All Episodes

The art of embracing the unexpected: DeMane Davis on 'Ride or Die' and 'Brilliant Minds'

Can 'Widow’s Bay' pull off the upset? Emmy frontrunners, surprises and more

The art of mystery: Meghan C. Rogers on building the seductive world of 'Sugar' season 2

2026 Emmy nominations instant reactions: The surprises, snubs and head-scratchers

No instruments. Just Amy Lee's voice: Michael Wandmacher's audacious score for 'The Seventh Turn'

Emmy writing and directing races under the microscope, then our most hated songs ever

Inside the Battle of the Gullet: P.J. Dillon on crafting House of the Dragon's most devastating hour

Tribute to James Burrows, the Emmy limited series lead actors, and top 5 all-time favorite songs

Inside the Emmy ballots, a crowded limited series race, and our favorite TV finales

Thom Khoury Williams & Chris Romrell on visceral, story-driven stunts of ‘Terminal List: Dark Wolf’

Ryan Collins and Nick Offord build the sound of 'Spider-Noir' across shadows and scale

In ‘The Girlfriend,’ Ruth Barrett’s score blurs the line between seduction and suspicion

Jacqueline Fowler shapes the wear and tear of the boys' harrowing descent in 'Lord of the Flies'

A spider in the shadows: Kris Bowers and Michael Dean Parsons on scoring the soul of 'Spider-Noir'

Breton Vivian on his luminous 'The Madison' score, where performance inspired every note

Bryce Dessner scores the emotional current beneath the Kennedy-Bessette mythology in ‘Love Story’

Tony reactions, Emmy comedy supporting races heat up and our Top 5 unforgettable screen deaths

Owen Harris redefines how fantasy combat is experienced in ‘A Knight of the Seven Kingdoms’

Harry & Rupert Gregson-Williams score 'The Gilded Age' as power shifts and fortunes collide

‘Death by Lightning’ editor Michael Ruscio on cutting obsession, tension and the collision of Garfield and Guiteau

Inside the casting of ‘Love Story’: Courtney Bright & Nicole Daniels on the truth behind two icons

Avery Plewes on reinventing the next generation's silhouette and style in 'Starfleet Academy'

Jessica Harper commands the room as stoic, elegant matriarch Ethel Kennedy in 'Love Story'

In 'Bait,' Riz Ahmed gets personal: 'Life feeling like one big audition'

Kerry Kenney-Silver finds the heartbeat of The Four Seasons in Anne’s beautiful undoing

Free solo legend Alex Honnold scales the unimaginable in Netflix’s audacious ‘Skyscraper Live’

John Paesano goes big for 'The Boroughs' and finds the show’s emotional core

Mac Quayle scores a packed season with ‘Monster,’ ‘The Beauty,’ ‘His & Hers’ and ‘9-1-1: Nashville’

In ‘IT: Welcome to Derry,’ Esther Sokolow balances terror and empathy on a knife’s edge

Laura Karpman turns “Down Cemetery Road” into a haunting, maximalist fever dream

Mary McDonnell unlocks the soul of ‘The Boroughs’ with a character who sees beyond time

In ‘Big Mistakes,’ Nora Kroll-Rosenbaum scores the impulse behind every hilariously bad decision

Mitchell Robertson lays the emotional foundation for Niall’s unraveling in ‘Half Man’

Yolonda Ross steps behind the camera on 'The Chi' and finds a voice that’s entirely her own

In ‘The Boroughs,’ Ruth Ammon builds a community you want to live in… until you don’t

Beef creator Lee Sung Jin shifts the beef from a detonating public clash to a corrosive private war

Designing ‘Wednesday’: Mark Scruton expands a gothic world that elevates Season 2

Dressing Cold War with intent: Anastasia Magoutas turns ‘Ponies’ into coded character storytelling

Aleshea Harris steps behind the camera with a fearless feature debut in 'Is God Is'

'Half Man' reactions, unpacking the Emmy comedy lead acting races, and the TV themes we never skip

Camila Morrone finds the fault lines of love & commitment in 'Something Very Bad Is Going to Happen'

In 'Propeller One-Way Night Coach,' DP Paul de Lumen shoots flight through the eyes of a child

Chris Ritvo on the VFX alchemy of an octopus we care about in ‘Remarkably Bright Creatures’

Jake Schreier on turning 'Beef' s2 into a slow-burn spiral of status, shame and emotional wreckage

In ‘Selena y Los Dinos,’ Isabel Castro finds the woman behind the legend

In ‘DTF St. Louis,’ DP James Whitaker finds the unease hiding in plain sight

In ‘Love Story,’ editor Franzis Müller reveals the fracture inside a public fairy tale

Amanda Jones finds the pulse inside the endearingly self-aware 'Murderbot'

Daniel Lawson turns bold fashion into a sleuth’s sharpest edge in ‘Elsbeth’

In ‘Bring Them Home,’ Roger Suen composes a living bridge between tradition and today

DP Ashley Connor on the emotional lens of 'Remarkably Bright Creatures' & bringing Marcellus to life

In ‘The ’Burbs,’ Susie Mancini builds a neighborhood that’s always watching

Richard Rutkowski, ASC turns Silicon Valley into a pressure cooker in AMC’s ‘The Audacity’

Cannes reactions, Emmy comedy supporting races and the movie ensemble magic we keep chasing

Matthew Davies reimagines Starfleet for a new generation in ‘Star Trek: Starfleet Academy’

Jeffrey Addiss and Will Matthews on finding heart, monsters and late-life heroism in ‘The Boroughs’

Mike Makowsky on humanity, humor & heartbreak in forgotten American tragedy in 'Death by Lightning'

Stunt coordinator Freddie Poole on designing the impact of 'Tulsa King' from planning to payoff

Cannes chatter builds while Best Drama Actor at the Emmys already has a frontrunner

Jamie Campbell Bower on his haunting final act as Vecna and letting go of TV’s most chilling villain

Sara K. White transforms ‘Ponies’ into a living, breathing Cold War playground

Gavin Brivik on shaping the heartbeat of ‘The Pitt’ through realism and emotional clarity

Rachel Lee Goldenberg finds the pulse of ambition in ‘Swiped’

Guz Khan on playing Zulfi, the swaggering voice of truth at the heart of ‘Bait’

Minkie Spiro: ‘All Her Fault’ is a 'masterclass in psychological dread' and 'parent's worst nightmare'

Christopher Lennertz on the fearless and unhinged soundscape that carries 'The Boys' to its endgame

Emmy drama actress deep dive: It's Keri Russell vs. Rhea Seehorn, right?

The sound team behind 'Pillion' on turning sound into sensation in its most intimate moments

David Berry on John's bond with Jamie as 'Outlander' nears its series finale: 'His heart is always a tell'

Emmy season is well under way, and the Drama Supporting Actor race is wide open

Ande Schurr on capturing the deafening sound of survival in 'Lord of the Flies'

Haley Z. Boston stages a haunting red wedding countdown in ‘Something Very Bad is Going to Happen’

Gary Levy, ACE on cutting the third season finale of 'The Diplomat' like a thriller

Danny Bensi & Saunder Jurriaans on scoring a Silicon Valley nervous breakdown in 'The Audacity'

Emmys 2026: an early check-in on the crowded Drama Supporting Actress race

Lucinda Wright on continuity, combat and Liam Hemsworth’s new 'panther'-like Geralt in ‘The Witcher’

Inside the emotional architecture of 'Beef' Season 2 with D.P. James Laxton

Burning with intent: Max Aruj lights the fuse on Netflix’s most muscular new TV score

Ben Karlin on 'Bait,' Riz Ahmed, four wild days, one audition, and a world weighing in

Scott D. Hanson, ACE: Finding the heartbeat between 'Billy Preston' and 'Born to Bowl'

From sitcom kid to indie lead: Hank Greenspan goes all in for 'Ethan Bloom'

Alex DiGerlando built 'Black Rabbit' from the ground up: Inside the expansive set that reveals the history, illusion and soul of New York City

Beautiful spaces, broken people: Grace Yun on revealing character through design in ‘Beef’ Season 2

Mid-decade Oscar check-in: Taking stock of the Oscars from 2020 to 2025

Guest stars, scene-stealers and our Top 5 unforgettable limited-time film performances

A film in motion: Andrew Baker’s ‘The Potter’ takes shape

Cannes is stacked, the Tonys are up for grabs, and our Top 5 Broadway musicals get personal

Hiding in plain sight: Joel Kinnaman and Corey Stoll on the mysterious men of 'Imperfect Women'

The music of the manosphere: Paul Leonard-Morgan and Ross Hamilton on scoring Louis Theroux’s most talked-about film

Emmy season starts now. Here’s where the races stand and what’s coming next

'The Addiction of Hope' and the courage to change your life

The 2026 Oscars are over. Here’s what actually went down and what it all means

2026 Live Post-Oscars Reactions Show

Stop overthinking the 2026 Oscars: Our final, category-by-category predictions

Oscar cheat sheet: Charlie and Tony watched every Oscar short. Here’s what will win and why.

BAFTA chaos, SAG curveballs, and we party like it's 1999

Bryan Bishop was given six months to live. Seventeen years later, he’s laughing in cancer’s face

Anthony Willis and the radical romance of 'Wuthering Heights'

Dissolving into desire: Oliver Coates’ 'Pillion' score is 'radiant, grounded, romantic melancholy'

Oscar voting is imminent. Is anything truly locked?

The ubiquity of cameras and the courage to hit record: David Borenstein on 'Mr. Nobody Against Putin'

Oscar anxiety is back: The races we still can’t call, plus our Bad Bunny halftime show obsession

Grammy fallout, Indie Spirit ballots, and a deep-dive into our favorite documentary features

Beauty as violence: Inside the Oscar-nominated makeup and hairstyling of 'The Ugly Stepsister'

A clear-eyed read on the Oscar nominations, BAFTA’s verdict and a Grammy deep-dive

Jeffrey Roth on 'The Man with the Hat' and gaining unprecedented access to the awe of Ancient Egypt

Saul Rubinek and the art of moral compromise

Our final Oscar nomination predictions and our top films of 2025

Inside the mind of 'Bugonia': Will Tracy on conspiracy, compassion, and that killer ending

Simon Hayes on the art of capturing the immediacy and fragility of live performance in 'Wicked: For Good'

Awards season whiplash: Critics’ Choice, SAG, DGA reactions and Golden Globe predictions

Christmas takes and Oscar stakes: It's the most wonderful time of the year

Kaouther Ben Hania on the harrowing call that became 'The Voice of Hind Rajab'

Oscar shortlists shake the race, Secret Agent & Sirāt surge and the Emmy wins we still can’t forgive

Awards season momentum swings as critics picks, Globes nominations and new releases redefine the race

How author Nick Spake rewrote the hidden history of animation at awards shows

The evolution of Johnnie Burn: From Oscar-winning sound design to the psychology of sound in 'Hamnet' and 'Bugonia'

'Children No More' and the power of a silent vigil

The sound of 'Sinners': How Chris Welcker pulled off the impossible

Awards season chaos arrives: Tony hosts, Daniel joins, and the first big contenders take shape

Greg Whiteley on courage, vulnerability and the untold truth behind 'America’s Sweethearts'

Breathing in the 'Meanwhile': Catherine Gund on identity, memory, and what lives between us

Inside 'America’s Team': Chapman and Maclain Way on myth, power and the making of a Cowboys dynasty

Sound as a fifth character in 'Anemone'

Sound as psychology in 'If I Had Legs I’d Kick You'

Hamnet or Train Dreams: which one sticks the landing better?

Wicked reactions, Best Actress shake-up and what is The Clean Sweep?

Jack Mahanes and David LaMan debate early Oscar frontrunners

Tessa Thompson on starring in 'Hedda' and how the film 'breaks you open'

The moral architecture of 'Nuremberg': A conversation with film editor Tom Eagles

Black Rabbit: Zach Baylin & Kate Susman on Netflix’s devastating new drama

Oscar season breakdown and Grammys hot takes, what we're watching, and the best bad movies we can’t quit

Awards Heaven Podcast: Emma Stone goes weird, Rose Byrne goes deep, and 'Predator' goes prestige

Awards Heaven: In Conversation - The Podcast Episode 3

Awards Heaven: In Conversation - The Podcast Episode 2

Facing Fear: Madeleine McGraw on Returning to Black Phone 2

Awards Heaven: In Conversation - The Podcast Episode 1