See a Little Light episode artwork

EPISODE · Jan 16, 2015 · 4 MIN

See a Little Light

from kat330 · host kat330

Received an overnight visit from The Muse a while back with an insistence I cover this wonderful Bob Mould piece in a waltz tempo. It's not a song I knew all that well to start with, but I'd heard it on the radio in the preceding hours and, well, The Muse simply will not be denied. Per usual I did not wind up close to the production I hear in my head: Limitations of hardware, software and musicianship always leave me wanting. Still I trust it's at least a unique and not a wholly unpleasant version. I got the jangly guitar sound from a direct feed of my Epiphone into my laptop along with some miked acoustic Guild touches here and there in REAPER's "dark corridor." The Epi is forefront in my hardware limitations since it simply will not hold a tuning and has a permanent 6th string buzz, but at least a direct connect means no need to constantly stop-start for outside noise interferences. The cello and music box flourishes are courtesy of my Yamaha keyboard. There is also an underlying C note heard throughout most of the track. If anyone can guess precisely what I used to record that drone sound, I'll award you a Dewey button (or whatever equivalent the kids are saying today ;). [Arranged, performed, recorded and produced by Kathleen Martin 1/2015] See Mould's superb performance here: https://youtu.be/oNGsacYoGec

Episode metadata supplied by the publisher feed · Published Jan 16, 2015

Received an overnight visit from The Muse a while back with an insistence I cover this wonderful Bob Mould piece in a waltz tempo. It's not a song I knew all that well to start with, but I'd heard it on the radio in the preceding hours and, well, The Muse simply will not be denied. Per usual I did not wind up close to the production I hear in my head: Limitations of hardware, software and musicianship always leave me wanting. Still I trust it's at least a unique and not a wholly unpleasant version. I got the jangly guitar sound from a direct feed of my Epiphone into my laptop along with some miked acoustic Guild touches here and there in REAPER's "dark corridor." The Epi is forefront in my hardware limitations since it simply will not hold a tuning and has a permanent 6th string buzz, but at least a direct connect means no need to constantly stop-start for outside noise interferences. The cello and music box flourishes are courtesy of my Yamaha keyboard. There is also an underlying C note heard throughout most of the track. If anyone can guess precisely what I used to record that drone sound, I'll award you a Dewey button (or whatever equivalent the kids are saying today ;). [Arranged, performed, recorded and produced by Kathleen Martin 1/2015] See Mould's superb performance here: https://youtu.be/oNGsacYoGec

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kat330B kat3thirty This site is for music fans who think outside the boxy confines of genre labels. Find here and soundcloud.com/kat330/tracks my originals and covers on anything from felons to lovers, arranged for and performed on a variety of instruments, for sounds ranging from sweet to sassy and reedy to brassy; from lofty to lowdown and soulful to hoedown; from serious to silly and urban to hillbilly.I am so grateful you are taking the time to listen to these self-recordings, many of which required an enormous amount of my time and effort to produce. If I also introduce you to a singer-songwriter you never knew, or if something I wrote or recorded brings a smile to your day, well, that's just the sweet icing on my aim-cake!Hope you will seek out the original artists' versions of cover tunes unfamiliar to you and, please, share my sounds with any like-minded listeners. I also urge you to click on individual track titles to read my production notes and lyrics before or as you push play. Some notes a Folk Compilation kat330 Unless noted otherwise, these folk covers (plus an original) are all solely performed, arranged, recorded and produced by me using REAPER software. Our living room is a lousy studio set in a noisy neighborhood, with passing trucks being a particular bane.There are explanatory notes for each upload if you click on the titles, where I include track credits, details about what instruments I'm playing and special recording issues. My only mission here is to make people feel good. Thanks for listening!

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Received an overnight visit from The Muse a while back with an insistence I cover this wonderful Bob Mould piece in a waltz tempo. It's not a song I knew all that well to start with, but I'd heard it on the radio in the preceding hours and, well,...

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