EPISODE · Mar 19, 2024 · 18 MIN
The Texture of A Bajan’s Photojournalism©2024ISBN978-976-97267-4-1
from William's Podcast · host William Anderson Gittens Author, Cinematographer Media Arts Specialists’ License Cultural Practitioner, Cultural Theoretician Publisher, and Doctoral Student of Divinity,CEO,Editor in Chief of Devgro Media Arts Services Publishing®2015
As an Author,,Cinematographer ,Cultural Theoretician ,Doctoral Student License Cultural Practitioner, Media Arts Specialists’ and Publisher, in exploring The Texture of A Bajan’s Photojournalism. I categorised as a metaphoric and pedagogical lens. It offers a unique perspective on reality, allowing for reflection and a time for reflection. It is a static medium that allows me to see and read the present moment, a resurrection from the dead. Unlike videotape, cinema, and TV, photography which allows us to re-create this reality through reflection. All things being equal I presume that it’s logical to conclude that its immobile nature, silence, and colour make it a contemplative medium for exploring ideas of history and cultural critique on texture. This view is corroborated by https://www.jstor.org/stable/20007123. Now that I have stated my intention that is to deconstruct and conceptualize photography as my medium that allows me to explore ideas of history central to the cultural critique texture including codes of manners, dress, language, religion, rituals, art, norms, law, morality, and belief systems placing emphasis on the texture of acculturation. In my view this refers to lead to outward actions which blends with its culture and the influence of technology this view is espoused by https://barbadosenvironment.org/areas-of-interest/marine-conservation/#:~:text=. The research, conducted by yours truly a License Cultural Practitioner and Cultural Theoretician, I have utilised pedagogical and cognitive dissonance lenses to analyse the Bajan architecture, ecological landscape design, iconic cultural landmarks and meaningful experiences. This admission is reasonable to suggest that my findings would enhanced the visual quality of all of the subject's surface in capturing and framing texture with my 50mm prime lens which should significantly improved the visual quality of the objects and subject matter by enhancing shape, tone, and colour depth.William Anderson Gittens, Author, CEO,Cinematographer ,Cultural Theoretician ,Doctoral Student of Divinity, Editor in Chief of Devgro Media Arts Services Publishing®2015,License Cultural Practitioner, Media Arts Specialists’ and PublisherPODCAST 182 The Texture of A Bajan’s Photojournalism©2024ISBN978-976-97267-4-1Was filmed by William Anderson Gittens of Devgro Media Arts Services®2015On LocationRegarding The following-The State House (formerly government house)built in 1702, is the president's official residence in Barbados and served as the governor-general's office after the country's independence from the UK in 1966.According to en.wikipedia.org/wiki/State_House,_BarbadosFarley Hill National Park, opened in 1966, hosts various events, including weddings and outdoor concerts. According to www.totallybarbados.comThe first Christ Church Parish Church in Barbados, built in 1629, is an iconic historic locale that showcases the resilience of its architectural heritage according to https://www.christchurchpc.com/history-architectureSaint Philip Parish Church was destroyed by the hurricane of 1780 and later rebuilt in 1786 hurricane that made landfall in Barbados on August 11th, 1831 according to https://www.barbadospocketguide.com/barbados-attractions/churches/anglican/st-philips-church htmlSaint George Parish Church, St.George Parish Church was built in 1784 The hurricane of 1780 destroyed the first church built at this site between 1637 - 1641 according to https://barbados.org/churches/stgeorge.htmThe present Saint John's Parish Church building (the fifth) was built is 1836, and the chancel added in 1876. It is the prototype of the restrained Barbadian version of the Gothic parish church, and a beautiful Westmacott scSupport the showCultural Factors Influence Academic Achievements© 2024 ISBN978-976-97385-7-7 A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBNISBN978_976_97385_0_8Academic.edu. Chief of Audio Visual Aids Officer Mr. Michael Owen Chief of Audio Visual Aids Officer Mr. Selwyn Belle Commissioner of Police Mr. Orville Durant Dr. William Anderson Gittens, D.D En.wikipedia.org/wiki/Lifelong_learning Hackett Philip Media Resource Development Officer Holder, B,Anthony Episcopal Priest,https://brainly.com/question/36353773https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-19https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-:2-18https://independent.academia.edu/WilliamGittens/Bookshttps://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittenshttps://www.academia.edu/123754463/https://www.buzzsprout.com/429292/episodes. https://www.youtube.com/@williamandersongittens1714. Mr.Greene, Rupert
What this episode covers
As an Author,,Cinematographer ,Cultural Theoretician ,Doctoral Student License Cultural Practitioner, Media Arts Specialists’ and Publisher, in exploring The Texture of A Bajan’s Photojournalism. I categorised as a metaphoric and pedagogical lens. It offers a unique perspective on reality, allowing for reflection and a time for reflection. It is a static medium that allows me to see and read the present moment, a resurrection from the dead. Unlike videotape, cinema, and TV, photog...
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The Texture of A Bajan’s Photojournalism©2024ISBN978-976-97267-4-1
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