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PODCAST · education

Soundrolling.com

by Matt Price

Hey it's Matt Price the London Sound Mixer from Soundrolling.com and this is all about my journey as a Location Sound professional in film and branded content and opening up a broader conversation about location sound from the business aspects to technical explanations.

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Episodes

  1. Ive created 699 videos... Lets reflect

    In the last 365 days my youtube made more daily than the bottom 10.9% of the world population.

  2. Self Esteem and confidence

    Making yourself accountable for your wins and losses is a key part in owning and controlling your destiny

  3. Help me to help you

    Instagram @soundrolling and email [email protected]

  4. How I Wake Myself Up After My Alarm

    I dont have a routine for any of ky work unoess its features where ots 30 days of the same thing 6 days a week. So these are tips to get up and feel awake too!

  5. My relationship with directors and 1st ADs

    This is all about the relationship of when and what I talk about with dorectora and forst ADs to keep getting what I need

  6. How To Get Film Work Through Instragram

    This strategy also works for other social sites with search functions :) like twitter.

  7. Speed of execution is Key

    If you want to be successful quicker than speed is more important than almost anything else.

  8. How The Slateless System On House Of Cards Worked

    This is from my chat with Mark Weingarten about his work on House of Cards. They Used a slateless system and lots of metadata :)

  9. Does Mark Weingarten Always Mic Actors?

    This is an extract from a chat i did with Mark Weingarten who has worked on epics like Insterstellar and if he always mics actors just to be safe?

  10. Overtime + Unsafe Hours

    Jeff wexler and his dad had a big impacton our industry and especially Jeffs dad with championing safer hours and turnaround times in an industry that wants you to never sleep.

  11. Benefits of Feeding Audio + Timecode to Camera

    This is a question I got nearly a year ago from one of my live youtube hangouts on why I was feeding both audio and timecode for sync to a Camera

  12. Cueing Actors With Clicks + Claps vs Vocal Cues

    Directors often want to cue actors while a scene is going on and encouraging them to click and clap is much easier to edit.

  13. What I Do For Track Naming And Metadata

    This is abkut keeping my audio rushes orgnaised in a way that the editors can find relevant extras as needed and what mic is what, even if its just to triple check.

  14. How Simon Hayes Deals With Hollywood Fx Like Rain and Wind Machines

    This is from a lengthy sound chat with Simon Hayes and covers a part about special large scale hollywood FX like Rain Machines and Wind when it comes to getting clean dialogue

  15. What Is Film Carnet? Shooting In Other Countries

    This is from my experience doing Carnet for doing part of a feature film in Morocco and Spain last year

  16. How Wayne Developed His Style Of Post Sound

    This is an extract about an intangible art of developing a style with your post production projects when they are so different. Like Wayne with movies like The Great Gatsby and Mad Max

  17. Why Dialogue Is King in Animation for Wayne Pashley

    This is from a few years ago with Wayne Pashley and he gives me a glimpse into the raw performance of dialogue to change and bring characters to life

  18. Why The Great Gatsby Movie had over 5,000 ADR lines

    This is from my sound chat with Wayne Pashley a few years ago now about his post work on the Great Gatsby with Leoardo De Caprio

  19. Sending The Correct Audio Level When You Dont Trust The Camera Meters

    Here is a little trick you can do if you need to triple check the audio level on a camera where the meters arent accurate

  20. My Approach To Backing Up Sound Rushes

    This showcases the various ways i treat back ups for projects and when i decide to delete them

  21. Timecode vs Genlock vs Wordclock

    Find more at my free course at http://learn.soundrolling.com and i cover my knowledge so far of genlock, timecode and wordclock and exploring the real meaning of SYNC

  22. Should You Get The Sound Devices 633 As Your First Mixer?

    This os from a question from my live youtube hangouts and i go into deeper detail on my thoughts around having such a solid mixer as your first one

  23. When Do I Record Ambient Sound In Mono or Stereo?

    Answering in more detail the question from my recent youtube live Q+A session on what ambience do i record and is it in mono or stereo and if so which configuration

  24. Balancing commercial work with lower budget narrative work

    This is my thoughts on low budget narrative work vs commercial work to get into that line of work.

  25. Using Carpets and blankets on set

    Hey everyone matt from soundrolling.com, today answering a question on using carpets and blankets as acoustic treatment for rooms when im on location

  26. My experiences doing both location and post sound

    This is the love hate of doing both location and post prosuction sound for a project

  27. The Sound I Hate Recording The Most

    This is usually around a dinner table and when the mic is bang on point it goes straight through me haha can you tell what it is yet? Get in touch with your worse sound and ill make a blog post about it. Instagram @soundrolling

  28. Q+A: How to promote yourself as a sound mixer

    Thisbis where I give you an overview as to where to get started in promoting yourself so yoy get more work and can help bring more value to other people

  29. Q+A: The director is taking over takes

    This is a question i get alot over the years and so i give my 2 cents on why it shouldn't stress you out

  30. Slating / Clapperboard Q+A

    I answer and clarify loads of common questions about slating for different scenarios like end board to series

  31. Wireless Blocks Explained

    This is about how the different wireless companies have different codes for blocks of frequencies and also how you can translate them.

  32. Pre Fade Vs Post Fade and when I use them

    This is all about me using either pre fade or post fade and when I use them.

  33. Peak Vs VU Metering and Why I Use Both

    This is why I use both peak and VU metering when I am sound recording to give me the best representation of the level of the sound overall.

  34. How Instagram TV is a very big move

    This is an overview of how Instagram TV plays into the whole Instagram ecosystem of content production and how you should get on board now before it becomes massive!

  35. Freelancing is not a zero sum game

    This is all about why me putting out content and helping others doesn't hurt me. Your wins are not my losses.

  36. NAB 2018 Recap

    Latest episode of Soundrolling.com

  37. Rob Nokes | Mechanics Role In Car Recording Sessions

    This is from my Sound Chat with Rob Nokes about the role of car mechanics in recording sessions.

  38. Rob Nokes | Why Rob Started Sounddogs.com

    This is how Rob Nokes started SoundDogs.com back in the late 90s as the first online sound effects library of its scale.

  39. Rob Nokes | Sound Recording Planes SFX

    This is how Rob Nokes goes about recording plane sound FX.

  40. Rob Nokes | SFX Recording Dos Don't

    This is from my Sound Chat with Rob Nokes and about general advice for a great SFX recording session.

  41. Rob Nokes | SFX Recording Mics

    This is some of the mic that Rob Nokes from Sounddogs.com uses for his recording sessions from cars to animals.

  42. Rob Nokes | Most Memorable SFX

    This is Rob Nokes from Sounddogs.com SFX Libraries and one of his most memorable sound effects recording sessions.

  43. Rob Nokes | Recording Level For Ambient Sound FX Libraries

    This is about the right levels for recording ambiences to then be able to mix better when mastering.

  44. Rob Nokes | Recording Cars To Their Limit And Sweeteners

    This is from my Sound chat with Rob Nokes about recording cars to the extreme and sweeteners to make the cars sound even better.

  45. Rob Nokes | Recording Animals and Racetracks

    This is from Rob Nokes Sound Chat about recording at racetracks when Rob was younger and other aimal sounds

  46. Rob Nokes | Preparation for a car SFX Recording Session

    This is from my with rob nokes who is a sound effects recordist and mixer. This one is about preparation for a car SFX recording session.

  47. Need for Impulse Responses in SFX recording | Rob Nokes

    I asked Rob if he has ever needed to use an impulse response when he is recording in a unique location.

  48. Most Common Sound FX Requests | Rob Nokes

    I chat to Rob about what he gets asked to record the most.

  49. Rob Nokes - The Importance Of Location Scouting For SFX Recording

    I speak to Rob Nokes about The Importance Of Location Scouting For SFX Recording. This is something often over looked.

  50. Rob Nokes - SFX recording with Hydrophone Microphones

    This is from my sound chat with Rob Nokes about recording SFX with the Hydrophone

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ABOUT THIS SHOW

Hey it's Matt Price the London Sound Mixer from Soundrolling.com and this is all about my journey as a Location Sound professional in film and branded content and opening up a broader conversation about location sound from the business aspects to technical explanations.

HOSTED BY

Matt Price

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Frequently Asked Questions

How many episodes does Soundrolling.com have?

Soundrolling.com currently has 89 episodes available on PodParley. New episodes are automatically indexed when they're published to the podcast feed.

What is Soundrolling.com about?

Hey it's Matt Price the London Sound Mixer from Soundrolling.com and this is all about my journey as a Location Sound professional in film and branded content and opening up a broader conversation about location sound from the business aspects to technical explanations.

How often does Soundrolling.com release new episodes?

Soundrolling.com has 89 episodes. Check the episode list to see recent publication dates and frequency.

Where can I listen to Soundrolling.com?

You can listen to Soundrolling.com on PodParley by clicking any episode. We provide an embedded audio player for direct listening, and you can also subscribe via your preferred podcast app using the RSS feed.

Who hosts Soundrolling.com?

Soundrolling.com is created and hosted by Matt Price.
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