All Episodes
Soundrolling.com — 89 episodes
Ive created 699 videos... Lets reflect
Self Esteem and confidence
Help me to help you
How I Wake Myself Up After My Alarm
My relationship with directors and 1st ADs
How To Get Film Work Through Instragram
Speed of execution is Key
How The Slateless System On House Of Cards Worked
Does Mark Weingarten Always Mic Actors?
Overtime + Unsafe Hours
Benefits of Feeding Audio + Timecode to Camera
Cueing Actors With Clicks + Claps vs Vocal Cues
What I Do For Track Naming And Metadata
How Simon Hayes Deals With Hollywood Fx Like Rain and Wind Machines
What Is Film Carnet? Shooting In Other Countries
How Wayne Developed His Style Of Post Sound
Why Dialogue Is King in Animation for Wayne Pashley
Why The Great Gatsby Movie had over 5,000 ADR lines
Sending The Correct Audio Level When You Dont Trust The Camera Meters
My Approach To Backing Up Sound Rushes
Timecode vs Genlock vs Wordclock
Should You Get The Sound Devices 633 As Your First Mixer?
When Do I Record Ambient Sound In Mono or Stereo?
Balancing commercial work with lower budget narrative work
Using Carpets and blankets on set
My experiences doing both location and post sound
The Sound I Hate Recording The Most
Q+A: How to promote yourself as a sound mixer
Q+A: The director is taking over takes
Slating / Clapperboard Q+A
Wireless Blocks Explained
Pre Fade Vs Post Fade and when I use them
Peak Vs VU Metering and Why I Use Both
How Instagram TV is a very big move
Freelancing is not a zero sum game
NAB 2018 Recap
Rob Nokes | Mechanics Role In Car Recording Sessions
Rob Nokes | Why Rob Started Sounddogs.com
Rob Nokes | Sound Recording Planes SFX
Rob Nokes | SFX Recording Dos Don't
Rob Nokes | SFX Recording Mics
Rob Nokes | Most Memorable SFX
Rob Nokes | Recording Level For Ambient Sound FX Libraries
Rob Nokes | Recording Cars To Their Limit And Sweeteners
Rob Nokes | Recording Animals and Racetracks
Rob Nokes | Preparation for a car SFX Recording Session
Need for Impulse Responses in SFX recording | Rob Nokes
Most Common Sound FX Requests | Rob Nokes
Rob Nokes - The Importance Of Location Scouting For SFX Recording
Rob Nokes - SFX recording with Hydrophone Microphones
Rob Nokes - Is there any formula for sound effect recording success?
Rob Nokes - Teaching External Recordists In Foreign Countries
Rob Nokes - Dealing With Heat When Recording Cars
Rob Nokes - Car Rigs and drafting to avoid wind on mics
Rob Nokes - Car Rig Track Count
Work Going Away And New Mixers Filling Gaps From Production
Bringing More Respect Back To The Sound Department
Keeping A Hand In Post and FX not helping performance
Jeff Wexler on moving into other sectors | Even the guy in Craft services Is making movies.
Work Life Balance In Film
Overtime And Long Unsafe Hours Kill Crew Members
Distribution and its effect on the industry
The Business Of Show Business
Why Fast Shooting Is The Norm
Why We Will Always Need Some Form Of Mix Track
Multitracking Is great but you still need a mix track
Why Jeff Wexler loves Schoeps mics
How Jeff Wexler Prepares For A Film
Reasons For A Division Between Production and Post
Embracing New Sound Tech And Techniques
Why Modern Crews No Less About Sound
Zoom At BVE with New H1N and Zoom F1
How shooting coverage has changed in drama
Multi-camera Issues and being saved by VFX
How Sound Tech Advancements Brought New Issues
Jeff Wexler on Change In Sound Technology
Single Vs Dual Receivers
How To Build A New Network
New Show Segment Q+A Intro
2018 Is All About Comments.
First Why then What & How.
Same Content Different Results
You Don't Own Ur Social Media
Money = Value And Framing
The Illusion Of Job Security
Freelancing: Why I Went All In
3 Areas For Business Success
Why Build An Audience?
Leverage Being A Freelancer