Lawfully Creative cover art

All Episodes

Lawfully Creative — 126 episodes

#
Title
1

Meta vs adult entertainers - why Instagram & Facebook accounts get taken down

2

Fashion modelling law in 2025 - France, the UK, and the US (NYC & LA)

3

Post-Brexit regulatory bias: Crefovi SELAS denounces the SRA and Law Society for unlawful retaliation and discrimination

4

Business of sports: navigating investment, regulation and disputes

5

Curbing anti-competitive conduct in UK labour markets: recent CMA enforcement in creative and service industries

6

Sync copyright infringement in social media -legal insights enforcement trends

7

Christian Louboutin & the law - a shoe designer tale paved with lawful lessons

8

AI act - taming the lion of artificial intelligence innovation with rules!

9

2019 Hague convention ratified by the UK to allow enforcement of judgments

10

Naomi Campbell v MGN Ltd - recognition of a right to privacy under English law

11

Hedy Lamarr: the world’s most beautiful woman was also a patent inventor

12

Standard Essential Patents (SEP): Is EU interventionism the solution?

13

Competition law & labour markets - the CMA springs into action

14

Digital Services Act - the revolution will be televised

15

Digital Markets Act: forcing change in the digital services’ industry, to ensure more competition

16

Live touring and ticketing - the sky is the limit, despite anticompetitive allegations

17

Alexandra Latour, embroidery entrepreneur & founder of ‟la veste en jean”

18

Competition law in sports: the EUCJ strikes back

19

Farfetch - anatomy of a fall

20

Scott Haughton, co-founder of Envestors, the platform for seed investors

21

James Cridland, editor of Podnews & podcasting industry’s expert

22

Women’s football in the UK - untapped potential?

23

Marta di Nozzi, gifted sound engineer at Abbey Road Studios

24

Consultation review of arbitration act 1996: evolution, rather than revolution?

25

Cultural assets restitution - why the British Museum & ‟Musée du Quai Branly”, among others, must act now

26

Vertical block exemption regimes in the EU and the UK - key differences post Brexit

27

Kabab-Ji v Kout Food - Anglo/French jurisdictional disputes on arbitration

28

WGA authorisation to strike: why writers are defensive, in the streaming era

29

Pharrell Williams & Louis Vuitton: the era of entertainment stars appointed as creative directors has begun

30

AI & copyright protection: lawmakers must swiftly adapt to save their creative industries

31

CMA merger inquiry into Sony acquisition of Kobalt’s AWAL & KNR

32

Freedom of speech in the creative industries

33

John Lobb Ltd v John Lobb SAS - an analysis

34

How Chanel kissed goodbye to France & fully embraced the UK for tax reasons

35

Private equity goes to Hollywood

36

Loot boxes in video games - self-regulation or legislation?

37

Penguin Random House’s acquisition of Simon & Schuster blocked on antitrust grounds

38

Ben & Jerry’s v Unilever legal saga

39

Druet v Cattelan legal saga

40

Film distribution media - what’s next to retain customers?

41

Arbitration in France & the UK - who has the upper hand?

42

Microsoft & Activision Blizzard - competition authorities move towards merger control

43

Sports arbitration & CAS - what key issues need to be addressed by CAS?

44

Resale price maintenance in the musical instruments industry - the CMA goes on a crusade

45

University of Massachusetts v L’Oréal - a patent infringement claim turns into a disaster for global cosmetics behemoth

46

Gaming, esports & dispute resolution - a brave new world

47

Renegotiating royalties’ rates on music streams with labels: best strategies & techniques

48

Wendy Bernfeld, a digital agent and rights expert bringing value to the streaming industry

49

Kim Bingham, from mudgirl to finance maverick

50

Arbitration & creative industries - how to make the most of ADR?

51

Exhaustion of rights: how can the UK coin the best deal to keep its competitive edge, in particular for its creative industries?

52

How to negotiate the best actor agreements, in the current film streaming industry?

53

How to position yourself, as a music creator, to secure the best recording and publishing deals, in the current European music streaming legal framewo...

54

How to use loan-out companies & agreements in the new IR35 landscape?

55

Malcolm Gaskin, British advertising veteran

56

Crefovi’s daily updates: Is music copyright law forcing artists to hand songwriting credits out?

57

Crefovi’s daily updates: how to keep calm and carry on in a chaotic world which spins out of control

58

Crefovi’s daily updates: the Pandora papers and what it shows about rampant corruption in the world

59

Crefovi’s daily updates: it’s getting hot & sticky working as a creative!

60

Crefovi’s daily updates: get back to work and generate money being creative!

61

Crefovi’s daily updates: Crefovi’s progress at proprietary trading and intraday trading!

62

Crefovi’s daily updates: The lowdown on the ”fashion” house Ralph & Russo

63

Crefovi’s daily updates: Our take on the Studios de la Victorine from Nice, France

64

Crefovi’s daily updates: Diversification of work activities to thrive in the new paradigm

65

Crefovi’s daily updates: Atypical art assets and legal implications

66

Crefovi’s daily updates: How to position yourself, as a creative, in the new health dictatorships

67

Crefovi’s daily updates: Analysis about the content presented at the virtual Cannes film market

68

Crefovi’s daily updates: How to make the most of your time, as a creative, during summer 2021

69

Crefovi’s daily updates: My take on the 2021 edition of the Cannes film festival. What a letdown!

70

Crefovi’s daily updates | ”Your music, your future”, a fad based on nothing else but thin air

71

Crefovi’s daily updates | In the starting block for the Monaco streaming film festival

72

Crefovi’s daily updates | How to participate into the economic recovery in the Aquarius age!

73

Crefovi’s daily updates | How to enforce civil & commercial judgments after Brexit?

74

Crefovi’s daily updates | Cue sheets’ transformations and how to get ready for the changes ahead

75

Crefovi’s daily updates | Attending the online London book fair on introduction to book rights

76

Crefovi’s daily update | French police violences and how to deal with them

77

Crefovi’s daily updates | How to usefully allocate your time in a sluggish economy

78

Crefovi’s daily updates | How to efficiently enforce rights, between the UK & the EU, post Brexit

79

Crefovi’s daily updates | Reconnecting the dots between Paris and London

80

Crefovi’s daily updates | Learning to live and be productive with the COVID 19 virus

81

Malik Mezzadri, aka Magic Malik, French jazz flautist extraordinaire

82

Crefovi’s daily updates | Keep creating while the world is changing around you

83

Crefovi’s daily updates | The lowdown about the UK TuneIn decisions and case

84

Crefovi’s daily updates | UK TuneIn judgments: the return of the dark ages

85

Crefovi’s daily updates | How to fight illegal takedown notices on Spotify

86

Crefovi’s daily updates | Time to come out of hibernation and create!

87

Crefovi’s daily updates | April brings renewal, structure and new projects: make the most of it

88

Crefovi’s daily updates | How to keep going, in a creative manner, in this new paradigm

89

Crefovi’s daily updates | How to react when the EUIPO and UKIPO take different approaches to ongoing trademark opposition proceedings?

90

Crefovi’s daily updates | How to get ready for the end of lockdown on 12 April 2021

91

Crefovi’s daily updates | Cancel culture and how to stay away from it as a creative

92

Lucie Touboul, head of legal & business affairs at sales agent Dogwoof

93

Crefovi’s daily updates | The rise of fashion law - not!

94

Crefovi’s daily updates | The European Film Market (EFM) online is great & so seamless

95

Crefovi’s daily updates | Our take on French police violence & how to remain creative no matter what

96

Crefovi’s daily updates | Space exploration is the way to go, creatives!

97

Crefovi’s daily updates | Why we need to rest, when working in the creative industries

98

Crefovi’s daily updates | Why getting an agent is critical, to make it in the creative industries

99

Crefovi’s daily updates | How to work efficiently when you cannot travel!

100

Crefovi’s daily updates | How to minimise the risk of bad debts

101

Crefovi’s daily updates | How to ensure your UK business is GDPR compliant after Brexit

102

Crefovi’s daily updates | Food for thought for budding creatives out there

103

Crefovi’s daily updates | Brexit update from the tranches

104

Crefovi’s daily updates | How to make the most of the online market & opportunities

105

Crefovi’s daily updates | Our takeout from the 2021 Angouleme’s international rights market online

106

Crefovi’s daily updates | How to make the most of your human resources, during the COVID 19 pandemic

107

Crefovi’s daily updates | How to use force majeure to terminate a contract during COVID 19 pandemic

108

Crefovi’s daily updates | How to make the most of the new paradigm in the film industry

109

Crefovi’s daily updates | Focus on working in the best trade conditions

110

Crefovi’s daily updates | Protecting, enforcing & monetising your intellectual property rights

111

Crefovi’s daily updates | Crefovi’s take on the ongoing changes due to Brexit

112

Joe DiMona, climate change activist and ex-BMI in-house lawyer

113

Antoine Pecqueur, musician, journalist and author

114

Juliette Espinasse Dubois, from July of St Barth, explains her trajectory in the perfume world

115

Bob McDade on the inception & growth of Manners McDade

116

Stella Baggott on Atelier Stella

117

Claude Aiello, ceramist extraordinaire from Vallauris

118

Farmers’ by Nancy Durham and Welsh Lavender

119

Assessing the resilient force of Ben-Amun

120

Discovering the charming travelling world of Globe Trotter

121

How to make your creative business GDPR compliant

122

Natasha Korol on the fur brokerage and agenting business

123

Phil Turner on how to cut it in the film industry in the 21st century

124

Kithara Musique’s Carlos Nieto on sub-publishing and music rights management

125

Didier Zerath on being a music manager in the digital era

126

Resilient Music’s Richard Kirstein on the business of music rights licensing