Radio vs. the Martians!

We’re in the studio with Carol and Dave Brouillette, who have returned with us with good tidings from Monster Jam! Yes, Monster Jam, the (surprisingly wholesome) spectacle of giant tires, animal shaped vehicles, big jumps, and plenty of dirt tracks and screaming fans. It’s one-part P.T. Barnum, one-part NASCAR, one-part Vince McMahon, and one-part Hanna Barbera Wacky Races. The good parts, mind you. Not those parts. Sunday! Sunday! Sunday!

Heroes Don’t Retire. They Reload. This month, we’re joined in the studio by not one, but two guests, Carol and Dave Brouillette of the late Hands Free Football soccer podcast, and suffering through all eight episodes of the Arnold-helmed Netflix series, FUBAR! For decades, CIA operative Luke Brunner has been living a double life. To his suburban family, he’s been a traveling salesman of exercise equipment. But this work cost him his marriage and strained his relationships with his adult children. Now with retirement looming, Brunner looks forward to the chance to possibly winning back his ex-wife. But when he’s called back into action for one last mission, he’s shocked to discover that his daughter Emma has also been working in espionage for years. Now they must work together to take down an international arms dealer, repair their relationship, and keep their work and home lives separated.

Every generation has a legend. Every journey has a first step. Every saga has a beginning. Now this is podcasting! This Christmas Eve, we’re back with a gift! In our first Retcon vs. the Martians!, Casey has ambushed Mike with an impromptu commentary track screening of George Lucas’ much-maligned science fantasy prequel that has been talked to death on every podcast and YouTube channel for the better part of two decades, Star Wars: Episode I – The Phantom Menace! In the waning days of the Galactic Republic, a pair of Jedi Knights are sent to negotiate an armed trade dispute, only to become pawns in an elaborate plot to undermine democracy and position a senator from a remote system (and secret evil wizard) to the biggest chair in space politics. Along the way, the Jedi battle an army of hapless robots, rescue a queen, and discover a young slave boy who may just be a long prophesied Chosen One, destined to bring balance to the Force.

Into a world of eternal life, he brought the gift of death This month, we’re eating green bread and refusing to go to Second Level meditation with Joe Preti of the late View from the Gutters comic book podcast to dive into the weird and psychedelic science fiction cult film, 1974’s Zardoz! In the year 2293, Zed is a murderer disciple of Zardoz, a floating stone god who arms and commands him and other “exterminators” to roam the post-apocalyptic wasteland and kill human survivors. After learning the terrible truth of Zardoz – that the god is actually an airship –  the disillusioned Zed stows away aboard his “god” and is delivered into the Vortex, a hidden city of immortals that created Zardoz to manipulate humanity. Thrust into a bored and stagnant society that has forgotten about passion, sexuality and death, Zed’s very presence threatens to tear their fragile civilization apart.

We’re back in the studio with Joe Preti, and talking about Martin Scorsese’s three hour crime epic, Killers of the Flower Moon, and Wes Anderson’s Asteroid City. Plus, a conversation about the death of the movie star as the driver of cinema. Are there any modern stars who can transcend their signature characters or franchises and elevate any movie they star in? And we lay our cards on the table: Hemsworth, Evans, Pratt and Pine. Who is the best and worst Chris?

We’re back with Kirby Green to talk about her favorite trash TV obsession: 90 Day Fiancé! We look at the show that throws the best and worst elements of romance, desperation, immigration law, and repulsive people, into a television blender and we look at the horrifying and endlessly addictive slurry that pours out of it.

…and now the earth will run with blood again! We’re getting into the spirit of the spooky season with returning guest Kirby Green, and unmasking the underrated black sheep of the Halloween horror franchise: Halloween III: Season of the Witch! Dr. Daniel Challis stumbles into a mystery after a man clutching a rubber mask is murdered in his hospital by a strange figure who immediately sets himself on fire. He soon joins the victim’s daughter on a quest for answers that leads them to a small California factory town behind the mask, this year’s hottest selling Halloween item. They are soon caught in an occult conspiracy involving a druidic cult, Stonehenge, murderous androids, and bloody mass sacrifice!

Though conflicting schedules this month have made a regular episode impossible, we’re back in the studio to chat about the stuff we’ve been reading and watching, and of course… we’re talking about Star Trek. Plus, Mike talks about trying out some new manga series, including one that he didn’t really care for, and another that may be one of his new favorites. Including one manga in particular that may be one of the most traumatizing and artistically impressive things he’s ever read.

We continue our chat with Sam Mulvey, and tear the still-beating heart out of the world of martial arts frauds and scam artists. From manufactured biographies involving hidden temples and battles to the death, to selling mail order pamphlets through comic book ads promising access to forbidden techniques, we look at the grey area between the real and the phony.

Only their mother can tell them apart. This month, we’re learning the first rules of a crisis situation with returning guest Sam Mulvey of KTQA 95.3 FM radio, and exploring the first installment of the Schwartzenegger/Reitman collaboration trilogy, the wholesome eugenics comedy: Twins! Genetic superman and polymath Julius Benedict, raised on a utopian tropical island, learns on his 35th birthday that the government experiment that created him in the 1950s also created a twin brother, Vincent, who was sent to a Los Angeles orphanage. Reunited with a sibling seemingly his opposite – a short, balding, and cynical car thief –  the kind and naive Julius drags his brother on a road trip to find their long-lost mother, previously believed dead. Along the way, they run afoul of loan sharks coming to collect, a high-paid assassin, and discover a loving family they never knew they had.

We’re back again with Joe Preti, and chatting about the emerging streaming epoch and its tremendous downsides as corporate studio overlords start making things you love disappear, making it impossible for these shows and movies to find new fans — and for their creators to get paid for their work. The streaming services are getting worse and more expensive and several beloved shows that have never gotten a Blu-Ray release are fading into the ether. So is it time to bring back… physical media? And now that pirating is the only way to get certain movies and TV shows… does anybody still remember how to use bit torrent?

Catch the Excitement. Catch the Adventure. Catch the Hawk. We’re breaking into the Vatican and trying to get a good cappuccino with Joe Preti as we reappraise the much maligned — and genuinely underrated — 1991 Bruce Willis box office bomb about daring heists and alchemical miracle machines: Hudson Hawk! Eddie “Hudson Hawk” Hawkins is the world’s most famous cat burglar. He’s just gotten out of prison, he’s trying to go straight, and he just wants a good cappuccino. But instead he’s being blackmailed — by local mobsters, his parole officer, a pair of psychotic billionaires, and even the C.I.A. — into stealing the artifacts of Leonard da Vinci from the Vatican museum, so they can reassemble his legendary device for turning lead into gold, and destroy the world’s economy! So now, Hawk and his best pal Tommy have to save the world in just six minutes and change. How about it? “Side by Side“?

This month, we’re joined again by Dave Brouillette, and talking about the pixelized Stanford Prison Experiment that was The Sims, and how eventual boredom can turn a gamer into a cruel capricious god tormenting their own imaginary people. We dig into real and fictionalized depictions of evil from Orson Welles in The Third Man to a documentary about former U.S. Defense Secretary Robert MacNamara to the subway murder of a homeless man in the middle of a mental health crisis. Are these things an inevitable part of the human experience, or are they only inevitable because we’ve built a world around greed, competition and personal ambition that incentivizes these outcomes?

Vile, virile, vivacious, venomous, varied, voluptuous, versatile, venturesome, vibrant, vulgar, vast, vunniest vilm of 1979! We’re strapping on our seven shot six-shooters and stocking up on barrels of glue and giant boulders with Dave Brouillette of the Hands Free Football podcast to talk about the underwhelming screwball comedy western from the beginning of Arnold’s career: The Villain! Hapless outlaw “Cactus” Jack Slade is blackmailed by a scheming banker into robbing a cache of money from a business partner’s buxom (and sexually frustrated) daughter, Charming Jones, who is trying to return it to her father. “Cactus” Jack is going to steal every last trick from Wile E. Coyote’s playbook, but he’s got to get through a certain musclebound Handsome Stranger, oblivious to both the robbery attempts — and Charming Jones’ advances!

This month, we’re upturning the rocks of our childhoods and looking at all the bugs and worms, like the uncomfortable fact that serial bully and sexist Rick Berman still has any relationship to Star Trek media anymore, and how growing up sometimes means having our love of franchise media becomes more complicated. Plus, a quick rundown of the history of professional wrestlers owning (and not owning) the rights to their own names — and that one time that Vince McMahon tried to “recast” a couple of names he owned with new wrestlers. And why are all the worst people named Rick? And lots more unhinged leftist rantings! We drop the mask and chat about the evils we’re all complicit in by living under capitalism. You know, because we’re a pop culture podcast!

This month, we’re going boldly with Michael Warbington into the deep, inconsistent, and often-confusing world of Star Trek uniform design! Why did Starfleet have the exact same red naval uniform for nearly 70 years before they started to update their uniforms every few years in the 24th Century? Why do they keep designing great uniforms for flashback scenes that we’ll never see again? Why do people keep changing their clothes in Star Trek: The Motion Picture? Why do the crews of the U.S.S. Titan and the U.S.S. Ceritos have completely different uniforms? And don’t get us started on the constantly changing Admiral uniforms. We’ll need positronic brains to sort this all out!

WANTED. Four men willing to drive a cargo of death to escape a life in hell. This month, we’re going on a jungle suicide mission with Camp Director and President of Camp Quest NorthWest, Michael Warbington, and plunging into the gritty, globetrotting William Friedkin classic about desperate men looking for a way out of purgatory: 1977’s Sorcerer! Four men exiled in a corrupt South American country, hiding from their pasts and unable to afford the bribes necessary to escape their fates, are given an opportunity to get out. An American getaway driver, a Palestinian militant, a disgraced French investment banker, and a Mexican hitman must drive two trucks across 218 miles of narrow mountain roads and dense jungle, to deliver a cargo of dangerously unstable dynamite to put out a raging oil fire. But if the rotten bridges, armed bandits, and leaking nitroglycerine don’t kill them, growing mistrust and despair just might.

This month, we’re continuing our talk with Carol Brouillette, and it may be time to crown Dave Bautista as the greatest professional-wrestler-turned-actor of all time. We look at his choices, roles and performances from Knock at the Cabin to Blade Runner 2049, and compare him to his squared circle contemporaries like Dwayne Johnson and John Cena. Then we chat about the type of gimmicky overpriced restaurants for the uber-rich that marry pretentiousness to a giant price tag. What separates fine dining from obscene performative consumption that doesn’t taste good, isn’t filling, and costs the same as a month’s rent? Can you even feel like a good person eating something like that?

Choose Your Fate. This month, we’re joined by Carol Brouillette of the Hands Free Football podcast, and returning (one last time?) to the franchise that made Arnold Schwarzenegger the king of Hollywood in the legacy sequel, Terminator: Dark Fate! Twenty years after the events of Terminator 2, a young woman living in Mexico City finds herself targeted by two time travelers from an entirely new post-apocalyptic future. One is Grace, a cybernetically-enhanced soldier from the human resistance with orders to protect her, and the other is a new model of Terminator programmed to… you know. But help is soon found in the form of an older Sarah Connor, who saw her son John murdered soon after she prevented SkyNet’s creation, and from the very familiar-looking T-800 Terminator who killed John and spent the last two decades developing a conscience.

This month, we’re continuing our chat with Chelsea Rustad, and we’re looking at billionaire narcissists getting booed, and the ethics of hidden camera comedy shows. Where is the line when it comes to comedy based on a person not knowing they’re on television? What if they know they’re on TV, but think they’re on a “serious” reality show, instead of a spoof? Who is the butt of the joke, and when does it go from funny to mean-spirited?

Find the story before it finds you. This month, we’re joined by Chelsea Rustad chair of the Puget Sound Socialist Party and the author of Inherited Secrets: Memoir of America’s Groundbreaking Genetic Witness to  draw thematic connections between seemingly disparate elements and using that to get to the bottom of B.J. Novak’s directorial debut, Vengeance! New Yorker writer Ben Manalowitz finds himself in West Texas after a late night phone call from Ty Shaw, the brother of a girl he used to hook up with. Ty’s sister Abilene has died of a drug overdose, but he is convinced she was murdered. And mistakenly believing that Ben and Abilene had a serious relationship, he wants Ben to help him avenge her death. Seeing this as a huge opportunity to build his career with a big true crime public radio podcast, Ben agrees to investigate. Ben smugly imagines a story about how tragedy and regret propel people in believing conspiracy theories to avoid accepting hard truths. But as he starts to dig, he begins to question: what if Abilene really was murdered?

This month, we’re continuing our chat with Kayleigh Casterline, and digging into the intersection of sports, video games and capitalist rent-seeking. The new wrestling game, AEW: Fight Forever, is claiming that it won’t ask you to buy an entirely new game every year, the way that their rival the WWE does (not to mention the NFL, the NBA or MLB). They say they’re going to sell you a game once, and then update it. What is the promise of this approach? What are the potential pitfalls? What happens to your video game roster when another wrestler does something unspeakable? Plus, more media has entered the public domain! And we’re one year out from the most famous rodent of them all joining the army of the publicly-owned!

“In a hole in the ground there lived a hobbit.” This month, we’re riddling in the dark and escaping the goblin caves with Kayleigh Casterline and revisiting J.R.R. Tolkien’s classic 1937 fantasy book that introduced readers to the world of Middle-earth, The Hobbit! Bilbo Baggins is a hobbit who enjoys peace and quiet comfort, and never does anything unexpected to make the neighbors talk. So nobody is more surprised than him when he finds himself railroaded by the wizard Gandalf into accompanying a band of exiled dwarves on a quest reclaim their kingdom and treasure from a fire-breathing dragon! Now thrust into a wider world full of goblins, wood elves, secret doors, giant spiders and magic rings, the homebody Bilbo finds in himself a dormant courage and resourcefulness than he could have never imagined.

This time, we’re talking about our undying love for the Denzel Washington Equalizer movies, and how they can be a strangely bloody salve for our woes in these trying times. We dive into the often-morally iffy world of middle-aged action revenge fantasies, and what the targets of those films’ righteous violence says about the people who make them. What separates a justified cathartic experience from right-wing reactionary paranoia? Plus, we explore the messy, contradictory, and morally confused Black Adam, and try to figure out who the hell that movie wants us to root for. Also: come out to our special movie screening on December 8th in Seattle and support the PNW Starbucks Workers United labor union relief fund!

This month, we’re chatting about the wonder of the public domain and open source software, and how it helps make our show possible and helps create community — and how capitalism puts up walls and exploits them to seek rent. We talk a bit about how the world’s richest douchebag tech bro finally gave us the nudge to get our show off of Twitter, just in time to watch him burn it to the ground. A billionaire narcissist and the internet’s favorite hellscape: those crazy kids deserve each other! Who ever said that capitalism was a meritocracy? Spoiler: it’s billionaires. Also: come out to our special movie screening on December 8th in Seattle and support the PNW Starbucks Workers United labor union relief fund! P.S. – Mike doesn’t actually smoke. He wanted to be clear about that.

This month, we’re continuing our talk with Kirby Green, for a chat about reality television and the “Am I the Asshole?” sub-reddit. So, reality television isn’t real. I mean, duh. Or is it sometimes? And does it actually matter? Aren’t we – like most scripted programs on TV – just agreeing to believe the reality we’re given for the sake of a story? And Mike remembers The Joe Schmo Show, an accidentally wholesome faux-reality show from the ugliest decade (the aughts) on the douchiest network (Spike TV). Producers decide to play a prank on a real guy on a fake reality show, only to have to haphazardly change their mean-spirited plans when their subject turns out to be a lovably kind doofus.

“I am a horror maniac who prefers to stay at home.” This Halloween, we’re chugging down salad oil and hiding from our balloon dopplegangers with returning friend of the show, Kirby Green, and see if our sanity can can survive the brain-melting onslaught of Junji Ito’s collection of his shorter manga works, in Shiver: Selected Stories! In this anthology of the legendary manga artist’s favorite short stories, we get just a little bit closer to stomach-turning madness. A rare vinyl record claims the hearts and minds of all who listen to it, driving some to theft and even murder. A mysterious jade idol inflicts a curse on those to keep it, boring countless holes into their bodies — bringing a deadly chill and becoming irresistible to burrowing insects. A hospital patient reports that the subjective length of their dreams is getting longer and longer, triggering a startling transformation in their mind — and their body. In these stories and more, we remind ourselves of the Ito’s uncanny ability to permanently stamp our brains with the most disturbing and visually stunning weirdness.

This month, we’re back with Sam Mulvey to get nerdier than we have for a while. Mike takes the rough draft of his new “Bechdel Test”-esque thought experiment about media worldbuilding for a spin and tries to punch holes in it.  Are our large shared universe worlds really as large and expansive as they appear to be, or is that just an illusion to hide something much smaller and more insular? And in probably more depth and exhaustive detail than necessary, Mike talks about his love and fascination with J.R.R. Tolkien and his Middle-earth legendarium, and Sam gets the opportunity to talk more about Frank Herbert’s Dune than he’s ever done before on the show.

“It’s 106 miles to Chicago, we’ve got a full tank of gas, half a pack of cigarettes, it’s dark, and we’re wearing sunglasses.” This month, we’re getting the band back together with the Station Manager of KTQA 95.3 FM in Tacoma (and former Illinois resident) Sam Mulvey. We’re on a mission from God to drive our car through John Landis’ anarchic car chase musical guest-starring a Mt. Rushmore of classic R&B/soul artists from Aretha Franklin to James Brown: The Blues Brothers! Released from a 3-year prison sentence, “Joilet” Jake Blues is reunited with his brother Elwood and learn that the Catholic orphanage they grew up in is about to be shuttered unless it can pay an outstanding $5,000 property tax bill in the next eleven days. Now on a mission from God, the Blue Brothers must reunite their ne’er-do-well rhythm and blues band to put on a big show, no matter how many shopping malls they have to drive through. But first they must outrun a rival country western band, a gang of neo-Nazis, a heavily armed mystery woman, and seemingly every cop in the state of Illinois.

We’re continuing our chat with Joe Preti, for a deep dive into the topics that really matter. We perhaps spend too much time, dissecting the many pathological lies and shitty behavior of 90s action star Steven Seagal, and we explore the two qualities a person can have in combination that can precipitate a downfall (or at least make you wish that it had). We explore the new Elvis Presley biopic, and the fleeting myth of cultural immortality. Do some things and people just deserve to be forgotten? And do only the truly worst people in the world achieve true notoriety? And isn’t being totally forgotten in a way… kind of liberating? And we share a special announcement about the future of Fun Size episodes!

The system gave him a raw deal. Nobody gives him a raw deal. We’re back! This month, we’re slicking back our hair and dodging cakes with Joe Preti, and infiltrating the inner circle of the mostly-forgotten organized crime action flick: Raw Deal! Disgraced ex-FBI agent Mark Kaminsky is living in exile as a small town sheriff when he’s contacted by an old mentor from the bureau. Thirsty for revenge after his son was killed protecting a witness in the Luigi Patrovita mob trial, he sends Kaminsky deep undercover — and off the books — into the Patrovita inner circle. Now this one-man wrecking crew must enact bloody revenge and perhaps earn his job back in the FBI.

We’re back with Dave Brouillette to speak in defense of cinema’s great unsung wet blankets. The long-suffering adults left to pick up the pieces when the reckless hot shot protagonist with a disregard for human life blows up half of downtown or nearly starts World War III while they were saving the day or just looking cool. Is there an age where your empathy naturally starts to gravitate to these people over the bad boy hero? We also dig into the complicated emotions of watching popular media with jingoistic or reactionary politics — from Top Gun to 24 to Death Wish — both overt and implicit. Even the stuff we like can be a bit harrowing to watch at times.

“Blood is rushing into your muscles and that’s what we call The Pump. Your muscles get a really tight feeling, like your skin is going to explode any minute, and it’s really tight – it’s like somebody blowing air into it, into your muscle. It just blows up, and it feels really different. It feels fantastic.” This month, we’re hitting the weights and getting a good pump with Dave Brouillette, as we bench press the 1977 bodybuilding docudrama that got Arnold noticed in Hollywood: Pumping Iron! Cameras document – or is it dramatize? – the lives of the world’s leading bodybuilders as they prepare to compete for their sport’s top 1975 amateur and professional championships. One is junior high school teacher, Mike Katz, who aspires to the title of Mr. Universe. Another is shy underdog, Lou Ferrigno, who hopes to flex his way to the title of Mr. Olympia. But to do that, he must topple the reigning five-time returning champion, a certain popular and charismatic Austrian, just a couple years away from Hollywood superstardom.

We continue our chat with Michael Warbington and dig into a rich vein we usually leave unmined: video games. With different levels of skill, engagement and knowledge, we look at the experience of gaming in 2022, the intersection of art and commerce, the prevalence of in-game microtransactions, getting mercilessly griefed by racist swearing twelve year-olds, and a game’s replayability. What do we want out of the gaming experience?

He killed for gold… He killed for his woman… He killed for himself! After a month off, we’re back! And this time, we’re dragging a coffin through the desert with the Camp Director and President of Camp Quest NorthWest, Michael Warbington, and diving into the notoriously violent 1966 spaghetti western by director Sergio Corbucci, Django! When a mysterious gunslinger named Django drags a coffin into a tiny border town caught in the middle of a bloody war between Mexican paramilitary bandits and a Klan of hooded racist Southerners, he sets off a bloody chain of death, vengeance, robbery, and even more death. But is Django here to save this town, or will he just bury it under corpses in his quest for revenge?

We’re back with Kirby Green and talking about the strange and surprising wholesomeness of Jackass Forever, the history of “caught-on-video” media, and the opportunistic moral panics they often inspire. While we talk about how a franchise famous for dangerous stunts and painful assaults on the testicles has become one of the few things in America that we can all agree on, and how it might just be a model for body positivity. And we look at its far more morally reprehensible and shamelessly exploitative media ancestors like Faces of Death, Bumfights, Girls Gone Wild, COPS, and whatever weird VHS tapes that scary kid from middle school with the shuriken in his pocket was bragging about watching.

Nothing is inconceivable. This month, we’re enjoying some franks in a blanket with longtime friend of the show, Kirby Green, and re-examining the much-maligned and universally-panned Arnold Schwarzenegger pregnancy comedy: Junior! After his miracle fertility drug, Expectane, is rejected by the FDA for human trials and the university has terminated his funding, research geneticist Dr. Alex Hesse is ready to return home to Austria to start over. But his project partner, obstetrician Dr. Larry Arbogast, has a radical idea to prove their drug works: an off-the-books experiment with a human subject – Alex himself. Now the world’s first pregnant man, Alex must cope with his changing body, a new romance, his fluctuating hormones, and a growing emotional bond with his baby.

We’re back in the studio with Patrick Johnson for one of our weirdest conversations yet. First, what are the consequences of having a perfect memory? On our emotions, our morality, or our sanity? What does it mean to forget, is it for the best that our memories are imperfect? And when Star Trek‘s Data finally achieves a range of emotional responses, would he suddenly be bombarded with a tidal wave of backlogged emotional responses to old memories? Is a perfect memory a curse? Is it possible to forgive when the wrongs done to you will be forever remembered with perfect recall? Then, we talk about cops. Both the people and the reality show. And how our deeply ingrained perceptions of policing are shaped far more by fictional media depictions than even our own often tense and uncomfortable encounters with real life law enforcement. And what about shows like Dog the Bounty Hunter, and other situations where people simply assume an air of authority with the implied threat of violence? We recommend: Running from COPS podcast.

Beware the ball, beware the tall man, beware the never dead. We return this month to break into Morningside Mortuary and get some fuckin’ answers with returning guest Todd Maxfield-Matsumoto, because we’re digging up the 1979 psychedelic cult horror classic: Phantasm! Living with his older brother Jody after the death of their parents, thirteen year old Mike becomes suspicious of a local mortuary and the frightening Tall Man who operates it. The brothers stumble onto a strange and dreamlike conspiracy involving murder, a maze-like mausoleum, stolen corpses, hooded minions, a murderous flying chrome sphere, and the unnerving supernatural being who controls it all.

Has the world gone mad? Well, yes. But we’re also looking back on 2021 as a remarkably great year at the movies! We’re still talking to Tobiah Panshin for an uncharacteristically positive and optimistic discussion about the current state of cinema. For real! We briefly touch on: The Last Duel, Titane, Spider-Man: No Way Home, Licorice Pizza, The French Dispatch, Dune, C’mon C’mon, Spencer, Malignant, The Suicide Squad, The Twentieth Century, and The Matrix Resurrections. Plus, would it be so bad if the world we lived in was just a computer program?

“Honor. That is why a knight does what he does.” With the New Year, we’re on a knightly quest to the Green Chapel to trade blows with returning guest Tobiah Panshin of the View from the Gutters podcast, to dive into David Lowery’s visually stunning and unorthodox adaptation of a 14th century Arthurian legend, The Green Knight. When the supernatural Green Knight issues a yuletide challenge for any of Camelot’s bravest knights to try to land a blow on him — and receive an equal strike in return one Christmas later — King Arthur’s flawed and reckless nephew Gawain accepts without thinking. Easily decapitating his compliant foe, Gawain sees the Green Knight immediately rise again and remind him of his obligation one year hence. Embarking on a quest to the mysterious Green Chapel, Gawain contends with ghosts, giants and his own selfish nature, to see if he can live up to his promise — even if it might mean his certain death.

The legend comes to life. This Christmas Eve, we’re back in the studio to celebrate the season with Rebecca Friedman of KTQA-LP 95.3 FM, and dive into the 1985 holiday movie where Alexander and Ilya Salkind, the father and son producer team behind the Christopher Reeve Superman films try to make lightning strike twice with a mythic origin story for jolly old Saint Nick himself in Santa Claus:The Movie! Rescued by a group of elves after being caught in a deadly blizzard, a 14th century toymaker fulfills an ancient prophecy to become an immortal holiday gift giver to all the children of the world. Colliding with the free enterprise crassness of the 1980s, Santa Claus is despondent after one his elves is manipulated into working for a unscrupulous and greedy toy executive who wants to steal Christmas for his very own.

In the first of two episodes this month, we’re talking with Rebecca Friedman about the low-stakes things that give us the warm fuzzies. We chat about the phenomenon of ASMR and the YouTube videos that endeavor to trigger that pleasurable brain-tingling sensation in people. From a Polish cleaning company’s videos of meticulous deep cleanings of filthy rugs to the paintings of Bob Ross, we plunge into a deep discussion of the images, sounds and experiences that just feel…satisfying. We’re watching people clean airline seats, remove earwax, draw manga, icing cakes, paint landscapes, walk in snow, restore antique tools, and even watch machine presses create chains with great precision. What makes this stuff feel good? What separates chores that are repetitive drudgery from something that relaxes you?

We’re back with a quick bite of conversation from last month with Chelsea Rustad. We’re talking about the profound disappointment that was Halloween Kills, particularly in how it was a direct sequel to an inventive and surprising 2018 relaunch that was actually really good. Really. Is it the fate of sequels, especially horror sequels, to inevitably get dumber and trashier? And isn’t it better to proudly be trash, than be trash, but pretend to be something better?

“I grab myself one last lungful of night air. Then I trade it in for a smoky soup spiced with sweat and vomit and booze and blood. I know the flavor well.” After more than two years, we’re back with another panel episode! And this month, we’re tossing back some cheap booze at Kadie’s Saloon and making some bad decisions with Joe Preti, and Kit Laika, and get our filthy mitts on Frank Miller’s hyper-stylized, two-fisted neo-noir comics franchise that defined all things grim and gritty in the 1990s: Sin City! After a rise to comics superstardom with Daredevil and Batman, Frank Miller turned his trademarked hard-boiled style up to eleven with a series of interconnected hyperbolic crime stories, set in the fun house mirror world of Basin City, a desert town populated entirely by lowlifes, mobsters, prostitutes, corrupt businessmen, assassins, creeps, killers, crooked cops, dirty politicians, and one hulking unkillable brute named Marv. Illustrated in a stunning highly contrasted black and white, Sin City was a perfect distillation of everything comics readers loved and hated about the comics of a controversial and often problematic master of the craft. Music:  “Cool Vibes” from Film Noire by Kevin MacLeod

We’re back with Chelsea Rustad to dig into the big questions. Have we hit the barrier when technological advances on video quality, frame rate and sound are butting up against the point where human senses can no longer perceive the difference in quality? What about cars? Clothing? Is there a point where an expensive T-shirt can’t really get much more technologically advanced than a cheap one, and it makes no sense to charge big prices for it? Plus, we touch on the recent lawsuit by the estates of Stan Lee and Steve Ditko to nullify the Marvel copyrights to the characters created by those artists, and the knee jerk reactionary response from some fans. And maybe…just maybe, we’d get better stories if these characters were allowed to lapse into the public domain. And we talk about history’s greatest victims of targeted oppression: gamers.

A father’s duty is to protect his daughter. This month, we’re joined by author and chair of the Puget Sound Socialist Party, Chelsea Rustad to explore perhaps the most unexpected and interesting departure from the expected Schwarzenegger oeuvre, an independent zombie family drama: Maggie! As civilization buckles under a deadly zombie pandemic, farmer Wade Vogel retrieves his runaway teenage daughter, Maggie, after she’s been infected with the incurable virus. Hoping to spare her an inhumane government quarantine and struggling to cope with his inability to protect her, Wade brings Maggie home to care for her in her last days. As her condition worsens, Wade wonders if he can bring himself to do the unthinkable.

This month, we’re back with Kit Laika to continue the conversation into the cinematic! Movie theaters are back! And in a dystopian world ravaged by doomsday viruses, we have been inside of them! For the first time in almost two years, we are going into public buildings with giant screens, big sound systems and comfy chairs for the explicit purpose of watching movies. How does the return to cinemas change the movie-going experience after 18 months of exclusively streaming movies on our computers, phones and televisions? We reaffirm the joy of going to the movies cold — avoiding even teaser trailers, if possible and just letting the movie reveal itself to you without any prior expectation of the story. We (briefly) touch on movies we’ve recently seen for the first time like Pig, The Green Knight, The Night House, The Suicide Squad, Personal Shopper, Paper Tigers, and Deep Blue Sea.

In the soft glow of our most recent discussion, we continue our conversation with Kit Laika, and explore the imperfections of language as a communication tool, and the linguistic similarities between Germans and chimpanzees that have been taught sign language. Plus, we talk about the first moments of realization that the reality of the voices on the radio were much less cool than the picture in your head. And come to think of it, what is cool, anyways? Is there a way to make young people think you’re cool? All that and Punks versus Hippies, too!

“Do you think I should confess? To what? Committing masterpieces?” In our latest Single Serving Selection, we’re joining librarian and artist, Kit Laika to turn our critical eyes to the final film directed by auteur Orson Welles, a conventions-defying documentary about frauds, fakers, and art forgery: F for Fake. Welles delves into the world of two (or is it three?) spectacular liars. One is Elmyr de Hory, notorious art forger who paints replicas of masterpieces so convincing that they’re said be hanging in many prominent museums, and even the original artists claim to have created them. The other is Clifford Irving, the novelist and writer who exposed Elmyr’s forgeries in a tell-all book, before being revealed as a charlatan and fraud himself. It’s a deeply philosophical and nonlinear exploration of art, authorship, and who the real phonies might actually be.