EPISODE · Jun 3, 2026 · 3 MIN
Piazza Verdi-ingl.
from The Squares of Bologna · host ASPPI
PIAZZA VERDI It is dedicated to the Italian composer Giuseppe Verdi and is located in the historic centre of Bologna, at the heart of the university district. For a long time, the square was not officially recognised in the city’s street naming system and was considered part of Via Zamboni; it was formally named after the famous composer only in 1951. It emerged in the 15th century as an open space in front of Palazzo Bentivoglio. Initially, it bore the name of that noble family until their residence was destroyed in the early 1500s. It is said that during the demolition of the palace by an enraged Bolognese populace, even the latrines were destroyed to erase all traces of their rule. Some claim that valuable objects hidden in the rubble were never found. On the ruins of the palace rose the Teatro Comunale, designed by architect Antonio Galli Bibiena in 1750. Its façade, however, was only completed in 1937, with the addition of a terrace meant to host fascist authorities during public events. The theatre is surrounded by mystery: local legends speak of the ghost of a tenor who tragically died during rehearsals, whose spirit is said to wander the stage and dressing rooms still, whispering and playing lone notes at night. On the southeast side of the square, opposite the theatre, parts of the ancient stables of Bologna’s ruling lords remain—vast, columned spaces that once housed horses, carriages, and weaponry. Along the southwest side of the square runs a section of the city’s second ring of walls, uncovered in 1906. From there, one can see the apse of the Basilica of San Giacomo Maggiore and the final stretch of the elegant Renaissance portico that leads to the Church of Santa Cecilia. In the 18th century, the square was known as Piazza di Santa Cecilia. One Bolognese legend tells of a now-lost garden behind the church where white swans—symbols of purity—were once raised. One of these swans was stolen by a French nobleman to gift to his beloved, but he was caught at the border, and the swan was returned in a sort of popular procession. Since then, people say no love stolen in Piazza Verdi ever lasts. At the corner of the square, at number 25 of Via Zamboni, stands Palazzo Paleotti. Architecturally, it appears as a solid, portico-less block of medieval origin and now houses the university library and multimedia centre. Built by the Salaroli family in the late 15th century, it still preserves a beautiful courtyard with 16th-century frescoes. Among university students, a superstition circulates: entering the inner courtyard before graduation is said to doom one never to graduate. For this reason, many choose to walk around the building, even in bad weather. Throughout the 20th century, Piazza Verdi played a central role in the political and cultural life of the city. During the 1968 student movement and the Years of Lead, it was the stage for protests, marches, and spontaneous assemblies. Police constantly monitored the area, while voices from pirate radio stations echoed from the balconies. In the 1980s and 1990s, the square became a spontaneous performance space, hosting outdoor jam sessions by young musicians who gathered large crowds—some of whom would later go on to have successful musical careers in Italy. Today, especially in the summer, the square continues to host cultural events in the open air, reaffirming its role as a dynamic and symbolic space of university life in Bologna.
What this episode covers
PIAZZA VERDI It is dedicated to the Italian composer Giuseppe Verdi and is located in the historic centre of Bologna, at the heart of the university district. For a long time, the square was not officially recognised in the city’s street naming system and was considered part of Via Zamboni; it was formally named after the famous composer only in 1951. It emerged in the 15th century as an open space in front of Palazzo Bentivoglio. Initially, it bore the name of that noble family until their residence was destroyed in the early 1500s. It is said that during the demolition of the palace by an enraged Bolognese populace, even the latrines were destroyed to erase all traces of their rule. Some claim that valuable objects hidden in the rubble were never found. On the ruins of the palace rose the Teatro Comunale, designed by architect Antonio Galli Bibiena in 1750. Its façade, however, was only completed in 1937, with the addition of a terrace meant to host fascist authorities during public events. The theatre is surrounded by mystery: local legends speak of the ghost of a tenor who tragically died during rehearsals, whose spirit is said to wander the stage and dressing rooms still, whispering and playing lone notes at night. On the southeast side of the square, opposite the theatre, parts of the ancient stables of Bologna’s ruling lords remain—vast, columned spaces that once housed horses, carriages, and weaponry. Along the southwest side of the square runs a section of the city’s second ring of walls, uncovered in 1906. From there, one can see the apse of the Basilica of San Giacomo Maggiore and the final stretch of the elegant Renaissance portico that leads to the Church of Santa Cecilia. In the 18th century, the square was known as Piazza di Santa Cecilia. One Bolognese legend tells of a now-lost garden behind the church where white swans—symbols of purity—were once raised. One of these swans was stolen by a French nobleman to gift to his beloved, but he was caught at the border, and the swan was returned in a sort of popular procession. Since then, people say no love stolen in Piazza Verdi ever lasts. At the corner of the square, at number 25 of Via Zamboni, stands Palazzo Paleotti. Architecturally, it appears as a solid, portico-less block of medieval origin and now houses the university library and multimedia centre. Built by the Salaroli family in the late 15th century, it still preserves a beautiful courtyard with 16th-century frescoes. Among university students, a superstition circulates: entering the inner courtyard before graduation is said to doom one never to graduate. For this reason, many choose to walk around the building, even in bad weather. Throughout the 20th century, Piazza Verdi played a central role in the political and cultural life of the city. During the 1968 student movement and the Years of Lead, it was the stage for protests, marches, and spontaneous assemblies. Police constantly monitored the area, while voices from pirate radio stations echoed from the balconies. In the 1980s and 1990s, the square became a spontaneous performance space, hosting outdoor jam sessions by young musicians who gathered large crowds—some of whom would later go on to have successful musical careers in Italy. Today, especially in the summer, the square continues to host cultural events in the open air, reaffirming its role as a dynamic and symbolic space of university life in Bologna.
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Piazza Verdi-ingl.
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