curated by

In the first episode of the curated by Podcast, festival directors Attilia Fattori Franchini and Christina Linher speak with three gallerists: Miryam Charim (Charim Galerie, Vienna), Antonia Lia Orsi (City Galerie Wien), and Henrikke Nielsen (Croy Nielsen, Vienna/Berlin). They discuss what brought each of them to open a gallery, how Vienna's art scene has evolved over the past decades, and the impact of curated by on the city's broader cultural life.

In this conversation, Otto Bonnen discusses his curatorial concept for the upcoming exhibition at Shore gallery, part of the curated by festival in Vienna. He explores the theme of 'Fragmented Subjectivity' and how it influences his approach to curating, emphasizing the importance of process-based art and collaboration within the art community. Bonnen reflects on the role of offspaces in contemporary art and the significance of creating immersive experiences for audiences. He shares insights on the artists involved in his exhibition and the unique characteristics of the Vienna art scene.

In this conversation, DJ Hellerman discusses his curatorial practice, emphasizing its personal and collaborative nature. He explores the theme of fragmented subjectivity, proposing that fragmentation is an illusion and focusing instead on the concept of wholeness. Hellerman shares insights into his first project in Vienna, the local context that inspires him, and the influences that have shaped his views on curating. He elaborates on the exhibition concept, which features seven artists and addresses themes of reconstruction and the significance of personal and communal experiences in art.

In this conversation, Karen Archey discusses her curatorial practice and the upcoming exhibition 'The Shed' as part of the curated by festival in Vienna. She reflects on the collaborative nature of her work, the theme of fragmented subjectivity, and the influence of various exhibitions on her approach to curation. Archey shares insights into the artists and artworks featured in 'The Shed', emphasizing the importance of intuitive curation and the exploration of themes related to identity and environment.Karen Archey is Head of the Curatorial Department at Kunstsammlung Nordrhein-Westfalen, Düsseldorf. There, she manages the program and curatorial teams of K20 and K21. From 2016 to 2025, she was Curator of Contemporary Art at Stedelijk Museum, Amsterdam. Her book 'After Institutions' was published by Floating Opera Press in 2022.

The conversation delves into the theme of fragmented subjectivity in contemporary art, exploring curatorial practices, the intersection of class and identity, and the influences of modernism and enlightenment. Oliver Koerner von Gustorf discusses the role of artists and their narratives, highlighting unique artistic expressions and the challenges faced in the current art scene.Oliver Koerner von Gustorf lives and works as a freelance author and art critic in Berlin-Schlachtensee. He writes for newspapers and magazines such as Monopol, Weltkunst, 032c, taz, Tip, Tagespiegel, Freitag. From 2007 to 2014 he ran the gallery SEPTEMBER, where he showed artists such as Dorothy Iannone, Johannes Paul Raether, Marc Brandenburg and also published catalogs. He has a column on Monopol Online, “Form & Haltung”, in which he writes endless essays on art, politics, culture and exhibition reviews. 2023 he received the ADKV Prize for Art Criticism. Recent catalog publications include: Sonja Yakovleva: Soaplands, March 2024, “The Talented Mister Helion”, contribution to the catalog Retrospective Jean Hélion, Musée d'Art Moderne de la. Ville de Paris, March 2024, La Chola Poblete - Gumayllén, PalaisPoulaire, Berlin, April 2024, Angelika Platen, artist portraits, December 2024.

In this conversation, Tessa Praun discusses their curatorial practice, emphasizing a deep interest in the artistic process and collaboration with artists. She explores the theme of fragmented subjectivity in contemporary art, reflecting on how individuals navigate the overwhelming flood of content in today's society. Tessa Praun shares insights about their personal connection to the Vienna art scene and outlines their curatorial concept for the upcoming exhibition »And tell us how to save us from ourselves« at Galerie Martin Janda, highlighting the works of Anna K.E., Sally von Rosen and Linnéa Sjöberg who address self-image and identity in innovative ways.Tessa Praun is a curator, educator, and writer based in Stockholm. Praun served as director and chief curator of Magasin III Museum for Contemporary Art until 2024. Her deep interest in the visual arts has manifested itself in a commitment to the artistic process and nurturing in-depth encounters with it. She is currently establishing The Wanderlust Institute of Art, a platform for independent projects.

In this conversation, Camille Regli discusses her curatorial practice and the upcoming exhibition at Zeller van Almsick, focusing on the theme of 'Fragmented Subjectivity.' She explores the role of performativity in art, the importance of collaboration and community, and the impact of technology on identity. Regli reflects on historical contexts and contemporary challenges, emphasizing the need for experimentation and political discourse in art. The discussion also highlights her personal experiences and the unique cultural landscape of Vienna.Camille Regli is an independent curator based in Zurich and Biel/Bienne, Switzerland. During her London years, she worked with galleries such as Lisson Gallery, Richard Saltoun, and Luxembourg & Dayan, as well as institutions including the Swiss Pavilion at the Venice Biennale, the Istanbul Biennale, and the Centre d’art contemporain Genève. In 2020, she co-founded contemporary art centre KRONE COURONNE in Biel/Bienne, which she still runs and co-directs. Her curatorial work is shaped by an ongoing interest in the performativity of bodies and spaces, theatricality, and the use of speculative fiction and feminist readings to challenge reflection and foster collective imagination. She has curated exhibitions with the curatorial collective Collectif Détente, and collaborated with institutions including Fondazione Sandretto Re Rebaudengo, Kunsthaus Biel/Centre d’art Bienne, and the City of Geneva. In 2023–24, she was a scientific collaborator in the “Art Fundamentals” class at EPFL’s School of Architecture in Lausanne. Most recently, in 2025, she was invited as section curator at the art fair STAGE Bregenz. 

In this episode, Rilley Davidson discusses her curatorial concept for the upcoming exhibition at David Radizhevsky, focusing on the theme of 'Fragmented Subjectivity.' She explores the philosophical underpinnings of her curatorial practice, particularly drawing from Bergson's essay on metaphysics, and emphasizes the importance of collaboration with artists. Davidson also shares her excitement about engaging with the local art scene in Vienna and the ongoing processes of creating new works in response to the exhibition's theme.Reilly Davidson is a New York-based, Seattle-born curator and writer. Her curatorial work has been presented at C L E A R I N G (New York and Los Angeles), Shoot the Lobster (New York), Martos Gallery (New York), Lubov (New York), CASTLE (Los Angeles), AS IT STANDS (Los Angeles), amongst others. She has contributed texts to KALEIDOSCOPE, Artforum, Family Style, and The Brooklyn Rail, as well as a host of international galleries.

In this conversation, Julie Bukowska discusses her curatorial practice, emphasizing its personal and emotional nature. She reflects on the theme of fragmented subjectivity in contemporary art and how it resonates with her own experiences. Bukowska shares her influences, including significant exhibitions that shaped her views on curating. She expresses excitement about her upcoming exhibition 'Reprise' in Vienna, exploring themes of repetition and trauma through various artistic mediums.Julie Boukobza is Head of the Luma Arles residency program since 2017 and an independent curator and art critic based in Paris.

In this conversation, Vanessa John-Müller discusses her curatorial concept for the upcoming exhibition at Galerie Hubert Winter as part of the curated by festival in Vienna. She emphasizes the importance of collaboration with artists and the unique aspects of Vienna's art scene, while exploring the theme of Fragmented Subjectivity. The dialogue highlights her approach to curating, the influence of various exhibitions on her practice, and the significance of the selected artists in her exhibition.Vanessa Joan Müller is an independent curator and writer based in Vienna.

This conversation explores the Curated By festival in Vienna, focusing on the curatorial practices of Dr. Fritz Emslander and the featured artist Simon Schubert. The discussion delves into the themes of fragmentation, artistic dialogue, and the role of art in reflecting inner lives. Emslander shares insights into his curatorial approach, the significance of the festival's theme, and the innovative works of Simon Schubert that challenge perceptions and invite viewers into immersive experiences.Fritz Emslander (*1967) studied art history, European cultural history and Romance languages in Regensburg, London and Hamburg. He has been a curator for contemporary art since 2000, until 2009 at the Staatliche Kunsthalle Baden-Baden, and since 2009 as deputy director of the Museum Morsbroich, Leverkusen.

Dr. Monika Bayer-Wehrmuth discusses her curatorial approach for the upcoming exhibition at Galerie Elisabeth and Klaus Thoman, focusing on the theme of 'Fragmented Subjectivity'. She emphasizes the importance of collaboration, the role of space in curating, and the significance of the artists' practices in shaping the exhibition. Bayer-Wehrmuth shares insights into her creative process, the artists involved, and how their works challenge traditional notions of authorship and materiality.Dr. Monika Bayer-Wermuth is Chief Curator at Museum Brandhorst in Munich, where she oversees the collection as well as international exhibition and publication projects. Her curatorial practice is centered on an in-depth engagement with artistic production, as well as social and political issues in contemporary art, which she seeks to translate into the institutional context in both accessible and critical ways. Her exhibitions include Alexandra Bircken. A–Z, Nicole Eisenman. What Happened, and most recently, This Is Me, This Is You. The Eva Felten Photography Collection. She is currently working on a major reinstallation of the collection. Before joining Museum Brandhorst, she held positions at Tate Modern in London (2016–2019) and Lenbachhaus in Munich (2014–2016). Her PhD project, Harun Farocki: Arbeit, was published in 2017 by Verlag Silke Schreiber. She is also a board member of Kunstraum München.

In this conversation, Damian Lentini discusses his curatorial approach to the theme of Fragmented Subjectivity for the upcoming exhibition at CRONE Wien. He emphasizes the importance of collaboration in exhibition making, involving artists and institutions from the outset. Lentini explores how various artistic practices can challenge traditional perceptions and create new forms of knowledge. He also reflects on his experiences in Vienna, highlighting the city's vibrant art scene and the influence of collaborative efforts in shaping his curatorial vision.Dr. Damian Lentini is a curator whose research and work unpacks the imbricated histories of modern and contemporary art from the postwar period up until our present moment. He received his doctoral degree from the University of Melbourne in 2009 and has since worked on various projects in Australia, Germany and Austria. He iscurrently the Deputy Director at the Ludwig Forum in Aachen and prior to that, was Curator at the Vienna Secession. Before moving to Vienna, Lentini worked at the Haus der Kunst in Munich from 2015 to 2023, where he collaborated on the highly acclaimed exhibition project Postwar: Art Between the Pacific and Atlantic, 1945-1965 (2016), alongside Okwui Enwezor, Ulrich Wilmes, and Katy Siegel. His own curatorial projects include exhibitions with Phyllida Barlow, Sung Tieu, Jeremy Shaw, Rochelle Feinstein, Dumb Type, Kapwani Kiwanga and the Karrabing Film Collective.

Based in France, Marie Griffay has worked for fifteen years for contemporary art collections as curator and director. Working closely with artists allows her to connect artworks from different time frame and focusing on the context for each new exhibition. As an art historian, she writes and teaches. Learn more about the upcoming exhibition for curated by 2025: Fragmented Subjectivity on www.curatedby.at

Exploring intersections of bodily experience, the archive as concept, and cosmology, Lisa Moravec (art historian-theorist) talks with Mariana Lemos (curator) and Marianne Vlaschits (artist) about how her paintings performatively function as a living posthumanist archive.

Focused on the estate of Croatian neo-avantgarde artist Julije Knifer, Sabine Schaschl (Haus Konstruktiv) talks with Ana Knifer (daughter of Julije Knifer) and Gregor Podnar (gallerist) about the artist’s processual approach to “anti-painting” and the difficulties of retrospectively building and making visible several aspects of an estate. The conversation was moderated by Lisa Moravec.

Focused on what is regarded as being “untold”, Magdalena Nieslony (Universität Innsbruck) speaks with Marika Kuźmicz (curator) about blind spots in academic and curatorial research practices, and strategies of disrupting the canon. The conversation was moderated by Lisa Moravec.

Critically engaging with questions of form and “lived archives”, Kerstin Stakemeier (art historian, Academy of Fine Arts Nürnberg) and Matilde Guidelli-Guidi (curator) discuss modes of autofiction and thereby complexify understandings of the archive and counter-archive. The conversation was moderated by Lisa Moravec.

Framed by Karl Marx’s understanding of an “objet d’art”, Kathrin Heinrich (art historian and critic, University of Applied Arts Vienna) and Piero Bisello (curator, co-director of Gauli Zitter) discuss artistic, curatorial, and art historical strategies of “art finding” to critically reflect on what an archive is. The conversation was moderated by Lisa Moravec.

Unpacking their invested practices of working with artists’ estates and archives, Sarah James (art historian, Manchester School of Art), Christian Siekmeier (gallerist EXILE), and Jen Kratochvil (curator) discuss the politics of defining and forming the materials that have been left over of artistic work. The audience participated in the conversation, which was moderated by Lisa Moravec.

In this conversation, Lisa Moravec (art historian, critic, curator), Katalin Krasznahorkai (art historian, curator), and Gabriele Stötzer (artist) discuss the underlying politics implicit in working with archives of the DDR as well as the urgency with which the artist has generated a national counter-narrative. Due to a technical issue, a large section of the conversation was not recorded.

Klaus Speidel (philosopher, curator, critic, University of Applied Arts Vienna) and Katrina Daschner (artist) discuss aesthetic approaches to curating in Kate Sutton's exhibition and thereby unpack the problematic notion of the archive in regard to Daschner's body of work. The discussion was moderated by Lisa Moravec. The discussion took place at Lombardi-Kargl on Thursday, 19 SeptemberAbout Expert Talks: The program of this year Curated By is also dedicated to the topic of artists’ archives and estates. As part of the festival’s discursive format, the invited curators will be in dialogue with art historians. These conversations will focus on the challenges of art historical evaluation and practices of making visible the archives and estates of the presented artists. Artistic strategies of (self-)archiving will also be discussed, as well as the role that art critics, galleries, and museums play in these processes.

Focused on how archival tropes of land art unfold, Eva Kernbauer (Professor of Art History, University of Applied Arts Vienna) talks with Kristian Vistrup Madsen (curator, Charim Gallery) about his curatorial practice and how it overlaps with her approach to art history. The discussion was moderated by Lisa Moravec.The discussion happened at Charim Galerie on Saturday, 14 September.About Expert Talks: The program of this year Curated By is also dedicated to the topic of artists’ archives and estates. As part of the festival’s discursive format, the invited curators will be in dialogue with art historians. These conversations will focus on the challenges of art historical evaluation and practices of making visible the archives and estates of the presented artists. Artistic strategies of (self-)archiving will also be discussed, as well as the role that art critics, galleries, and museums play in these processes.

In this episode the curators Kwaku Boafo Kissiedu (Castro) and Nuna Adisenu-Doe are discussing the upcoming exhibition at Galerie Hubert Winter. We learn more about the origins of blaxTARLINES, concept of the show and the participating artists Akosua Odeibea Amoah-Yeboah, Kelvin Haizel, Gideon Hanyame, Ibrahim Mahama, Afrane Makof, Daniel Arnan Quarshie & Tracy Naa Koshie Thompson.

In this episode we are listening to a conversation between curator Marika Kuźmicz and Eva Oberhofer, Director at Galerie Elisabeth & Klaus Thoman. They are discussing Marika's curatorial background, research of 70's Polish art and the upcoming exhibition for this year’s Curated by, titled: “You Will Hear When You See Me”.

In this episode we are listening to a conversation between curator María Inés Plaza Lazo and artist Havîn Al-Sîndy learn more about the upcoming exhibition "Crime as Ornament" for Curated by at Crone Wien.

In this episode we are listening to a conversation between curator Kate Sutton and artist Vlatka Horvat and learn more about Vlatka's artistic practice and the upcoming exhibition at Lombardi—Kargl.

In this episode we are listening to a conversation between curator Mariana Lemos and co-founder Victoria Dejaco of WONNERTH DEJACO discussing the upcoming exhibition “A Tragical Romance“.

In this episode we are listening to a conversation between curator Kristian Vistrup Madsen and Martin Alexander (director at Charim Wien) discussing the upcoming exhibition “Play it as it lays”.

In this episode we are listening to a conversation between curator Dieter Roelstraete and artist Devin T. Mays and learn more about Devin's artistic practice and the upcoming exhibition for Curated by at Galerie Martin Janda.

In this episode curator Gabriela Gantenbein, gallerist Gregor Podnar and the artists Benoît Maire and Christine Rebet are discussing the upcoming exhibition "Don’t ask me where we are going".

In this episode we are listening to a conversation between Anthony Huberman and Krist Gruijthuijsen discussing their upcoming exhibition “John Giorno: God Complex“ at Galerie Eva Presenhuber.