Traverse Theatre

For this episode, the final in the series, our Co-Artistic Director, Gareth Nicholls walks you through the process of pitching your play to theatres, from research right through to building an ongoing relationship with a company. 

Content warning: Contains sounds of explosives and armed combat

During the festival this year some of our productions are offering Audio Described performances. Learn more about those shows by listening to their audio flyer. Thanks to Edinburgh Festival Fringe Society for producing these tracks.

During the festival this year some of our productions are offering Audio Described performances. Learn more about those shows by listening to their audio flyer. Thanks to Edinburgh Festival Fringe Society for producing these tracks.

During the festival this year some of our productions are offering Audio Described performances. Learn more about those shows by listening to their audio flyer. Thanks to Edinburgh Festival Fringe Society for producing these tracks.

During the festival this year some of our productions are offering Audio Described performances. Learn more about those shows by listening to their audio flyer. Thanks to Edinburgh Festival Fringe Society for producing these tracks.

In Conversation at the Traverse: Mark Thomas by Traverse Theatre

Sponsored by Spotlight.

How to Disappear | Audio Introduction by Traverse Theatre

Girl in the Machine | Post show discussion by Traverse Theatre

A post show discussion recorded live in Traverse 1 on November 3rd 2016 featuring the cast and creative team from Grain in the Blood by Rob Drummond. NB Please note this discussion contains spoilers and reveals elements of the plot. The discussion is hosted by Traverse Engagement Manager Sunniva Ramsay. Please Note: This was recorded live in Traverse 1 and the volume is lower than a studio recorded podcast. Featuring music by Michael John McCarthy from Grain in the Blood. Track: Lamb Slaughter http://www.michaeljohnmccarthy.com/

TravCast is the podcast from the Traverse, Scotland’s new writing theatre. Literary Associate, Rosie Kellagher, interviews well known playwrights and theatre-makers whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Rob Drummond. Rob is an award-winning playwright, performer and director who has worked with the most prestigious theatres in the UK. Rob is under commission to Traverse Theatre, National Theatre of Scotland, The Royal Court and the National Theatre. Theatre includes: Mr Write (National Theatre of Scotland); Rob Drummond: Wrestling (The Arches); Bullet Catch (The Arches, Traverse Theatre, 59E59 Theater, National Theatre, World Tour); Quiz Show (Traverse Theatre); Uncanny Valley (Summerhall), In Fidelity (Traverse and HighTide Festival). Awards: Rob’s plays Mr Write, Uncanny Valley and Quiz Show have all won Critics’ Awards for Theatre in Scotland. Bullet Catch won the 2012 Total Theatre Award and received a Herald Angel. Original music by James Iremonger www.jamesiremonger.co.uk Conceived, produced and engineered by Cian O Siochain

TravCast is the podcast from the Traverse, Scotland’s new writing theatre. Literary Associate, Rosie Kellagher, interviews well known playwrights and theatre-makers whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Alan Bissett. Alan is a playwright, novelist and performer who grew up in Falkirk and now lives in Renfrewshire. His novels include Boyracers, Death of a Ladies’ Man and Pack Men and his plays, many of which have been made in collaboration with director Sacha Kyle, include The Ching Room, Turbo Folk, The Pure, The Dead and The Brilliant, Ban This Filth!, The Red Hourglass and his ‘one-woman show’ The Moira Monologues, which has just finished a sold-out run at the Edinburgh Fringe. He was Glenfiddich Scottish Writer of the Year in 2011 and, believe it or not, has a street in Falkirk named after him. Original music by James Iremonger www.jamesiremonger.co.uk Conceived, produced and engineered by Cian O Siochain

TravCast is the podcast from the Traverse, Scotland’s new writing theatre. Literary Associate, Rosie Kellagher, interviews well known playwrights and theatre-makers whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Sue MacLaine. Sue is a UK theatre-maker, with a singularly driven voice, making work because she has to with the stakes of her investigations are high. She casts a fearless gaze - on both herself and her subject to write scripts that are bleakly funny, challenging whilst remaining compassionate and warm. She is particularly interested in marrying form with subject and was short-listed in 2012 for a Total Theatre Award in the category of 'Innovation, experimentation, and playing with form' for her work Still Life: An Audience with Henrietta Moraes which continues to tour art spaces and galleries. http://www.suemaclaine.com/ Original music by James Iremonger www.jamesiremonger.co.uk Conceived, produced and engineered by Cian O Siochain

TravCast is the podcast from the Traverse, Scotland’s new writing theatre. Literary Associate, Rosie Kellagher, interviews well known playwrights and theatre-makers whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Al Smith. Al's Play Diary of a Madman is part of the Traverse Festival programme 2016. His other theatre work includes Harrogate (HighTide / Royal Court Theatre); Enola; The Bird (Underbelly); Radio (Underbelly / Soho / 59E59NYC); The Astronaut Wives Club (Soho Theatre). He is currently under commission to the Royal Court Theatre. Radio includes: LifeLines; Duchamp’s Urinal; Life in the Freezer; The Postman of Good Hope; Radio (BBC Radio 4) and Everyday Time Machines; Everyman (BBC Radio 3). Television includes: Shakespeare Live; The Coroner; Father Brown; The Cut; Africa; Holby City; EastEnders (BBC1). Awards: BFI / Wellcome Trust Screenwriting Prize, and the Pearson Playwriting Bursary (Finborough). Original music by James Iremonger www.jamesiremonger.co.uk Conceived, produced and engineered by Cian O Siochain

TravCast is the podcast from the Traverse, Scotland’s new writing theatre. Literary Associate, Rosie Kellagher, interviews well known playwrights and theatre-makers whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Matt Regan. Matt, AKA Little King, studied Classical Music at Queens University Belfast and graduated in 2010. Soon after he moved to Glasgow and has been working as a freelance musician, writer and performer for six years. He creates his own music, makes music for performances and facilitates music workshops in communities, hospitals and prisons across Scotland. He was nominated for a CATs award for his work for Theology, awarded young innovators funding for Swim Team and was part of Enormous Yes’ Platform 18 award at the Arches. He creates his own work is under the pseudonym ‘Little King’ which features spoken word, poetry and song performed with a string quartet. Original music by James Iremonger www.jamesiremonger.co.uk Conceived, produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Literary Associate, Rosie Kellaghar, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Alan Gordon. Alan is an Edinburgh based playwright who strives to make theatre which is accessible to a wide audience and attracts new audiences to the theatre. Alan has produced 4 plays at the Edinburgh Festival Fringe and has worked with Strange Town since 2011. His plays for Strange Town include, “Teach Me”, which was shortlisted for the Scottish Arts Club Edinburgh Guide Scottish Theatre Award in the 2012 Edinburgh Festival Fringe. Alan is also one of the Traverse 50 and has been through the Playwrights Studio Scotland Mentoring Scheme. Original music by James Iremonger www.jamesiremonger.co.uk Conceived, produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Literary Associate, Rosie Kellaghar, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Errol White and Davina Givan of the renowned group White & Givan. Errol White (Creative Co-Director) Trained at the Northern Contemporary Dance School, Errol White has performed with some of the UK’s best known contemporary dance companies including Phoenix Dance Company, Scottish Dance Theatre, Random Dance Company and National Dance Company of Wales. He has performed internationally working alongside a number of distinguished directors and choreographers including Rui Horta, Bill T Jones, Kenneth Kvarnstrom, Darshan Singh Buller, Fin Walker and Janet Smith and Ashley Page. Errol was the Artistic Director of National Youth Dance Wales from 2009 till 2013. Currently he is the Creative Co-Director of the Scottish contemporary dance duo White & Givan (previously Errol White Company) A teaching artist and performer, Errol has over 20 years’ experience, including five years as Rehearsal Director with Scottish Dance Theatre. As guest lecturer in dance colleges and other educational settings throughout the UK Errol shares his legacy of practice teaching the next generation of contemporary dancers. He also leads residencies and classes for professional dance companies. In 2014 and in collaboration with Davina Givan, he launched Scotland’s first paid pilot apprenticeship programme, Evolve. Errol is a recipient of the Dance Europe Magazine’s Critics Award for Best Male Performer (2003/2004), the Marion North Mentoring Award for Choreography (2002), the Lisa Ullman Travelling Scholarship Award (2009). His most recent choreographic collaborations with Davina Givan include the successful and critically acclaimed works Three Works (2009) and IAM (2012). Davina Givan (Creative Co-Director) Davina Givan is an experienced and highly articulate artist who trained at the Northern School of Contemporary Dance in Leeds. Edinburgh born, Davina has worked and performed with Richard Alston Dance Company, Phoenix Dance Theatre, Scottish Dance Theatre and also as the Creative Director of National Youth Dance Wales 2009-13. Currently, she is the Creative Co-Director of the Scottish contemporary dance duo White & Givan (previously Errol White Company). Throughout her career Davina has worked with internationally renowned choreographers dancing original roles for Richard Alston, Darshan Singh Buller, Janet Smith, Henri Oguike, Ashley Page and Jan De Shenkle. She has received several awards including the Critics Award by Dance Europe Magazine (Best Female Performer 2001/2002)The Mitchell Dance Award (1993), and a nomination for the highly-prized Outstanding Young Artist category in the Critics Circle Dance Awards (2002). An experienced teaching artist and facilitator, Davina generously shares her practitioner experience working across age groups and in a variety of educational and professional settings in Scotland and internationally. In 2014 and in collaboration with Errol White, she launched Scotland’s first paid pilot apprenticeship programme, Evolve. Her most recent choreographic collaborations with Errol White include the successful and critically acclaimed works Three Works (2009) and IAM (2012). In 2015, White & Givan were invited to work with Orla O’Loughlin, Artistic Director and Joint CEO of the Traverse Theatre in the capacity of Movement Directors and Choreographers for the new play Swallow by Stef Smith. Swallow won the Scotsman Fringe First Award and the Scottish Arts Club Theatre Award-First Place when premiered in the 2015 Fringe Festival at the Traverse. Original music by James Iremonger www.jamesiremonger.co.uk Conceived, produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Literary Associate, Rosie Kellaghar, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Maria Oller. Maria has been Lung Ha Theatre Company’s Artistic Director since 2009. She trained at Ecole Philippe Gaulier in Paris and London, and at The Drama Academy in Helsinki. Since then Maria has been working as an actor and director in theatre, TV and film in Scandinavia and the UK. Alongside working for Lung Ha Theatre Company, Maria is a member of Hearts & Minds Clowndoctor and Elderflower team. Original music by James Iremonger www.jamesiremonger.co.uk Conceived, produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Literary Associate, Rosie Kellagher, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Rebecca Sharp. Rebecca’s work spans theatre/performance, poetry, prose and collaborative projects. Originally from Glasgow, she studied Theatre at Glasgow University. Her early plays were produced at the Arches theatre in Glasgow - ‘fascinatingly complex, audacious and at times brain-poppingly clever work’ (Neil Cooper, The Herald): Last Child (2001) and Danger: Hollow Sidewalk (2006). Recent projects include The Ballad of Juniper Davy and Sonny Lumiere (poetry, performance), Little Forks (live literature), For the Bees (text and music with Mr McFall’s Chamber), Rules of the Moon (text/sound/performance with Philip Jeck), The Unmaking of Mary Somerville (with Stellar Quines theatre company) and The Wakeful Chamber (with a Play a Pie and a Pint, Aberdeen Performing Arts and Sound new music festival); as well as her current play, The Air That Carries The Weight with Stellar Quines. She currently lives in Fife. www.rebeccajoysharp.com Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Literary Associate, Rosie Kellagher, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Marc Brew. Marc Brew is an award-winning Australian performer, director and choreographer. Now based in Glasgow, Marc’s work has been toured to critical acclaim across the world, his outdoor work (i)land was commissioned for the Glasgow 2014 Cultural programme and Without Walls. Brew’s Unlimited Commission Fusional Fragments was part of the London 2012 Cultural Olympiad and a collaboration with world-renowned percussionist Dame Evelyn Glennie which toured the UK and Internationally. His new work For Now, I am... had its World Premiere at Dance International Glasgow Festival in May 2015. Marc has also produced work for a number of high profile companies such as Scottish Ballet, Indepen-dance 4, Ballet Cymru, AXIS Dance Company (USA), Candoco Dance Company, Scottish Dance Theatre, Touch Compass (NZ), Amy Seiwert’s Imagery (USA), The London Contemporary Dance School, YDance, National Theatre Scotland and Dundee Rep Theatre. Marc has been presented with a Centenary Medal for Outstanding Contribution as a dancer and choreographer and in 2014 Marc was nominated for Outstanding Achievement in Performance (Individual) at the prestigious Isadora Duncan Awards for his solo piece Remember When. Marc is Associate Artist at Tramway and Associate Artistic Director at Ballet Cymru. Original music by James Iremonger www.jamesiremonger.co.uk Devised, produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Literary Associate, Rosie Kellagher, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Matthew Zajac. Matthew is from Inverness. He studied Drama at Bristol University and has worked as an actor for 33 years. Theatre includes work at the Citizens Theatre Glasgow, Manchester Royal Exchange, Bristol Old Vic, Liverpool Everyman, Royal Lyceum Edinburgh, the Lyric Hammersmith, Bush Theatre and the Young Vic. Most recently, he played Bishop Gornik in the feature film The Crucifixion, directed by Xavier Gens and due for release in 2016. He directed Seven Ages (2001), The Seer (2006), ‘e Polish Quine (2007), Jacobite Country (2010), Sweetness (2011) and The Baroness (2013) for Dogstar and wrote and performed The Tailor of Inverness for the company, winning the 2009 Best Actor Award at the Critics' Awards for Theatre in Scotland, a Scotsman Fringe First, the Holden Street Theatres Award and the Stage Award for Best Solo Performer at the 2008 Edinburgh Fringe. The Tailor of Inverness went on to run for a month at the 2009 Adelaide Fringe Festival, winning nominations for Best Production and Best Performance. Original music by James Iremonger www.jamesiremonger.co.uk Conceived, produced and engineered by Cian O Siochain.

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Literary Associate, Rosie Kellagher, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Stephen Greenhorn. Stephen has been a professional dramatist for theatre, radio and television since 1989. His plays have been produced by a wide variety of theatre companies across the UK and around the world. Notable successes include The Salt Wound (1994) for 7:84, Passing Places (1997) for the Traverse (produced at Pitlochry in 2014), King Matt (2001) for TAG, and award-winning The Proclaimers musical Sunshine on Leith for Dundee Rep which toured the UK and Scotland 2007-10. His feature adaptation of Sunshine on Leith for Black Camel Pictures/DNA premiered September 2013 at the Toronto International Film Festival to rave reviews and has enjoyed a UK-wide release. Stephen's TV work includes the six-part drama series Glasgow Kiss (BBC1, 2000), the feature–length adaptation of Jean Rhys’ Wide Sargasso Sea (BBC1, 2006), two episodes of Doctor Who and critically-acclaimed five-part series Marchlands (ITV, 2011). He also created the popular soap opera River City for BBC Scotland. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Literary Associate, Rosie Kellagher, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Linda McLean. Linda comes from Glasgow, Scotland. Her plays have won many awards. They include Every Five Minutes, Sex & God, Any Given Day, Strangers, Babies, Shimmer, Riddance and One Good Beating. Since her first production in 1997, she has been known as a playwright who experiments with form. Her plays have been translated into many languages. An anthology of her work was published in France in 2015 by Actes Sud. Linda is on the artistic board of Magic Theatre, San Francisco. She is currently writing a comedy for Magic Theatre and a new play called Thingummy Bob, for Lung Ha theatre Company will premiere at the Traverse in October 2015. She has also written a Breakfast Play for the Traverse Theatre’s Festival 2015 programme. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Emma Speaks to Zinnie Harris. Zinnie’s celebrated early play Further Than The Furthest Thing (Royal National Theatre / Tron co-production) won her the Peggy Ramsay Playwriting and John Whiting Award in 2001. Her most recent play, How To Hold Your Breath, premiered at the Royal Court Jerwood downstairs in 2015. Her other plays include The Wheel (2011, National Theatre of Scotland), which won a Fringe First and was joint winner of the 2011 Amnesty International Freedom of Expression Award; an adaptation of A Doll’s House (2009, Donmar Warehouse); Fall (2008, Traverse Theatre), Midwinter (2004, RSC), which won an Arts Foundation Fellowship Prize for Playwriting; and Nightingale And Chase (2001, Royal Court Theatre). Zinnie’s television work includes two 90 minute dramas for Channel 4, Born With Two Mothers and Richard Is My Boyfriend; episodes for the BBC One Drama Series SPOOKS; and she is currently lead writer on the series Partners In Crime (based on the Agatha Christie novels Tommy And Tuppence), for Endor / BBC 1 (to be broadcast in 2015), starring David Walliams. Her theatre direction includes The Garden (2009) and While You Lie (2010) for the Traverse Theatre, Midwinter (2004) and Solstice (2005) for the Royal Shakespeare Company, her own adaptation of Strindberg’s Miss Julie (2006) for the National Theatre of Scotland, Dealers Choice (2003) for the Tron Theatre and Gilt (2003) for 7:84. Zinnie has also worked extensively as a dramaturg, particularly with Edinburgh-based theatre company, Grid Iron where she was co-ordinating director on the award winning co-production with Edinburgh International Book Festival Letters Home (2014). Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights and theatremakers whose work features in the year round programme at the Traverse. In this episode, Emma speaks to Chris Campbell and Sasha Dugdale about the art of translation. A translator and poet, Sasha Dugdale has translated many plays from Russian for theatres around the world, including the Royal Court Theatre, the Traverse Theatre, the Royal Shakespeare Company and BBC Radio Drama. She also translates poetry and short stories, and her translation of the poet Elena Shvarts’ Birdsong on the Seabed (Bloodaxe) was a Poetry Book Society Recommended Translation and shortlisted for the Popescu and Rossica Prizes. Sasha translated 'Take the Rubbish Out, Sasha' by Ukrainian playwright Natalia Vorozhbyt as part of Traverse Theatre A Play, A Pie and A Pint Spring Season 2015. Chris Campbell has worked as an actor at theatres including The National, The Royal Court, The Traverse, The West Yorkshire Playhouse, The Birmingham Rep, The Gate and English Touring Theatre. Directors have included Howard Davies, Sir Richard Eyre, Sir Peter Hall, Richard Wilson, William Gaskill, Erica Whyman, Stephen Daldry, Ian Brown and Annie Castledine. He most recently appeared alongside Meryl Streep in 'The Iron Lady'. He has translated plays by Philippe Minyana, David Lescot, Rémi de Vos, Adeline Picault, Magali Mougel, Launcelot Hamelin, Frédéric Blanchette, Catherine-Anne Toupin and Fabrice Roger-Lacan for The National, The Almeida, The Donmar, The Traverse, The Birmingham Rep and The Young Vic among others. Chris was Deputy Literary Manager of the National Theatre for six years and is currently Literary Manager of the Royal Court. In 2014, Chris was appointed Chevalier de l’Ordre des Arts et des Lettres by the French government. Chris translated 'Right Now' by Quebecois playwright and actor Catherine-Anne Toupin. Right Now is presented by the Traverse Theatre Company in May 2015. Original music by James Iremonger www.jamesiremonger.co.uk Produced by Cian O Siochain and Eleanor Pender Devised and engineered by Cian O Siochain

*Please note, this month's TravCast was recorded via a remote link meaning there is a lower sound quality than usual at certain points in the episode.* TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights and theatremakers whose work features in the year round programme at the Traverse. In this episode, Emma speaks to playwright and actor, Phoebe Waller-Bridge. Her debut play 'Fleabag' opened at the 2013 Edinburgh Festival Fringe to acclaim and awards. Phoebe has been awarded The Critics Circle Award (Most Promising Playwright), two Off West End Awards (Most Promising Playwright and Best Female Performance), a Fringe First and a Stage Award (Best Solo Performance). She also received a Special Commendation from the Susan Smith Blackburn Award and was shortlisted for the Evening Standard Most Promising Playwright Award. This production of Fleabag was nominated for an Olivier Award 2014 for Outstanding Achievement in an Affiliate Theatre. She is currently adapting Fleabag for television and is working on a number of stage and screen projects. Original music by James Iremonger www.jamesiremonger.co.uk Produced by Cian O Siochain and Eleanor Pender Devised and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights and theatremakers whose work features in the year round programme at the Traverse. In this episode, Emma speaks to Andy Manley and Ian Cameron, performers in Catherine Wheel's award-winning White. As an actor, deviser and director Andy Manley has been involved with many of the children’s theatre companies in Scotland. He creates performances largely through devising, though has worked on several written projects. He directs or performs depending on what feels right for the project. He started to make his own work in 2006, before that he was an actor. Andy works with a number of artists and collaborators to create his shows and the performances travel extensively to UK and international venues and festivals. Andy worked with Shona previously on Potato Needs a Bath, which has toured to the New Victory Theatre and he has worked with Catherine Wheels on Martha (Catherine Wheels), the internationally successful White and Kappa and The Ballad of Pondlife McGurk – which most recently toured to the New Victory Theatre in New York. His recent work includes a small story a co-production between Starcatchers and Theater O.N, Berlin and I Want a Rabbit! for Theater Junges Generation, Dresden. Further directing credits include work for Scottish Opera, Glyndebourne, Macrobert Arts Centre, M6 Theatre Company, Polka Theatre. Andy won the Herald Archangel at the Fringe 2012. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights and theatremakers whose work features in the year round programme at the Traverse. In this episode, Emma speaks to Iain Finlay Macleod, writer of the current Traverse Theatre Company production 'The Devil Masters'. Iain Finlay has had over fifty dramatic works produced for radio, theatre, television and film. His work has been shown in a number of countries such as the US, Germany and France. Plays for the Traverse Theatre include The Pearlfisher, I was a Beautiful Day, Homers and Broke (A version of the French play, Un homme en Faillite). Other plays include Somersaults for the National Theatre of Scotland and St. Kilda - The Opera which was performed in five European countries simultaneously in four languages. Iain Finlay is currently Associate Artist (Gaelic) at the National Theatre of Scotland. He was awarded the Robert Louis Stevenson Fellowship in 2009. He was Associate Playwright for two years (2007-2009) with Playwrights’ Studio Scotland and Writer-in-Residence at Sabhal Mor Ostaig for two years. The play The Devil Masters was written when he was the IASH Edinburgh University/Traverse Theatre Fellow in 2013, based at the Institute of Advanced Studies for the Humanities at Edinburgh University. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights and theatremakers whose work features in the year round programme at the Traverse. In this episode, Emma speaks to three Québécois writers Fabien Cloutier, Catherine-Anne Toupin and François Archambault who came to the Traverse Theatre as part of a cultural exchange between Théâtre La Licorne, Montreal and the Traverse Theatre, Edinburgh. La Licorne is the home of La Manufacture Theatre Company in Montreal, founded in 1975. It mirrors some of the key passions of the Traverse Theatre, commissioning and producing some of the best new writing from Québec and beyond, presenting a significant number of Traverse plays in translation. Over the last few years, Traverse Theatre Artistic Director Orla O'Loughlin has worked closely with La Licorne Artistic Director Jean-Denis Leduc and this exchange is part of a long term relationship between these two pioneering theatres. François Archambault, writer of 'You Will Remember Me', performed at the Traverse as part of New Writing from Quebec, is the author of more than twenty plays, translated into numerous languages and staged all around the world. In 1998, he received the Governor General’s Literary Award for his play '15 seconds', performed by Traverse Theatre Company in 2003. The original production of 'The Leisure Society' by Théâtre de la Manufacture ran for 142 shows and received the "Masque" for the Best Original Play from the "Académie Québécoise", in 2004. His most recent play, You Will Remember Me' was created at Théâtre La Licorne in 2014 and is set to be adapted for the screen and in the running for the Governor General’s Literary Award. François has also written many scripts for television, and is currently working on two screenplays. A rising star in the Quebec theatre scene, Fabien Cloutier, writer of 'Billy (The Days of Howling)' performed at the performed at the Traverse as part of New Writing from Quebec, is a Québécois actor, playwright and the author of eight plays. His first solo show, Scotstown won the "Coup de coeur" at Zoofest in the 2010 Just For Laughs Festival. Fabien reprised the same character in the sequel, Cranbourne, described as a "tour de force" by critics and was a finalist for the Michel Tremblay Prize, Best Writing for the stage in the 2011-2012 season. Fabien Cloutier's powerful writing with its relentless rhythm has earned him a solid reputation. His more theatrical text 'Billy (The Days of Howling)' won the Gratien Gelinas Prize in 2011 and has been nominated for the Governor General's Literary Award. Talisman's 2014 production will be the English-language premiere of 'Billy (The Days of Howling)'. In autumn 2014, 'Pour Réussir un Poulet' written and directed by Fabien, was produced by La Manufacture Theatre and presented on stage at Théâtre La Licorne in Montreal. Catherine-Anne Toupin, writer of 'Right Here, Right Now' performed at the performed at the Traverse as part of New Writing from Quebec, graduated from The Conservatory of Dramatic Arts in Montreal in 1999. She has become a well-known actress in Quebec and can be seen each week on two very popular television series. She has also written three full length plays, and many short plays, which have all been produced. She spends most of her time acting, both on stage and on screen while also working as a script editor for a television show she created, called 'Boomerang'. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain www.grobylinctonmedia.com

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights and theatremakers whose work features in the year round programme at the Traverse. In this episode, Emma speaks to Rebecca Sharp. Rebecca Sharp is a writer from Glasgow. Her guiding interest is in exploring the intersections between ideas and artistic practice, creating innovative projects, often in collaboration with other artists. Her own practice regularly extends beyond writing to include directing, producing and performing. Her work reflects a wide range of interests and influences: storytelling and folklore, landscape and map-making, ideas of North, archaeology, the voice and multiple voices, memory, reverberation and layering, absence and presence - and a pervading interest in the interconnectivity of thing. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights and theatremakers whose work features in the year round programme at the Traverse. In this episode, Emma speaks to David Greig. Traverse Associate Artist, David Greig has been on the Scottish theatre scene since 1993 when Stalinland was produced by the Citizen's Theatre and he received his first professional commissions from The Traverse Theatre and The Royal Court. He has written many plays, most of which have premiered in Scotland. From 2005 to 2007 he was the first Dramaturg of The National Theatre of Scotland. Since his first main stage production Europe at the Traverse Theatre in 1996, his work has been produced extensively abroad. His plays have been translated and produced in most of the countries of Europe, the USA and Canada, Brazil, Australia, Japan and Korea. David Greig has produced around 50 plays, texts, adaptations, translations and libretti in the first two decades of his career. He has produced adaptations of Tintin in Tibet (2005) for the Barbican, London and Charlie and the Chocolate Factory (2013) for the Theatre Royal, Drury Lane. Other recent plays include The Strange Undoing of Prudencia Hart (2011) and The Events (2013). This year, he co-curated the National Theatre of Scotland's The Great Yes, No, Don't Know Five Minute Theatre Show with the late David MacLennan. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Emma speaks to Kim Noble. Kim is an awarding comedic performance and video artist. His multi-disciplined approach has led him to work across theatre, TV, film, art and comedy He was one one half of Perrier Award-winning, BAFTA-nominated experimental art-comedy duo Noble and Silver. Kim’s work uses a provocative and humourous style to expose the human condition: notions of death, sexuality, gender and religion are picked at with dry comedic use of tragedy meshed with absurdity. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Emma speaks to Valentijn Dhaenens. After obtaining a Master’s Degree in Dramatic Arts at the Royal Conservatory in Antwerp, Valentijn co-founded his own theatre company, SKaGeN. From 2006, the company has been rewarded with structural subsidisation from the Flemish / Belgian Government for their work as one of the leading modern theatre groups in Belgium and Holland. Outside SKaGeN he has worked extensively as an actor in over 30 productions for Belgium’s major companies such as NT Gent, Kaaitheater Brussels and Ontroerend Goed. His international breakthrough came with his own written and directed solo-show BigMoutH that is touring extensively to major festivals and venues worldwide. A follow up called SmallWaR was presented at the Traverse Theatre as part of its Edinburgh Festival 2014 programme. Aside from his theatre work, Valentijn is a sought-after narrator for documentaries such as The boy is gone by Christophe Bohn. Occasionally he is a guest lecturer at Belgian and Dutch theatre schools. To a broader audience, Valentijn is best known for his acting in several TV shows and films, most notably for his lead-role in De helaasheid der dingen / The Misfortunates by Felix Van Groeningen which won numerous prizes worldwide such as the Prix Art et Essai at the Cannes Film Festival 2009. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights and theatremakers whose work features in the year round programme at the Traverse. In this episode, Emma Speaks to John McCann. John's play Spoiling is part of the Traverse Festival 2014 programme. John is originally from County Armagh in Northern Ireland. He now lives in Scotland where his short play This Long Time was given a staged reading at the Traverse Theatre as part of Ten and where another play, The Next Of It, was read as part of Stellar Quines' Rehearsal Room 16. He was one of four emerging writers selected to participate in the Playwrights' Studio Scotland mentoring programme during 2009-2010. His latest play, The Cleanroom, was recently staged by Tinderbox Theatre Company in Belfast as part of the acclaimed True North ensemble project. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights and theatre makers whose work features in the year round programme at the Traverse. In this episode, Emma speaks to Mark Thomas. Mark is a writer, performer, journalist and political campaigner who has been on stage, screen and radio for nearly 30 years, when he started on London’s alternative comedy scene. This August, Mark is bringing his latest show, Cuckooed to the Traverse Festival. He has most recently completed 100 Acts of Minor Dissent. In 2012, Mark performed his first ever theatre piece at the Traverse, Bravo Figaro, a touching and poignant tale first commissioned by the Royal Opera House about his opera-loving father which sold out its entire run and won Mark a Herald Angel award, a Scotsman Fringe First, and was recently broadcast on Radio 4. This show is set to tour Australia and New Zealand in 2015. He is the author of several books and his TV series, The Mark Thomas Comedy Product ran for six series. His radio show the Manifesto is on-going. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director Emma Callander interviews well known playwrights and theatre makers whose work features in the programme at the Traverse. In this episode, Emma is joined by three writers taking part in Writing on the Wall: Ella Phillips, a seventeen year old writer who took part in Class Act 2014; Lara Jo Bazzu, twenty-two year old University student and member of Traverse Young Writers and Hannah Jo Doherty Mackinlay, a nineteen year old Class Act Alumni writer and member of Traverse Young Writers. Writing on the Wall is a project to coincide with the 2014 Scottish Independence Referendum with the voices of the young writers we work with throughout the year. Young writers from Scribble (our writing programme for 14-17 year olds) , Traverse Young Writers (Traverse writing programme for 18-25 year olds) and Class Act (our flag ship senior schools playwriting project) were invited to work with the Traverse Artistic Team to create short plays, monologues, one word provocations which will be scrawled on the Traverse walls, tables, fixtures and fittings until September. These mini plays are the young writers’ ideas on independence, looking towards what happens now and next. The project explored how the young writers feel creatively at this time of potential change and how this creativity can be part of a wider conversation. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Directors, Hamish Pirie and Emma Callander interview well known playwrights whose work features in the programme at the Traverse. In this episode and his final TravCast, Hamish speaks to Iain Heggie, writer of 'The Queen Of Lucky People' and the last in our A Play, A Pie and A Pint series. Glasgow born and based, Iain Heggie is a playwright and director. His many plays include 'Wholly Healthy Glasgow', 'American Bagpipes', 'Sauchiehall Street', 'Experienced Woman Gives Advice', 'King Of Scotland' and 'Wiping My Mother’s Arse'. He wrote 'Tobacco Merchant’s Lawyer' which started life at Òran Mór and was a huge hit at last year’s Edinburgh Fringe. He has just completed 'Tragic', a one man version of the Hamlet story for Subway Theatre and the first Scottish version of Gorky’s masterpiece 'Lower Depths' for National Theatre of Scotland and his latest work is the James 6th monologue for NTS's 'Dear Scotland' at the Scottish National Portrait Gallery.

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Emma speaks to Tony Cox, writer of 'Love With a Capital 'L'' and the first in our A Play, A Pie and A Pint series. Tony graduated with a Masters degree from Edinburgh University where he worked in the Dept of Educational Studies and helped organise a teaching programme for local prisons. Then after a stint as a secondary school teacher at Tynecastle and Leith Academy he drifted into advertising, working in London and New York. He has written 2 radio plays, 3 text books, dozens of television commercials and has recently completed a film script for Scott Free. 'Love With A Capital 'L'' is his first stage play. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Hamish Pirie, interviews well known playwrights, artists and theatre makers whose work features in the year round programme at the Traverse. In this episode, Hamish speaks to Fleur Darkin, Artistic Director of Scottish Dance Theatre, as their latest tour, Yama/Kingdom, comes to the Traverse stage. Fleur’s work made under her own company Hotel (2005), Augustine (2007), Low Fidelity (2009) and DisGo (2009) toured to more than 100 venues in the UK alone. Internationally, her artistic practice has been commissioned by partners including Junges Hundes (Germany), P.A.R.T.S. (Belgium) and Bolzano Danz (Italy). Fleur is a prolific collaborator and her theatre work includes Roam (Grid Iron), Playtime (West Yorkshire Playhouse), You Tell Us What Was (National Theatre of Scotland), Bint Jbeil (Grid Iron/National Theatre of Scotland), The Three Musketeers (Traverse/Belgrade), Virgins (Company of Angels) and various productions for venues including Birmingham Rep, Dundee Rep, Bristol Old Vic, Liverpool's Everyman, Edinburgh Lyceum and Battersea Arts Centre. Darkin’s large-scale projects include three Glastonbury Festivals, choreographing the world’s first ever science musical, Dr Tatiana, (Channel 4/Discovery) and the 2006 commission Parabolic, which played to a live audience of 25,000. Circus productions include Helter Skelter (Tramway/Brewhouse), War and Peace (Giffords Circus) and her aerial choreography for Threesixty's Peter Pan - "best of all" Benedict Nightingale (The Times) - was seen by audiences of over 300,000 on its two year global tour. She is a passionate advocate of innovative dance education and was at the helm of The Collaboratory - the UK's first peer-lead choreographic laboratory in 2012. Darkin has choreographed in castles, universities, prisons, schools and nightclubs and written for publications including The Guardian, Icon and The Observer. Darkin is passionate that dance is a powerful means of self-transformation and has worked with participants in schools, pupil referral units and mental health charities. Darkin is currently developing partnerships with the V&A at Dundee and various festivals and venues in India and Brazil for forthcoming projects. Fleur joined Scottish Dance Theatre as Artistic Director in 2012. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain *Please note, this episode contains language some people may find offensive*

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Emma speaks to Ross MacKay. Ross is a director, puppeteer, magician and sometimes a blend of all three. He has previously worked alongside Joe Douglas as puppetry director on 'The Last Polar Bears' (National Theatre of Scotland). Ross is currently artistic director of Tortoise in a Nutshell where he most recently directed Scotsman Fringe First winning 'Feral' (co-produced by Cumbernauld Theatre). Other directorial credits for the company include 'Grit' and 'The Last Miner' which have previously received Total Theatre Award, Grunshnabel Award and Arches Brick Award nominations. The productions have toured nationally and in to Europe. Other credits include Puppetry Director on 'The BFG' (Dundee Rep) Assistant Director on 'Christmas Carol' (National Theatre of Scotland) and 'Moonlight and Magnolias' (Perth Theatre). Ross also directed Suzie Miller’s 'In The Heart of Darby Park' (Oran M’or/Perth Theatre). Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Hamish Pirie, interviews well known playwrights whose work features in the year round programme at the Traverse. In this very special episode, Hamish speaks to Emma Callander, the newly appointed Associate Director of the Traverse. Emma is a freelance director and Co-Artistic Director of Theatre Uncut. She was resident at the National Theatre of Scotland 2009/10 through the Regional Theatre Young Directors Scheme. She has developed and directed a number of plays for A Play, A Pie and A Pint in Glasgow including Dalgety by David Greig, Supply by Cathy Forde and most recently, The Queen of Lucky People by Iain Heggie, which was performed at the Traverse Theatre in April 2014. She has regularly directed new plays for the Bristol Old Vic and Tobacco Factory Theatre. Following its sell out run at the Edinburgh Festival 2013, her most recent production Banksy: The Room In the Elephant by Tom Wainwright played at the Arcola in London then toured nationally throughout Spring 2014. *Warning this episode does contain language which may not be suitable for children* Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, we bring you a Class Act 2014 special. Class Act is the Traverse Theatre’s flagship education project which introduces pupils from five schools across Edinburgh to playwriting. Aged between 15 and 17, Class Act participants have tried their hand at writing a short play, with the help of five professional playwrights. At all stages of the project, the young writers have been treated in the same way as a Traverse commissioned playwright would be. This year Class Act has engaged with 70 pupils, whose hard work and imaginations have produced 49 fantastic plays – which were performed at the Traverse at the end of January. The five schools who have been part of Class Act 2014 are Broughton High School, Craigmount High School, James Gillespie’s High School, Trinity Academy and Wester Hailes Education Centre. They have worked with professional playwrights’ Peter Arnott, Catherine Grosvenor, Nicola McCartney, Stef Smith and Gerda Stevenson. Throughout Class Act, the Traverse team has been hugely impressed by the inspiration, insight and dedication that the young writers have given to the project. In this TravCast, we speak with professional playwrights Peter Arnott, Nicola McCartney and Stef Smith about their experiences as playwright/tutors on the Class Act project. We also hear from three pupil playwrights from Trinity Academy; Josie Bage (Turbulence), Alistair Clarke (Smoke & Mirrors) and Alex McIntosh (Bella, Horrida Bella). Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Hamish Pirie, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Hamish Speaks to Eilidh MacAskill and Fiona Mason. Eilidih MacAskill is a Glasgow-based performer and theatre-maker, and artistic director of Fish & Game. She is an associate artist with Imaginate and National Theatre Studio. Recent projects include: Songs of Scotland (Arches Live), Everyone's a Winner Baby! (Merchant City Festival and Glasgow Life), Wonder Rooms (Peter Potter Gallery), What's My Sound? and Swap Shop (National theatre of Scotland, Learn), Near & Far (Tramway). Fiona Mason's most recent project's have included The Red Shoes (Tranway), Swap Shop and What's my Sound? (National theatre of Scotland), Tick Tock Machine (Royal Scottish National Orchestra). Her performances for young audiences with Fish & Game have taken her to to both Imaginate and Take Off theatre festivals. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Hamish Pirie, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Hamish Speaks to Oliver Emanuel. Oliver has written over 30 productions for radio and theatre including The Little Boy that Santa Claus Forgot (Macrobert), Dragon (Vox Motus/National Theatre of Scotland/Tianjin People’s Arts Theatre, China), The Day I swapped My Dad For a Goldfish (National Theatre of Scotland), Titus (Macrobert/Playwright’s Studio Scotland/Imaginate/Edinburgh Fringe Festival 2013), End of The World (Red Note Ensemble), Random Objects Flying Through The Air (Royal Conservatoire of Scotland/Playwrights’ Studio, Scotland), Spirit of Adventure (Dundee Rep/Oran Mor), The Spare Room (BBC Radio 4 Afternoon Play), Thirteen Minutes in Cairo (BBC Radio 4, From Fact to Fiction) and The Other One (BBC Radio 4, 15 Minute Drama). He is continuing work on The Dragon (Vox Motus/National Theatre of Scotland) which will tour in China in the new year. The Little Boy who Forgot Santa Claus is also about to run at Macrobert. He is currently developing a show with Visible Fictions and the Kennedy Center. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Hamish Pirie, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Hamish Speaks to three playwrights whose work features in the Write Here 2013 – Triple Bill Performances running from the 25th and 26th of October 2013. John McCann is based in Dundee. Previous plays include The Clean Room (Tinderbox Theatre Company), The Next of It (Steller Quines Rehersal Room) and Is Feidir Linn (Tinderbox Theatre Company). He was previously on attachment with the National Theatre Studioand the National Theatre of Scotland. His play Spoiling, directed by Orla O’Loughlin, features in the Triple Bill. Lachlan Philpott is based in Sydney. His previous plays include Bustown (shortlisted for the 2009 Australian Writers Guild Best Play Award) and Silent Witness (Griffin Theatre Company, Australian Theatre for Young People and HotHouse Theatre). He is currently developing the screenplay of Silent Disco and is under commission at Australian Theatre for Young People, Bell Shakespeare and Canberra Youth Theatre. His play In 3D, directed by Hamish Pirie, features in the Triple Bill. Ellie Stewart is based in Bathgate. Current writing projects include Gala, My Heavy Heart (Imaginate Ideas Exchange, October 2013) and There is Mischief (Village Pub Theatre). Her play Strictly, directed by Zinnie Harris, features in the Triple Bill. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain Please Note: This episode contains reference to adult themes.

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Hamish Pirie, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Hamish Speaks to Robert Softley. Robert is an established figure in the Scottish arts scene, with over ten years of experience in diverse and varied roles - including disability rights activist, actor and performer, writer, artistic director and supporter and advocate of equality of access to the arts for disabled people whether as artists or audiences. Robert's professional acting debut was with Theatre Workshop (Edinburgh) in ‘Nothing Ever Burns Down By Itself’ in 2002 and since then has appeared in many productions and has developed his own artistic practice - most recently instigating, co-writing and performing in ‘Girl X’ for the National Theatre of Scotland, directed by Pol Heyvaert of Belgium’s Campo. In 2011 he was awarded and undertook a Creative Scotland residency which allowed him to develop ‘If These Spasms Could Speak’. A graduate of Glasgow University with an MSc (Hons) in Business & Management, Robert’s other role is as a director of flip – disability equality in the arts (http://www.flip.org.uk/) which works across Scotland to support individuals and organisations in the arts sector. Robert is also an Artistic Director of Birds of Paradise Theatre Company, Scotland’s touring company that promotes the work of disabled artists in partnership with non-disabled artists and mainstream theatre venues and companies. Other acting credits include: ‘The Hogmanay Boys’, ‘Asylum’, ‘I Have Before Me…’, ‘The Threepenny Opera’, ‘The Last Little Fish in the Net’ and ‘Hans Christian Andersen: A Christmas Tale’ (Theatre Workshop); ‘The Irish Giant’ and ‘Brazil 12 – Scotland 0’ (Birds of Paradise), ‘Heelz n Wheelz’ (Fittings Multimedia); ‘A (Gay Disabled Transsexual) Love Story...’ (Boygirlfruitflower) and ‘Private Dancer’ (Janice Parker). Film and television credits include ‘Out of Order’ (MacInnes Films), ‘Trouble Sleeping’ (Makar Productions) and ‘River City’ (BBC Scotland). He has recorded a number of dramas for BBC Radio 4. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Hamish Pirie, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Hamish Speaks to Alexander Devriendt. Alexander is the artistic director and founder of the Belgian theatre performance group, Ontroerend Goed. His past work includes the creation of the individual theatre trilogy (‘The Smile Off Your Face’, ‘Internal’ & 'A Game of You'), the direction of the three celebrated teenage plays ‘Once, and for all we’re gonna tell you who we are so shut up and listen’, 'Teenage Riot' & 'All that is wrong', and his two latest creations ‘A History of Everything’ and 'Fight Night'. His plays have won several awards around the world, and is performed all over Europe, Australia and America, recently visiting the Middle East and Singapore. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Hamish Pirie, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Hamish Speaks to Omphile Molousi. Omphile was born in the village of Bodibe in 1981, where he was raised by his Grandmother. He is a freelance writer/actor/director. He graduated at the Market Theatre Laboratory. He’s been doing theatre since 2001. His theatre acting credits include: Cadre, Itsoseng, Shakespeare dreaming at the zoo, Sizwe Bansi is dead, Animal farm, Robben Island Bible, Romeo and Juliet, The mirror, Caucasian chalk circle, Much ado about nothing, Echoes, Blurring Shine, Julius Caesar, Sharpeville 1&2 and others. His writing credits for Theatre: Cadre (Published by Junkets publishers and Oberon books UK, World premiere at the Chicago Shakespeare Theatre, SA premiere at the Market Theatre, Grahamstown National arts Festival Main program, Currently performing at the 2013 Edinburgh Festival in Scotland), Itsoseng (Published by Junkets publishers and Oxford University Press SA, adapted for a BBC radio play, and performed at various local and international venues including Chicago Shakespeare Theatre, 2008 Edinburgh festival in Scotland, 2011 Dublin Festival in Ireland, 2013 Adelaide Festival in Australia.), Balalatladi (Rehearsed reading at Washington DC’s Kennedy Centre, Performed at the Family Season Festival in Cape Town, Performed at the National School of The Arts Festival), Informal (Performed at the Market Theatre Lab and National School of the Arts, For the right reasons (Published by Oxford University Press SA and Junkets Publishers, Staged reading at the Adelaide Festival in Australia), Daddy comes tonight (Published by Junkets Publishers) The sweet door (Performed at Windybrow Theatre), Ijo! (Performed at the Market Theatre Laboratory and Grahamstown National Arts Festival 2005), Pozeng (Resident project at the Market Theatre Laboratory) Short Story: Bargain (Published by Penguin publishers). Writing for TV; Zone 14 series 2, 3, 4 and 5. His Theatre Directing credits include: Cadre, Informal, Balalatladi, Ijo and Pozeng Omphile was the first recipient of the Bret Goldin Bursary Award which gave him an opportunity to intern at the Royal Shakespeare Company as an actor in the UK. He also won the Scotsman Fringe First Award 2008 for Itsoseng, at the Edinburgh Fringe Festival in Scotland. He won the Andre Deshields award for Itsoseng, best performance at the Black theatre alliance awards 2010 in Chicago. He taught the Cicely Berry voice technique and acting at the Actors Centre and is currently teaching at the Market Theatre Laboratory. He is also a field worker at the Market Theatre Laboratory since 2010. As a fieldworker he travels throughout the whole country assisting community theatre groups to develop their stories. He is a founder of Mowa Art Fields, a Not for Profit Organization that teaches teachers in rural public schools to teach creative arts. The organization also has an annual festival for Grade 5-7 learners in the North West Province. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Hamish Pirie, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Hamish Speaks to David Leddy. David has been described as a ‘theatrical maverick’ with ‘propensity for fearless experiment’ by the Financial Times a ‘site-specific genius’ by The Scotsman and an Edinburgh Fringe Festival ‘institution’ by The Independent. His most recent show Long Live The Little Knife is part of the festival programme at the Traverse in 2013. Previous work includes Sub Rosa, Susurrus, White Tea, Untitled Love Story, Home Hindrance, Pater Noster, Reekie, Tympanic, In The Shade, Through The Night, On The Edge, I.D., Flowers, People’s Parties and Remember Me. He is the founder and Artistic Director of Fire Exit Theatre Company based in Glasgow. He was also the first person in Scotland to complete a practice-based PhD in theatre and is much sought-after as a mentor and leader of masterclasses. Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain