Relatively Terrible

Watch The Video Version Here.Spielberg drops a shiny alien “disclosure” movie, and we immediately argue about whether it’s a crowd-pleasing sci-fi thriller or a frustratingly familiar conspiracy story with a fancy coat of paint. We keep it spoiler-free at the top, then we jump into spoilers because the only way to talk about what works (and what absolutely doesn’t) is to name the scenes, the choices, and the big swing of an ending.We break down the pacing, the cast, and the sequences that actually feel fresh, especially the news station chaos and the train scene. Then we get into the stuff that made us stop and say, “Wait, explain that,” like the mysterious alien device, the half-defined rules behind the characters’ powers, and how much the film leans on ambiguity. If you love tidy sci-fi lore, you might rage. If you like space for interpretation, you might be impressed.And yes, we go there: the CGI animals. For a Steven Spielberg movie, some of it feels shockingly below the standard, and we talk about why bad effects can pull you out of a serious story fast. Along the way, we zoom out to the bigger themes the movie hints at: empathy, fear, institutional distrust, and how humanity reacts when the truth goes public.Hit play, then tell us where you land, relatively great or relatively exhausting? Subscribe, share the episode with a sci-fi friend, and leave a review so more people can find the show.Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.We opened an Instagram question box and let you choose the agenda, which is basically an invitation for chaos with a side of real life. The result is a fast, funny podcast Q&A that bounces from pop culture opinions to the kind of personal moments that sneak up on you when a family is talking honestly in the same room.We get into a surprisingly serious Favorite Batman debate, then zoom out to our 2026 highs and lows so far, including travel, family time, and a loss that puts everything else in perspective. If you’re into creator life, we also talk about what we’d be doing if social media didn’t exist, whether the internet makes us happier or just louder, and how books, shows, and communities find us through algorithms for better or worse.We also share a real update on the Uploads of Fun movie process: the unglamorous behind-the-scenes work, the writing, the logistics, and why crowdfunding is such a make-or-break moment. From there, it’s rapid-fire fun: personality animals, weird questions people ask us in public, the TV couples we’d keep together, and the changes we’d make to favorite movies and shows, including a no-holds-barred take on Stranger Things.If you like family podcasts, pop culture debates, and unfiltered humor that still has heart, hit play. Subscribe, share it with a friend who loves arguing about movies, and leave a review with the best question we should answer next.Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.Marvel finally gives us a season that moves like it has something to prove. We come in a little feral, argue about “Ozempic face,” and then get serious about why Daredevil Born Again Season 2 feels like a genuine step up: no filler, bigger story swings, and a finale that forces Matt Murdock to make a reveal that actually costs him something. If you have been missing that peak Marvel TV feeling, we think this is the closest the MCU has gotten in a while.We break down what works and what doesn’t, including the one stretch of bad CGI that looks rushed, plus the bigger issue that bugs us as Marvel fans: continuity. The Punisher setup from earlier stories feels oddly absent, and Punisher Last Kill doesn’t do much to connect the dots. We also debate whether Jessica Jones is a smart addition or just a distraction from the character we expected to see, and we spiral into the shared universe question of who should show up when Fisk is throwing chaos around New York.Then we get into the fun and the pain: Buck becomes our most hated villain, Daniel’s storyline turns into a surprising “top five character” hot take, and we give Wilson Fisk his flowers as a Kingpin who feels scarier than a cosmic threat because he could be real. If you want a spoiler-filled Daredevil Born Again Season 2 review with strong opinions, moral gray zones, and a few dumb hills worth dying on, hit play, subscribe, and leave a review. What’s your hottest take on the season?Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version HereIs No More Tears Ozzy Osbourne’s peak, or just the best-looking chapter in a long legend? We don’t tiptoe around it. One of us calls it his peak album with zero hesitation, another hears a dated 90s sheen, and the rest of us bounce between admiration, annoyance, and that reluctant “fine, the production is great” respect that only a big rock record can force out of you.We dig into the 1991 context, the jump from earlier eras into the Zakk Wylde lineup, and why the guitar tone and pinch harmonics feel like their own character. We also get into the details that actually shape how a listener experiences the record: synths that either elevate the drama or instantly timestamp it, riffs that stand out versus riffs that blur together, and Ozzy’s unmistakable voice doing the heavy lifting even when we disagree on the songs. If you care about heavy metal production, classic rock songwriting, or what makes a track “sing-along metal,” there’s plenty to chew on.The conversation gets sharper when we hit lyrics and meaning. “Mr. Tinkertrain” sparks real pushback, “Mama, I’m Coming Home” gets misread in a way that makes everyone stop and reassess, and we talk about how radio overplay can permanently attach music to childhood memories, dentist offices, and retail jobs. Then we let it all explode in our “dumb hill” segment, including a full-on Ozzy versus Metallica Black Album argument, plus what we’d cut, fix, or shamelessly merch if we owned the catalog.If you’ve got a take on No More Tears, we want it. Subscribe, share this with the friend who always says “Ozzy is overrated,” and leave a review with your verdict: peak album, flawed classic, or total skip?Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.Daredevil is back, and the first thing we notice is the impact: tighter filmmaking, nastier fights, and a street-level Marvel tone that doesn’t flinch. We ask the question people keep dodging, though: is Daredevil: Born Again Season 1 a real MCU comeback, or is it just an aggressively angry spinoff with better lighting and a whole lot of concussions? From the jump, we’re weighing it against the Netflix legacy and the uneven track record of Disney Plus Marvel shows. We get into what worked, what annoyed us, and what made zero sense. Matt Murdock remains an all-time compelling superhero lead, and Charlie Cox sells the character’s calm decency even when the action is brutally physical. We also unpack the details that make the show feel “real” for Marvel: sound design that highlights his senses, violence that has consequences, and a story that stays human-scaled instead of defaulting to aliens and sky beams. Then we argue about the problem baked into the MCU timeline: if this is New York after No Way Home, where is Spider-Man, and why does it feel like nobody else is on call? Wilson Fisk and Vanessa Fisk get their own spotlight because their relationship is its own kind of horror story. We talk manipulation, loyalty, trauma, and the way “vigilante” becomes a label that gets weaponized. We also hit pacing, including the debated middle stretch, and we finish with our favorite part of any family podcast: defending one ridiculous take each before we rate the season on our Relatively Terrible scale. If you’re watching Daredevil: Born Again, tell us your hottest take and whether you’d fix the middle. Subscribe for more, share this with a Marvel friend, and leave a review so more people can find the show.Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.A 35-minute album called Kinda Hard shouldn’t trigger a full-on debate about the future of heavy music, but here we are. We come in hot on Bill Murray’s latest release and immediately start swinging at the biggest question: is this real innovation in modern rock and metalcore, or just a perfectly executed bit?From production choices and super-clean vocals to riffs that blur together and choruses that refuse to leave your brain, we break down what works, what repeats, and what makes us laugh, squint, or both. We talk about the band’s genre blend of metalcore, pop-metal hooks, country elements, and that sax moment that turns heads. We also get honest about why the humor matters: sometimes a dumb joke is the door that lets real breakup lyrics and emotional sincerity walk in without feeling too exposed.Then we go bigger than the tracklist. We dig into why crowds seem hungry for music that builds community again, where people sing together and stop treating everything like a political litmus test. We pitch fixes (more weirdness, more orchestral textures, rearranged breakdowns) and we pitch cash-ins (limited city hats, plushie merch, beard oil, protein flavors), then we rate the album on our Relatively Terrible scale. We close with what was good this week, from Theo Von’s surprisingly vulnerable advice clip to Daredevil: Born Again, Deep Purple coming to Memphis, and a Final Fantasy VII Remake moment that made us do a double take.If you’ve listened to Kinda Hard, we want your verdict. Subscribe, share this with a friend who loves loud music, and leave a review so more people can find the show. What’s the best track on the album, and what’s your hottest take?Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.Normal opens with a simple promise: a quiet town, a steady lawman, and a plan to leave everything exactly as he found it. Then the movie gleefully breaks that promise with corrupt locals, hidden money, and violence that is so over-the-top it starts to feel like a dark joke you cannot unsee. We dig into why Bob Odenkirk keeps working as a late-career action lead, and whether Normal is a smart genre cocktail or just another excuse to watch him power-walk through danger.We get spoiler-heavy as we debate the best parts and the biggest faceplants: Henry Winkler’s unforgettable scenes, the town’s “something is off” energy, the bank and vault chaos, and the plot mechanics that seem like they are setting up a payoff before swerving away. We also unpack the moment that drives us the most insane, the champagne cork sequence, and why that kind of randomness can drain tension even when the gore is technically “fun.” If you enjoy movie reviews that mix genuine praise with picky storytelling critique, you’ll feel right at home.Then we zoom out into the bigger question: why are we, as a culture, so hooked on middle-aged damaged action heroes and small-town corruption mysteries right now? We connect Normal to Nobody, John Wick, Better Call Saul, and the broader trend of finally letting older actors be the main event. We end by pitching how we would fix the third act, how we would make the town even weirder, and what Normal, Minnesota merch we would actually wear. Subscribe, share this with a friend who loves action-thrillers, and leave a review with your take: did Normal stick the landing for you?Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.Pixar used to feel like a sure bet: the kind of animated movie you see opening weekend without checking a trailer, because you trust the storytelling. Lately, that trust feels shakier and we’re not quiet about it. We go from real-life “what was terrible” chaos (including the special misery of TCAP testing logistics and a household bug) straight into a no-filter family debate about what Pixar still does well and what it’s lost.We each throw our favorite Pixar movies on the table and defend them like it’s court: Up for its message and emotional punch, Toy Story 3 for the action and the ending that felt final, Monsters Inc for peak characters and heart, and Coco for its twists, music, and bold cultural storytelling around family and death. Then we pivot to underrated picks like Monsters University and Onward, plus the small details Pixar fans love, from Easter eggs to the feeling of a shared Pixar universe.The real fireworks start when we talk sequels. How soon is too soon, how late is too late, and when does “continuing the story” turn into a cash grab? That quickly becomes a Toy Story argument, complete with hot takes on Toy Story 2 vs Toy Story 4, side quests into Cars and Inside Out, and a bigger question about whether Pixar still leads the animation world compared with studios like Sony, DreamWorks, and Illumination. We even read brutal one-star reviews of beloved movies, because sometimes the internet is the most unhinged focus group you’ll ever meet.If you love Pixar movies, hate Pixar movies, or just miss the era when Disney Pixar felt unstoppable, hit play and come argue with us. Subscribe, share with a friend who has a spicy Toy Story ranking, and leave a review telling us your most unpopular Pixar opinion.Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.Reality TV sells itself as “just entertainment,” but after watching four very different shows, we’re not convinced it’s harmless. We go from a sick-week cold open straight into a full reality television experiment: we take our built-in bias, press play anyway, and see what actually holds up when you watch with your brain turned on.We start with Beast Games and end up talking about why money-based competition can feel like the lottery with a camera crew: it rewards desperation, spotlights emotional breakdowns, and makes “life changing cash” the only plot. Then we hit Chrisley Knows Best and ask the question lifestyle reality TV never answers: why are these people on TV, and why are we supposed to care? From there we time-travel to early Real Housewives of Orange County, where the pacing is better but the engine is still status, conflict, and rich-people problems. Finally we try The Traitors, the closest thing to a genuinely fun game, and still get stuck on the repetition, cliffhangers, and stretched runtime.If you’ve ever love-hated reality television, this one’s for you: we’re not judging relaxation, we’re judging what the format trains us to crave. Subscribe for more honest culture takes, share this with your most reality-TV-obsessed friend, and leave a review with the show you think we should reluctantly watch next.Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.We wanted to know if our strongest music opinions are real or just comfortable, so we forced a test: each of us picked an album for someone else that they would never choose on their own. Then we listened all the way through and came back with ratings, a marketing pitch, and the kind of blunt honesty you only get from people who actually know each other. If you like music review podcasts that talk craft, lyrics, and culture without pretending every take is “nuanced,” you’ll feel right at home.Josh ends up stuck with Jelly Roll’s “Self Medicated” and breaks down why the production can’t save what feels like a spiral of drugs, sex, and despair. Rachel lands on Babymetal’s “Metal Forth” and explains why the metal-pop-anime blend is weirdly close to working, even when the vocals and language barrier make it hard to connect. Calvin goes off on Chappell Roan’s “The Rise And Fall Of A Midwest Princess,” which opens a bigger argument about explicit lyrics, shock value, and what counts as meaningful songwriting.Jackson takes on Lil Wayne’s “Tha Carter VI” and questions cohesion, repetition, and how overproduction can flatten a full album into background noise. From there we zoom out to the streaming era: rage-based algorithms, why pop often gets a pass, why metal gets judged faster, and how audiences can mistake catchy for good. We wrap with a little palate cleanser of what’s actually been good lately, from Dragon Con plans to Gravity Falls and new books. If you enjoyed the chaos, subscribe, share this with a friend who argues about music, and leave a review with your most unpopular album opinion.Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.The fastest way to learn who someone is? Put them on the spot with “favorite” questions and let the arguing begin. We open with what felt truly terrible this week, including our reaction to the live-action Moana trailer and an all-too-real dentist rant, then we hit the gas on a rapid-fire round that turns into a full personality reveal.We trade picks for favorite movies, foods, and songs, bouncing from The Dark Knight to Back To The Future, from fried chicken and potatoes to anything Mexican, and from Alice Cooper to Underoath with a surprise shout for the Wallace & Gromit theme. Along the way, we get into holiday loyalty, boredom habits, and the kind of misheard lyrics debate that only happens when you’ve known each other forever. If you love funny conversation podcasts, sibling-style roasting, and pop culture opinions with zero filter, this one is built for you.Then we go deeper without getting sappy: favorite family memories, Universal Studios nostalgia, inside jokes that never die, the best things we’ve filmed together, and the weird food combos we can’t explain but still stand by. We wrap by sharing what we actually like about ourselves and end on a “not so terrible” win from the week.Subscribe for more Relatively Terrible, share this with someone who’d argue their favorites loudly, and leave a review if you laughed. What’s your all-time favorite movie or your weirdest food combo?Fighting The Suck Since ©2026 Relatively Terrible

Watch the video version here.The ACT test is brutal, birds in the walls are unsettling, and somehow all roads lead back to one thing: Project Hail Mary. We sit down as a group and give our honest spoiler-free review first, including quick ratings, what surprised us, and why the movie feels like a rare modern sci-fi win that you can actually watch with almost anyone. If you care about a great theater experience, we talk about why the IMAX scale, the sound, and the practical sets make the space visuals feel real instead of plastic.Then we get into what we loved most: the pacing that “hits the ground running,” the mystery-driven structure that reveals the backstory at the right time, and the way the film makes the science feel essential without turning the story into homework. We also dig into performance, tone, and why the humor works without leaning on profanity or cheap shock. And yes, we spend time on Rocky, because that character is a huge part of the heart of the film.After a clear spoiler warning, we unpack the biggest reveals, the moral twist that reframes the mission, and the book-to-movie changes that fans will actually want to debate. If you’re deciding between reading Andy Weir’s novel, listening to the audiobook, or seeing the film first, we give you enough context to choose without ruining the fun. Subscribe for more reviews, share this with a sci-fi friend, and leave a rating or review. What did Project Hail Mary score for you out of 10?Fighting The Suck Since ©2026 Relatively Terrible

Watch the video version here.A movie has a 90% score, your group chat swears it’s amazing, and the trailer looks safe enough to spend the money. Then you sit down… and feel absolutely nothing. We’ve all been there, so we decided to test a bigger question: can you trust movie reviews anymore, or are we letting Rotten Tomatoes, IMDb, and influencer hype do our thinking for us?We start with Hoppers, a highly rated animated release we went into with an open mind and walked out giving a brutal score. We break down why the comedy didn’t land, why the story never earns its emotions, and how the movie’s “hopping” technology sets rules only to break them. Then we get into the deeper frustration: messaging that tries to make everyone “right” while avoiding real consequences, which can feel especially messy in a film aimed at kids. We also talk animation quality and why inconsistent craft can pull you out of even a simple story.To prove ratings can be wrong in both directions, we defend Heavyweights (1995), a low-rated comedy that still works because it knows what it is and commits. From there we shout out movies we think are properly rated yet overlooked, including Thunderbolts for its surprisingly clear take on isolation, mental health, and needing other people, plus Good Luck, Have Fun, Don’t Die for its chaotic, sharp warning about tech obsession and self-destruction. We wrap by drawing a line between useful criticism and empty hating, because you can be honest without being cruel.If you’re tired of being told what to like, hit play, then subscribe, share the show with a friend, and leave a review with the last movie score you completely disagreed with.Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.What happens when we stop defending our hot takes and start stress-testing them? We dive headfirst into the culture wars we usually snipe from the sidelines—movies, music, TV, social media, influencers, and comedy—and challenge ourselves to separate taste from truth. The spark: a creator admitting past opinions were wrong. From there, we map a plan to revisit the art and trends that make our skin crawl and ask a harder question: can empathy and discernment live alongside strong preferences?We start with film, picking at Disney’s sequel habit, the Rotten Tomatoes echo chamber, and whether early hype helps or harms. Box office doesn’t equal quality, and streaming’s long tail can turn yesterday’s “flop” into tomorrow’s cult classic. The “agenda” debate gets real too. We argue that every story carries a message, but the difference between a moral and a lecture is subtlety—and the best movies trust the audience to find their own meaning.Music brings the most friction. Discovery feels broken when algorithms push virality over craft. We push back on glossy perfection, pitch correction, and sterile mixes while still committing to test our bias against pop and hip hop. If the lyrics, storytelling, or production intent are strong, we’ll name it—even when it’s not our vibe. TV catches heat with reality formats we call emotionally manipulative, but we also admit why “easy” viewing helps when life is heavy. Then we square off with parasocial “family” talk on social apps, rage-bait algorithms, and influencer “kindness content” that can look more like performance than help. Brands, do better with partnerships; creators, consider impact off-camera.We close with comedy’s tightrope: it’s not that nothing can be joked about, it’s that lazy shock and one-sided politics miss the point. Great comics still punch through with craft, timing, and humanity. Along the way we share a few wins—new music crushes, rediscovered bands, and hype for Project Hail Mary—that remind us why changing your mind is a gift. Hit play, then tell us which take we should rethink next. If you enjoy the show, follow, rate, and share with a friend who loves a good opinion autopsy.Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.Ten episodes in and we’re asking a blunt question: where did “convenience” quietly make life worse? We start with coffee pods—why speed and plastic turned a daily ritual into something thin and wasteful—and move straight into streaming bloat, where exclusives, rising prices, and ad tiers make cord-cutting feel like paying more for less. From there, we trace how subscriptions swallowed everything: design tools, groceries, games, and loyalty apps, all nibbling at your wallet while dulling your sense of ownership.We get personal about photos and memory, too. Remember flipping through a heavy album at your grandma’s? Phones gave us great cameras, but feeds and filters flattened meaning. We talk about printing yearly highlights, resisting the churn, and choosing constraints that make images feel like moments again. Then we tackle short-form news and outrage cycles—how bite-sized certainty kills nuance and replaces real local action with performative takes. If you’re craving less noise, we share practical ways to rebuild attention: smarter sources, fewer apps, and more community.Review culture gets a spotlight. When herd ratings on IMDb or Rotten Tomatoes swing with brigading, the cure is taste you own. We share how to use reviews as a map, not a verdict, and why sampling first—pilot episodes, sample chapters—keeps curiosity alive. Finally, we make predictions: AI-generated ads flooding screens, preorder fatigue draining joy, tech distorting intimacy, and a near-term slump in writing as volume outruns voice. The hope? A correction powered by audiences who still back real craft.If you’ve felt nickel-and-dimed by subscriptions, burned by streaming sprawl, or starved for art with fingerprints, this one’s for you. Listen, then tell us what modern “innovation” you’d gladly roll back. Subscribe, share with a friend who needs a reset, and leave a review with your top fix—we’ll read our favorites on the show.Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.What if the best parts of culture weren’t the content, but the rituals around it? We crack open a lively, honest family debate about why so many people are reaching for analog life again—malls with arcades and theaters, mix tapes and CDs with hand‑drawn covers, Friday night TV blocks, and couch co‑op games that made a living room feel like an arena. We don’t pine for the past so much as ask what those old habits gave us: presence, boundaries, and the joy of stumbling onto something new.We trace how physical media shaped connection. A mix tape was a gift with intention; vinyl still slows you down with lyrics and artwork; DVDs tucked craft into commentaries and bloopers. Streaming is incredible for access, yet the infinite scroll dulls discovery and turns movie night into decision fatigue. We revisit Blockbuster as a cultural ritual—browsing aisles, committing to a pick, and letting the night begin at the store—and weigh it against the speed and choice of streaming. From there we jump to phones: why flip phones enforced limits, how GPS genuinely improved life, and how always‑on screens eroded attention and made us permanently reachable.We also hit the shared touchstones that built community: TRL’s daily countdown, late night talk shows you half‑watched before bed, AIM away messages that signaled you were truly offline, and the TGIF lineup that gave teens a weekly meeting point. Along the way, we tackle couch co‑op versus online gaming, the disappearance of the teen comedy, and the creative squeeze from remakes and algorithms. We close with a film recommendation that nails the episode’s themes—tech addiction, AI, and the cost of convenience—without losing humor, heart, or momentum.If you’re craving more discovery and less doom‑scrolling, this one’s for you. Listen, share with a friend who misses liner notes, and tell us: which analog ritual are you bringing back this week? And if you enjoyed the conversation, subscribe and leave a quick review to help more people find the show.Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.The week started with Super Bowl apathy and internet bickering, but it pushed us toward something better: putting our real house rules on the record. Not a perfect top ten or a performative list, but the code we actually live by—why we ban top sheets, why “what’s for dinner?” is a trap, and how a simple hygiene standard can save friendships at a crowded show. We pull the curtain back on the daily frictions that shape a family and the small systems that turn chaos into comfort.We walk through cleaning as respect for shared space, from dish stacks and bowl direction to the mysterious geography of the fridge door. We talk about meals as non-negotiable connection, leftovers as a competitive sport, and why asking about filming times can drain the joy out of creative work. Comfort sets our dress code—yes, jeans count as dressed up—while the light-switch wars rage quietly between early risers and stealth ninjas. Along the way, we lay down one of our favorite guardrails: if you misspeak, at least two people must hear it before it becomes family legend. Humor bonds us, but it doesn’t get to bruise.Underneath the laughs sits a clear money mindset: cash isn’t everything, but it matters, and the difference between need and greed is attention. We choose to invest in books, music gear, tech, and time together over status clothing and fussy bed-making. We keep creative work flexible, defend nightly bathroom courtesy, and aim to move our bodies daily. By the end, what looks like petty arguments becomes a practical playbook for a warmer, easier home—one where everyone knows the expectations, and everyone gets to laugh anyway.If this made you smile or made your house run 1% smoother, tap follow, share it with a friend who hates top sheets, and leave a quick review to tell us your most controversial house rule.Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.A single photo shouldn’t define a person, a marriage, or a moment—yet our feeds push us to judge fast and hard. We open with a tender goodbye to Alice, our family’s first dog, and use that grief to ground a wider conversation about assumptions, context, and the cost of getting people wrong.We unpack how one snapshot of Millie Bobby Brown juggling baby gear sparked “deadbeat” accusations at her husband, and why that rush to label is the inevitable outcome of context collapse online. From a DM exchange that spiraled into screenshots and moral verdicts to the way kids absorb bullying framed as certainty, we make the case for slower thinking, kinder language, and media literacy. Holding two truths at once becomes a theme: you can love a band and skip a track, respect a person and disagree with their take, keep a tidy home and have dishes in the sink.We also zoom out on performance culture—reality TV edits, curated Instagram “perfection,” and today’s trend of performative mess. Then we tackle a persistent myth: that creators with big view counts are automatically rich. We share the unglamorous parts of the creator economy—years of testing, second jobs, health insurance, and making work we can sustain—alongside what keeps us going. Finally, we talk openly about faith, hypocrisy, and dignity, pointing beyond labels toward conversations that build respect across differences.If you value nuance over hot takes, you’ll feel at home here. Listen, share with a friend who rushes to judgment, and tell us one assumption you’re ready to retire. And if this resonated, follow Relatively Terrible, leave a review, and join the conversation on our socials.Fighting The Suck Since ©2026 Relatively Terrible

Watch the video version here.Fashion just declared “butt windows” a thing, and we’re not okay. From diamond chains tracing low-rise seams to mesh panels designed for maximum exposure, we unpack why spectacle-as-style drains public goodwill. The issue isn’t prudishness; it’s consent and context. Shared spaces work when we respect each other’s attention, bandwidth, and comfort, and that includes how we dress when we’re shoulder to shoulder in a grocery line.The rants don’t stop at hemlines. We tackle the headphone-at-Target epidemic, aisle blockers with music loud enough to shake shelves, and the FaceTime-in-the-bathroom crowd. Courtesy is simple: eyes up, volume down, make space, say excuse me. Then we head to the street, where distracted driving has gone from texting at red lights to streaming on the highway. With voice assistants and CarPlay everywhere, there’s no excuse for drifting lanes and missed greens because someone’s checking DMs. Safety, not scrolling, should steer.We also get into the quiet stuff: backing into parking spots like it’s a NASCAR pit stop, mumbling service in loud rooms, and the chaos that comes from pretending grammar doesn’t matter. Small choices—clear words, modest layers, a held door—add up to a better day for everyone. And yes, there’s levity too: birthday week joy, food we won’t stop talking about, and running jokes that keep the family grounded.If you’re craving a conversation that’s spicy, funny, and unflinchingly honest about modern manners, hit play. Then tell us: which everyday behavior drives you wild, and what simple fix would restore your faith in people? Subscribe, share with a friend who needs the hint, and leave a quick review to keep these conversations rolling.Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.A viral theory fizzles, a fandom groans, and four movie nerds try to detox from the rage machine by talking about the only thing that still brings them joy: great stories. We start with the Conformity Gate comedown and the uncomfortable truth that the internet sometimes writes better endings than the creators. Then we turn our attention to Marvel’s looming swing at redemption—Doomsday—and ask the one question trailers keep dodging: what’s the story?We dig into the rumored 3h45m runtime, Endgame’s re-release as a setup, and why the Russo brothers’ return might matter more than cameos. The table splits on Robert Downey Jr. as a multiversal Doom, debates whether multiverse math can replace character arcs, and admits the fatigue is real after hollow spectacle and clumsy finales. Meanwhile, X-Men nostalgia hits in all the right ways—Patrick Stewart, Ian McKellen, and long-awaited comic-accurate suits—and we talk about how faithful design can spark genuine delight when paired with good writing.Hope gets a second wind with DCU buzz around Supergirl and a scene-stealing Lobo, tempered by a reminder that box office totals don’t equal quality. From there, we stack a 2026 watchlist and confess our cinema blind spots: The Godfather, Scarface, Jaws, The Breakfast Club, The Exorcist, Pulp Fiction, and the John Wick series. A spirited Godzilla debate breaks out—Minus One’s character-first grit versus Monsterverse mayhem—revealing a theme that runs through the whole episode: story over noise, stakes over fan service, meaning over metrics.Hit play for hot takes, true confessions, and a surprisingly earnest plea to “fight the suck” by choosing films that remember why we care. If Doomsday delivers, we’ll celebrate. If not, there’s a world of classics and a rebounding DCU waiting. Listen, subscribe, and drop your bold prediction out of 10—are we headed for redemption or another multiversal mess?Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.A two-word meme with zero meaning shouldn’t run the internet—yet here we are. We start with “6'7” and follow the thread through the machinery that makes nonsense go viral: algorithms tuned for outrage, copy‑paste content that drowns craft, and a metrics game that rewards noise over thought. It’s funny until it isn’t, especially when kids are thrown into a world where attention is currency and guardrails are optional.We get personal about doomscrolling and the subtle pull of rage bait, then dig into the parasocial economy where creators ask you to pay for closeness while offering little of substance. From there, the conversation turns to safety and parenting online: how to set real boundaries, why adult‑child interactions on the internet are never neutral, and the practical steps we use—supervise, block, and disengage instead of debate. The goal isn’t to ban phones; it’s to raise kids who can navigate feeds without getting dragged under.AI enters the chat with a hard truth: most people can’t tell the difference between tool and authorship. We call for an honest approach—use AI to draft, explore, and learn, but own your voice and your process. Discernment is the skill that keeps you from mistaking a polished fake for real craft. That leads into a bigger gripe with education: multiple‑choice testing teaches guessing, not thinking. Writing, sourcing, and context teach you how to build an argument and spot bad ones, whether they come from a viral clip or a cherry‑picked quote.By the end, we circle back to what matters: meaning over metrics. Curate your feeds. Reward creators who make original work. Teach kids to verify before they share. And when a trend like “6'7” takes over your timeline, laugh if you must—but ask what it says about the system pushing it to you. If this conversation resonates, tap follow, share it with a friend who doomscrolls at midnight, and leave a quick review so more curious folks can find us.Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.Pop culture whiplash, a rained-out birthday, and a house-wide stomach bug shouldn’t add up to a meaningful year—but that contrast is exactly what made 2025 unforgettable for us. We kick off by calling out the year’s biggest letdowns, from the flat humor and hollow plotting of Electric State to the glossy veneer and logic gaps of Fantastic Four, including the now-infamous CGI baby that sank suspension of disbelief. We wrestle with TV fatigue, too—Abbott Elementary’s early spark faded into safe beats—and debate the hype machine around Pedro Pascal and The Last of Us without falling into the algorithm’s outrage trap.Loss put everything in sharper focus. Ozzy Osbourne’s passing stirred real grief in our crew, not because the internet demanded it, but because his music scored our lives. We unpack the odd rituals of online mourning, the “first time listening” trend, and why performative grief feels empty next to genuine remembrance. Then the vibe shifts: we champion two underappreciated wins—an optimistic, well-judged Superman and a character-driven Thunderbolts that dared to trade empty spectacle for moral complexity. Sometimes the best superhero stories aren’t the loudest; they’re the ones that make you think.Our biggest joys arrived off the algorithm. We finally discovered Harry Potter and fell for its long-arc storytelling, Alan Rickman’s layered Snape, and the way each film threads into a satisfying end. That new fandom made our Universal Studios trip feel brand new. We also dove deep into Breaking Bad together, savoring the slow-burn reversals, the prison montage, the desert showdowns, and the “I am the danger” moment that still rattles. Between con adventures at PopCon and Dragon Con, meeting heroes, a driver’s license earned, and a 20th anniversary celebrated, we found the antidote to a “terrible” year: choosing perspective, together.If you like smart pop culture takes, honest family banter, and a mix of grief, humor, and hope, you’ll feel at home here. Hit follow, share with a friend who loves a good debate, and drop your most and least terrible moments of 2025—we’ll read the best on the show.Fighting The Suck Since ©2026 Relatively Terrible

Watch The Video Version Here.Ten years after we first met the kids from Hawkins, we finally reach the end—and the internet erupted. We open the vault on Stranger Things with our unfiltered rankings, a clear-eyed look at season five’s biggest swings, and a grounded explanation of what the finale actually did with the Mind Flayer, Vecna, and the show’s core logic. If you’re torn between awe and annoyance, this conversation gives you a map through the noise.We revisit why season one still feels untouchable and why season four’s pace and precision set expectations the finale struggled to match. From “The Sorcerer” delivering the mid-season high point to the shorter final battle that followed, we unpack pacing, staging, and the choice to invest the last 55 minutes in character closure. Joyce’s decisive moment, Hopper and Eleven’s quiet grace, Steve and Dustin’s repaired bond—these beats show the series still knows how to land emotion even when dialogue turns uneven.We also tackle the hot-button debates: so-called plot holes, Max’s graduation timeline, the absence of assorted monsters in the finale, and whether the Mind Flayer works as an ethereal hive intelligence rather than a single boss to punch. Add in editing realities, acting highs and lows, and a candid comparison to Breaking Bad’s airtight storytelling, and you get a full picture of why expectations shaped so much of the backlash. Love it or not, Stranger Things gave Netflix its first true global franchise and a generation-defining blend of horror, sci-fi, and heart.Hit play if you want clarity without the rage-bait. Then tell us your season ranking and the one change you’d make to the finale. If this resonated, follow the show, share with a friend, and leave a quick review—your take might make the next episode.Fighting The Suck Since ©2026 Relatively Terrible

It's a start! Video Version: https://youtu.be/lvkX0mFutEcFighting The Suck Since ©2026 Relatively Terrible