Hard labour and punitive welfare: the unemployed body at work in participatory performance

Bartley, S. (2017) ‘Hard labour and punitive welfare: the unemployed body at work in participatory performance’, Research in Drama Education: The Journal of Applied Theatre and Performance, 22(1), pp. 62–75. doi: 10.1080/13569783.2016.1263559. Abstract: This article addresses the performance of labour in participatory arts projects and considers the implications of such activity on perceptions of the unemployed in the UK. Utilising a combination of biopolitical and necropolitical understandings of governance and drawing on two examples of theatre practice, Tangled Feet’s One Million (2013) and Helix Arts' MindFULL (2013), I propose that participatory performance deploys bodily strategies to disrupt the construction of the unemployed in political rhetoric. As such, in a context of austerity, I argue this arts practice can function to support the agency of participants in challenging policy and seeking to re-establish the status of subjecthood to their precarious bodies. Additionally, I posit that specificities of the unemployed as a participant group illuminate broader complexities around value exchange within participatory arts practice. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit necropolitics.substack.com