How to Spot a Fascist — When Authoritarianism Changes Its Clothes
from Crisis in Perception Hosted by Crisis in Perception
What if authoritarianism becomes most difficult to recognize when it no longer resembles the regimes preserved in historical memory? Welcome to Crisis in Perception, where we examine the systems shaping our world. Using How to Spot a Fascist by Umberto Eco as our lens, this investigation explores Eco’s concept of “Ur-Fascism”: a recurring family of cultural, psychological, and political tendencies that can reassemble themselves in different combinations. Eco’s argument moves beyond the search for one definitive feature. Traditionalism, irrationalism, fear of difference, social frustration, conspiracy thinking, hostility toward criticism, permanent struggle, qualitative populism, and impoverished political language can interact and reinforce one another without reproducing historical Fascism exactly. The investigation also connects Ur-Fascism to Eco’s reflections on censorship through noise. Control of public understanding does not always require suppressing information; important facts can also disappear inside distraction, repetition, spectacle, and information overload. At the center of the episode are several interconnected systems: group identity, manufactured consensus, information overload, political language, historical memory, and the tension between pluralism and enforced unity. 📺 Watch on YouTube: https://youtu.be/9gXwG9w9Q8k ❤️ Support / Episode Post on Patreon: https://www.patreon.com/CrisisinPerception/posts/how-to-spot-when-172195749?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link If these ideas resonate, consider reading the work yourself or borrowing it from your local library. Supporting authors and libraries helps keep critical inquiry accessible. If you value systems-level analysis like this, please follow, rate, and share the project. This content was created using AI-assisted tools for research synthesis, structuring, and narration support. All analysis, framing, and editorial decisions are guided by human judgment as part of the Crisis in Perception project.
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