All Episodes

'The right team. The right time.' How The Killings at Parrish Station stuck to their creative guns.

How Aussie indie games and screen are levelling up with IP

Your Audience: The Ultimate Market Guide

Alibrandi to Kangaroo: Kate Woods on directing hits for an enduring global career

From the Top End to the small screen with Miranda Tapsell and Joshua Tyler

Saving the planet one set at a time with Karl Liegis and Helen Panckhurst

Director Justin Kurzel on embracing your creative voice

"Don't think algorithm, think audience": making data work for you in online content with Nico Lockhart

NITV are looking for the next great First Nations story

Creator Nicholas Verso on adapting Invisible Boys for television

Access Coordinator Stephanie Dower

Audrey: Dark comedy on the big screen with Lou Sanz and Natalie Bailey

Pikelet Pictures' Jessica Smith and Scarlett Koehne on their new online series Videoland

Distribution and discoverability of Australian theatrical releases

Updates on the Marketplace and Distribution Landscape

Little J & Big Cuz and writing kids TV with screenwriter Dot West

Behind-the-Scenes of TikTok series Growing Pains with director Devina Saberi

Paul Clarke on Midnight Oil: The Hardest Line and shaping music documentary

Tig Terera: Creating TV series Swift Street

Building sustainable screen careers below-the-line

Everything you need to know about the Game Developers Conference

Creating White Fever with Ra Chapman and Katherine Fry

Acting local, working global with producer Kauthar Abdulalim and Blacksand Pictures

Costume Designer Gypsy Taylor

Cannes Critics' Week and Applying to Festivals

Celebrating 50 years of screen education in Australia with AFTRS

Director Kitty Green: Making The Royal Hotel

Community Consultant and Actor Max Jahufer

Graeme Mason on the 2022/23 Drama Report: key takeaways

(More) Advice Before You Apply

Amazon Studios Senior Development Executive Sarah Christie

Screenwriter Catherine Smyth-McMullen

Development Funding at Screen Australia

Marta Dusseldorp: making ABC thriller Bay of Fires

Cannes Film Festival + Market in 2023

Deadloch creators Kate McCartney and Kate McLennan

Anna Barnes on creating Safe Home for SBS

Catherine Kelleher: the role of a note-taker

Ian Murray: creating a sustainable business

Production designer Jacinta Leong

Creating comedy with Class of '07 writer/director Kacie Anning

Documentary funding and AIDC

The making of TV series Bad Behaviour

Robert Connolly: Blueback and the drive to create cinema

Robyn Butler and Wayne Hope on making Australian TV

Intimacy Coordinator Amy Cater

Bay of Fires, No Ordinary Love and the 2021/22 Drama Report

Online funding

Director Rachel Perkins on The Australian Wars

Toronto International Film Festival 2022 Wrap-up

Games Funding 101

Director Jocelyn Moorhouse on Savage River

Directors Dylan River and Macario De Souza

What SBS Scripted are looking for

Script Supervisor Kristin Voumard

Angela Bates: True Colours, Mystery Road: Origin & We Are Still Here

Elvis: Baz Luhrmann, Catherine Martin + Mandy Walker ASC ACS

Cannes Film Festival + market wrap-up

Producer Offset explainer

Feature film Q&A: production, audiences and data

Writer/director Leah Purcell on her feature film debut

Everything you need to know about film marketing

Jennifer Peedom: making River and doco vs drama

Naomi Cleaver on producing NBCUniversal's La Brea in Victoria

Sally Caplan on the Australian screen industry

What to pitch to Amazon Prime Video Australia

Fires, Hardball and production in 20/21

Dune director of photography Greig Fraser ACS, ASC

Cinematographer Ari Wegner ACS on The Power of the Dog

Nakkiah Lui: creating TV comedy Preppers

Producer Cody Greenwood on music licensing

Caitlin Yeo: composing the score for New Gold Mountain

Marc Fennell: The School That Tried to End Racism

Bevan Lee: writing Back to the Rafters for Amazon

Jon Bell: writing for genre

Michael Lucas: creating, producing and writing The Newsreader

Mithila Gupta: Five Bedrooms and writing for Australian TV

Stevie Cruz-Martin: from Pulse to The Tailings

Cian O'Clery: making Love on the Spectrum

Vanessa Gazy: creating TV at home and abroad

Making scripted content for TikTok

How to pitch to Netflix ANZ

Baz Luhrmann and Catherine Martin revisit Moulin Rouge!

How to make Marketplace intel work for you

Writer-turned-producer Liz Doran on The Tailings

Wakefield showrunners Kristen Dunphy and Sam Meikle

Screenwriter Debra Oswald: Offspring & developing The Family Doctor

Summer box office breakdown and Australians in Film

Director Max Miller on the evolution of Aunty Donna

Bunya Productions: David Jowsey and Greer Simpkin

Bruna Papandrea: taking books to screen

Eric Bana and Robert Connolly on The Dry

Penny Smallacombe: The power of authentic storytelling

Impact of COVID-19 on the Australian screen industry

Screen Australia: Advice before you apply

Director Lucy Gaffy: Learnings from Australian TV

Madeline Miller on brand partnerships

Gregor Jordan: Directing Dirt Music

Distribution update and AD advice

Unjoo Moon: Directing I Am Woman

Meg O'Connell: Retrograde, Content and Snapchat

Jason Stephens: Lingo Pictures

Shannon Murphy: Babyteeth and Killing Eve

Natalie Erika James: Making debut feature Relic

Barbara Stephen: Flying Bark and Australian animation

Peter Duncan on writing and directing TV

Hear from the ABC

Sophie Hyde on directing for screen

Making a successful web series

Sue Masters: Commissioning Australian TV

Andrew Mackie: Transmission Films

Distribution 101

Liz Watts: producing features in Australia

Plotting and writing 30 episodes of TV

Finance plans explained

Makers of Netflix's Special on digital originals

Stan CEO Mike Sneesby

Mirrah Foulkes: Making Judy & Punch

Michael Brealey: Industry health, change, and the Drama Report

Alastair McKinnon: Matchbox Pictures

Documentary funding

Graeme Mason: TIFF, MIPCOM and market prep

Roadshow Rough Diamond

Joanna Werner: Gender Matters

Niki Aken: writing for TV in Australia

Producer Offset

Budgets

Kristina Ceyton: Causeway Films

Online Funding

Insights from Game of Thrones, True Blood and more

Tim Pye: Australian Writers' Guild

Doc Martin Creator Dominic Minghella

GLOW: Sascha Rothchild

Executive Producer Nathan Ross

Ludo Studio

Graeme Mason: Screen Australia

Matthew Deaner: Screen Producers Australia

Producing Ladies in Black

Kingston Anderson: Australian Directors Guild

The Art of Pitching

Producing Genre: Kylie du Fresne

Screen Story Development Guidelines

First Feature: Cargo

Official Co-Productions: Documentary

Official Co-Productions: China

Official Co-Productions: Cleverman

Official Co-Productions: Intro

Official Co-Productions: Emile Sherman

Gender Matters