All Episodes
Jeff Curto's Camera Position — 216 episodes
Camera Position 213 : What’s your hashtag?
Camera Position 212 : Sources & Resources
Camera Position 211 : What not to do
Camera Postion 210 : The Calming Camera
Camera Position 209 : Your Own BackYard
Camera position 208 : Bringing Ourselves to the Photograph
Camera Position 207 : On Warming Up
Camera Position 206 : The Artful Life
Camera Position 205 : Your Life Is Your Art
Camera Position 204 : Always A Reward
Camera Position 203 : Your Eyes and The Lens
Camera Position 202 : Exploring The World And Ourselves
Camera Position 201 : Digging Deeper
Camera Position 200 : Make Interesting Mistakes
Camera Position 199 : Playing Like Yourself
Camera Position 198 : Losing and Finding Ourselves
Camera Position 197 : Let the Subject Take Precedence
Camera Position 196 : A Sense of Place
Camera Position 195 : The River of a Story
Camera Position 194 : Our Wish To Persist
Camera Position 193 : Is It Art?
Camera Position 192 : John Berger, Looking and Seeing
Camera Position 191 : Walt Whitman, Poetry and Photography
Camera Position 190 : Watching Photographers Photograph
Camera Position 189 : Cultivate The Itch, Not The Scratch
Camera Position 188 : You Are Worth The Time
Camera Position 187 : Always Make the Photograph
Camera Position 186 : Objective and Subjective
Camera Position 185 : God Is In The Details
Camera Position 184 : Look At The Path, Not The Mountain
Camera Position 183 : Conscious Photography
Camera Position 182 : The Art of the ‘Zine
Camera Position 181 : Less Is More
Camera Position 180 : Mining the Data Set
Camera Position 179 : Embracing the Almost
Camera Position 178 : Everyday Creativity
Camera Position 177 : It’s Not a Pursuit, It’s a Medium
Camera Position 176 : 10 Rules Rules for Getting Started
Camera Position 175 : From One, Many
Camera Position 174 : The Lone Tree & The Logo
Camera Position 173 : Position The Camera – Position The Viewer
Camera Position 172 : Get Your Ideas Out The Door
Camera Position 171 : Tone, Value and Mr. Bennett’s Button
Camera Position 170 : Camera Position Turns 10
Camera Position 169 : Black and White Revisited
Camera Position 168 : Edges
Camera Position 167 : Learn Photography With Black and White
Camera Position 166 : Sharing Your Story
Camera Position 165 : Forget The Gear
Camera Position 164 : The Frame Is A Discipline
Camera Position 163 : Photographer’s Bookshelf – Diana and Nikon
Camera Position 162 : Driving Your Peripheral Vision
Camera Position 161 : What’s Your Hobby?
Camera Position 160 : Accept the Inner Critic
Camera Position 159 : A Sense of Humanity
Camera Position 158 : The Courage To Create
Camera Position 157 : The Elements and Principles of Art
Camera Position 156 : Critical Thinking is Creative Thinking
Camera Position 155 : Feedback Part 2 – Critique
Camera Position 154 : Feedback Part 1 – Reaction and Direction
Camera Position 153 : Celebrate Your Vision
Camera Position 152 : The Shape of Content
Camera Position 151 : The Way of Zen
Camera Position 150 : You Are Not The Viewer
Camera Position 149 : The Roots of Ideas
Camera Position 148 : Snowshoes and Photography
Camera Position 147 : A Personal Style
Camera Position 146 : Escape Velocity
Camera Position 145 : Leave Home, Part 2
Camera Position 144 : Leave Home
Camera Position 143 : Sport Cooking
Camera Position 142 : Dolce far Niente, or Put The Camera Down
Camera Position 141 : The Medium Is Not The Message
Camera Position 140 : Editing & Sequencing
Camera Position 139 : The Story Spine
Camera Position 138 : Telling a Story with Pictures
Camera Position 137 : An Update
Camera Position 136 : Persistence of Vision – Olivia Parker and 40 Years of Moving Forward
Camera Position 135 : Off The Wall #3 – The Digital Story
Camera Position 134 : Off The Wall #2 – iBooks
Camera Position 133 : Off The Wall #1 – MagCloud
Camera Position 132 : I am a Translator
Camera Position 131 : The Hammer and The Nail
Camera Position 130 : Babies, Pointing and Photography
Camera Position 129 : Finding Meaning in Details
Camera Position 128 : Carol Golemboski’s Psychometry App
Camera Position 127 : Monochrome Followup
Camera Position 126 : Arno Says “Stay On The Bus”
Camera Position 125 : Thinking in Monochrome
Camera Position 124 : Light and Shadow
Camera Position 123 : Print The Small Stuff
Camera Position 122 : Craft Is Not Content
Camera Position 121 : The Raw and The (over)Cooked?
Camera Position 120 : Visual Acoustics
Camera Position 119 : The Power of the Single Photograph
Camera Position 118 : (Back)Story Matters
Camera Position 117 : Photographer’s Bookshelf – “The Color Of Hay”
Camera Position 116 : Turn It Upside-Down!
Camera Position 115 : The Self-Assignment
Camera Position 114 : Feed Your Eyes
Camera Position 113 : Tension and Resolution with Ludwig Van
Camera Position 112 : Chance Favors the Prepared Mind
Camera Position 111 : A Real Time for Things
Camera Position 110 : Mary Virginia Swanson – Part 5: Story & Narrative
Camera Position 109 : Mary Virginia Swanson – Part 4: Public Art, Galleries & Image Size
Camera Position 108 : Mary Virginia Swanson – Part 3: Craft, Publishing & Folios
Camera Position 107 : Mary Virginia Swanson – Part 2: Books, Blogs & Salons
Camera Position 106 : Mary Virginia Swanson – Part 1
Camera Position 105 : Stay Ready
Camera Position 104 : Don’t Check the Checkboxes
Camera Position 103 : The Importance of Exploration
Camera Position 102 : Creative Process in Stages
Camera Position 101 : Creativity “Defined”
Camera Position 100 : Conferring Significance
Camera Position 99 : Harder Seeing
Camera Position 98 : Passion & Direction
Camera Position 97 : Pictures From The Exhibition
Camera Position 96 : Three Prizewinners
Camera Position 95 : The Juror’s Experience
Camera Position 94 : How To Do vs. What To Do
Camera Position 93 : Symbolism & Metaphor
Camera Position 92 : A Gallery for Fine Photography in New Orleans
Camera Position 91 : Living With Art
Camera Position 90 : Inertia & Inspiration
Camera Position 89 : Camera Position & Camera Distance
Camera Position 88 : Desert Island Photographs – Part 2
Camera Position 87 : Desert Island Photographs – Part 1
Camera Position 86 : Italy Photo Workshops – Photographing and Editing in Rome & Tuscany
Camera Position 85 : A Bazillion Photographs
Camera Position 84 : Interesting Visual Friends
Camera Position 83 : What’s On Your Desert Island?
Camera Position 82 : Beauty Begs to be Recorded
Camera Position 81 : Project Planning Roadmap – DAM!
Camera Position 80 : Project Planning Roadmap – A Place For Your Stuff!
Camera Position 79 : A Workshop Overview
Camera Position 78 : Project Planning Roadmap – Audience & Distribution
Camera Position 77 : Project Planning Roadmap – Production: Needs, Habits & Goals
Camera Position 76 : Project Planning Roadmap – Passion & Mission
Camera Position 75 : Project Planning Roadmap – What Do You Care About?
Camera Position 74 : Project Planning Roadmap – New Idea Germination and “Hard & Soft”
Camera Position 73 : The Project Planning Roadmap – An Introduction
Camera Position 72 – Photographer’s Bookshelf #5
Camera Position Special Edition : Tuscany Workshop Announcement
Camera Position 71 : How To Get Really Good at Photography
Camera Position 70 : Go With the Gestalt (part 2)
Camera Position 69 : Go With the Gestalt (part 1)
Camera Position 68 : Zoom With Your Feet!
Camera Position 67 : The Mind as Camera
Camera Position 66 : Memory and the Photograph
Camera Position 65 : What Are You Lookin’ At? How do you Know?
Camera Position 64 : Old Tools
Camera Position 63 : Beauty and Background
Camera Position 62 : Is Beauty Enough?
The Camera in The Cathedral: Camera Position goes Historical
Camera Position 61 : Summer Peaches on a Winter’s Day
Camera Position 60 : Back to Basics – Composition
Camera Position 59 : Evidence of Hands on Stone
Camera Position 58 – Pictures of an Exhibition
Camera Position 57 : Photographer’s Bookshelf #4
Camera Position 56 : The Parable of the Sheep
Camera Position 55 : Does Size Matter?
Camera Position 54 : Photograph like a Child
Camera Position 53 : Realizing the Image
Camera Position 52 : Tossing Your Preconceptions
Camera Position 51 : Travel Gear
Camera Position 50 : Messages From Your Website
Camera Position 49 : Know Thy Subject
Camera Position 48 : Getting “Unstuck”
Camera Position 47 : Focus/Defocus/Refocus
Camera Position 46 : Passion & Profession
Camera Position 45 : Back in the Zone
Camera Position 44 : Photographer’s Bookshelf #3
Camera Position 43 : There’s Creativity in The Zone
Camera Position 42 : Color Pioneers
Camera Position 41 : Color Me Back!
Camera Position 40 : Leftover Hash
Camera Position 39 : Your Mission & Your Audience
Camera Position 38 : It’s About Time
Camera Position 37 : Hey! Crop it Out!
Camera Position 36 : Who’s Lookin’ At You?
Camera Position 35 : Bookshelf #2
Camera Position 34 : Sequencing
Camera Position 33.3 : I’m Guest-Hosting “Tips From The Top Floor”
Camera Position 33 : What’s on Your Bookshelf?
Camera Position 32 : Gallery Talk
Camera Position 31 : Editing as Creative Process
Camera Position 30 : After The Shutter Closes
Camera Position 29 : Where Are You From?
Camera Position 28 : Which Came First?
Camera Position 27 : The Mind & The Machine
Camera Position 26 : Weston & The Edges
Camera Position 25 : Pick a Pair of Portraits
Camera Position 24 : Looking & Looking Back – Stieglitz & “The Steerage”
Camera Position 23 : Take a Left Turn
Camera Position 22 : Getting Back Your Box of Crayons
Camera Position 21 : Caravaggio and the Road to Rome
Camera Position 20 : The View Through
Camera Position 19 : When Less Really Is More
Camera Position 18 : A Dull Picture of A Useful Object
Camera Position 17 : The Instant and the Machine
Camera Position 16 : The Game Of Inches
Camera Position 15 : Moving Camera Position & Moving Your Boundaries
Camera Position 14 : Strand’s “Family” Revisited
Camera Position 13 : Time and the Subject
Camera Position 12 : Motivation and Inspiration
Camera Position 11 : Weston and the Other 29
Camera Position 10 : A Story Without Words
Camera Position 09 : Composition and Idea
Camera Position 08 : Strand’s “The Family”
Camera Position 07 : Light, Idea and Emotion
Camera Position 06 : Left, Right, Up, Down
Camera Position 05 : Movement and Time
Camera Position 04 : Patience and Seeing
Camera Position 03 : Paul Caponigro’s Two Leaves
Camera Position 02 : Light in Montepulciano
Camera Position 01 : An Introduction through an Italian window