Music for Education & Wellbeing

In this episode, I talk with Nick Denham, who moved from Participation and Inclusion work at Hertfordshire Music Service into Public Health, where he’s now a Senior Knowledge Transfer Facilitator. We discuss Hertfordshire's Power of Music Centre of Excellence – training care staff as music champions for people living with dementia, and what listeners can learn from this work.

In this episode, I talk with Jason Goopy, internationally recognised music educator, lecturer and researcher at Edith Cowan University near Perth in Western Australia. We discuss what happens when music education is shaped by trauma-informed positive education – and what it can teach us about what music education could and should be for.  

In this episode, I talk with Claire McColl and Pili Lopez from Dorset Music Service, and Tenley Martin from Leeds Beckett University, about their music and wellbeing training for primary school Emotional Literacy Support Assistants (ELSAs). It’s a great example of a music service thinking creatively about how to increase access to music, and raise awareness of its value.

In this episode, I talk with Graeme Smith, a research consultant and former head of music and arts at Croydon Council, former chair of Music Mark, and member of Arts Council England's hubs advisory group. We discuss his research to test what works to improve pupils’ emotional wellbeing through the arts in primary schools; the impact and progression framework that he’s developed; and it’s other application, in work to address serious youth violence.

 In this podcast I’m talking with Kate McBain and Dan Tsu, researchers and authors of Industry Connect, a report commissioned by Youth Music. It explores the realities of moving from education into careers in music, particularly for young people from underrepresented backgrounds. We unpack the barriers mapped in the report and the solutions emerging from the work, including reframing how we talk about ‘the music industry’ ‘pathways’ and ‘pipelines’.   

In this episode I’m talking with the authors of a new book called Resonant Minds – the transformative power of music, which explores how we can use the powerful response that our brain has to music, with intention – to feel more, focus better, connect deeper and lead more resonant lives.  Sara Leila Sherman is a classical musician, educator and co-founder of Mozart for Munchkins, and her co author and father Mort Sherman has held senior positions in education in the States, and is a founding member of Public Schools for Tomorrow. He also serves on the Goldie Hawn Foundation board, a charity set up to equip children with social and emotional skills through education programmes. 

My first ever guest, and music education advocacy superstar, Dr Anita Collins, returns in the 50th episode of my podcast. Anita describes herself as an educator, researcher and writer in the field of brain development and music learning - but she is so much more than that. We discuss her work in advocating for music education, and focus in on practical ways to win hearts and minds for music. 

 In this episode I’m joined by some of the team at CUMIN – the contemporary urban music for inclusion network: Dr Pete Dale, Professor Pam Burnard, and Dr Raphael Travis from the universities of York, Cambridge and Texas State University. The network is for anyone working through music with young people in genres like hip-hop, grime, EDM, house and more. We discuss the challenges of measuring impact, the need for multiple and participant-led methods in evaluation. We also discuss the book 'Music for Inclusion and Healing in Schools and Beyond'.  

In this episode I talk with Jenny Young, Director and founder of Blue Cabin, a charity based in the north East of England that strengthen relationships between care-experienced individuals and the people in their lives through creative activities. We talk about how Blue Cabin has grown, touching on developing practitioners, growing income streams, working with local authorities and adoption/fostering agencies, and evaluation.

 In this second mini podcast, I want to quickly touch on framing again, but this time, thinking about long-term, systemic solutions. But perhaps not in the way you might imagine. Because at a time when support for the arts from politicians in the UK doesn’t seem to be improving, I think we have a massive opportunity. It’s an opportunity to make a systemic shift our arts CPD and support system, a shift in focus that will enable us to ·       Change perceptions about the work we do, and why it matters. ·       To make sure the arts, music and culture are properly valued and embedded in public policy as a means to improve our society and our lives. EDIT: With apologies for the error: audience development in the arts is 35 years old, not 25 years. It still seems like yesterday to me! 

 In this short episode, I’m talking with … myself! In a change to the usual format, I’m sharing some thoughts on how we talk about why arts, culture and music matter. I touch on framing, messaging and decision science, and I mention organisations and individuals that can help, and are worth following.  

 How did a youth music charity go from moments of almost giving up, to being core funded by Arts Council England, and respected by commissioners/funders in public health and youth justice? Listen in on my chat about resilience with Adam Joolia, CEO of AudioActive, the brilliant Sussex charity that uses music as a tool for social change, education, and personal development with young people. 

In this episode, I talk with Dr Ally Daubney, educator, researcher, evaluator and author and John Bergin, CEO of Newham Music, one of the partners in the East London Music Alliance music education hub. Following 5 years of research into participation, professional development, progression and sustainability in music education, they’ve developed a model for what they term a ‘rich music education ecology’. 

In this episode, I talk with Erin Johnson-Williams and Caz Creagh from the Arts & Humanities Research Council - Hub for Public Engagement with Music Research. The hub is part of the Centre for Music Education and Social Justice at Southampton University. It aims to connect music education research to real-world settings, and to fund research that informs government policy to have a lasting impact on people and music across the UK. 

 In this episode, I talk with Professor Marcus Smith, who is co-founder of the Clem Burke Drumming project, based at Chichester University which is researching the physical, mental and health benefits of drumming. Marcus co-founded the project with Dr Clem Burke, who is the drummer with Blondie; and Professor Steve Draper of Hartpury University. We discuss the research, including the impact of drumming for young people with additional needs including those who are autistic. 

In this episode, I talk withNikki-Kate Heyes MBE, who was the founder, and until recently, CEO of soundLINCS, a community music organisation that’s been working with people from all walks of life through music, for 26 years. We talk about the development of the organisation, the health and direction of the community music sector, and Nikki-Kate gives her three tips for survival and resilience. 

 In this episode, I talk with James Dickinson, head of Hull Music Service, which is part of the local authority and also lead for the new music education hub covering Hull, East Riding, north and northeast Lincolnshire. We discuss how the music service is partnering with the local authority to use data to explore the impact of music on attainment. We also discuss how the service is using an annual impact report to engage partners, supporters and staff with the bigger picture around their value and impact. 

In this episode, I talk with Beatriz Ilari, a Professor at the Center for Music, Brain and Society at the University of Southern California, Los Angeles. We discuss a 10-year study looking at the impact of music and sports programmes for young people; and a short study using an evaluation method and approach to teaching called Positive Youth Development. We also discuss how academic researchers and music educators might connect to work in partnership. 

 In this episode, I talk with James McPherson, Managing Director of Music Leaders UK, a new music course and award for secondary school age students. The downturn in numbers of young people pursuing music in schools and other settings is a worrying trend, particularly in the UK. The award aims to address this, by acknowledging learners’ own musical passions and interests while also developing their interpersonal and leadership skills. 

 A hate crime and a near death experience caused Ami Gaston to re-evaluate her life and future. She now works internationally to promote healing and wellbeing through music and activism. She’s worked with refugees and families through organisations such as the US government and the United Nations. She also has a great story to tell about performing for the Dalai Lama. 

 In this episode, I talk with Serona Elton, from the University of Miami and the Mechanical Licensing Collective; and Dr Oliver Morris, Head of Education and Skills at UK Music. We talked about their routes into the music industry, and the challenges and opportunities for young people – and their families - wanting to understand what roles they could pursue in music.  

 In this episode, I talk with Penny Osmond, workshop and choir leader, about her singing work with new mums who have perinatal mental health disorders. We discuss the first randomised control research in this area, led by Professors Rosie Perkins and Daisy Fancourt, which found that singing could relieve moderate to severe post-natal depression at double the rate of control groups. We also hear about Penny’s wider music and perinatal mental health programmes including Songs from Home – addressing social isolation in new mums through online songwriting, and Music at Heart, singing with mothers referred through a hospital. 

In this episode, I talk with Emma Supica, Education Coordinator for Artiphon, a music tech company that creates new instruments to enable everyone to be creative, with or without prior musical experience. It’s latest is the Orba, a palm-held instrument that can be used alone or connected to other technology. We talked about the importance of play in music; how the Orba is being used in education, wellbeing and social justice settings and can be adapted for different people and environments; and the value of participant and user voice in education and in tech. 

 In this episode, I talk with Mark Robinson, the founder of Rocksteady Music School, which brings in-school rock band lessons to primary schools across the UK. It’s a new model for music education that combines peripatetic tuition approaches with group rock band tuition and inclusive pedagogy, increasing children’s interest in and uptake of music lessons. Mark’s lightbulb moment was when he realised that children in his lunchtime band workshops were progressing faster than those in one-to-one lessons, and his mission ever since has been to get more children making music by choosing what they want to learn, and learning as part of a band. 

 In this episode, I talk with musicians Carl aka C. Roots, and Grace from Inhouse Records. Inhouse is an award-winning record label for change, working inside and outside of prisons with emerging musicians who are prisoners. The team work to highlight the creative potential of prisoners and to reduce reoffending, focusing on what's strong, not what's wrong.  They’re supported by a range of impressive partners and funders from the Universal Music Group to the Ministry of Justice, and have won awards for their social enterprise work 

In this episode, I talk with Sam Chaplin, community choir leader for The Choir With No Name, workshop leader, singer-songwriter, jazz trumpeter, pianist, composer and arranger. We discuss: how community choir leading is ‘caught rather than taught’; the four Cs of connection, confidence, congratulations and the catharsis of ‘singing it out and the song on Sam’s new album inspired by this; the value of peer mentors as part of advocating for the choir; music more central in everyone’s lives.

 In this episode, I talk with  Rachael Perrin, a co-founder of community music organisation, Soundcastle, which runs projects in the south of England, coaches and trains music practitioners across the UK, and has an online community to support them. We talk about bringing together the music and social care worlds and wanting to find ‘other uses for music’; their Musical Beacons work with families and People’s Music Collectives work with adults on a journey of mental health recovery; the crossovers between coaching, mentoring and community music; the importance of creative autonomy; and wellbeing, the thread that runs through everything from projects to collective decision-making.

 In this episode, I talk with head vocal coach for X Factor and Britain’s Got Talent, Annabel Williams. Annabel talks about her route into vocal coaching, gives some insights into the support given to TV talent show contestants and shares some tips and advice for vocalists. She goes on to talk about her The Vocal Coach app for singers of all levels wanting to develop their voices, or use singing for fun and wellbeing 

In this episode, I’m talking with JB Rose who is a soul vocalist, recording artist, and vocal tutor at three charities (Heart and Soul, Clean Break Theatre Company and Second Wave Youth Arts where she’s also an Associate Director). JB has supported Chaka Khan, and worked with the likes of Coolio, Omar and Junior.  Alongside all of this she also has an impressive scriptwriting and songwriting career. I was particularly interested in her beginnings in youth arts, and the difference that’s made to her progression into the music industry.

In this episode, I talk with Helen Brookes, Head of Whole Class Instrumental Teaching for Services for Education Music Service, Birmingham which leads the music education hub for the city. It’s part of the Services for Education charity, which provides a range of services to schools from school-centred initial teacher training to school improvement consultancy. We talk about the services’s progression model for whole class instrumental teaching; taking that model online during the pandemic; how they bring inclusion into the work in SEN/D and mainstream schools; and managing the balance between partnering with and marketing to schools.

In this episode, I’m talking with pioneering and award-winning jazz musicians, educators, and producers Janine Irons MBE and Gary Crosby OBE, who together run the music education and development charity Tomorrow’s Warriors. We talk about their routes into music and their work addressing barriers to music and the music industry for young people facing barriers to progression in the music industry – in particular black or/and female musicians.

In this episode, I’m talking with Roz De Vile, CEO of Music Masters, a music education charity that runs group music making programmes in five London schools, teacher training, and has developed ‘I’m In’, a diversity tool and process to help music organisations to be more inclusive and better reflect the society we live in. This episode was recorded in December 2020 and before the new January lockdown rules in England.

In this episode, I’m talking with Catherine Birch, who is a senior lecturer in Community Music at York St John University. She is currently researching, how trauma-informed approaches can benefit community music practice, through singing and songwriting work with women prisoners as part of the York St John Prison Partnership.

In this episode, I’m talking with Ije Amaechi, Victoria Port, and Ross Lanning: music tutors working for Hertfordshire Music Service, part of a local authority in the UK. They specialise in working with young people who face barriers to music education, particularly those with social, emotional and behavioural difficulties.

In this episode, I’m talking with Laura Hassler, Founder and Director of Musicians Without Borders. It’s a charity based in Amsterdam that uses the power of music for peacebuilding and social change, particularly in areas of war and conflict ||| There are many reasons why you’ll be interested in Musicians with Borders. From its early beginnings as a bus full of musicians bringing music to refugee camps and communities affected by the Balkan Wars, to its community music work in Palestine, Central Eastern Africa, Central America and Europe and training of music leaders. Laura herself has had a fascinating track record too, having been active in US civil rights and peace movements from an early age. She worked for social change organisations in the US and Europe before moving to the Netherlands to develop a career as a musician and link music to social causes.

In this episode, I’m talking with Ollie Tunmer of Beat Goes On. Ollie teaches STOMP-style body percussion and samba drumming to all ages, including in schools from primary to secondary, and to teachers. In primaries, he’s developed Body Percussion with Literacy, working with literacy specialist Pie Corbett, and his sessions recently moved online during lockdown.

In this episode, I’m talking with Malaki Patterson, who is Gloucestershire-based music producer, community musician, music manager, and creative director. Malaki has helped to achieve much change in the county, to support young people facing barriers in access to music and progression routes into the industry.

Sally Cathcart of The Curious Piano Teachers, shares how they’re continuing to provide services and support to piano teachers, and piano teachers to young people, during lockdown.

Stuart Birnie of Services for Education Music Service Birmingham, shares how they’re continuing to provide services and support to young people during lockdown.

Steph Dickinson, of Pie Factory Music, an East-Kent creative youth charity, shares how they’re continuing to provide services and support to young people during lockdown.

Emma Coulthard, of Cardiff County and the Vale of Glamorgan Music Service , shares how they’re continuing to provide services and support to young people during lockdown.

Neil Phillips, of Awards for Young Musicians, shares how they’re continuing to provide funding and support to young people and those who teach and mentor them, during lockdown.

Helen Murray, of Nottingham Music Hub, shares how they’re continuing to provide support and services to young people during lockdown.

Ben O’Sullivan of The Music Works, a Gloucestershire-based community music charity shares how they’re continuing to provide support and services to young people during lockdown.

In this episode, I’m talking with Bev Foster, Founding Director of Room 217, a Canadian social enterprise that uses music to change the culture of care || Bev started the organisation with her husband Rob, after experiencing first-hand the power of music for her dying father || It now provides music training for care staff as well as research-informed products like conversation cards, music books, and CDs, so that music can become an integral part of the day-to-day life of the home.

In this episode, I’m talking with Elle Williams, a classically-trained guitarist who previously worked as a music tutor in mainstream schools, and now specialises solely in one-to-one music lessons with disabled people and those with additional needs || We talk about: the lack of music tutors working one-to-one with disabled people, particularly young people with moderate or profound and multiple disabilities; the tendency for provision in special needs schools to be music therapy or group music-making; and where tutors can find information and guidance to broaden their skills to reach more young people || Elle also shares three helpful tips for fellow music tutors.

In this episode, I’m talking with Paul McManus, CEO of the Music Industries Association (MIA), the trade body for the musical instrument industry. The MIA work in a number of ways to support music education for all ages, and recently in October 2019, held the first of what will now become an annual conference focused on music education and the music industry working together. The MIA also has a charitable arm called Music for All, which runs initiatives like the Learn to Play day and Make Music Day UK, and gives grants to encourage more people to make music.

In this episode, I’m talking with Jimmy Rotheram of Feversham Primary, Bradford. Jimmy is the teacher who was thrust into the spotlight to tell the story of how music contributed to transforming his school. He’s a great example of how one person with a mission and a story can get noticed and listened to - and can make a difference through music education advocacy.

In this episode, I’m talking with Ruth Jones, who is a youth arts specialist, trainer, music development manager and bass player, as well as being an experienced arts and music development manager currently working with Arts Awards and Wiltshire Music Connect || We discuss the value self-employed people bring to the sector and the challenges they face || Ruth shares some tips about being clear on your purpose, marketing yourself and earning money|| And we talk about what organisations can do to support this growing workforce

In this episode, I’m talking with Liv McLennan, who is a community musician and a specialist in early years music || We discuss what parents and carers can do to introduce music to their pre-school child, and share some ideas for making music with babies, toddlers, and pre-schoolers || We talk about || keeping it simple - thinking of music as communicating using what’s available to you daily || being guided by your baby/child || combining music with movement and touch || introducing music to your regular daily routines || using the music you enjoy and not being limited to ‘kiddies’ music || finding a range of ways to expose your child to music – from apps to concerts || and we finish with three pieces of advice for parents and carers