The Beast in Me | Interview with Composer Sara Barone

In this episode, we sit down with acclaimed composer Sara Barone to discuss her work on Netflix’s psychological thriller series The Beast in Me. Sara takes us behind the scenes of crafting the show’s tense, atmospheric score, exploring how music helps shape suspense, character psychology, and emotional storytelling. We also discuss her creative process, collaborating with fellow composers, and the unique challenges of scoring a series built on mystery and unease. Whether you’re a fan of film music, television storytelling, or The Beast in Me, this conversation offers a fascinating look at the art of composing for the screen. Sara Barone is an Emmy-nominated composer for film, television, and interactive media whose work spans acclaimed documentaries, feature films, television series, and video games. She is known for her contributions to the BBC’s Planet Earth III, which earned a Primetime Emmy nomination, as well as Netflix’s The Beast in Me, the feature film To Kill a Wolf, and the VR game Alien: Rogue Incursion. Her additional music credits include Zack Snyder’s Justice League, Sonic the Hedgehog, and Love, Death & Robots. A graduate of Columbia University and the USC Thornton School of Music, Sara has established herself as one of the rising voices in contemporary screen scoring, known for creating emotionally rich and immersive musical landscapes.