The Creative Caucus

Garret Brubaker sits down with Laura Porat, the motion designer and art director who helped shape the visual voice of three presidential campaigns. From Elizabeth Warren's toaster explainer to the high-energy hype reels that defined Kamala Harris's 100-day sprint, Laura breaks down what it actually takes to deliver broadcast-quality animation under campaign-grade deadlines. She gets candid about the red tape, the 18-hour days, the Wilmington housing crunch, and why she fought for better working conditions on the Harris campaign before her team burned out in October.The conversation digs into craft as much as culture. Laura explains why a single motion designer can replace a designer, animator, and video editor on a tight political timeline, how sports graphics became the north star for Harris campaign creative, and why Cavalry has become her secret weapon for scalable, data-driven animation. She also talks about her work in Blender, the limitations of AI in real production workflows, and the compositing tricks behind those text-integrated Biden videos that made policy feel personal.Beyond the campaign trail, Laura opens up about being a deaf creative in a visual medium, how disability has sharpened her problem-solving instincts, and why traveling to 40 countries has shaped her color sensibility and storytelling. She shares the origin story of Motion Collabs, her eight-year-old global community of animators, and leaves listeners with a rallying cry: use your animation for good.Connect● Creative Caucus on Instagram: https://www.instagram.com/thecreativecaucus● Studio Brubaker: https://www.studiobrubaker.com● Laura Porat Website: https://lauraporat.com/● Laura Porat on Instagram: https://www.instagram.com/lauraporat● Motion Collabs: https://www.motioncollabs.comResources● GOTV: https://www.youtube.com/watch?v=3v5RUX6IUS4● Early Voting: https://www.youtube.com/watch?v=005Psv73hNcHashtags#CreativeCaucusPodcast #PoliticalAdvertising #PoliticalCreatives #CampaignStrategy #PoliticalMarketing #CreativeStrategy #MotionDesign #MotionGraphics #PoliticalCampaigns #CampaignCreative #Animation #Blender #Cavalry #DesignLeadership #AccessibleDesign

On this episode of Creative Caucus, Garret Brubaker reunites five members of the Pete Buttigieg 2020 presidential campaign video team for a candid look at life inside a presidential primary. Gina Reis, Hussien Salama, Maggie Sullivan, Becca Davila, and Carina Teoh trade war stories about building a rocket ship mid-launch, running reality-TV-style coverage, surviving debate night war rooms, and carrying the Pete playbook into the White House, the Senate, and the governorship.Guests● Gina Reis — Pete for America video team; went on to be video director for Mark Kelly's Senate campaign.Website: https://www.ginareis.comInstagram: @gina_reis (https://www.instagram.com/gina_reis)● Hussien Salama — Pete for America video team; went on to Senator Jon Ossoff, the U.S. Department of Education, and the Biden administration.Website: https://www.hussiens.comLinkedIn: https://www.linkedin.com/in/hussien-salama-b982043b● Maggie Sullivan — Pete for America video team; went on to the DCCC, Senator Alex Padilla, Governor Josh Shapiro, and now Representative Lauren Underwood.LinkedIn: https://www.linkedin.com/in/margaretesullivan/● Becca Davila — Pete for America video team; went on to the Biden campaign and the White House.LinkedIn https://www.linkedin.com/in/becca-davila● Carina Teoh — Pete for America video team; went on to Senator Alyssa Slotkin's campaign and Senator Raphael Warnock's Georgia Senate runoff. Instagram: @cteohphoto https://www.instagram.com/cteohphotoLinkedIn https://www.linkedin.com/in/carina-t-850b096aKey Takeaways● The Pete for America video team treated the campaign like a reality show, shooting everything constantly, which only worked because Pete trusted his team and was the same person on and off camera.● Most of the team had no political background before Pete. They came from crooked Media, local news, PBS kids TV, New York commercials, and fashion, and got hired through cold emails and Facebook group postings.● Campaigns are startups you build in a year and tear down in a week. Expect imposter syndrome, no infrastructure, six or seven day weeks, and professional development you cannot replicate anywhere else.● The video team pitched their own ideas instead of waiting for orders, and the scrappy fundraising videos built in the office often outperformed the polished stuff.● The jellyfish, a giant physical server tethering every editor to the office, defined their lives and blocked every attempted office move until the pandemic finally forced cloud access.● Keegan-Michael Key was lined up to endorse Pete before a staffer got cold feet, and the team had a full endorsement video cut and ready to go.● The Iowa caucus delay cost Pete the momentum the team believed would catapult him to the nomination. To this day they think the outcome would have been very different if the win had been called on the night.● Lessons from Pete shaped every campaign that followed, from Mark Kelly in Arizona to Ossoff in Georgia to Josh Shapiro's VP stakes run to Biden's monthly White House recap videos.● Video on campaigns evolves every two seconds. What worked in 2020 will not work in 2028, and the next generation of 24 year olds will be the ones pulling 40,000 step days on no water.Connect● Host Garret Brubaker, Studio Brubaker, https://www.studiobrubaker.com#CreativeCaucusPodcast #PoliticalAdvertising #PoliticalCreatives #CampaignStrategy #PoliticalMarketing #CreativeStrategy #PeteForAmerica #PresidentialCampaign #VideoProduction #PoliticalVideo #CampaignLife

In this episode of the Creative Caucus podcast, Garret Brubaker sits down with Kate Conway, former creative director of the Harris-Walz presidential campaign, for a behind-the-scenes look at what it takes to run creative on one of the most unconventional campaigns in modern history. From building a 75-person team in months to executing a full rebrand in under two weeks, Kate reveals the rapid decisions, scrappy problem-solving, and strategic thinking that powered the campaign's creative engine.Listen as Garret and Kate break down the viral camo hat moment, the debate-night strategy designed to get under Trump's skin, and why the Freedom launch video, never intended as an ad, became one of the campaign's most persuasive pieces of creative.#CreativeCaucusPodcast #PoliticalAdvertising #PoliticalCreatives #CampaignStrategy #PoliticalMarketing #HarrisWalz #CampaignCreative #BrandStrategy #DigitalAdvertising #PoliticalDesignFeatured AdsHarris-Walz Branding Case Study -https://www.wideeye.co/case-study/harris-for-president-2024Safety and Security Ad - https://host2.adimpact.com/admo/viewer/9a79bed3-5da4-4ce0-b206-321e2ecb7651/Debate Design - https://www.laurahardwick.com/harris-for-president"Think" Spot - https://www.youtube.com/watch?v=r7TNgcGhDVA"Like Detroit" Spot - https://www.youtube.com/watch?v=BPgQp2VuZwQResourcesDCCC Rebrand - https://dccc.org/Wide Eye Creative - https://www.wideeye.co/case-study/harris-for-president-2024ConnectKate ConwayStudio Brubaker

This week, on the Creative Caucus podcast, Garret sits down with political creative director and filmmaker Devin Gosnell for a high-energy conversation on what really makes political messaging work.Devin brings the heat, breaking down why creativity alone won’t cut it in political advertising; you need a sharp strategy to back it up. From campaign goals to audience insight, he shares how the best ads come to life when bold creative ideas are grounded in real political instincts.Listen as Garret and Devin explore why creative instincts and strategic thinking are what separate good campaigns from unforgettable ones in political advertising.Featured AdsZohran Basketball Ad -https://vimeo.com/1131696461?fl=pl&fe=cmZohran Bachelor Ad - https://vimeo.com/1124458686?fl=pl&fe=cmNancy Lacore Launch - https://vimeo.com/1163057455?fl=pl&fe=cmConnectWorkers ProductionsStudio Brubaker

In a crowded media landscape, effective political ads must do more than deliver information. They have to engage, surprise, and connect on a human level.In the season premiere of The Creative Caucus podcast, host Garret Brubaker dives into the high-stakes, fast-moving world of political advertising with Adwell Group co-founder Cayce McCabe. Cayce shares his philosophy on crafting messages that break through the noise, blending strategic precision with bold creative storytelling. From rapid-response campaign turnarounds to emotionally resonant narratives, Garret and Cayce explore what it really takes to create ads that voters remember and act on.Timestamps00:00 - Intro19:12 - Ad Breakdown: MJ Hegar30:12 - Ad Breakdown: Wendy Davis Ads32:58 - Ad Breakdown: Pat Ryan Ad38:03 - Ad Breakdown: Harry Dunn42:53 - Ad Breakdown: Andy Kim44:30 - Ad Breakdown: Jasmine Crockett Ad51:07 - Ad Breakdown: Christian Menefee01:02:14 - Cayce's Favorite Political Ad: Bruce PoliquinFeatured AdsMJ Hegar AdsDoorsReintroductionCarpoolWendy Davis AdsConnectedOpportunitiesPat Ryan AdMore SenseJasmine Crockett AdNew StarHarry Dunn AdThis DayAndy Kim AdBelieveChristian Menefee AdsThe Fighter That DeliversThe Fighter That WinsConnectAdwell GroupStudio Brubaker

The Creative Caucus serves as a platform to explore the intricacies of political ad creation, showcasing the brilliance of innovative minds that often go unnoticed amidst the plethora of mundane advertisements. I, Garret Brubaker, invite you to join me as we delve into the compelling narratives and artistic processes that define the making of impactful political ads. This podcast eschews typical punditry and policy debates, instead focusing on the creative stories behind the scenes. We aim to illuminate the significance of creativity in political discourse and the art of persuasion. We encourage you to follow our journey as we prepare to launch our inaugural episode, where the essence of political advertising will be examined through the lens of creativity and innovation.