Podcasts – The Movie Isle

A Star Trek Stroll Into Darkness Marie takes a short walk and thinks out loud about the most recent episodeContinue Reading

A Star Trek Stroll (2009) Marie takes a short walk and thinks out loud about the most recent episode ofContinue Reading

A Star Trek Stroll: Nemesis Marie takes a short walk and thinks out loud about the most recent episode ofContinue Reading

A Star Trek Stroll: Nemisteps Marie takes a short walk and thinks out loud about the most recent episode ofContinue Reading

A Star Trek Stroll: Insu-Recreation Marie takes a short walk and thinks out loud about the most recent episode ofContinue Reading

A Star Trek Stroll: First Contact Marie takes a short walk and thinks out loud about the most recent episodeContinue Reading

A Star Trek Stroll: Generations Marie takes a short walk and thinks out loud about the most recent episode ofContinue Reading

A Thanksgiving Treat. Adam discusses Paul Thomas Anderson’s The Master. Before Scott’s return (it’s next week) and our Ninja Series goes into full effect, Adam wanted to make sure that you had something for the long holiday weekend. Rather than go with a B-Movie treasure, he’s changed it up. Being Thanksgiving and our unchecked appetites it’s only fitting that we discuss one of PTA’s most overstuffed work; The Master. The music in the podcast is from The Master Original Soundtrack by Johnny Greenwood. Adam Nyman’s Paul Thomas Anderson: Master Works Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

A Star Trek Stroll 6: The Undiscovered Path Marie takes a short walk and thinks out loud about the mostContinue Reading

Adam’s last dance before Scott’s return.  That last dance is G.I. Joe Retaliation… which holds the key to our next big series. Adam has nothing but love for the two live-action adaptations of G.I. Joe. Yes, they’re ridiculously overheated melodrama. What director Jon M. Chu gets right in the sequel is something very specific. That specificity is what we’re here to talk about today. You’re going to have to listen to the podcast to understand how this episode links to Scott’s return and the series we’re diving into. Opening and Closing our Podcast this week is the Opening Theme Song for GI Joe and Closing Music for GI Joe!!! Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

A Star Trek Stroll 5: The Final Walk (not really) Marie takes a short walk and thinks out loud aboutContinue Reading

Adam is without Scott on this episode where he talks about his Favorite Batman movie, which coincidentally is one of his Favorite Christmas Movies; Batman Returns. The broken-hearted, PTSD, Trauma, Circus Side Show Attraction, Political Tomfoolery that is Tim Burton’s Batman Returns is the perfect movie about for 2020, which was not made in 2020. 28-years later it is still Adam’s favorite Batman movie for all those descriptives above and more. Adam discusses; His favorite Batmen (which will not surprise any of the early devotees to the podcast). The way that all the filmmakers (including Film Bro’s Godhead Nolan) STOLE, and continue to steal, from this film. How the film gives us a Batman who uses Bruce Wayne as his disguise as he fights a trifecta of Villians. Something All-Batmans would later follow in the filmic universe. The Stars cast as villains troupe. Using the Holiday season in Action/Genre films. And the prospect of Keaton coming back as Batman in a future film. Our Closing Music is Siouxsie And The Banshees’ Face to Face Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Season 1 Episode 7 – Good Will Hunting (1997) Dan and Marie explore the films which were nominated in the Oscar Best Picture category and which could possibly have won … but didn’t. We take it in turns to pick a film, then discuss whether we think things have changed for that movie now, or if the original decision still stands; was it a deserving winner, or something only of its time? In episode 7, Marie’s chosen one of her favourites again – Good Will Hunting. Will Dan agree with her choice, or will he be telling her “It’s not your fault”? Although it didn’t win the Academy Award for Best Picture, Matt Damon and Ben Affleck did collect the statue for their original screenplay, one which also includes a lot of improvisational performance. It did land Robin Williams an Oscar too. We talk about the Boston accent (love it or hate it?), our favourite scenes from the film (yes, there are fruit involved), and our enduring love and admiration for Stellan Skarsgård.  The big hitter of 1997 though was Titanic – would Dan agree that Good Will Hunting was a more worthy winner? And what about L.A. Confidential? Join us to see whether we can reach any kind of agreement with The Academy or each other.  Subscribe and join us! Where to find us: The Movie Isle is where you’ll find us – check out the site for all kinds of film reviews and podcasts from the team – https://themovieisle.com/ Marie is on Twitter: @Reesiepie and on Letterboxd: Reesiepie Theme music specially composed and played by Martha O’Sullivan.

A Star Trek Stroll 4: The Voyage To Work Marie takes a short walk and thinks out loud about theContinue Reading

While Scott is gone, Adam has decided to play DJ and start-up K-BMP.  Music and Movies!!!   This is a grand experiment.  Adam has been thinking about this for a while now and he figured with anxiety levels through the roof during Election Week what better time to pilot something new.  Not having any agenda this week knowing it would be a rough one, we’ve decided to talk about a few “feel good movies” on the podcast following a track from said movie.  Simple format, brief interludes about the movie.   Here we go! Track Listing: Queen – Princes of the Universe  John Carpenter – Theme from Big Trouble in Little China  John Waite – Change  Meek Mill – Lord Knows / Getting Stronger  Heavy Duty – Face the Music  Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

A Star Trek Stroll 3: The Search for Brendan Marie takes a short walk and thinks out loud about theContinue Reading

Adam may not have Scott with him right now but that doesn’t mean we can’t have a little fun for Halloween. He’s covering a horror series near and dear to his heart; The Final Destination movies! If there was a series of Horror films that demanded to be discussed on the B-Movie Podcast it would be The Final Destination series. Much like Adam’s other favorite horror series, Resident Evil, The Final Destination movies get no respect. Or at the very least they are to discussed as often as they should be. Five films that are all Treats and hardly any Tricks (though Part 2 almost is a Trick). The films are pure joy for horror fans that love elaborate deaths. They’re the Saw Franchise without the overly involved plots and mythology. It’s like a highlight reel of the greatest kills of all time but in movie form. Basically, they’re a slasher film starring the ultimate slasher: DEATH! Oh, and of course who could forget the indomitable Sir Anthony Todd showing up giving his gravitas for, almost, the entire series. It’s a lot of fun and Adam is ready to get you to your final destination in time for Halloween!!! Our closing music is War’s Why Can’t We Be Friends? Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

A Star Trek Stroll 2: The Wrath of Walk Marie takes a short walk and thinks out loud about theContinue Reading

Adam is all by his lonesome again for this sixth edition of One-Shot. Scott still Fright Fest 2020 virtual edition. Adam is all by himself to talk about films he’s been seeing. We’ve got a film that’s out right now and two that he saw at the AFI Film Festival 2020 (VIRTUAL EDITION). General Release; Benson & Moorhead’s Synchronic AFI Film Festival 2020 entries; Hopper/Welles Dennis Hopper’s Out of the Blue Our closing music is Neil Young’s My My, Hey Hey (Out of the Blue) Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Season 1 Episode 6 – Field of Dreams (1989) Dan and Marie explore the films which were nominated in the Oscar Best Picture category and which could possibly have won … but didn’t. We take it in turns to pick a film, then discuss whether we think things have changed for that movie now, or if the original decision still stands; was it a deserving winner, or something only of its time? In episode 6, Dan has tried to entice me in with my enjoyment of the game of baseball, which I picked up on one of my trips to visit him in Louisville, and has gone for 1989’s Field of Dreams. I don’t think Kevin Costner has ever looked more Kevin Costner. With supporting turns from Burt Lancaster, James Earl Jones, and Ray Liotta it is certainly an icon of its time. But was it better than Driving Miss Daisy? And if yes, was it better than the rest of the field? There may be some unexpected competition this time. Join us to see whether we can reach any kind of agreement with The Academy or each other.  Subscribe and join us! Where to find us: The Movie Isle is where you’ll find us – check out the site for all kinds of film reviews and podcasts from the team – https://themovieisle.com/ Marie is on Twitter: @Reesiepie and on Letterboxd: Reesiepie Theme music specially composed and played by Martha O’Sullivan.

A Star Trek Stroll Marie takes a short walk and thinks out loud about the most recent episode of StarContinue Reading

Adam is by himself for another One-shot. This time he’s talking Scott now covering Fright Fest 2020 virtual edition. Adam is all by himself to talk Kino Lorber’s editions of High Plains Drifter and Deep Star Six (aka Deep Fried Six!), Shout Factory’s Adaptation, Shudder’s upcoming releases 32 Malasana Street and Leap of Faith, and Neon’s rerelease of the masterpiece Memories of Murder. We close out today’s Podcast with The Turtles So Happy Together Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Adam is by himself for another One-shot. This time he’s talking about Benson & Moorhead and a Sneak Peak at Scream Factory’s Friday the 13th Box Set. Scott still covering NYFF 2020 virtual edition. Adam is all by himself to talk about a rewatch of a great lo-fi Sci-Fi series (Resolution, The Endless, Synchronic) and Scream Factory’s massive Box Set for Friday the 13th. We close out today’s Podcast with Sail Away, Tiny Sparrow by Henry Manfredini from the Friday the 13th Soundtrack Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Adam is by himself for another One-shot. This time he’s talking about two films in theaters and an Arrow Video release. Scott still covering NYFF 2020 virtual edition. Adam is all by himself to talk about some new releases in theaters and a Blu-Ray catalog to release. First up, is Arrow Video’s 25th Anniversary Blu-Ray Edition of Kevin Smith’s Mallrats. Then Brian Duffield’s surprise Spontaneous. Finally, we close it all up with a mini-discussion about Possessor (don’t worry we plan on having a much-longer discussion when Scott Returns). Buy Arrow Video’s Mallrats here Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Season 1 Episode 5 – Apollo 13 (1995) Dan and Marie explore the films which were nominated in the Oscar Best Picture category and which could possibly have won … but didn’t. We take it in turns to pick a film, then discuss whether we think things have changed for that movie now, or if the original decision still stands; was it a deserving winner, or something only of its time? For our fifth episode, Marie chose to commemorate the 50th anniversary of the ill-fated Apollo 13 lunar mission, Ron Howard’s take on Jim Lovell’s own account of three men (and NASA)’s battle to return safely to Earth following unforeseen events on their way to the moon. Marie was inspired by the recent BBC World Service podcast series 13 Minutes to the Moon; Season 1 looked at the final minutes of the first moon landing, and Season 2 examined in detail the events of the Apollo 13 mission. Apollo 13 was nominated in 9 categories and won in two, but Dan doesn’t think the best film of that year was even nominated! This leads us to step outside the original 5 nominations briefly to see what else was on offer – and brings us to a side discussion about Michael Mann’s Heat. If you’re interested in following Marie’s Pacino rewatch, you can read all about it at The Complete Pacino. Join us to see whether we can reach any kind of agreement with the 68th Academy Awards (and each other), which handed over the Best Picture award to Braveheart.  Subscribe and join us! Where to find us: The Movie Isle is where you’ll find us – check out the site for all kinds of film reviews and podcasts from the team – https://themovieisle.com/ Marie is on Twitter: @Reesiepie and on Letterboxd: Reesiepie Theme music specially composed and played by Martha O’Sullivan.

Adam is by himself for another One-shot. This time he’s talking about a Book. Specifically, The Cannon Film Guide Volume I: 1980 – 1984. Scott is still covering NYFF 2020 virtual edition. We wanted to keep you going with some content so Adam is back to with another quick discussion. This time we’re totally changing it up and discussing a book. One that anyone who listens to the B-Movie Podcast will be intested in. The Cannon Film Guide Volume I: 1980 – 1984 by Austin Trunick Click here to buy Electric Boogaloo: The Wild Untold Story of Cannon Films Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Adam is by himself for a one-off about some current releases to pilfer your wallet on. Scott covering NYFF 2020 virtual edition. We wanted to keep you going with some content so Adam went back to the punk-rock garage setup of old for some quick discussion on some good Blu-Ray, 4K UHD, and even a streaming title or two he’s been watching. Discussion Topics: The Debt Collector on Netflix The Debt Collectors (aka Debt Collector 2) on Netflix Arrow Video’s UHD Disc of Pitch Black (Discussion of 1984’s Dune coming to Arrow Video, possibly in UHD) Scream Factory’s Blu-Ray of Ghost Ship Arrow Video’s Blu-Ray of Ivansxtc Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Season 1 Episode 4 – Raiders of the Lost Ark (1981) Dan and Marie explore the films which were nominated in the Oscar Best Picture category and which could possibly have won … but didn’t. We take it in turns to pick a film, then discuss whether we think things have changed for that movie now, or if the original decision still stands; was it a deserving winner, or something only of its time? For episode 4, Dan’s gone for one of his childhood favourites, 1981’s Raiders of the Lost Ark. It’s iconic in so many ways – the costume, the music, the snakes … why did it have to be snakes? Harrison Ford cracks the whip and Karen Allen wears the dresses, with Steven Spielberg directing and George Lucas producing. Join us to see whether we can reach any kind of agreement with The Academy, which decided that Chariots of Fire was that year’s Best Picture.  Marie makes reference to this conversation when discussing the evolution of the story and character of Marion. Subscribe and join us! Where to find us: The Movie Isle is where you’ll find us – check out the site for all kinds of film reviews and podcasts from the team – https://themovieisle.com/ Marie is on Twitter: @Reesiepie and on Letterboxd: Reesiepie Theme music specially composed and played by Martha O’Sullivan.

Adam and Scott are joined by Jeff Ewing to discuss the best of Fantasia Film Festival 2020 (Virtual Edition) The cornucopia of awesomeness that was Fantasia Film Festival 2020 was too much for just Adam and Scott to handle alone. They had to bring back up in. That backup was in the form of Jeff Ewing writer for Forbes, CBR, Shudder, Grit Daily. We breakdown our favorite films of the Fest, take some side tangents (it wouldn’t be a B-Movie Podcast Episode without a few), and generally have a great time discussing one of the Highlights of 2020; Fantasia Fest. We promise to have Jeff back on for our eventual Episode for I Saw the Devil… Follow Jeff on Twitter Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Adam and Scott Discuss the Time-Loop Comedy Palm Springs Hulu’s summer release Palm Springs is one of the smartest comedies of the summer. It’s also the funniest. Our co-hosts venture to discuss the film, the time-loop genre, and the greater discussion of Andy Samberg… Movie Star(?!?). You’ll want to have watched this one, trust us its good things, before dividing into this spoilerific episode of the podcast. Those of you expecting Kingpin… don’t worry we just had to swap the order. Kingpin will be up next week. Our closing music is Hall and Oates’s When the Morning Comes. Which makes sense to anyone that actually sees the film. Plus… its a banger (as the kids say). Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Season 1 Episode 3 – Sunset Boulevard (1950) Dan and Marie explore the films which were nominated in the Oscar Best Picture category and which could possibly have won … but didn’t. We take it in turns to pick a film, then discuss whether we think things have changed for that movie now, or if the original decision still stands; was it a deserving winner, or something only of its time? For our third episode, Marie turned the clock back 70 years (yep!) to 1950, and nominated Billy Wilder’s Sunset Boulevard. It’s one of Marie’s favourite films ever, but it turns out it was a blind spot for Dan. How will his 21st century eyes feel about seeing Hollywood and all its weirdness? Sunset Boulevard was nominated for a pile of categories including all four for acting, but lost out in all of the major awards. Join us to see whether we can reach any kind of agreement with the 23rd Academy Awards (and each other), which handed over the Best Picture award to All About Eve. Dan doesn’t get to name drop a celebrity encounter this time, but we do learn things about his past career ambitions. Subscribe and join us! Where to find us: The Movie Isle is where you’ll find us – check out the site for all kinds of film reviews and podcasts from the team – https://themovieisle.com/ Marie is on Twitter: @Reesiepie and on Letterboxd: Reesiepie Theme music specially composed and played by Martha O’Sullivan.

Adam and Scott discuss one of the most intelligent comedies ever made; James L. Brooks’ Broadcast News. Calling a film one of the most intelligent comedies of all time may seem hyperbolic. That is until you watch James L Brooks’ Broadcast News. Nominated for 7 Academy Awards, included Best Picture, Best Actor, Best Actress, Best Supporting Actor. We will let our Co-Hosts discuss the film in detail. The ending music … well, its for all you real fans of Broadcast News. Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Season 1 Episode 2 – The Shawshank Redemption (1994) Dan and Marie explore the films which were nominated in the Oscar Best Picture category and which could possibly have won … but didn’t. We take it in turns to pick a film, then discuss whether we think things have changed for that movie now, or if the original decision still stands; was it a deserving winner, or something only of its time? It’s Dan’s turn to choose, and he went for 1994’s The Shawshank Redemption, Frank Darabont’s adaptation of Stephen King’s novella Rita Hayworth and the Shawshank Redemption. Morgan Freeman provides the voiceover and Tim Robbins provides the hope.  Join us to see whether we can reach any kind of agreement with the 67th Academy Awards, which handed over the Best Picture award to Forrest Gump, along with a whole bunch of other awards too. Yet again, Dan name drops a celebrity encounter he’s had in the past, and Marie questions the ending for the second episode in a row!  Subscribe and join us! Where to find us: The Movie Isle is where you’ll find us – check out the site for all kinds of film reviews and podcasts from the team – https://themovieisle.com/ Marie is on Twitter: @Reesiepie and on Letterboxd: Reesiepie Theme music specially composed and played by Martha O’Sullivan.

Adam and Scott go back to High School for the Summer to attend Mr. Shoope’s Remedial English class in Carl Reiner’s Summer School. Summer School is one of those perennial cable comedy classics that kids of the 80s watched so much on HBO it was taken for granted how great of a comedy it is. Rather than being anti-school like so many High School Comedies (Rock ‘n Roll High School comes to mind), this film is pro-education and pro-kid, something rare. Rarer still, it’s a film that proposes that Kids such be taught to their strengths, not by some formula. Radical notions for a film directed by Carl Reiner who was in his 60s at the time. Our Closing Music comes courtesy again from Danny Elfman (he closed out Back To School and coincidentally the composer for Summer School too). Though, Adam almost picked EG Daily’s banger Mind Over Matter. Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Adam and Scott continue their Summer of Comedy with Game Night. The credit goes to Scott for picking Game Night as he’s been one of it’s most ardent supporters since its release back in February 2018. Adam has said it numerous times. He hates the static, flat, no artistry way that many comedies are shot. Game Night is not one of those films. Shot like a David Fincher film, that adds an extra layer to the already darker side of the comedy. Closing music is performed by Queen for obvious reasons (if you seen Game Night) Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Season 1 Episode 1 – Taxi Driver (1976) Dan and Marie explore the films which were nominated in the Oscar Best Picture category and which could possibly have won … but didn’t. We take it in turns to pick a film, then discuss whether we think things have changed for that movie now, or if the original decision still stands; was it a deserving winner, or something only of its time? Marie got the ball rolling this time around and selected 1976’s Taxi Driver, Martin Scorsese’s delve into the mind of a psychopathic Travis Bickle, who is hell-bent on cleaning up the mess and scum of New York City all on his own, and in doing so saving a young Jodie Foster from a life on the streets. What a hero. Join us to see whether we can reach any kind of agreement with the 49th Academy Awards, which handed over the Best Picture award to one of Dan’s favourite films – Rocky! Dan also name drops a couple of celebrity meet ups he’s had in the past, which may or may not have influenced his thoughts. Subscribe and join us! Where to find us: The Movie Isle is where you’ll find us – check out the site for all kinds of film reviews and podcasts from the team Marie is on Twitter: @Reesiepie and on Letterboxd: Reesiepie Theme music specially composed and played for us by Martha O’Sullivan.

Adam and Scott are back with another episode. This time they’re changing it up with a series on Comedies. First up Rodney Dangerfield’s Back to School! This film gets no respect. It was a blockbuster when it was released. It’s funny as hell. It has a murder’s row of talent including the biggest Star in the world, back when he wasn’t a star (hint; his initials are R-D-J). Written by Harold “Groundhog’s Day” Ramis! A score by Danny Elfman (only is second at the time). It even has the prerequisite douchebag preppy played by none other than William “Don’t Call me Billy” Zabka! Hell, it has a cameo by Kurt Vonnegut. Yes, the Kurt Vonnegut! Our Co-Host has a great time discussing the film, Dangerfield, and all the stars and greatness that is Back to School. Including, who could forget, the Triple Lindy. If you don’t know what that is… then you need to watch this film now. End Music is from Danny Elfman’s score for Back to School. Watch Back to School on Amazon Prime (also if the link goes dead don’t blame us!) Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Adam and Scott take a deep look into the newest Spike Lee Joint; Da 5 Bloods Rather than just instantly discussing the film, our co-hosts thought it best to wait and ruminate on the material. The result is a deeper conversation about not only the film but Lee’s work here as a whole. Thus, proving our co-hosts theory that being first is not necessarily the best approach. Watch the movie on Netflix The closing musical interlude is fittingly The Chamber Brother’s Time (has come today) Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Adam and Scott conclude their journey with this fascinating Documentary Series on Cult Films. The Docuseries turns its attention from Horror and Science Fiction to Comedies. Films as such as Fast Times at Ridgemont High, Rock ‘n Roll High School, Napoleon Dynamite, Valley Girl, Clerks, Office Space, Best in Show, Kingpin, Supertroopers, Monty Python and the Holy Grail, Beyond the Valley of the Dolls, Showgirls, Ed Wood, Plan 9 From Outer Space, Glen or Glenda, Hedwig and the Angry Inch, Female Trouble, Eating Raoul, The Room.  As before, rather than discussing the films and the documentary from a critical standpoint, the film leads our co-hosts onto a personal journey of sorts discussing the various films and our lack of discussion about comedy on the Podcast.  Click here to purchase Time Warp Vol. 3 Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Adam and Scott get into their first Virtual Film Festival; The Chattanooga Film Festival 2020. Our co-hosts discuss the films they liked and loved, the Q&As they attended, and most importantly discuss what it’s like to attend a Virtual Film Festival. Click here to catch up on Adam’s Coverage from the Festival here. Click here for more information on the Chattanooga Film Festival Here is a link to Scripts Gone Wild’s YouTube Page The films Adam and Scott cover: Adam Fulci is for Fake  Scare Package  The Haunted Swordsman (short)/Metamorphosis (Short)  Skull: The Mask  Scott Dirty God  The Vice Guide to Bigfoot  Climate of the Hunter  The Beach House  Ending Musical Interlude is brought to you by ATHF. If you know, you know… Click here to find Scott’s Video Reviews Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Adam and Scott continue their journey with this fascinating Documentary Series on Cult Films. The Docuseries turns its attention from Midnight movies to Horror and Science Fiction. Films as such as Night of the Living Dead, Dawn of the Dead, The Texas Chainsaw Massacre, The Evil Dead, The Reanimator, Deathrace 2000, A Clockwork Orange, Bladerunner, Liquid Sky, Brother from Another Planet, and The Adventures of Buckaroo Bonzai Across the 8th Dimension among others. Rather than discussing the films and the documentary from a critical standpoint, the film leads our co-hosts onto a personal journey of sorts discussing the various films. The next Volume of the Documentary about Comedy Drops on June 9th. Click here to purchase Time Warp Vol. 2 Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Adam and Scott are back for a one-off episode discussing the upcoming Amazon Studios Release The Vast of Night. Producer’s Note: This was recorded February 23, 2020 almost three weeks before everyone would Shelter-in-Place because of COVID19. Any discussions about this release theatrically is made before just how serious this all was. This podcast was delayed because the release was delayed from March 2020 to May 2020. Per IMDb the plot for The Vast of Night is such; In the twilight of the 1950s, on one fateful night in New Mexico, a young switchboard operator Fay and charismatic radio DJ Everett discover a strange audio frequency that could change their small town and the future forever. This low-budget wonder is the real deal and our Co-Hosts agree. They discuss everything from the style, homage, Film Festival finds, The Twilight Zone, Amazing Stories, and so much more.  The film is still about a month from release but they wanted to bang the drum now getting people in the know in advance of it’s March release.   Scott’s original review out of the Overlook Film Festival! Click here for the Trailer!  Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Adam and Scott are back with another one-off episode. This one is a doozy; Netflix’s Time to Hunt.   If you mixed Michael Mann’s Heat with The Coen’s No Country for Old Men, that is about as apt a description of this Korean Crime Thriller.  Time to Hunt surprises you at every turn.  Not just with its plot twists and smart storytelling but with carefully crafted characters, action set pieces, and visual style to spare.   This is the film you’ve been looking for if you’ve been starved for great genre material. Time to Hunt could be a gateway to Foreign Genre Films and filmmakers.  The closing track comes from the film’s closing track called Passing By – ron (Produced by Primary, the film’s composer) Time to Hunt is Currently streaming on Netflix   Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Adam and Scott begin their journey with this fascinating Documentary Series on Cult Films. They begin to shed a light on their own personal histories and how they became obsessed with film. The film covers cult movies from This is Spinal Tap to The Big Lebowski to The Rocky Horror Picture Show to Point Break. The next Volume of the Documentary about Horror and Sci-Fi Drops on May 19th. Shockwaves episode – Michael Gingold  The Books: Ad Nauseam by Michael Gingold Ad Nauseam II by Michael Gingold Ad Astra by Michael Gingold The Films: Time Warp: The Greatest Cult Films of All Time Part 1: Midnight Madness Time Warp: The Greatest Cult Films of All Time Part 2: Midnight Madness

Adam and Scott discuss Braven. What? Never heard of this Jason Momoa action-drama. Well, the guys are about to make you aware of just how good this 2018 VOD title is. Damn, good. BTW, you need to know in advance. The Action film is the kind of elevated mid-budget programmers that we used to get in the ’80s, ’90s, and even the early ’00s. A tight crafty script. Solid direction. Good acting. Smart human grounded set pieces. Most importantly stakes that actually matter. They rarely make them like this anymore. A lively discussion between your co-host comes out of Braven as they discuss what they love and miss about Action films, how the search for them has changed in the streaming era, Stallone’s One-Offs, and so much more. The Music that ends the podcast is from Braven composed by Ohad Benchetrit and Justin Small. You can find Braven for free on Amazon Prime Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Welcome to the party pal!   CLANKITY-CLANK-CLANK… (you’ll get it once you listen to the podcast) Shane Singletary joins Adam filling in Co-host duties for Scott on this epic 2+ hour deep dive into our viewing habits.  Also, whiskey, a lot of whiskey.  Listen as Adam gets progressively drunker and drunker (it’s around the 90-minute mark). They talk the movies they’ve watched during this COVID-19 Lockdown, welcome being hit by James “Don’t Call me Jimmy” Caan, Peter Berg’s previous life as an actor, Divorced Dad’s always showing films to their sons’ films they shouldn’t, the badassery of Sonny Landham, Bad Ah-nuld impersonations, Adam’s laugh (which oddly sounds like DeNiro’s in Cape Fear), and so much more. The music we open and close the podcast with is of course Alan Silvestri’s score for Predator. Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes Here’s list of all the films we discussed on the podcast: The Star Wars Series  Ruthless People Grosse Pointe Blank  Mr. and Mrs. Smith (Director’s Cut)   Kingdom of Heaven (Director’s Cut) Dodge Ball  The Abyss A Woman Under the Influence  Sudden Death  Stakeout Unlawful Entry  The Hand that Rocks the Cradle  The Stunt Man  Color of Night – Director’s Cut  Amazon – SXSW  Casino Royale  Portrait of a Lady on Fire  Onward  Invisible Man  Harley Quinn  Star Wars – 4k  Streaming vs Disc  Raging Bull – Criterion  Possession Blue Valentine  Between the Valley of the Pines  Cure for Wellness  Tennebrae Hands of Steel  Murder at 1600  Marked for Death  Halloween 4 Halloween 3  Tom Aktin action  Nightmare at Noon  Red Dawn  Southern Comfort  Millius (The Documentary, Amazon Prime) Long Rider  No Time to Die  Dune  Dr. No Die Hard  Home Alone  Lethal Weapon Nice Guys  The Rockford Files Columbo Freebie & Bean  The Godfather Brian Song / Brian Song the Remake  Aspen Extreme Hot Dog K2 The Terminator  Aliens  The Fan Tombstone First Blood Part II  Cobra  Beverly Hills Cop  48 HRS  Predator Die Hard The Hunt For Red October Blood In, Blood Out American Me  Patroit Games  Clear and Present Danger  The Lighthouse  The Florida Project  At Entirety’s gate  The Butterfly and the Bell Jar Tango and Cash Point Break Shakedown Platoon Robocop Upgrade Volunteers The Invisible Man (2019) A Beautiful Day in the Neighborhood

Adam & Scott are back with a more laid back conversation about Streaming Services. Ones that are NOT Netflix, Disney+ or Hulu. Recommendations that are NOT Tiger King. Hold on to your butts. This one comes fast and furiosa at y’all. Don’t worry every film we discussed is listed below. This is much more relaxed and not at all focused on one film. Though at the end we get pretty heavily into Mike Flanagan’s filmography. Actually, something we decide On-Air to make our next episode (it is). Note that Adam and Scott do get a bit more artful and esoteric with their choices here but figured that film fans are film fans are film fans. As it’s a hangout episode the movies they are watching without real purpose are in play here so much is discussed that is of the “Non B-Movie Podcast” variety. Stick with them as its some fascicle and very interesting conversation. Streaming Platforms Discussed: Mubi (This link takes you right to the 90 days for $1 deal discussed in the podcast, quick before its gone!) Shudder (Use the code SHUTIN for a free 30-Day Trail, while it lasts) The Criterion Channel The Movies/Filmmaker Series Discussed: Lav Diaz (on Mubi) Isabelle Hupert (on Mubi) Yorgos Lanthimos (on The Criterion Channel) Channel Zero (on Shudder) Joe Bob Brigg’s The Last Drive-In (on Shudder) Luz (on Shudder) Tigers are not Afraid (on Shudder) Cold Hell (on Shudder) Knife + Heart (on Shudder) The Pool  The Burning (on Netflix, yeah one film on Netflix but its a doozy of a film) The John Hawkes Triple Feature: Small Town Crimes (Netflix)  Too Late (Rental)  Bonus: Life of Crime (Rental)  Horror Double Feature Into the Dark: The Body (Hulu) Hush (Netlfix)  Stay tuned because we’ve got a few bonus episodes in the works that should be a lot of fun. That is in addition to our Mike Flanagan episode we’re doing next week. To those very active listeners. Yes, that is indeed Q Lazarus’ Goodbye Horses that opens and closes the show. Any B-Movie Pod fan should know the song. Why choose the song? ‘Cause why not! Also, it’s a hint in a very roundabout way to a Commentary that Adam and Scott are going to be recording in a month or so. See if you can guess the movie that has nothing to do with this song and everything to do with this song. Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Picard Season 1 Episode 10 – Et in Arcadia Ego Part 2 Marie and Brendan return for the final instalmentContinue Reading

Adam and Scott are back to discuss Leigh Whannell’s brilliant The Invisible Man (2020) and the changing landscape of how we watch movies (and what’s available). We’ve gone from 0 to 100 real quick. Yeah, we can be all doomsday about everything. We can recommend or worse cover some pandemic or virus film. We won’t though. Rather we’ve decided to be positive and look for a silver lining. Adam and Scott, two gents not prone to positivity have sided on just that. First, they discuss what they’ve been watching. Scott: Prime Suspect (available on Hulu) Adam: Police Academy 1 – 7 (available on Netflix) The Michael Winslow Led Zepplin clip that Scott was talking about. Then onto the Main Topic. The changing landscape and the films that were a few weeks ago atop the Box Office. Scott watched: The Hunt (available for rent on iTunes, Amazon, Vudu) The other films we discussed in regards to The Hunt: Surviving the Game (dir. Ernest Dickerson) Hard Target (dir. John Woo) Adam watched: The Invisible Man (available to rent on iTunes, Amazon, Vudu) The other films we discussed in regards to The Invisible Man: Upgrade (dir. Leigh Whannell) Insidious Chapter 3 (dir. Leigh Whannell) The Music that follows our Podcast is from Benjamin Wallfsich’s great atmospheric score for The Invisible Man (2020). Follow him on YouTube here. Remember that you can follow the B-Movie Podcast following the Links below: Follow Us on Twitter Follow Us on Instagram Follow Us on Letterboxd Subscribe to the Podcast on iTunes

Picard Season 1 Episode 9 – Et in Arcadia Ego Part 1 Marie and Brendan return for the next instalmentContinue Reading