Thinking with Opera 02: Carnivalesque

from Thinking with Opera · host Opera North

From Monteverdi to Monty Python, cross-dressing, gross-out humour and a preoccupation with the grotesque seems to offer a release from the constrictions of moral codes and social conventions. A familiar face on the Opera North stage, tenor Daniel Norman takes a trip into transgression in the company of Alan O'Leary, Professor of Film and Cultural Studies at the University of Leeds. Drawing on the theories of philosopher and critic Mikhail Bakhtin, they discuss “the licence to misbehave” in opera, film and performance; the liberating effect of the Carnivalesque in the arts; and its unforeseen consequences. Warning: this podcast features frank discussion of bodily functions! Produced as part of the DARE partnership between Opera North and the University of Leeds

What this episode covers

From Monteverdi to Monty Python, cross-dressing, gross-out humour and a preoccupation with the grotesque seem to offer a release from the constrictions of moral codes and social conventions. Tenor Daniel Norman takes a trip into transgression in the company of Professor Alan O'Leary. Drawing on the theories of philosopher and critic Mikhail Bakhtin, they discuss “the licence to misbehave” in opera, film and performance. Part of the DARE partnership between Opera North and the University of Leeds

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Thinking with Opera 02: Carnivalesque

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This episode is 1 hour and 3 minutes long.

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This episode was published on July 29, 2020.

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