛛叫做媽媽。 路易絲布爾喬亞的童年有一個秘密：她的父親把情婦帶回家住，讓她叫那個女人薩比。這件事持續了將近十年。她的母親保持沉默。二十一歲那年，她的母親去世了。 她把這些全部做成了藝術。她做了封閉的細胞裝置，裡面裝著記憶的物件。她做了關於女性身體的雕塑。她七十一歲在紐約現代美術館辦回顧展，七十五歲被世界真正看見。但她從來不在意。她說她一直在工作。 今天的沉思者J，我們走進這個用一生的藝術消化一個童年創傷的女人的故事。 She made a steel spider over nine meters tall and placed it in the Turbine Hall of the Tate Modern in London. She called it Maman. Mother. Louise Bourgeois had a childhood with a secret: her father brought his mistress into the family home and expected everyone to accept it. This arrangement lasted nearly ten years. Her mother stayed silent. Her mother died when Louise was twenty-one. She turned all of it into art. She made enclosed installations called Cells, filled with objects that held memories. She made sculptures dealing directly with the female body. At seventy-one she had a retrospective at the Museum of Modern Art in New York. At seventy-five the world finally saw her clearly. She did not care either way. She said she had been working all along. Today on Thinker J, we enter the story of a woman who spent a lifetime turning one childhood wound into art that the world could feel. 路易絲布爾喬亞, Louise Bourgeois, 蜘蛛媽媽, Maman, 沉思者J, Thinker J, 向大師致敬, 雕塑, 當代藝術, 女性主義藝術, 創傷與藝術, 泰特現代美術館, 典範人物, Jenny, 傳記, 藝術家, 紐約, 法國, 心理創傷, 藝術療癒 Powered by Firstory Hosting