PODCAST
Robert Scott Thompson
by Robert Scott Thompson
RST Biography: Composer of instrumental, ambient, and electroacoustic music - ranging in style from avant-garde classical music to popular music.Working in the areas of high modernism, extended instrumental resources, computer assisted composition, chamber music, orchestral music, acousmatic music, software synthesis, sonic art, music for film, sonic interactivity and sound installation. International award-winning composer with over 50 solo recordings and numerous works on compilations distributed both in physical form internationally (CDs in stores such as Amazon.com) and in digital format online (iTunes, for example).More detailed information, contact details, licensing details, sound clips, and downloads are available at the label website for Aucourant Records (BMI) and Aucourant Media Productions (BMI). Music published in print with American Composers Edition (BMI).www.aucourantrecords.comUpdate to official website coming soon!***Robert Scott Thompson is an electroacousti
Episodes
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In this trembling - Ambient Example
In this trembling - Ambient Example by Robert Scott Thompson
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XEN ST - v2.4.1 - Example 2
XEN ST - v2.4.1 - Example 2 by Robert Scott Thompson
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XEN ST - v2.4 - Example 1
XEN ST - v2.4 - Example 1 by Robert Scott Thompson
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XEN ST - v2.0 - Example 2
XEN ST - v2.0 - Example 2 by Robert Scott Thompson
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XEN ST - v2.0 - Example 1
XEN ST - v2.0 - Example 1 by Robert Scott Thompson
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XENAKIS ST4 EMULATON - Example
XENAKIS ST4 EMULATON - Example by Robert Scott Thompson
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Burroughs Cut-Up Engine — Feldman v1.3 - Example
Burroughs Cut-Up Engine — Feldman v1.3 - Example by Robert Scott Thompson
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Burroughs Cut-Up Engine — Feldman v1.3 - Example
Burroughs Cut-Up Engine — Feldman v1.3 - Example by Robert Scott Thompson
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Dynamic Event Generation Engine v0.5.2.1 - Two Lines Flux - Example
Dynamic Event Generation Engine v0.5.2.1 - Two Lines Flux - Example by Robert Scott Thompson
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Dynamic Event Generation Engine v0.5.2.1 - Two Lines Flux - Example
Dynamic Event Generation Engine v0.5.2.1 - Two Lines Flux - Example by Robert Scott Thompson
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Dynamic Event Generation Engine v0.5.2.1 - Two Lines Flux - Example
Dynamic Event Generation Engine v0.5.2.1 - Two Lines Flux - Example by Robert Scott Thompson
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Dynamic Event Generation Engine v0.5.2.1 - Two Lines Crossing - Example
Dynamic Event Generation Engine v0.5.2.1 - Two Lines Crossing - Example by Robert Scott Thompson
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Dynamic Event Generation Engine v0.1.1 - Example
Dynamic Event Generation Engine v0.1.1 - Example by Robert Scott Thompson
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Tintinnabuli Generative Model v1.4 - Example
Tintinnabuli Generative Model v1.4 — Four-State Tintinnabuli Cycle Version 1.4 develops a generative model based on the tintinnabuli technique associated with Arvo Pärt, translating its characteristic relationship between a melodic M-voice and triad-derived T-voices into a systematic…
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CONTROLLED ALEATORISM v16.10 - Example
CONTROLLED ALEATORISM v16.10 - Example by Robert Scott Thompson
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CONTROLLED ALEATORISM 10_26 OPMO - Sound Example 2
CONTROLLED ALEATORISM 10_26 OPMO - Sound Example 2 by Robert Scott Thompson
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CONTROLLED ALEATORISM 10_26 OPMO - Sound Example
CONTROLLED ALEATORISM 10_26 OPMO - Sound Example by Robert Scott Thompson
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Water Song II
Water Song II by Robert Scott Thompson
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Water Song
Water Song by Robert Scott Thompson
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Burroughs Cut-up Engine V4.5 - Example II
Burroughs Cut-up Engine V4.5 - Example II by Robert Scott Thompson
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BURROUGHS CUTUP V4.5 - Example
Burroughs Cut-Up Engine v4.5 — Compositional Synopsis Long-Range Return with Alteration The Burroughs Cut-Up Engine v4.5 is a generative recomposition system developed in Opusmodus for transforming existing multi-part MIDI material into new musical structures. Taking its conceptual point of...
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BURROUGHS CUTUP ENGINE V4.5 - Example
Burroughs Cut-Up Engine v4.5 — Compositional Synopsis Long-Range Return with Alteration The Burroughs Cut-Up Engine v4.5 is a generative recomposition system developed in Opusmodus for transforming existing multi-part MIDI material into new musical structures. Taking its conceptual point of...
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Burrroughs Cut-up Engine v4.3.2 - DOWLAND - Sweete Stay A While
The Burroughs Cut-Up Engine v4.3.2 is an algorithmic reconstruction system for transforming existing multivoice MIDI material. Its conceptual point of departure is the cut-up method associated with William S. Burroughs: existing material is divided into fragments, removed from its original...
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Burrroughs Cut-up Engine v3.1 - DOWLAND WELCOME BLACKE NIGHT
This audio example was generated with The Burroughs Cut-Up Engine v3.1 — Controlled Synchronized Fragmentation, an Opusmodus system exploring cut-up and editorial elaboration as compositional techniques. An existing polyphonic MIDI composition is divided into variable-length synchronized…
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Burroughs Cut-up Example VII
Burroughs Cut-up Example VII by Robert Scott Thompson
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Burroughs Cut-up Example VI
Burroughs Cut-up Example VI by Robert Scott Thompson
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Burroughs Cut-up Example V
Burroughs Cut-up Example V by Robert Scott Thompson
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Burroughs Cut-up Example IV
Burroughs Cut-up Example IV by Robert Scott Thompson
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Burroughs Cut-up Example III
Burroughs Cut-up Example III by Robert Scott Thompson
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Burroughs Cut-up Example II
This project is gradually revealing two distinct but related creative destinations. The first is a recording influenced by the music of John Dowland, conceived within the broader aesthetic territory of ambient electronica. My intention is not to reproduce Dowland's musical language or to…
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Burroughs Cut-up Example
Burroughs Cut-up Example by Robert Scott Thompson
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Raga Generative Counterpoint v2.5 - 4 Passages
Raga Generative Counterpoint v2.5 — Distributed Melodic Memory Robert Scott Thompson This recording presents an example of an evolving generative composition system developed in Opusmodus. Beginning with selected concepts from North Indian raga theory, the program explores the interaction of…
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Downland Generative Lute v4.9.3 - 4 Guitar Passages
Dowland Generative Lute Model v4.9.3 represents a further stage in the development of a corpus-informed generative system concerned with the contrapuntal, melodic, rhythmic, and harmonic characteristics of the music of John Dowland. The purpose of the model is not to reconstruct individual…
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Downland Generative Lute v4.7.1 - 4 Guitar Passages
Downland Generative Lute v4.7.1 - 4 Guitar Passages by Robert Scott Thompson
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CONTROLLED ALEATORIC COUNTERPOINT V3.1 - 2 - MAS 4424
CONTROLLED ALEATORIC COUNTERPOINT V3.1 - 2 - MAS 4424 by Robert Scott Thompson
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CONTROLLED ALEATORIC COUNTERPOINT V3.1 - 3 - MAS 4424
CONTROLLED ALEATORIC COUNTERPOINT V3.1 - 3 - MAS 4424 by Robert Scott Thompson
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CONTROLLED ALEATORIC COUNTERPOINT V3.1 - 1 - MAS 4424
CONTROLLED ALEATORIC COUNTERPOINT V3.1 - 1 - MAS 4424 by Robert Scott Thompson
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CONTROLLED ALEATORIC COUNTERPOINT V3.1 - 4 - MAS 4424
CONTROLLED ALEATORIC COUNTERPOINT V3.1 - 4 - MAS 4424 by Robert Scott Thompson
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CONTROLLED ALEATORIC COUNTERPOINT V3.1 - 5 - MAS 4424
CONTROLLED ALEATORIC COUNTERPOINT V3.1 - 5 - MAS 4424 by Robert Scott Thompson
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STOCHASTIC CONSTELLATIONS — MODAL TESSITURA — VERSION 1.7.1 — AUTOMATIC MODAL RANGE - 3 - MAS 4424
STOCHASTIC CONSTELLATIONS — MODAL TESSITURA — VERSION 1.7.1 — AUTOMATIC MODAL RANGE - 3 - MAS 4424 by Robert Scott Thompson
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STOCHASTIC CONSTELLATIONS — MODAL TESSITURA — VERSION 1.7.1 — AUTOMATIC MODAL RANGE - 2 - MAS 4424
STOCHASTIC CONSTELLATIONS — MODAL TESSITURA — VERSION 1.7.1 — AUTOMATIC MODAL RANGE - 2 - MAS 4424 by Robert Scott Thompson
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STOCHASTIC CONSTELLATIONS — MODAL TESSITURA — VERSION 1.7.1 — AUTOMATIC MODAL RANGE - MAS 4424
STOCHASTIC CONSTELLATIONS — MODAL TESSITURA — VERSION 1.7.1 — AUTOMATIC MODAL RANGE - MAS 4424 by Robert Scott Thompson
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DOWLAND GENERATIVE LUTE MODEL V3.0
This recording is a realization of Dowland Generative Lute Model v3.0 — Lyrical Contrapuntal Grammar, an algorithmic composition system I developed in Opusmodus as an exploration of the musical language of John Dowland. The program does not quote or reconstruct an existing Dowland work. Rather…
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Cheap Imitation I - JD
Cheap Imitation I - JD by Robert Scott Thompson
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TABLEAU — CONTROLLED ALEATORISM v3.1
TABLEAU — CONTROLLED ALEATORISM v3.1 by Robert Scott Thompson
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Bell Song Texture
Bell Song Texture by Robert Scott Thompson
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AQUATIC REALMS - Raga Generative Counterpoint 1.1.1
AQUATIC REALMS - Raga Generative Counterpoint 1.1.1 by Robert Scott Thompson
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An Open Texture II - STOCHASTIC CONSTELLATIONS — MODAL TESSITURA VERSION 1.7.1 — WEIGHTED TESSITURA
An Open Texture II - STOCHASTIC CONSTELLATIONS — MODAL TESSITURA VERSION 1.7.1 — WEIGHTED TESSITURA by Robert Scott Thompson
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An Open Texture - STOCHASTIC CONSTELLATIONS — MODAL TESSITURA VERSION 1.7 — WEIGHTED TESSITURA
An Open Texture - STOCHASTIC CONSTELLATIONS — MODAL TESSITURA VERSION 1.7 — WEIGHTED TESSITURA by Robert Scott Thompson
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TEXTURE STUDY 2 - Stochastic Constellations 1.2 - Opusmodus
TEXTURE STUDY 2 - Stochastic Constellations 1.2 - Opusmodus by Robert Scott Thompson
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ABOUT THIS SHOW
RST Biography: Composer of instrumental, ambient, and electroacoustic music - ranging in style from avant-garde classical music to popular music.Working in the areas of high modernism, extended instrumental resources, computer assisted composition, chamber music, orchestral music, acousmatic music, software synthesis, sonic art, music for film, sonic interactivity and sound installation. International award-winning composer with over 50 solo recordings and numerous works on compilations distributed both in physical form internationally (CDs in stores such as Amazon.com) and in digital format online (iTunes, for example).More detailed information, contact details, licensing details, sound clips, and downloads are available at the label website for Aucourant Records (BMI) and Aucourant Media Productions (BMI). Music published in print with American Composers Edition (BMI).www.aucourantrecords.comUpdate to official website coming soon!***Robert Scott Thompson is an electroacousti
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Robert Scott Thompson
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