Shadow Flies

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

"Dramatic Reading Scene and Story Collection, Volume 005-Various" invites listeners to immerse themselves in a captivating assortment of narratives, showcasing the art of dramatic reading. This collection features a diverse range of scenes and stories that highlight the power of voice and performance, breathing life into the written word. As timeless themes of human experience unfold, listeners are reminded of the shared emotions and connections that resonate across cultures and generations. The artistry of storytelling remains a vital part of our collective heritage, making this collection not only an entertaining listen but also a celebration of the enduring impact of narrative in our lives.

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland

The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland