PODCAST · music
MegaBit Muisc
by Jeremy Hubbard/MegaBit
'Music and miscellaneous thoughts from the muddled mind of a perpetual insomniac'__________________________________CONNECT WITH MEGABIT:EMAIL: [email protected]
Episodes
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vi - Bakerloo Line
Electromagnetic field recording, Bakerloo Line, Paddington to Waterloo. Custom pickups captured during an actual tube journey, 2015. Ageing infrastructure, layered and processed into something else entirely. Full version on Bandcamp. FULL INTERACTIVE EXPERIANCE OUT NOW:...
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v - Northern Line
Electromagnetic field recording, Northern Line, Elephant & Castle to Moorgate. Custom pickups captured during an actual tube journey, 2015. Rush hour density, layered and processed into something else entirely. Full version on Bandcamp. #tubemusic #electromagnetic #fieldrecording #experimental...
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iv - Jubilee Line
Electromagnetic field recording, Jubilee Line, Waterloo to Baker Street. Custom pickups captured during an actual tube journey, 2015. Layered and processed into something else entirely. Full version on Bandcamp. #tubemusic #electromagnetic #fieldrecording #experimental #london
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iii - District Line
The third of a six part compositional project. Electromagnetic field recording, District Line, Monument to Embankment. Custom pickups captured during an actual tube journey, 2015. Layered and processed into something else entirely. --- TUBEmusic is a multi-part electromagnetic sound work...
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ii - Piccadilly Line
The second of a six part compositional project Electromagnetic field recording, Piccadilly Line, Green Park to Holborn. Custom pickups captured during an actual tube journey, 2015. Century-old tunnels, layered and processed into something else entirely. #tubemusic #electromagnetic #fieldrecording...
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i - Central Line
The first of a six part compositional project. Electromagnetic field recording, Central Line, Holborn to North Acton. Custom pickups captured during an actual tube journey, 2015. Layered and processed into something else entirely. --- TUBEmusic is a multi-part electromagnetic sound work…
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iii - Route 139 [Eastbound]
Baker Street to Waterloo Station traversing diverse London neighbourhoods. Dual electromagnetic pickups capture how the bus's systems respond to varying traffic conditions and urban topography. Multi-layered processing reveals remarkably varied electromagnetic signatures, creating a dynamic sonic...
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iv - Route 21 [Southbound]
Moorgate to Old Kent Road. Recorded during JnfH's final London bus journey before relocating from the capital in summer 2016. Dual electromagnetic pickups capture the hybrid motor's emissions, undergoes extensive layering and temporal manipulation. A mundane commute transformed into sonic…
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ii - Route 141 [Northbound]
Moorgate to Wood Green. The foundational piece establishing the methodological approach for the entire series. Electromagnetic recording of hybrid motor captured with window-mounted pickup, processed through multiple layers at varying speeds to reveal hidden musicality within everyday...
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i - Route 1 [Southbound]
Waterloo to New Kent Road through central London. This historically significant route provides electromagnetic source material revealing how contemporary hybrid technology generates uniquely complex electrical signatures. Multi-layered processing transforms utilitarian motor emissions into...
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Unsung Canopies (25.01.23 )
A gourd kalimba, repeated and layered until individual notes dissolve into a continuous tonal texture, something between rhythm and resonance, between instrument and environment.
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Snowfall (23.01.23)
An octave guitar phrase arranged and redistributed across time and sonic space. The same gesture heard from multiple distances simultaneously, as if sound itself were settling.
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At The Edge Of Oblivion (18.01.23)
A single trumpet note, its swell and flutter taken as raw material for an unnerving, expanding wall of sound. Tension without resolution.
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Celestial Passenger (09.01.23)
Six separated synth notes, panned and positioned across the stereo field, then layered and manipulated into a slowly revolving chorus, six voices in orbit.
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Inbound (04.01.23)
Audio captured from phone footage on the final approach into Waterloo station at night. The underlying rhythm of the train gradually joined by complementary instruments, and eventually by the electromagnetic impulses of the train itself.
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Upon Clouds (22.01.23)
A single sustained string chord, manipulated and expanded until its origins are unrecognisable. The sensation of altitude.
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Triptych (21.01.23)
A single electronic piano phrase duplicated and arranged in a triangular spatial configuration, each version playing back at a different but complementary speed. Three panels; the same source viewed from different positions simultaneously.
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Tired Eyes (19.01.23)
Two synth notes captured in a Highland cabin after a ten-hour drive through snow and rain, set gradually shifting against each other in phase and space. The road still moving long after the journey ended.
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Cliffs of St Kilda (2019) [Music for SwimWild]
Original sound track composed for SwimWild's 'Outer Hebrides & St Kilda Expedition' back in 2019 Watch the full video here: https://www.youtube.com/watch?v=pyOrtUXw82Y
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Veritatis (12.01.23)
A fragment of choral music subjected to radical transformation: pitch, time, and texture pushed to their limits. A return to earlier Choral Exploration territory.
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Beaulieu Road (03.01.23)
A single repeating piano octave phrase manipulated into a chordal soundscape. Written to accompany driving footage taken crossing the New Forest National Park.
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Gathering Storm (15.01.23)
A single aleatoric piano note, repeated, layered, and shaped to suggest the rhythmic knock of a ship's bell or flag rope in rising weather, and the stillness that follows.
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Tread Lightly (13.01.23)
A short piano phrase recorded, layered, and manipulated in multiple directions. Accompanied by footage from the first proper dog walk taken during recovery from a significant back injury.
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Cartographic Rain (10.01.23)
A dusty old electric piano run through a cassette deck, thoroughly processed and arranged into a calm, slowly evolving chordal piece.
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String Theory (08.01.23)
Two toy instruments, a miniature guitar and a ukulele, recorded, stretched, and layered. Tension becomes pulse; the chaotic and the rhythmic arrive at an uneasy coexistence.
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Wittensford (02.01.23)
Constructed from a short video clip taken on a morning dog walk: a babbling ford and passing traffic near home in the New Forest. Dulcimer, piano, and additional layers take their pitches directly from frequencies extracted from the recordings themselves.
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Chronosphere (20.01.23)
The chimes of an old grandfather clock played back at reduced speeds, stacked and interwoven until time itself becomes ambiguous. Part of a daily electroacoustic compositional study from January 2023. Full album : jnfh.bandcamp.com/album/jnfh-0123-volume-ii JnfH_0123 | Volume I is now out on all...
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Prevailing Winds (17.01.23)
A synthesized flute tone from an old keyboard, layered and manipulated to suggest open space and scale. Built against the backdrop of flat tyres and a power cut. Part of a daily electroacoustic compositional study from January 2023. Full album : jnfh.bandcamp.com/album/jnfh-0123-volume-ii…
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Abandoned Glass (14.01.23)
A beer bottle retrieved from a woodland path, tapped against a signpost. Its resonant frequencies extracted and sculpted into something unrecognisable. The raw field recording surfaces at the end. Part of a daily electroacoustic compositional study from January 2023. Full album :...
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At Rest (11.01.23)
A single recording of an East German toy piano, stretched and shifted across a spectrum of speeds. Simple origins, hypnotic results. Part of a daily electroacoustic compositional study from January 2023. Full album : jnfh.bandcamp.com/album/jnfh-0123-volume-ii JnfH_0123 | Volume I is now out on…
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Distant Chimes (07.01.23)
A toy grand piano becomes the engine for an interlocking rhythmic kaleidoscope; multiple layers running at different speeds and pitches, somewhere between Steve Reich and West African polyrhythm. Part of a daily electroacoustic compositional study from January 2023. Full album :...
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Snæfellsjökul (Iceland, 2013)
This piece is an attempt to convey a purely sonic representation of my experience in Iceland in 2013. Out now on Bandcamp: https://jnfh.bandcamp.com/track/sn-fellsj-kul-iceland-2013 Featuring recordings of dripping caves, kittiwakes, high tensile steel cables of a radio tower and more. All…
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Revolving Doors (06.01.23)
Sound from a Farfisa F498 child's keyboard (the very first keyboard I owned) layered and processed extensively. Childhood instrument transformed through analog and digital manipulation. Daily electroacoustic study from January 2023 using analog and digital manipulation techniques. Full album (5...
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Tape & Reed (01.01.23)
JnfH_0123 : Volume I The first piece of JnfH_365. Created using a CRT television, Bontempi reed organ, and cassette recorder to generate layered temporal distortions. Analog sources meeting digital manipulation. Daily electroacoustic study from January 2023 using analog and digital manipulation...
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Confabulation (26.01.23)
JnfH_0123 : Volume I Electric guitar recordings from 15 years ago processed with tape deck. Heavy tonal distortion - adjust volume accordingly. Time collapsed: past recordings meeting present manipulation. Daily electroacoustic study from January 2023 using analog and digital manipulation...
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Phonetic Memories (16.01.23)
JnfH_0123 : Volume I Vocal and string recordings fed through antiquated spectral analysis software. Drawing out fundamental frequencies, resampling snapshots of vocal tones, layering and manipulating. Memory through frequency extraction. Daily electroacoustic study from January 2023 using analog...
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Speed of Thought (05.01.23)
JnfH_0123 : Volume I A single descending octave string phrase recorded, resampled and manipulated to create a warped sense of time's passage. Exploring how temporal distortion affects our perception of musical motion. Daily electroacoustic study from January 2023 using analog and digital...
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iv & v - Foam & Finale (Jökulvatn)
Jökulvatn: iv - Foam & Finale The most texturally complex movement, using recordings from a black sand volcanic beach surrounding a shipwreck. Wave patterns, metal resonances, beach acoustics processed into rapidly shifting harmonics. The finale incorporates a water's edge recording where the...
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iii - Flow (Jökulvatn)
Jökulvatn: iii - Flow Using recordings captured in a narrow crevasse on an Icelandic cliffside. The confined space's unique acoustics, wind patterns, and compression provide raw material for fluid harmonic textures created through multi-speed processing. Musical interpretation of vertical...
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Room to Breathe (Vocal Abstractions - 005)
A short track recorded and produced on the first of Feb 2026. A number of vocal recordings arranged hetrophonically and layered pitched and re timed to create and ever evolving soundscape. Written in a place of very raw emotion in an atempt to prevent myself falling deeper into a downward spiral...
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ii - Fall (Jökulvatn)
Jökulvatn: ii - Fall Composition using recordings from inside an Icelandic glacial cave. The cave's natural acoustics and water movement become source material, transformed through layered processing into falling harmonic motion. Creative response to subterranean space. This is an 8-minute…
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i - Fracture (Jökulvatn)
Jökulvatn: i - Fracture Opening movement exploring ice fracture through composition using on-site glacial ice recordings and embedded hydrophone captures from thawing ice. Multiple ice sources processed through spectral analysis to extract resonant frequencies, layered at varying speeds into...
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Threshold | Loch Insh (A Temporal Composition)
Full Interactive mix: https://www.jeremyhubbard.co.uk/jnfh/threshold THRESHOLD: is a temporal musical composition based on a field recording captured on the frozen shore of Loch Insh, just outside Kincraig in the Scottish Highlands, at the threshold between years (2025 → 2026). Starting at one...
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Entropic Bliss [040525]
Created using a recording of a single descending piano phrase which is then thoroughly mangled using various different ways to form an evolving soundscape.
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Dispossession (Vocal Abstraction - 004)
Original vocal recording recorded in an empty house just before a traumatic move l. with all furniture and possessions stripped away leaving only memories of a better time and the uncertainty are what is to come...
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Ver (Vocal Abstraction - 003)
Meaning spring in Latin, "Ver" was created using short recordings of my own voice, layered and manipulated in such a way as to create a sense of calm and to evoke scenes of the transition from the darkness of winter in the light of spring. these short recordings where processed using a cassette...
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Intercalary (Vocal Abstraction - 002)
Taking a short vocal phrase consisting of a number of varying yet complimentory intervals. Recorded on to tape, playedback a differing speeds and then manipulated further digitally (extending the tonal phonics of each note). The resulting single line of audio is duplicated/layered then fed…
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Inverted Second (Vocal Abstraction - 001)
A new beginning... Hopefully an ongoing series of works to bring in the new year (2024) This track is entirely created using a short recording of my own voice singing just two notes. The resulting audio recording is then manipulated and layers in such a way as to create an ethereal, evolving...
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Ouroboros (Vocal Abstraction - 000)
Ouroboros (Vocal Abstraction - 000) by Jeremy Hubbard/MegaBit
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Music For Headphones (Binaural Stereo Surround)
THIS PIECE IS BEST EXPERIENCED WHILST WEARING HEADPHONES! This piece was created using a single wind up 'Music Box' that I reclaimed from a musical parlor table, circa 1900, that was destined for the scrap heap. This mechanical music maker was recorded in Binaural Stereo using specialized...
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ABOUT THIS SHOW
'Music and miscellaneous thoughts from the muddled mind of a perpetual insomniac'__________________________________CONNECT WITH MEGABIT:EMAIL: [email protected]
HOSTED BY
Jeremy Hubbard/MegaBit
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