PODCAST · arts
Next Page - ਅਗਲਾ ਵਰਕਾ - اگلا ورقۂ - अगला वरका - Audio Books in Punjabi
by Dr. Manpreet Sahota
Are you looking to listen to quality Punjabi literature? Tune in each week to enjoy selected Punjabi stories. “Next Page ਅਗਲਾ ਵਰਕਾ”– Podcast is hosted by Dr. Manpreet Sahota who is a Radio Show Host, Professor and a Life Coach. You can listen to full novels, short stories, essays and poems as well as chats with authors and artists on this podcast. ਜੇ ਤੁਸੀਂ ਚੜ੍ਹਦੇ ਤੇ ਲਹਿੰਦੇ ਪੰਜਾਬ ਦਾ ਸਾਹਿਤ ਆਡੀਓ ਰੂਪ ਵਿਚ ਸੁਣਨਾ ਚਾਹੁੰਦੇ ਹੋ ਤਾਂ ਇਹ ਪੌਡਕੈਸਟ ਤੁਹਾਡੇ ਲਈ ਹੈ ! ਹਰ ਹਫਤੇ ਪੰਜਾਬੀ ਕਹਾਣੀਆਂ, ਨਾਵਲ ਇਸ ਪੌਡਕੈਸਟ ਤੇ ਪੋਸਟ ਕੀਤੇ ਜਾਇਆ ਕਰਨਗੇ।ਪੇਸ਼ਕਾਰ ਡਾ: ਮਨਪ੍ਰੀਤ ਸਹੋਤਾ ਰੇਡੀਓ ਸ਼ੋਅ ਹੋਸਟ, ਪ੍ਰੋਫੈਸਰ, ਅਤੇ ਲਾਈਫ ਕੋਚ ਹੈ।
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# 112 - ਹਜ਼ਾਰ ਮੀਲ ਲੰਮੀ ਬਾਂਹ -ਅਜਮੇਰ ਰੋਡੇ | Hazaar Meel Lammi Baanh - Ajmer Rode | हज़ार मील लम्मी बाँह - अजमेर रोडे | AudioBooks by Manpreet Sahota
Hazaar Meel Lammi Baanh (The Thousand Mile Arm) is a unique experiment in Punjabi short story writing where the author juxtaposes two widely diverse societies and geographies to interconnect humanity. Kishan Singh, the cart maker and Robert Oppenheimer, the atomic scientist are placed on two ends of the same spectrum on which the newly made bullock cart makes its journey.Ajmer Rode (b 1940 - Rode) has published books of poetry, drama, prose and translation in Punjabi and English. His works have been widely anthologized, and are being prescribed in several educational settings. His collaborative poetry project 'Leela' with his poet-brother Navtej Bharti is considered one of the most outstanding works of 20th century Punjabi poetry. He translated Gurdial Singh's iconic novel 'Marhi Da Diva' as 'The Last Flicker.' It was published by the Sahitya Akademi, New Delhi. Ajmer Rode plays a pivotal role in promotion of Punjabi writing in Canada. Rode lives in Surrey, BC with his writer wife Surjit Kalsey.Please subscribe to our YouTube channel as well and share this audiobook with family and friends.🙏📩 [email protected]🌐 Facebook - https://www.facebook.com/Dr.ManpreetDhindsaSahota/📸 Instagram - https://www.instagram.com/dr.manpreetsahota/📜 Threads - https://www.threads.net/@dr.manpreetsahota#manpreetsahota #PunjabiAudiobooks #PunjabiLiterature #PunjabiStories #pakistan #HindiLiterature #UrduStories #SouthAsianCulture #LiteratureLover #AudiobookChannel #AglaWarqa #ChaiLunge #redfmcanada #redfm93 #Gurmukhi, #punjabi , #punjabiliterature , #ManpreetSahota, #reading , #narration , #fiction , #education , #Storiesinpunjabi, #panjab
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#111 - ਹੋਪ ਕੌਰ ਉਰਫ਼ ਜਾਗਤੇ ਰਹੋ ਬਈ - ਜਸਵੰਤ ਦੀਦ | Hope Caur urf Jaagte Raho Baee | होप कौर ऊर्फ़ जागते रहो बई -जसवन्त दीद |AudioBooks by Manpreet Sahota
This memoir is Jaswant Deed's encounter with external and internal experiences of 'Chowkidaara' or Watchmanship. Listen to discover who is Hope Caur and why this piece is titled as a wake up call.Jaswant Deed ( born 11 March 1954, Shahkot, Jalandhar) is a Punjabi writer with nine books in poetry, three in prose, one book of short stories, and multiple translations to his credit. His training and experience in digital media is noteworthy. Having been associated with DoorDarshan in India, he has produced numerous television shows, dramas, musicals, cultural heritage programs, documentaries among other live and recorded programs.He won the prestigious Sahitya Akademi Award for his poetry book Kamandal in 2007. He has also been recognized with awards by Punjab Language Department as well as Guru Nanak Dev University, Amritsar.Please subscribe to our YouTube channel as well and share this audiobook with family and friends.🙏📩 [email protected]🌐 Facebook - https://www.facebook.com/Dr.ManpreetDhindsaSahota/📸 Instagram - https://www.instagram.com/dr.manpreetsahota/📜 Threads - https://www.threads.net/@dr.manpreetsahota#manpreetsahota #PunjabiAudiobooks #PunjabiLiterature #PunjabiStories #pakistan #HindiLiterature #UrduStories #SouthAsianCulture #LiteratureLover #AudiobookChannel #AglaWarqa #ChaiLunge #redfmcanada #redfm93 #Gurmukhi, #punjabi , #punjabiliterature , #ManpreetSahota, #reading , #narration , #fiction , #education , #Storiesinpunjabi, #panjab
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# 110 - ਅੰਗ ਸੰਗ -ਵਰਿਆਮ ਸਿੰਘ ਸੰਧੂ | Angg-Sangg- Waryam Singh Sandhu | अंग-संग - वरयाम सिंह संधू | AudioBooks by Manpreet Sahota
Angg-Sangg (Here and Around) is the story of the falling from grace of a recently deceased father when the family finds he has left them in dire straits.Waryam Singh Sandhu (born 1945) is a prolific author of short stories as well as historical prose in our times. His 9 short story collections paint a variety of life in the rural as well as urban Punjab. Sandhu's critical and historical work includes research on Gadriites, diaspora, martyrs of Punjab. He has been recognised with the most prestigious awards in the literary world. A few of them are Hira Singh Dard Award (1979), GNDU's Bhai Veer Singh Purskar (1980), Waris Shah Purskar (2000, 2003).Please subscribe to our YouTube channel as well and share this audiobook with family and friends.🙏📩 [email protected]🌐 Facebook - https://www.facebook.com/Dr.ManpreetDhindsaSahota/📸 Instagram - https://www.instagram.com/dr.manpreetsahota/📜 Threads - https://www.threads.net/@dr.manpreetsahota#manpreetsahota #PunjabiAudiobooks #PunjabiLiterature #PunjabiStories #pakistan #HindiLiterature #UrduStories #SouthAsianCulture #LiteratureLover #AudiobookChannel #AglaWarqa #ChaiLunge #redfmcanada #redfm93 #Gurmukhi, #punjabi , #punjabiliterature , #ManpreetSahota, #reading , #narration , #fiction , #education , #Storiesinpunjabi, #panjab
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# 109 - Epilogue - ਮੇਰਾ ਪਾਕਿਸਤਾਨੀ ਸਫ਼ਰਨਾਮਾ - ਬਲਰਾਜ ਸਾਹਨੀ | Mera Pakistani Safarnama - Balraj Sahni | मेरा पाकिस्तानी सफ़रनामा - बलराज साहनी | AudioBooks by Manpreet Sahota
Epilogue to the Travelogue was written a few years after his return. He describes a unique Juloos taken out in Bombay and relates it to his travelogue.Mera Pakistani Safarnama (My Pakistani Travelogue) is a Punjabi travelogue by Balraj Sahni, based on his 1962 visit to Pakistan, more than a decade after Partition. Written in Punjabi and first serialised in 'Preet Lari' magazine in the early 1960s, the book documents Sahni’s journey through Lahore, Rawalpindi, Bhera, Jhang, and Sargodha—places tied to his childhood and pre-1947 life. Structured as a factual travel account, it records encounters with people, observations of cities and countryside, and recollections of institutions, homes, and streets shaped by displacement. The text is a primary literary document of post-Partition return, grounded in lived experience rather than political commentary, and remains a significant Punjabi prose work on memory, geography, and divided Punjab. The book is more relevant today in the politically charged and communal environment of the sub-continent.Balraj Sahni (1913–1973), born Yudhishthir Sahni in Rawalpindi (then British India, now Pakistan), was a prominent Indian actor, writer, and intellectual whose work bridged literature, theatre, and socially engaged cinema. He was educated at Government College Lahore and later at the University of Cambridge, where he studied English literature. His early professional life included teaching at Rabindranath Tagore’s Santiniketan (Visva-Bharati University), an experience that shaped his humanist outlook and cultural sensibilities.Sahni’s literary output was primarily in Punjabi and Hindi prose. His major writings include Mera Pakistani Safarnama Mera Russi Safarnama, documenting his travels in the Soviet Union; and Meri Filmi Aatmakatha, an autobiographical account of his life in cinema. He also wrote essays, diary fragments, and reflective prose that addressed culture, displacement, education, and social responsibility. His writing is valued for its clarity, observational detail, and grounding in lived experience rather than ideology.In cinema, Balraj Sahni was closely associated with Indian parallel and socially conscious cinema. He acted in over 100 films and is best remembered for roles that portrayed ordinary people with dignity and restraint. His performance as the impoverished rickshaw puller in Do Bigha Zamin (1953) is widely regarded as a landmark in Indian realist cinema and earned international recognition, including at the Cannes Film Festival. Other notable films include Dharti Ke Lal (1946), Kabuliwala (1961), Garm Hava(1973), Waqt(1965), and Haqeeqat (1964). His final major role in Garm Hava, released shortly before his death, addressed the condition of Muslims in post-Partition India and is considered one of the most important films on the subject.Sahni was also active in theatre and cultural movements, including the Indian People’s Theatre Association (IPTA), which aligned art with social change. His contribution to Indian art lies in his consistent commitment to realism, ethical storytelling, and the representation of marginalized lives. Please subscribe to our YouTube channel as well and share this audiobook with family and friends.🙏📩 [email protected]🌐 Facebook - https://www.facebook.com/Dr.ManpreetDhindsaSahota/📸 Instagram - https://www.instagram.com/dr.manpreetsahota/📜 Threads - https://www.threads.net/@dr.manpreetsahota#manpreetsahota #PunjabiAudiobooks #PunjabiLiterature #PunjabiStories #pakistan #HindiLiterature #UrduStories #SouthAsianCulture #LiteratureLover #AudiobookChannel #AglaWarqa #ChaiLunge #redfmcanada #redfm93 #Gurmukhi, #punjabi , #punjabiliterature , #ManpreetSahota, #reading , #narration , #fiction , #education , #Storiesinpunjabi, #panjab
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# 108 - Chapter 15 - ਮੇਰਾ ਪਾਕਿਸਤਾਨੀ ਸਫ਼ਰਨਾਮਾ - ਬਲਰਾਜ ਸਾਹਨੀ | Mera Pakistani Safarnama - Balraj Sahni | मेरा पाकिस्तानी सफ़रनामा - बलराज साहनी | AudioBooks by Manpreet Sahota
Chapter 15 - The travel ends, but the yearning does not.Balraj Sahni takes the train back to Wagah border and brings back nostalgia, love and questions that his conscience poses to him.Mera Pakistani Safarnama (My Pakistani Travelogue) is a Punjabi travelogue by Balraj Sahni, based on his 1962 visit to Pakistan, more than a decade after Partition. Written in Punjabi and first serialised in 'Preet Lari' magazine in the early 1960s, the book documents Sahni’s journey through Lahore, Rawalpindi, Bhera, Jhang, and Sargodha—places tied to his childhood and pre-1947 life. Structured as a factual travel account, it records encounters with people, observations of cities and countryside, and recollections of institutions, homes, and streets shaped by displacement. The text is a primary literary document of post-Partition return, grounded in lived experience rather than political commentary, and remains a significant Punjabi prose work on memory, geography, and divided Punjab. The book is more relevant today in the politically charged and communal environment of the sub-continent.Balraj Sahni (1913–1973), born Yudhishthir Sahni in Rawalpindi (then British India, now Pakistan), was a prominent Indian actor, writer, and intellectual whose work bridged literature, theatre, and socially engaged cinema. He was educated at Government College Lahore and later at the University of Cambridge, where he studied English literature. His early professional life included teaching at Rabindranath Tagore’s Santiniketan (Visva-Bharati University), an experience that shaped his humanist outlook and cultural sensibilities.Sahni’s literary output was primarily in Punjabi and Hindi prose. His major writings include Mera Pakistani Safarnama Mera Russi Safarnama, documenting his travels in the Soviet Union; and Meri Filmi Aatmakatha, an autobiographical account of his life in cinema. He also wrote essays, diary fragments, and reflective prose that addressed culture, displacement, education, and social responsibility. His writing is valued for its clarity, observational detail, and grounding in lived experience rather than ideology.In cinema, Balraj Sahni was closely associated with Indian parallel and socially conscious cinema. He acted in over 100 films and is best remembered for roles that portrayed ordinary people with dignity and restraint. His performance as the impoverished rickshaw puller in Do Bigha Zamin (1953) is widely regarded as a landmark in Indian realist cinema and earned international recognition, including at the Cannes Film Festival. Other notable films include Dharti Ke Lal (1946), Kabuliwala (1961), Garm Hava(1973), Waqt(1965), and Haqeeqat (1964). His final major role in Garm Hava, released shortly before his death, addressed the condition of Muslims in post-Partition India and is considered one of the most important films on the subject.Sahni was also active in theatre and cultural movements, including the Indian People’s Theatre Association (IPTA), which aligned art with social change. His contribution to Indian art lies in his consistent commitment to realism, ethical storytelling, and the representation of marginalized lives. Please subscribe to our YouTube channel as well and share this audiobook with family and friends.🙏📩 [email protected]🌐 Facebook - https://www.facebook.com/Dr.ManpreetDhindsaSahota/📸 Instagram - https://www.instagram.com/dr.manpreetsahota/📜 Threads - https://www.threads.net/@dr.manpreetsahota#manpreetsahota #PunjabiAudiobooks #PunjabiLiterature #PunjabiStories #pakistan #HindiLiterature #UrduStories #SouthAsianCulture #LiteratureLover #AudiobookChannel #AglaWarqa #ChaiLunge #redfmcanada #redfm93 #Gurmukhi, #punjabi , #punjabiliterature , #ManpreetSahota, #reading , #narration , #fiction , #education , #Storiesinpunjabi, #panjab
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ABOUT THIS SHOW
Are you looking to listen to quality Punjabi literature? Tune in each week to enjoy selected Punjabi stories. “Next Page ਅਗਲਾ ਵਰਕਾ”– Podcast is hosted by Dr. Manpreet Sahota who is a Radio Show Host, Professor and a Life Coach. You can listen to full novels, short stories, essays and poems as well as chats with authors and artists on this podcast. ਜੇ ਤੁਸੀਂ ਚੜ੍ਹਦੇ ਤੇ ਲਹਿੰਦੇ ਪੰਜਾਬ ਦਾ ਸਾਹਿਤ ਆਡੀਓ ਰੂਪ ਵਿਚ ਸੁਣਨਾ ਚਾਹੁੰਦੇ ਹੋ ਤਾਂ ਇਹ ਪੌਡਕੈਸਟ ਤੁਹਾਡੇ ਲਈ ਹੈ ! ਹਰ ਹਫਤੇ ਪੰਜਾਬੀ ਕਹਾਣੀਆਂ, ਨਾਵਲ ਇਸ ਪੌਡਕੈਸਟ ਤੇ ਪੋਸਟ ਕੀਤੇ ਜਾਇਆ ਕਰਨਗੇ।ਪੇਸ਼ਕਾਰ ਡਾ: ਮਨਪ੍ਰੀਤ ਸਹੋਤਾ ਰੇਡੀਓ ਸ਼ੋਅ ਹੋਸਟ, ਪ੍ਰੋਫੈਸਰ, ਅਤੇ ਲਾਈਫ ਕੋਚ ਹੈ।
HOSTED BY
Dr. Manpreet Sahota
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