All Episodes
Dolby Creator Talks — 306 episodes
303 - The Immersive Sound of Cairn
302 - The Art of the Rewrite, Hosted by Carlos López Estrada
301 - How Spider-Noir Was Shot Twice... at Once
300 - The Groundbreaking, Immersive Sound of Mexodus
299 - Creator Lee Sung Jin and the Emmy-Nominated Team Behind Beef Season 2
298 - The Music of Spider-Man: Brand New Day, with Composer Michael Giacchino
297 - The Grammy-Winning Immersive Music of Justin Gray’s Immersed
296 - The Music of Supergirl, with Composer Claudia Sarne
295 - The Sound of Steven Spielberg’s Disclosure Day
294 - The Magic of Harry Potter: The Full-Cast Audio Editions in Dolby Atmos
293 - The Voice and Sound of Star Wars: Maul - Shadow Lord
292 - The Epic Sound of the Stranger Things Finale
291 - The Sound of Tuner, with Leo Woodall and Johnnie Burn
290 - Mariah Carey Live in Dolby Atmos, with Mix Engineer Paul Falcone
289 - Finding the Money to Make Movies, with Carlos López Estrada
288 - Mixing Maroon 5 Live in Dolby Atmos, with Vince Casamatta
287 - The Sound of Lee Cronin’s The Mummy
286 - Mixing Carlos Santana Live in Dolby Atmos, with Kevin Madigan
285 - The Music of Project Hail Mary, with Composer Daniel Pemberton
284 - Assistants - The Invisible Glue of Hollywood, with Carlos López Estrada
Oscars Voting Guide 2026
283 - The Cinematography of Sinners, with Autumn Durald Arkapaw, ASC
282 - The Sound of One Battle After Another
281 - The Cinematography of Marty Supreme, with Darius Khondji, ASC, AFC
280 - Cinematography of Train Dreams, with Adolpho Veloso
279 -The Sound of Guillermo del Toro's Frankenstein
278 - The Sound of Sinners
277 - The Sound of Sirât, with Director Óliver Laxe
276 - Oasis in Dolby Atmos, featuring Mix Engineer Ryan Hewitt
275 - Bradley Cooper and the Sound of Is This Thing On?
274 - The Immersive Sound of South of Midnight
273 - Art During War
272 - Darren Aronofsky and D.P. Matthew Libatique on the Cinematography of Caught Stealing
271 - The Music of A House of Dynamite, with Composer Volker Bertelmann
270 - Guillermo del Toro and D.P. Dan Laustsen on the Cinematography of Frankenstein
269 - The Music of Hamnet, with Composer Max Richter
268 - The Sound of Wicked: For Good
267 - The Cinematography of Wicked: For Good, with Alice Brooks and Jon M. Chu
266 - The Music of Sinners, with Ludwig and Serena Göransson
265 - The Music of Frankenstein with Composer Alexandre Desplat
264 - Redefining the Romantic Comedy, with Materialists Director Celine Song
263 - The Music of Bugonia with Composer Jerskin Fendrix
262 - Director Yorgos Lanthimos and Sound Designer Johnnie Burn on the Sound of Bugonia
261 - Director Kathryn Bigelow and the Creative Team behind A House of Dynamite
260 - If I Had Legs I’d Kick You, with Director Mary Bronstein
259 - Creative Sound Design for Short Films, from Aspen Shortsfest 2025
258 - The Sound and Cinematography of Adolescence
257 - The Music of The Fantastic Four: First Steps
256 - The Music of Superman
255 - Gareth Edwards and the Sound of Jurassic World: Rebirth
254 - The Sound of F1: The Movie
253 - The Music of Elio with Composer Rob Simonsen
252 - FKA twigs - Eusexua in Dolby Atmos, featuring Mix Engineer Alex Gamble
251 - Making Black Mirror: “USS Callister: Into Infinity”
250 - Netflix FYSEE Sonic Showcase 2025
249 - The Cinematography of The Studio
248 - The Cinematography of Severance
247 - The Sound of Severance
246 - Mixing Audio at Telemundo with JC Aguila
245 - The Sound of Andor Season 2
244 - Doechii’s Alligator Bites Never Heal in Dolby Atmos
243 - The Sound of Star Wars Outlaws
242 - Cinema of Empathy, hosted by Carlos López Estrada
241 - The Sound of Helldivers 2
240 - Empowering Creatives Through Dolby Atmos, Live at SXSW
239 - First-time Filmmakers at Sundance 2025, Hosted by Carlos López Estrada
238 - Meet the Nominees - Best Cinematography, Original Score, and Sound - Oscars 2025
237 - Lol Crawley and the Cinematography of The Brutalist
236 - Ed Lachman and the Cinematography of Maria
235 - Kris Bowers and the Music of The Wild Robot
234 - Capturing Wicked's Live Singing with Simon Hayes
233 - Daniel Blumberg and the Music of The Brutalist
232 - Volker Bertelmann and the Music of Conclave
231 - Jarin Blaschke, Robert Eggers, and the Cinematography of Nosferatu
230 - St. Vincent’s All Born Screaming in Dolby Atmos
229 - De La Soul’s 3 Feet High and Rising in Dolby Atmos - Reimagining the Classics
228 - Director Steve McQueen and the Sound of Blitz
227 - Packaging Your First Film, hosted by Carlos López Estrada
226 - Daft Punk in Dolby Atmos - Reimagining the Classics
225 - Director Robert Eggers and the Bloodcurdling Sound of Nosferatu
224 - The Operatic Sound of Pablo Larraín’s Maria
223 - Director James Mangold and the Sound and Music of A Complete Unknown
222 - Director Jon M. Chu and the Sound and Editing Wizards of Wicked
221 - The Sound and Music of Nickel Boys, with Director RaMell Ross
220 - The Making of Emilia Pérez
219 - The Music of Wicked
218 - The Music of Gladiator II, with Composer Harry Gregson-Williams
217 - Director Denis Villeneuve and the Sound of Dune: Part Two
216 - Mixing Live Sports in Dolby Atmos, with Glenn Stilwell
215 - The Art of Pitching, Hosted by Carlos López Estrada
214 - Inside the Hollywood Writer’s Room, Hosted by Carlos López Estrada
213 - The Sound and LEGO Animation of Piece by Piece, with Director Morgan Neville
212 - The Music of Joker: Folie à Deux, with Composer Hildur Guðnadóttir
211 - The Sound of The Outrun, with Director Nora Fingscheidt
210 - The Sound of The Wild Robot, with Writer/Director Chris Sanders
209 - David Bowie in Dolby Atmos - Reimagining the Classics
208 - Reimagining Indie Financing: The Sing Sing Case Study
207 - Rush in Dolby Atmos - Reimagining the Classics
206 - Tom Petty in Dolby Atmos - Reimagining the Classics
205 - Bryan Ferry and Roxy Music in Dolby Atmos - Reimagining the Classics
204 - The Emmy-nominated Sound Work of Ripley
203 - Understanding the Hollywood Studio, Hosted by Carlos López Estrada
202 - The Music of Star Wars: The Acolyte
201 - How Sundance-Award Winner “Dìdi” Became a Reality
200 - A-List Colorist Stefan Sonnenfeld
199 - Blending Fantasy with Reality in HBO’s Ren Faire
198 - Artificial Intelligence in Filmmaking, Hosted by Carlos López Estrada
197 - The Star-Studded Audio Dramatization of George Orwell’s 1984
196 - The Music of Furiosa: A Mad Max Saga
195 - The Immersive Sound of Baldur’s Gate 3
194 - 3 Body Problem - Adapting the “Unadaptable”
193 - Filming The American Society of Magical Negroes
192 - The Making of Masters of the Air
191 - Is “No Budget Filmmaking” a Fantasy? Hosted by Carlos López Estrada
190 - Hans Zimmer and the Score of Dune: Part Two
189 - Greig Fraser and the Cinematography of Dune: Part Two
188 - Best Cinematography Nominees: Academy Awards 2024
187 - Best Sound Nominees: Academy Awards 2024
186 - Best Original Score Nominees: Academy Awards 2024
185 - Director Gareth Edwards and the Oscar-Nominated Visual Effects of The Creator
184 - The Oscar-Nominated Sound Team Behind Bradley Cooper's Maestro
183 - The Cinematography of El Conde, with DP Edward Lachman
182 - The Cinematography of Poor Things, with DP Robbie Ryan
181 - The Cinematography of Killers of the Flower Moon, with DP Rodrigo Prieto
180 - The Oscar-Nominated Sound Team Behind Oppenheimer
179 - The Cinematography of Oppenheimer, with DP Hoyte Van Hoytema
178 - Oscar Nominee Laura Karpman on the Music of American Fiction
177 - First-Time Filmmakers at Sundance, Hosted by Carlos López Estrada
176 - The Music of Spider-Man: Across the Spider-Verse
175 - Demystifying Sundance, Hosted by Carlos López Estrada
174 - The Music of The Color Purple
173 - Director Jonathan Glazer and the Sound of The Zone of Interest
172 - The Making of Society of the Snow
171 - The Music of Poor Things
170 - Cinematographers and their First Features, Hosted by Carlos López Estrada
169 - Saltburn - The Sound of Emerald Fennell’s Wicked New Film
168 - Screenwriting for Change, Hosted by Carlos López Estrada
167 - Conversations with Colorists: Picture Shop
166 - Producers Searching for New Voices, Hosted by Carlos López Estrada
165 - The Sound of The Creator with Director Gareth Edwards
164 - Creative Sound Design at Aspen Shortsfest 2023
163 - Academy Award® and Emmy-Winning Composer Hildur Guðnadóttir - A Haunting in Venice
162 - The Miracle of Making a First Film, Hosted by Carlos López Estrada
161 - The Sound of Neill Blomkamp’s Gran Turismo
160 - The Emmy-Nominated Sound and Cinematography of Guillermo del Toro's Cabinet of Curiosities
159 - The Making of Sundance Hit - The Pod Generation
158 - The Making of Still: A Michael J. Fox Movie
157 - The Music of Mission: Impossible - Dead Reckoning Part One
156 - The Music of Oppenheimer
155 - The Sound of Mission: Impossible - Dead Reckoning Part One
154 - Cinematographer Phedon Papamichael on Indiana Jones and The Dial of Destiny
153 - Why Disney and Pixar’s Elemental is their "Most Ambitious" Movie to Date
152 - Directing DAHMER with Paris Barclay
151 - The Making of DAHMER
150 - Directing Advice for First-Time Filmmakers
149 - Robert Rodriguez (and Family) on the Making of Hypnotic
148 - Making the Sundance Hit - Polite Society
147 - The Sound of Evil Dead Rise
146 - How to Make an Indie Film in 2023
145 - Darren Aronofsky’s Longtime Collaborator Craig Henighan on the Dolby Atmos Remaster of Pi
144 - The Future of Film Festivals — on Location at SXSW
143 - Best Cinematography Nominees: Academy Awards 2023
142 - Best Sound Nominees: Academy Awards 2023
141 - The Sound of Babylon
140 - The Sound of Avatar: The Way of Water
139 - The Sound of All Quiet on the Western Front (2022)
138 - The Sound of Nanny
137 - The Sound of Guillermo del Toro’s Pinocchio
136 - Director Alejandro Iñárritu and the Sound of BARDO
135 - Ron Howard and the Making of Thirteen Lives
134 - Building Mars From the Ground Up: The Making of Good Night Oppy
133 - The Sound of Top Gun: Maverick
132 - The Making of Marvel's Black Panther: Wakanda Forever
131 - Inside Pixar's Revolutionary Story & Editorial Process
130 - The Making of Marvel’s Werewolf by Night
129 - Dolby Atmos for Podcasts
128 - Thor: Love and Thunder and Sound Design for Comedy
127 - Creating a Successful Anthology TV Series - LOVE DEATH + ROBOTS Season 3
126 - The Duffer Brothers and Stranger Things Season 4
125 - Colin Trevorrow and the Sound of Jurassic World Dominion
124 - Revisiting Jurassic Park’s Groundbreaking Sound Design with Gary Rydstrom
123 - jeen-yuhs: A Kanye Trilogy 20 Years in the Making
122 - Daniels and the Music of Everything Everywhere All at Once
121 - Daniels and the Sound of Everything Everywhere All at Once
120 - Conversations with Colorists
119 - Best Animated Feature Film Nominees: Academy Awards 2022
118 - Best Cinematography Nominees: Academy Awards 2022
117 - The Cinematography of The Batman
116 - The Sound and Music of The Batman
115 - Best Sound Nominees: Academy Awards 2022
114 - The Sound of Steven Spielberg's West Side Story
113 - Let's Talk About the 2022 Academy Award Nominees
112 - "One Billion Guns!" Sound Design for Video Game Weaponry with Gearbox Software
111 - Leading with Sound in Video Game Development with Rob Bridgett
110 - How to Work with A-List Directors with Sound Designer Skip Lievsay
109 - The Sound of Ghost of Tsushima
108 - The Sound of Marvel's Guardians of the Galaxy
107 - The Sound of Guillermo del Toro’s Nightmare Alley
106 - Guillermo del Toro: A Masterclass on Sound and Film
105 - Jane Campion and the Sound of The Power of the Dog
104 - Sir Kenneth Branagh and the Sound of Belfast
103 - Lin-Manuel Miranda and the Sound of tick, tick... Boom!
102 - Embracing Sonic Nostalgia with "Ghostbusters: Afterlife"
101 - Crafting Action, Pathos, and Humor in No Time to Die
100 - Edgar Wright and the Sound and Music of "Last Night in Soho"
99 - Director Denis Villeneuve and Sound Team on Dune
Quick Programming Update
98 - Come From Away - From 9/11 to Broadway to Your Screen
97 - Deciphering the Language of Whales in "Fathom"
96 - WandaVision — A Totally Different Kind of Marvel Series
95 - Telling the Emotional Story of Sir David Attenborough's "Life on Our Planet" Through Sound and Editing
94 - Sonic World-Building on "Love, Death, and Robots"
93 - Asking the Big Existential Questions with "Nine Days"
92 - The Understated, Tragic Storytelling of "The Crown"
91 - Turning 'Chaos' into a Sundance Film Festival Darling with "Summertime"
90 - Breaking In - How Top Industry Pros Got Their Start
89 - In the Heights - From Stage to Screen
88 - How to Make Chess Riveting to Watch - The Queen's Gambit
87 - Showrunner Neil Cross and Ron Bochar on The Mosquito Coast
86 - Sound Design as Score in The Killing of Two Lovers
85 - Edgar Wright and Julian Slater re-release Scott Pilgrim vs. the World
84 - Innovative Sound Design for Short Films
83 - Best Animated Feature Nominees: Oscars 2021
82 - Best Cinematography Nominees: Oscars 2021
81 - Best Sound Nominees: Oscars 2021
80 - That Tricky Category - The "Best Sound" Oscar, Explained
79 - Pixar's Demanding Creative Process: The Making of "Soul"
78 - Rebecca Hall and Natalia Almada on the Power of Cinematic Sound & Images
77 - David Fincher and Ren Klyce Transport Us to The Golden Age of Hollywood in "Mank"
76 - Sundance Film Festival in the Time of Covid
VERY IMPORTANT ANNOUNCEMENT
75 - The Sound of Storytelling
74 - Dolby Vision Roundtable (Part Two)
73 - Sundance Co//ab: Sound Design for Indie Movies
72 - Dolby Vision Roundtable (Part One)
71 - The Sound of Unorthodox
70 - The Sound of Locke and Key
69 - The Sound of Ozark
68 - The Sound of Mindhunter
67 - The Sound of Hamilton
66 - The Sound of Westworld
65 - The Sound of The Mandalorian
64 - A Conversation with Sound Mixer Mark Ulano
63 - The Sound of Once Upon a Time in Hollywood
62 - The Sound of Star Wars: The Rise of Skywalker
61 - The Sound of Ad Astra with Gary Rydstrom
60 - The Sound of 1917
59 - The Sound of Ford v Ferrari
58 - The Sound of Joker
57 - Conversations with Sound Artists – The Irishman
56 - The Visual Design of Star Wars
55 - Conversations with Sound Artists – Star Wars
54 - Conversations with Sound Artists – Uncut Gems
53 - Conversations with Sound Artists – Rocketman
52 - Conversations with Sound Artists – Ford v Ferrari
51 - Conversations with Sound Artists – Carnival Row
50 - The Sound of Stranger Things 3
49 - Conversations with Film Sound Legends
48 - The Sound of Ralph Breaks the Internet
47 - The Making of A Star Is Born
46 - The Making of Roma
44 - The Sound of First Man
43 - The Sound of Bohemian Rhapsody
42 - The Sound of A Quiet Place
41 - The Making of Black Panther
40 - The Sound of Incredibles 2
39 - The Sound of Black Panther
38 - The Sound of A Star is Born
37 - The Sound of Mary Queen of Scots
36 - The Sound of Roma with Skip Lievsay
35 - Best Moments with Sound Artists: 2018 Oscars®
34 - The Sound of Dunkirk
33 - The Sound of Star Wars: The Last Jedi
32 - The Sound of The Shape of Water
31 - The Sound of Blade Runner 2049
30 - The Sound of Baby Driver
29 - Creating Sound for the Coen Brothers
28 - Collaborators War for the Planet of the Apes
27 - Collaborators Joe Wright & Craig Berkey
26 - Collaborators Darren Aronofsky & Craig Henighan
26 - Collaborators Darren Aronofsky & Craig Henighan
25 - Sound Supervisor Richard King
24 - Collaborators Edgar Wright and Julian Slater
23 - 13 Hours: The Secret Soldiers of Benghazi
22 - The Sound of Sully with Alan Murray
21 - The Sound of La La Land
20 - The Sound of Hacksaw Ridge
19 - The Sound of Deepwater Horizon
18 - The Sound of Arrival
17 - Walter Murch: Sound and Film Editing (Part 2)
16 - Walter Murch: Sound and Film Editing (Part 1)
15 - Sound and Music in Creed and Fruitvale Station
14 - Jad Abumrad: The Sound of Radiolab
13 - John Roesch: The Art of Foley
12 - Sound and Visual Art – Creative Collaboration
11 - Tim Gedemer: Sound for VR
10 - Nevin Steinberg: The Sound of Hamilton
09 - The Sound of The Revenant
08 - The Sound of Mad Max: Fury Road
07 - The Sound of Sicario with Alan Murray
06 - Daniel Colman: Sound for Television
05 - Gwen Yates Whittle: Dialogue Editing and ADR
04 - Anna Behlmer: The Art of Sound Mixing
03 - Coll Anderson: Creative Sound for Documentaries
02 - Video Game Sound Design with Naughty Dog Studios
01 - Randy Thom: Writing for Sound