SAL OLIVERI: Faith in Mainstream Music Making

This episode is a must-listen to anyone seeking an insider's look into how a hit-making Nashville producer can maintain his faith while producing top mainstream artists. When you look beyond this amazing list of production credits you will discover that Sal Oliveri is an outspoken Jesus follower who carries his humble, authentic faith into every session. Country/Americana: Chris Stapelton, Carrie Underwood, Garth Brooks, Kenny Chesney, Keith Urban, Sheryl Crow, The Band Perry, Brett Eldredge, Lee Brice, Randy Houser, Parmalee, Haley & Michaels, Ricky Skaggs, Faith Hill, Jo Dee Messina, Lee Ann Womack, Charles Kelly (Lady Antebellum), John Paul White (The Civil Wars), David Nail, Lori McKenna, Kip Moore, High Valley, Leigh Nash Pop/Rock/Urban: P!NK, Billy Joel, Emily West (America's Got Talent 2014 #2 finalist), Brooke White (American Idol), David Cook (American Idol), Dia Frampton (The Voice), Jack Antonoff (FUN, Bleachers), Dan Wilson (Semisonic, Adele), Stan Lynch (of Tom Petty and the Heartbreakers), Daniel Powter, Lucie Silvas, B.Reith, Room for Two, Jaren Johnston of "Cadillac Black", Andy Davis, Kevin Griffin (of Better Than Ezra) David Hodges (Evanescence) Raised in the shadows of Manhattan, Sal Oliveri developed a diverse musical background. Before long, he was performing as musical director and keyboardist at Harlem's famous "Cotton Club" and hitting the NJ/NY studio scene. Soon after, Sal relocated to Nashville where his musical efforts quickly earned him a co-written #1 single and a Grammy Nomination. Sal has earned multiple Billboard and iTunes #1's, with over 13 Million streams in 2017 alone. John Chisum visited with Sal in his amazing Grand Central South Studio, frequented by clients such as Kathi Lee Gifford, Nicole C. Mullen, and mega country writers Allen Shamblin ("I Can't Make You Love Me") and Tom Douglas ("Love Me Anyway"), as well as many aspiring artists looking for his production help. John and Sal Oliveri talk about the Pink/Chris Stapleton duet "Love Me Anyway" (Douglas/Shamblin) and how a writer's demo became a hit song years after the production was done. Singer-songwriters and up-and-coming artists in any genre get an inside track to Sal's musical influences and perspectives, particularly in how he coaches artists to reach their best performances. Sal shares from his deeply biblical outlook how he believes great music happens and why, giving songwriters and artists many powerful insights into how they can "show up" as themselves instead of being an imitation of what others are doing.