Off The Lot

Corey Payette did not wait for a studio to give him permission.He built his stories on stage, proved them in front of live audiences, and then turned them into award-nominated films — including Star Walker, which earned 10 Leo Award nominations.In this episode of Off The Lot, Corey breaks down how he went from theatre, music, and original Indigenous storytelling into feature filmmaking, how Star Walker evolved from a stage musical and TV series development process into a feature film, and what it actually takes to make a drag musical outside the traditional studio system.We talk about:How Corey adapted Star Walker from stage to screenWhy the film was made without traditional Telefilm or studio financingThe challenge of shooting a feature musical in drag on a tight scheduleHow community, chosen family, and queer joy shaped the filmWhy one story can become a stage show, feature film, album, tour, and published scriptWhat Corey learned moving from theatre into filmmakingThis is a conversation about building durable creative work, making films outside the system, and finding a way forward when the industry says no.Subscribe to Off The Lot for conversations with filmmakers building careers on their own terms.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter here:The Film FounderFollow Anthony Epp's newsletter here:The Greenlight ReportFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

Anthony Epp sits down with Ken Kabatoff for a candid conversation about the recent changes to Telefilm Canada's development funding, the challenges facing emerging Canadian filmmakers, and the growing need to balance creative ambition with financial sustainability.They reflect on networking, content creation, building an audience, and why long-term careers are built through persistence rather than overnight success.Listen now for an honest discussion about filmmaking, funding, creative resilience, and what it really takes to keep making movies.Vulture: The Unglamorous Financial Realities of 5 Indie Filmmakershttps://web.archive.org/web/20260623153204/https://www.vulture.com/article/indie-filmmakers-money.htmlFollow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Greenlight Report here:https://greenlightreport.substack.com/?utm_id=97760_v0_s00_e0_tv3Follow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

Anthony Epp and Ken Kabatoff discuss two of the biggest stories in independent filmmaking right now: the debate over crew compensation on breakout indie hits and the growing influence of YouTube creators in the film industry.Using the success of Obsession as a starting point, they explore backend points, producer risk, union protections, and what filmmakers and crew members can realistically expect from low-budget productions. They also examine how creators like Curry Barker, Kane Parsons, Markiplier, and Chris Stuckmann are using online platforms to develop their craft and build careers outside the traditional studio system.Along the way, Anthony and Ken discuss film financing, distribution, audience building, and why the recent success of independent horror films may be opening new doors for emerging filmmakers.Listen now for a conversation about independent film, creative opportunity, and the changing path to a career in filmmaking.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

Anthony Epp sits down with Julie Bruns and Steven Kammerer, filmmakers and actors behind Beneath Crimson Sails for a wide-ranging conversation about fantasy storytelling, independent filmmaking, and the passion projects that keep artists creating. Drawing inspiration from worlds like The Lord of the Rings, The Witcher, and classic adventure cinema, the guests discuss building immersive universes, crafting memorable characters, and bringing ambitious genre stories to life on independent budgets.The episode explores the challenges of writing and developing long-form creative projects, the importance of world-building, and how filmmakers balance inspiration from beloved franchises while creating something uniquely their own. Along the way, the conversation branches into gaming, practical storytelling lessons, favorite films, dream acting roles, and the enduring appeal of fantasy adventures.Anthony and his guests also share advice for aspiring filmmakers, emphasizing the importance of reading widely, experiencing the world firsthand, and choosing projects you genuinely love—because filmmaking is a long journey that demands persistence, curiosity, and commitment.Listen now for an entertaining discussion about fantasy, filmmaking, creativity, and what it takes to build stories that audiences can truly get lost in.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

Anthony Epp sits down with filmmaker, visual artist, and Vancouver Film School instructor Chad Costen to discuss the long journey behind his new fantasy feature film, Mister Sandman. Chad reflects on discovering filmmaking through Star Wars, making homemade monster movies as a teenager, and building a career that spans directing, visual effects, creature design, and teaching.The conversation explores the making of Chad’s first feature, The Coming, the lessons learned from early filmmaking struggles, and the years-long process of bringing Mister Sandman to life. Chad shares how a proof-of-concept trailer helped launch the project, why he created a series of interconnected short films to support the feature, and how the pandemic forced major changes to casting and production plans.Along the way, Anthony and Chad discuss creative collaboration, independent filmmaking, practical effects, and the importance of finding the right team. They also dive into the influence of Star Wars, the storytelling philosophy of Robert Zemeckis, and Chad’s upcoming theatrical tour for Mister Sandman across Western Canada.Listen now for an honest conversation about resilience, creativity, and what it takes to turn a lifelong passion for filmmaking into a feature film.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

Anthony Epp sits down with producer Matt Cervi for an in-depth conversation about the realities of independent filmmaking in Canada, from financing challenges to the thrill of bringing ambitious genre stories to life. Matt reflects on studying at USC School of Cinematic Arts, working with companies behind The Walking Dead and The Terminator, and later building Mad Samurai Productions around his passion for smart genre filmmaking.The episode explores the difference between producing and executive producing, the risks of independent film financing, and why relationships are often the most important currency in the film industry. Matt also shares stories from producing films like The Colony and executive producing Remnant, while discussing why privately financed projects can move much faster than traditional Canadian funding models.Along the way, Anthony and Matt talk about the untapped potential for Canadian genre cinema, the unpredictability of movie success, and the importance of collaboration, resilience, and creative passion in surviving the chaos of independent filmmaking.Listen now for an honest, behind-the-scenes look at what it really takes to get independent films made — and why filmmakers keep coming back despite the risks.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

Anthony flies solo this week while Ken is deep in post-production on Remnant, leading to a thoughtful conversation about what really makes film sets succeed: chemistry, alignment, and trust. Inspired by the rebuilding of the Vancouver Canucks and comments from Ryan Johnson, Anthony compares hockey teams to indie film crews in a surprisingly relatable way.Drawing from his recent experience assistant directing Sundowning, he explores why many independent productions struggle — from people wearing too many hats to departments pulling in different creative directions. The episode covers leadership, prep, communication, crew dynamics, and how producers and directors can build teams that feel collaborative instead of chaotic.It’s an honest, practical episode about making better movies by building better teams — perfect for filmmakers, film students, and anyone curious about the creative process behind independent filmmaking.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In this episode of Off The Lot, Anthony Epp sits down with casting director and producer Monika Dalman for a deep dive into the rapidly growing world of vertical micro dramas — the fast-paced, phone-first storytelling format becoming one of the biggest production booms in North America. From billion-dollar industry growth to nonstop productions shooting across Vancouver, Monika explains why the entertainment industry is beginning to take the format seriously.The conversation explores how changing consumer behavior is reshaping film and television, why traditional studios are adapting to vertical storytelling, and what makes these serialized dramas so effective at capturing audiences. Anthony and Monika also discuss casting, financing, fair pay, union protections, and the realities of building sustainable productions in a fast-moving new space.Whether you’re a filmmaker, actor, producer, or simply curious about where entertainment is heading next, this episode offers an inside look at one of the industry’s fastest-growing formats.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

This week on Off The Lot, Ken Kabatoff sits down with directors Eric Foss and Brandon Pickering to discuss their new documentary Sell Your House — a behind-the-scenes look at the making of indie crime thriller The Last Stop In Yuma County that became something far bigger.The film follows producer James Claeys, who sold his own house to finance the movie after years of failed studio development, celebrity attachments, and dead-end distribution conversations. Eric and Brandon break down how a planned 20-minute featurette evolved into a feature documentary about friendship, risk, self-distribution, and the harsh realities of modern indie filmmaking.The conversation dives deep into film financing, predatory distribution deals, audience building through social media, YouTube success stories, and why more filmmakers are starting to question the traditional Hollywood system altogether.If you’re trying to figure out how independent films actually get made — and what happens after the movie is finished — this episode is for you.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In this episode of Off The Lot, Anthony reflects on the intensity of his current horror shoot — managing complex elements like fire, special effects, and working with animals, all within tight production constraints. He highlights how the genre demands precision in both timing and execution, and why capturing multiple variations on set is essential to support the edit.Ken shares insights from a recent test screening of Remnant, describing the experience as challenging but invaluable. He emphasizes the importance of honest audience feedback — particularly from non-filmmakers — in revealing what is truly working and what is not.The conversation explores key takeaways from the screening, including clarity of storytelling, pacing, and the strength of the audience’s emotional connection to the protagonist. Ken discusses how this feedback translated into practical adjustments, from ADR to a targeted pickup shoot.The episode concludes with a reflection on additional photography and the realities of post-production, where thoughtful refinements and small changes can have a meaningful impact on the final film.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In this episode of Off The Lot, Anthony Epp reflects on how working as a first assistant director has become one of the most valuable forms of training for his growth as a filmmaker.Drawing from his current experience on Sundowning, he explores the relationship between directing and production — not just creating a vision, but understanding how to execute it within real limits of time and budget. He highlights how the AD role offers a unique vantage point on set, where creative and logistical decisions constantly intersect.The conversation centers on the idea that strong directors must think like both artists and builders. From blocking to coverage and time management, Anthony shares how production knowledge can become creative leverage rather than a constraint.He also touches on the risk of becoming too practical — how understanding production too well can shrink ambition — and why directors need to protect the ideas that truly matter.If you want a grounded look at how directing is shaped by real-world constraints — and why learning production can make you a better filmmaker — this episode is for you.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In this episode of Off The Lot, Anthony Epp checks in from the first week of production on his new horror feature, sharing with Ken Kabatoff what it’s like to jump straight into night shoots, complex logistics, and a packed schedule as an assistant director. From managing a challenging mix of elements — including animals, kids, stunts, and special effects — to finding unique locations in British Columbia, he offers a grounded look at the realities of being on set.The conversation also shifts into post-production, as a large test screening approaches for Remnant. Ken breaks down the importance of audience feedback, maintaining clarity without losing mystery, and how small adjustments — from ADR to structure — can reshape a film.The episode wraps with a deeper discussion on film financing, exploring investor relationships, what makes a project commercially viable, and why building the right partnerships is just as critical as the film itself.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In this episode of Off The Lot, Ken and Anthony break down the realities of moving from production into post — and what it takes to shape a film after the cameras stop rolling.Ken reflects on the final stretch of production and the early lessons that came out of the shoot, from coverage limitations to the impact of tight schedules and indie budgets. The conversation dives into the editing process — from rough cut to director’s cut — and the collaborative workflow with editors, reshaping scenes, refining pacing, and discovering the film in the edit rather than on the page.They also discuss the emotional shift after wrap, the role of test screenings, and the balance between creative vision and practical constraints in post. The episode closes with a candid look at the evolving role of AI in filmmaking, and why human creativity still drives the process.If you want an inside look at how a film evolves in post and what it really takes to push an indie project toward picture lock — this episode is for you.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In this episode of Off The Lot, Anthony Epp takes a solo deep dive into the role of the assistant director — unpacking how films actually come together in the final stages of pre-production.Using his 20 plus years of experience, he breaks down the critical alignment between script, budget, and schedule, and how a screenplay transforms from a creative document into a logistical blueprint for every department. The conversation explores the AD–director relationship, the importance of early problem-solving, and how decisions around locations, setups, and time ultimately shape the film.Anthony also shares a ground-level perspective on production — from managing hundreds of setups to balancing creative ambition with practical constraints, and why communication, clarity, and preparation are what keep a set from falling apart.If you want a real-world understanding of how films are executed, and why the assistant director might be the most important hire on your project — this episode is for you.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In this episode of Off The Lot, Anthony Epp breaks down what it actually means to start a career in the film industry — especially when you’re starting from zero or coming in later in life.They explore the mindset shift from waiting for permission to taking control, using a stoic framework to focus on what’s within your control: the quality of your work, consistency, collaboration, and preparation. The conversation challenges the idea of “breaking in” through luck, festivals, or gatekeepers, and instead reframes filmmaking as a process built through volume, repetition, and self-generated opportunities.From volunteering on set to making ultra-low-budget projects, they unpack why constraints are often the fastest path forward — and how rejection, lack of resources, and limited access can actually become advantages when approached correctly.If you’re trying to get your foot in the door, build momentum, and create a sustainable path into the industry — this episode is for you.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In this episode of Off The Lot, Ken Kabatoff and Anthony Epp sit down with veteran producer Erin Haskett to unpack the evolving landscape of television — from linear broadcast to the streaming-first era.They explore how audience behavior has reshaped storytelling, why pilots matter more than ever, and the challenge of hooking viewers in the first minutes of an episode. The conversation dives into the balance between creative vision and market realities, the role of the producer as both storyteller and strategist, and how projects actually get sold today.Erin also reflects on her path into the industry, the importance of early career hustle, and what makes a great creative partnership — alongside a broader look at where Canadian television is heading in a global market.For insight into modern TV development, producing, and what it takes to build stories that actually connect, check out this episode of Off The LotFollow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In this episode of Off The Lot, Anthony Epp goes solo while Ken focuses on finishing the director’s cut of Remnant, diving into one of the most misunderstood aspects of filmmaking: how money actually flows through a film project.Using the history behind the making of Casablanca as a starting point, Anthony explores the idea that film has always been both art and business. He breaks down why major creative decisions — from casting to release timing — have historically been driven by commercial thinking, and why independent filmmakers need to approach their projects with the same level of financial strategy.The episode then unpacks the mechanics of film financing in Canada, from public funding stacks and federal tax credits to private equity and revenue “waterfalls.” Anthony explains how structures like the Canadian Media Fund and refundable tax credits reduce risk for investors, and why building a clear financial architecture before production is essential for creating sustainable independent films.Real-time look at the financial side of filmmaking, how investors get paid back, and why understanding the business structure behind a film is just as important as the story itself in this week’s episode of Off the Lot.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In this episode of Off The Lot, Anthony Epp sit down with filmmaker, stunt performer, and fight choreographer Bruce Fontaine to discuss his journey from Hong Kong action cinema to directing independent features in Canada.Bruce reflects on his career working in the golden age of Hong Kong filmmaking, performing alongside some of the industry’s biggest martial arts stars before transitioning into directing his own projects. The conversation explores the making of his latest film Ruthless Bastards, the challenges of producing independent action films, and how persistence, networking, and private investment helped bring the project to life.They also dive into the realities of building commercially viable indie films — from casting recognizable names that help sell a movie internationally to designing action sequences that work within tight budgets. Bruce shares insights into why action remains one of the most exportable genres, the importance of prioritizing stunt performance on screen, and his mission to showcase Canadian talent while still making films that travel globally.A candid conversation about independent filmmaking, global action cinema, and what it takes to build commercial genre films outside the traditional studio system in this week's episode of Off the Lot.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In this episode of Off The Lot, Ken Kabatoff and Anthony Epp check in at the end of production on Remnant — officially wrapping an ambitious 18-day horror shoot.They unpack filming a massive eight-page exorcism sequence with 41 setups in a single day, executing complex stunts and practical fire gags, navigating the pressure of company moves, daylight-dependent exteriors, and zero overtime cushion.Real-time look at wrapping a first feature, balancing creative instinct with business reality, and trusting the prep when the clock is ticking in this week's episode of Off The Lot.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In this episode of Off The Lot, Ken Kabatoff and Anthony Epp check in at the end of week two of production on Remnant — officially crossing the halfway mark of the shoot.They unpack working with veteran actor Kim Coates (Sons of Anarchy, Waterworld), what it’s like directing a performer with 40+ years of experience, and how preparation — without rehearsal days — becomes critical on an indie schedule. Ken reflects on adapting his directing style to different actors, capturing multiple tonal variations for the edit, and why casting truly is 90% of directing.The conversation also dives into the logistics of shooting in a single house location, managing large lighting setups, building a distinct “nightmare world” look through lenses, LUTs, haze, and camera movement, and surviving one of the most difficult seven-page finale days of the shoot — complete with practical fire gags and major technical pivots.Real-time look at navigating performance, pressure, production constraints, and creative problem-solving halfway through a feature in this week's episode of Off the LotFollow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In this episode of Off The Lot, Ken Kabatoff and Anthony Epp recap the first week of production on Remnant, as Ken officially steps into the director’s chair on his debut feature.They break down the realities of week one — company moves, complex lighting setups, blue-hour stunts, horror sequences, and the constant pressure of making an 18-day schedule work. The conversation explores working with actors versus technicians, discovering performance in the moment, and how “happy accidents” on set can redefine a scene.Ken also reflects on how the film begins to reveal its own language during production — adjusting shot lists, simplifying coverage, maximizing a two-camera setup, and learning how the house location dictates the visual strategy.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In Episode 5 of Season 2 of Off The Lot, Anthony Epp goes solo while Ken Kabatoff wraps the first week of production on Remnant.Anthony uses the episode to pull back the curtain on a part of filmmaking many creators avoid: raising money. He shares a candid breakdown of his current sprint to finance The Quiet Canadians, reframing fundraising as direct action instead of endless preparation, refinement, or “pseudo-activity.”The episode focuses on mindset shifts, investor outreach, and why real progress comes from conversations, not pitch decks. Anthony discusses private investment, confidence through repetition, and how filmmakers can reposition themselves from asking for permission to offering meaningful partnerships.If you’re an indie filmmaker struggling with financing, avoidance, or the leap from planning to action — this episode is for you.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In this episode of Off The Lot, Ken Kabatoff and Anthony Epp reflect on the final days of prep as Remnant officially heads into production, opening with a discussion on the passing of Catherine O’Hara and her lasting impact on film and television.They discuss the intensity of week three of pre-production, from major art department transformations and schedule reshuffling to creative decisions around camera strategy, lenses, aspect ratio, and visual texture. The conversation also touches on the current moment in Canadian film and television, legacy creators, and why risk-taking still matters.The episode closes with a look at how preparation, collaboration, and creative commitment shape the first days of a shoot — and what it means to step onto set ready to make decisive choices.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.com/aboutFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In this episode of Off The Lot, Ken Kabatoff and Anthony Epp share updates from the front lines of indie filmmaking, including early details on the psychological thriller Blue Box.They discuss investor strategy, why genre matters, and the importance of building sustainable, repeatable paths to get films made outside traditional systems.The episode also checks in on pre-production for Ken’s horror feature Remnant, covering department coordination, planning challenges, and the constant balance between creative ambition and logistics.If you want an honest look at how films actually get made before cameras roll — this episode is for you.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.comFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

Ken Kabatoff and Anthony Epp dive into the early realities of getting a film off the ground — from reclaiming responsibility over financing to stepping into the chaos of official pre-production.They discuss stepping back from oversubscribed government funding programs to focus on private investors, brand partners, and audience-building, and why waiting for permission can stall momentum.The episode then breaks down the first week of pre-production on Ken’s horror feature Remnant, covering script breakdowns, department meetings, scheduling pressure, and the process of turning a script into a work order.If you want an honest look at real-life filmmaking and the transition from planning to execution — this episode is for you.Follow Ken's Indie Horror Feature Remnant here:www.remnantmovie.comFollow Ken Kabatoff's newsletter The Film Founder here:https://kenkabatoff.substack.comFollow Anthony Epp's newsletter The Filmmaker's Notebook here:www.anthonyepp.comFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

In the Season 2 premiere of Off The Lot, hosts Ken Kabatoff and Anthony Epp get brutally honest about where filmmaking is right now — and what it actually takes to survive (and thrive) as an indie creator.Ken announces that his debut horror feature Remnant is officially greenlit and takes listeners deep into the real nuts and bolts of indie filmmaking: financing setbacks, investor psychology, tax credit loans, crew logistics, and the pressure of personally guaranteeing a first feature.This episode sets the stage for a new weekly format where listeners will follow the making of Remnant week by week, from pre-production through to delivery.If you’re a filmmaker trying to figure out how to move forward in a broken system — this episode is for you.Follow Ken's Indie Horror Feature Remnant here:RemnantFollow Ken Kabatoff's newsletter The Film Founder here:The Film FounderFollow Anthony Epp's newsletter The Filmmaker's Notebook here:The Filmmaker's NotebookFollow Ken & Anthony on Instagram here:@ken_kabatoff@epptri

Eight months. Tons of guests. Countless lessons from the trenches of indie filmmaking. In our Season 1 finale, Ken and Anthony pull back the curtain on their own projects, diving into the wild, unpredictable ride of producing indie films.We talk about:The razor’s edge of indie film financingThe difference (and similarities) between studio & indie filmmakingManifestation, meditation & the mental game of making moviesFinding and working with the right peopleWhy now is the time to make your movie — no excusesPlus — a huge thank you to Peliplat and Craftsman Films for fueling this first season. We’ll be back this fall with an even bigger, better Season 2. Until then… keep creating, keep hustling, and keep telling your stories off the lot.👉 Want to listen to the show? Check out www.offthelotpodcast.com/listen 👉 Want to watch the show? Check out our YouTube channel: https://www.youtube.com/@offthelotpodcast💰 Sponsored by Peliplat — Enter monthly writing challenges and win up to $2400 USD in cash prizes. Join at www.peliplat.com/offthelot📚 Sponsored by Craftsman Films — Each week, successful indie producer Daren Smith shares his vast knowledge of indie filmmaking in a highly anticipated newsletter. If you sign up at the link below you'll get access to his must-read book Blockbuster absolutely free! www.craftsmanfilms.co/offthelot🖥️ Follow us on Instagram: @offthelotpod, @ken_kabatoff, @epptri☕️ Help support the show! Buy us a cup of coffee for those long editing nights by leaving a tip here! www.offthelotpodcast.com/support🎯 Don’t forget to like, comment, and subscribe so you don’t miss the Season 2 premiere!

Ready to peek behind the curtain of indie filmmaking? In this electrifying episode, award-winning director Karen Lam (The Curse of Willow Song, Bring It On: Cheer or Die) sits down to unpack her unique journey from entertainment lawyer to horror auteur.Karen dives deep into her latest projects—Armageddon Road, a supernatural thriller blending innovative volume wall tech with old-school miniature effects, and the award-winning short Mrs. Chang’s Perfect Teeth. Along the way, she offers practical advice for indie filmmakers navigating a changing industry, discusses the indie vs. studio filmmaking balance, and shares essential strategies for filmmakers looking to build sustainable careers without relying on traditional gatekeepers.📌 In this episode, you’ll discover:How Karen financed her latest feature using creative, indie-friendly strategies.Why mixing cutting-edge tech with classic practical effects can elevate your storytelling.The power of creating your own opportunities instead of waiting for "Hollywood to pick you."Insights into how Canadian filmmakers can leverage industry shifts to their advantage.Hit Subscribe to Off The Lot for more candid conversations and practical filmmaking insights!👉 Want to listen to the show? Check out www.offthelotpodcast.com/listen 👉 Want to watch the show? Check out our YouTube channel: https://www.youtube.com/@offthelotpodcast💰 Sponsored by Peliplat — Enter monthly writing challenges and win up to $2400 USD in cash prizes. Join at www.peliplat.com/offthelot📚 Sponsored by Craftsman Films — Each week, successful indie producer Daren Smith shares his vast knowledge of indie filmmaking in a highly anticipated newsletter. If you sign up at the link below you'll get access to his must-read book Blockbuster absolutely free! www.craftsmanfilms.co/offthelot🖥️ Follow us on Instagram: @offthelotpod, @ken_kabatoff, @epptri☕️ Help support the show! Buy us a cup of coffee for those long editing nights by leaving a tip here! www.offthelotpodcast.com/support🎙️ Don’t forget to like, comment, and subscribe so you don't miss a single episode!#KarenLam #IndieFilm #HorrorMovies #FilmmakingTips #WomenInFilm #FilmProduction #OffTheLotPodcast #ArmageddonRoad #MrsChangsPerfectTeeth #FilmmakingAdvice #VancouverFilm #FilmFinance #DirectorLife

What if Letterboxd and a writer's room had a baby—and that baby was raised in a video store by cinephiles? That's Peliplat. And in this bonus episode, Off The Lot fave Bob Woolsey returns to break down exactly why Peliplat might be the next big thing for indie filmmakers and film lovers alike.We dive deep into how Peliplat is building a real community for creatives to:Develop IP in a transparent, collaborative way (yes, even in the age of AI)Share cultural perspectives on film that expand how we watch and talk about moviesReclaim the joy of movie discussion outside the noise of social mediaFind your tribe of writers, critics, and cinephiles who care as much as you do🎥 Bob’s been in the trenches for over 15 years — as a writer, director, and educator. If you're serious about building a career in film, you can’t miss this one.👉 Want to watch the show instead? Check out our YouTube channel here: Off The Lot YouTube💰 Sponsored by Peliplat — Enter monthly writing challenges and win up to $2400 USD in cash prizes. Join at Peliplat_OffTheLot📚 Sponsored by Craftsman Films — Each week, successful indie producer Daren Smith shares his vast knowledge of indie filmmaking in a highly anticipated newsletter. If you sign up here you'll get access to his must-read book Blockbuster absolutely free!🖥️ Follow us on Instagram: @offthelotpod, @ken_kabatoff, @epptri☕️ Help support the show! Buy us a cup of coffee for those long editing nights by leaving a tip here!🎙️ Don’t forget to like, comment, and subscribe so you don't miss a single episode!

Thinking about film school? Or wondering if you should skip it and just make a movie?🎓 In this episode, filmmaker and former Vancouver Film School department head Bob Woolsey breaks down:What film school actually teaches you (and what it doesn’t)Why networking and teamwork beat theory every timeWhether a $30,000 tuition is worth the ROIHow to break into the industry without formal educationWhy your attitude might matter more than your talent🎥 Bob’s been in the trenches for over 15 years — as a writer, director, and educator. If you're serious about building a career in film, you can’t miss this one.👉 Want to watch the show instead? Check out our YouTube channel here: Off The Lot YouTube💰 Sponsored by Peliplat — Enter monthly writing challenges and win up to $2400 USD in cash prizes. Join at Peliplat_OffTheLot📚 Sponsored by Craftsman Films — Each week, successful indie producer Daren Smith shares his vast knowledge of indie filmmaking in a highly anticipated newsletter. If you sign up here you'll get access to his must-read book Blockbuster absolutely free!🖥️ Follow us on Instagram: @offthelotpod, @ken_kabatoff, @epptri☕️ Help support the show! Buy us a cup of coffee for those long editing nights by leaving a tip here!🎙️ Don’t forget to like, comment, and subscribe so you don't miss a single episode!

In this episode, we're joined by indie filmmaker MJ Alhabeeb Jr., whose debut feature Plight is racking up awards and heading to theaters. MJ takes us through his journey from shooting public access TV at 16, to premiering Plight in the very town where it was shot, to landing distribution with Indie Rights—all on a shoestring budget.We dig deep into:How he made Plight for $60KWhy failing forward mattersWhat filmmakers often get wrong about distributionBuilding a film career without the studio systemHis honest advice for every up-and-coming director🎥 This is a must-listen for anyone who’s felt stuck or sidelined in their filmmaking journey. MJ proves you don’t need permission—you just need to get going.📺 Plight is now streaming on Amazon Prime.👉 Want to watch the show instead? Check out our YouTube channel here: Off The Lot YouTube💰 Sponsored by Peliplat — Enter monthly writing challenges and win up to $2400 USD in cash prizes. Join at Peliplat_OffTheLot📚 Sponsored by Craftsman Films — Each week, successful indie producer Daren Smith shares his vast knowledge of indie filmmaking in a highly anticipated newsletter. If you sign up here you'll get access to his must-read book Blockbuster absolutely free!🖥️ Follow us on Instagram: @offthelotpod, @ken_kabatoff, @epptri☕️ Help support the show! Buy us a cup of coffee for those long editing nights by leaving a tip here!🎙️ Don’t forget to like, comment, and subscribe so you don't miss a single episode!

Off The Lot is where serious indie filmmakers level up. Hosted by Ken Kabatoff and Anthony Epp, this podcast goes beyond the fluff to deliver real, hard-earned lessons from the frontlines of independent filmmaking. Each episode is a masterclass—featuring directors, producers, and creatives who are in the trenches, making movies happen without a safety net. If you want actionable insights, unfiltered conversations, and the blueprint to build your own career outside the studio system—this is the show.Spread the word and help indie filmmakers around the world level up today!

This week, we’re answering your burning questions—and holding nothing back.Whether you're stuck in development hell, figuring out how to light your film without pro gear, or wondering how to work with (or walk away from) an investor with strings attached—this episode is for you.We cover:🔥 How to make your indie film look cinematic on a shoestring💰 The financial model that actually gets investors paid back🎭 Directing actors (even when you have zero rehearsal time)🎥 The red flags that should make you walk away from a “dream” investor📽 Why Hollywood won’t “pick” you—and why that’s a good thing🧠 The spiral theory of filmmaking that will change how you prep your moviePlus: Ken drops the real update on Remnant—how close they are to greenlight, and what it means to go all in.🎥 Whether you're an indie filmmaker or a fan of genre movies, this episode is packed with actionable insights, brutal honesty, and a lot of laughs.👉 Want to watch the show instead? Check out our YouTube channel here: Off The Lot YouTube💰 Sponsored by Peliplat — Enter monthly writing challenges and win up to $2400 USD in cash prizes. Join at Peliplat_OffTheLot📚 Sponsored by Craftsman Films — Each week, successful indie producer Daren Smith shares his vast knowledge of indie filmmaking in a highly anticipated newsletter. If you Sign up here you'll get access to his must-read book Blockbuster absolutely free!🖥️ Follow us on Instagram: @offthelotpod, @ken_kabatoff, @epptri📢 Got your own question? Email us at: [email protected]☕️ Help support the show! Buy us a cup of coffee for those long editing nights by leaving a tip here!🎙️ Don’t forget to like, comment, and subscribe so you don't miss a single episode!

In our first-ever live show, we sit down with the powerhouse duo behind Freaks and the upcoming Freaks Underground — director Zach Lipovsky and cinematographer Stirling Bancroft — to uncover how they pulled off a visually stunning sci-fi indie on a micro-budget and what it takes to keep your voice in this industry.From guerrilla filmmaking in Shaughnessy to shooting volume plates like pros, hear how the team created massive scope on minimal resources, built their careers without waiting for permission, and dove straight into Freaks Underground the day after wrapping Final Destination: Bloodlines.Whether you're an indie filmmaker or a fan of genre movies, this episode is packed with actionable insights, brutal honesty, and a lot of laughs.Watch the episode on YouTube for the full live show experience! https://youtu.be/06Hk70UytMoSponsored by Peliplat — Enter monthly writing challenges and win up to $2400 USD in cash prizes. Join at https://www.peliplat.com/offthelotSponsored by Sunbelt Rentals — Industry-trusted gear and support from https://whites.comSponsored by Daren Smith at Craftsman Films — Sign up at https://www.craftsmanfilms.co/offthelot to get his must-read book Blockbuster absolutely free.

What do you do when Sundance says no? If you're Dan Mirvish—you start your own damn festival.In this episode, we sit down with the co-founder of Slamdance Film Festival and self-proclaimed “cheerful subversive” Dan Mirvish. From launching the careers of Christopher Nolan and the Russo Brothers, to literally forcing the Oscars to change their rules, Dan’s career is a masterclass in indie film rebellion.🏆 This episode is sponsored by Peliplat – where passionate minds meet.Enter their monthly writing challenges and win up to $2400 USD in cash prizes!✍️ Join the community at: www.peliplat.com/offthelot👇 Don’t forget to like, subscribe, and drop your favorite indie film hustle story in the comments.

Join us for a captivating deep dive into the world of indie filmmaking with the multi-talented Anthony Epp! Known for his extensive experience—from directing and producing to script coordinating and lighting—Anthony shares invaluable insights from his diverse career. Hear the fascinating story behind his debut feature, 13 Miles, the triathlon drama that took two years of passionate persistence to complete, and is now streaming on Amazon, Tubi, and Apple TV.Special Thanks to Our Sponsor Peliplat! Are you a storyteller with a unique take? Participate in Peliplat’s monthly writing challenges for a chance to win cash prizes up to $2400 USD! Let your creativity shine—join now at www.peliplat.com/offthelot.

Award-winning writer, director, and co-host Ken Kabatoff takes the hot seat in this deeply personal episode of Off The Lot. From his breakout work on Netflix’s Travelers to receiving the DGC BC Emerging Greenlight Award for his short The Doukhobor, Ken walks us through the grit, the pivots, and the relentless drive that got him here.Now, with his debut feature Remnant on the horizon, Ken shares the hard math of indie film production, the challenge of breaking through the noise, and the strategy behind building sustainable momentum in a saturated industry. It’s a must-watch for anyone trying to make it outside the studio system.📢 Sponsored by Peliplat — the global platform for storytellers and screenwriters. Explore their writing challenges and resources at www.peliplat.com/offthelot

In this jam-packed episode, we sit down with producer Mike Johnston—co-founder of Studio 104 Entertainment—for a deep dive into the creative chaos, financial finesse, and straight-up grit it takes to be an indie producer in Canada.From rat-infested film school basements to launching films at Hot Docs and getting national theatrical releases, Mike takes us through the real behind-the-scenes of building a production company from scratch. We talk about the film that made him fall in love with the craft (Jaws, naturally), the evolution from aspiring director to full-time producer, and the delicate balancing act between art and commerce.

Get ready for a filmmaking masterclass as directors Austin Andrews and Andrew Holmes take us behind the scenes of their supernatural thriller "The Island Between Tides" (known as "The Lost Daughter" in the US). This Emmy-winning duo reveals the raw truth about indie filmmaking: the triumphs, the challenges, and everything in between!

Producer Amber Ripley pulls back the curtain on independent film financing in Canada, sharing her journey from skeptical film school graduate to successful producer with 11 feature films under her belt.

In this captivating conversation, we explore Andrew Gust's impressive career trajectory from Canadian film school to becoming an editor on Apple TV+'s flagship series "The Morning Show," while maintaining his passion for independent cinema.

Ever wondered what happens when a plane literally crashes into your film set? Or how filmmakers actually find money to make their movies? Ken and Anthony rip open the vault in this no-holds-barred Q&A episode, answering the questions that keep indie filmmakers up at night. From the "friends and family" funding reality check to the technical skills that actually matter (spoiler: it's not what film school taught you), this episode is packed with battle-tested wisdom from directors who are making it happen right now. Whether you're debating shorts vs. features or just trying to survive your first production, prepare for the advice you wish someone had given you years ago.

In this game-changing episode, we sit down with Emily Best, the founder and CEO of Seed&Spark who has helped nearly 6,000 indie filmmakers raise OVER $72 MILLION in funding. She drops tactical knowledge about why the traditional film financing model is DEAD and what you need to do RIGHT NOW to build a sustainable filmmaking career.

Filmmakers and creative rebels—RNG REGISTRATION WEEKEND IS UPON US. So buckle up for a raw, unfiltered dive into Vancouver's revolutionary film festival! We sit down with Joel McCarthy and Sasha Duncan, the maverick leaders of Run N Gun - the scrappy 48-hour competition that's transformed from indie underdog to Vancouver's hottest ticket in filmmaking.

This is the episode indie filmmakers CANNOT MISS! Producer Daren Smith delivers a game-changing masterclass on achieving true independence and profitability. Whether you're struggling to fund your first feature or trying to build a sustainable filmmaking career, the strategies revealed in this conversation could completely transform your approach to the business of indie film.

"If you can't sell your film, nobody else is going to sell it for you."In this raw and honest episode, we dive deep into the REAL development process of independent films. Not just writing the screenplay, but building the entire system needed to get your film made and seen. This episode is REQUIRED viewing for any filmmaker serious about getting their independent project off the ground. Hit LIKE, SUBSCRIBE, and share your development challenges in the comments below!

What does it take to go from crashing through windows to calling the shots on set? This week, we sit down with legendary stunt coordinator, second unit director, and filmmaker Lauro “Lash” Chartrand-Del Valle, whose career has taken him from blockbuster stunts to directing action-packed films.With over three decades in the industry, Lauro has worked on massive projects, including the FX series Shogun, where he served as stunt coordinator and recently won a SAG Award for Outstanding Performance by a Stunt Ensemble. Now, he’s bringing his expertise to indie films like Protectors of the Land, proving you don’t need a Hollywood budget to create jaw-dropping action.

If you’re an indie filmmaker wondering how to level up your career, this episode is for you. In just a few short years, Ava Marie Safai went from directing high school short films to being selected for Vancouver’s prestigious Crazy8s film festival and now she’s making her feature directorial debut with Foreigner–part of Telefilm Canada’s Talent to Watch program.In this episode, we break down how Ava turned ambition into action, secured major funding, and took the leap into feature filmmaking—all on her own terms.Instagram: @offthelotpod@ken_kabatoff@epptriHave a question or topic suggestion? Email us at [email protected]!📢 If you love the show, hit follow, leave a review, and share this episode with your fellow filmmakers! 🎙️

This week, Ken and Anthony sit down with Amanda Verhagen, an indie producer, line producer, and founder of Notable Studios. From managing million-dollar budgets to finding creative workarounds, Amanda shares real-world strategies for getting your film made.Whether you’re producing your first indie or looking to level up, this episode is packed with insider knowledge, budgeting tips, and industry wisdom you won’t find anywhere else!Follow us for more filmmaking content:Instagram: @offthelotpodKen Kabatoff – @ken_kabatoff Anthony Epp – @epptriYouTube - https://www.youtube.com/@OffTheLotPodcast Got a question or topic suggestion? Email us at [email protected]!Don’t forget to subscribe, rate, and review to help more indie filmmakers discover the show!

Ever wondered how the smallest details in a movie can make or break the story? Props aren’t just objects—they’re storytelling tools. And no one knows that better than Dean Goodine, a legendary Hollywood prop master with over 39 years in the business.He’s worked on everything from Unforgiven and Inception to 2024's indie horror juggernaut Heretic, and breakout indie thriller The Order. Today, he’s here to drop major knowledge on how props shape performance, enhance world-building, and why indie filmmakers need to stop overlooking them.If you want to make your indie film feel like a big-budget production, this episode is a MUST-LISTEN.Follow Us for More Filmmaking Content:Instagram: @offthelotpodTikTok: @offthelotpodKen Kabatoff: @ken_kabatoffAnthony Epp: @epptriDean's Must-Read Book: They Don’t Pay Me to Say No: My Life in the Props Department Got a question or topic idea? Email us at [email protected]!