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Sound Philosophy — 115 episodes

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Title
1

117-Aristotle's Nicomachean Ethics, Book 4, Chapter 6

2

116-Aristotle's Nicomachean Ethics, Book 4, Chapter 5

3

115-Aristotle's Nicomachean Ethics, Book 4, Chapters 3-4

4

114-Aristotle's Nicomachean Ethics, Book 4, Chapter 2

5

113-Aristotle's Nicomachean Ethics, Book 4, Chapter 1

6

112-J Dilla

7

111-Rhyme, Flow, Content: Eminem and Mac Miller

8

110-Tool

9

109-Math Rock

10

108-Funk Counterpoint and James Brown

11

107-The Bass and Larry Graham

12

106-Aristotle's Nicomachean Ethics, Book 3, Chapters 10-12

13

105-Aristotle's Nicomachean Ethics, Book 3, Chapters 8-9

14

104-Minimalism and Popular Music

15

103-Minimalism, Temporality, Repetition

16

102-Flamenco, Compas, and the Siguiriyas

17

101-Twos and Threes: Hemiola, Odd Meters, Tresillo

18

100-Thumb Like God--Ragtime Guitarist

19

099-Meter and Time

20

098-The Backbeat

21

097-Aristotle's Nicomachean Ethics, Book 3, Chapters 6-7

22

096-Aristotle's Nicomachean Ethics, Book 3, Chapters 4-5

23

095-Cross Domain Application

24

094-Aristotle's Nicomachean Ethics, Book 3, Chapters 2-3

25

093-Empathy or Sympathy?

26

092-Aristotle's Nicomachean Ethics, Book 3, Chapter 1

27

091-Aristotle's Nicomachean Ethics, Book 2, Chapters 7-9

28

090-Aristotle's Nicomachean Ethics, Book 2, Chapters 5-6

29

089-Aristotle's Nicomachean Ethics, Book 2, Chapters 3-4

30

088-Aristotle's Nicomachean Ethics, Book 2, Chapters 1-2

31

087-Aristotle's Nicomachean Ethics, Book 1, Chapters 12-13

32

086-Aristotle's Nicomachean Ethics, Book 1, Chapters 10-11

33

085- Aristotle's Nicomachean Ethics, Book 1, Chapters 8-9

34

084- Aristotle's Nicomachean Ethics, Book 1, Chapter 7

35

083- Aristotle's Nicomachean Ethics, Book 1, Chapters 5-6

36

082- Aristotle's Nicomachean Ethics, Book 1, Chapters 3-4

37

081- Aristotle's Nicomachean Ethics, Book 1, Chapters 1-2

38

080-Ambivalence in Neutral Milk Hotel and Nana Grizol

39

079--Punk Wordsworth: The Smiths

40

078-MF DOOM and the Materiality of Language

41

077-Agency and Fate in the Narcocorridos of Chalino

42

076-The Rhetoric of Law and the Narcocorrido

43

075-The Fictional Real in Edith Piaf

44

074- The Elliptical Nature of Subjectivity in Björk

45

073-Tom Waits and Melancholy

46

072- Randy Newman's Off-Kilter America

47

71-Cole Porter and the List Song

48

70- Aristotle's Rhetoric and Cole Porter's Wit

49

069- Lyrics as Material and Museme

50

068- Twelve Open Questions Concerning Lyrics

51

067-Seneca's On the Shortness of Life, part 2

52

066- Seneca's On the Shortness of Life, part 1

53

065-Video Game Music

54

064-BTS, Carl Jung, and the Psyche

55

063-Death Grips and Accelerationism

56

062--The Early Beatles and the Artistry of Fun

57

061-The Aesthetics and Ethics of Taylor Swift's Re-recordings

58

060-Spotify, Star Texts, and Taylor Swift

59

59-Anti-Capitalist Hip Hop

60

58-Hip Hop and the Romance of Capital

61

057-Neo-Soul and the Body

62

056-Neo-Soul and Temporality

63

055- Hardcore Punk and Ronald Reagan

64

054-Politics and Hardcore Punk

65

053-Reggae Confronts Babylon

66

052-Economic and Political Violence in Early Reggae

67

051- Gospel Music and Surplus Value

68

050-Early Gospel Recordings and the Ecstasy of Suffering

69

049--The 1930s Musical Commodity Fetish

70

048-Tin Pan Alley and the Depression

71

047- The Numbing Sublime of DJ Screw and Cloud Rap

72

046--Gangsta Rap and the Hip Hop Sublime

73

045--Willie Nelson, Red Headed Stranger, and Murder

74

044-Outlaw Country, Kant, and Low Down Freedom

75

043--Kant's Critique of Pure Reason ep.3 Introduction

76

042--Bebop and Freedom in Play

77

041--Sapere Aude: Bebop and (Kantian) Autonomy

78

040--Kant's Critique of Pure Reason ep.2 Prefaces

79

039-Kant's Critique of Pure Reason ep.1 Background

80

038--Giving the Idea to Art: Kant, the Genius, and Prog Rock

81

037--Progressive Rock and (Kantian) Form

82

036--The Transcendental Aesthetic of Space and Time in Hindustani Music

83

035--Shortcut to Transcendence: The US Reception of Hindustani Music

84

033-Singer-Songwriters of the 1970s and the Problem of the Self

85

032- Kant's Syntheses and the Ontologies of Music

86

031--Kant's Three Syntheses and the Album

87

030- The "First Death" of Hip Hop and "Rapper's Delight"

88

029-Bossa Nova and Middle-Class Melancholy

89

028-DJ Kool Herc, Deconstruction, and Synecdoche

90

027-The Problem with Payola

91

026- Feeling Otherwise: Music, Commodity, and Streaming

92

025- Digitalization and the Ontology of Music

93

024-Graffiti and the Aesthetics of Transgression

94

023- On Distance, Nietzsche, and Conscious Rap

95

021--The Carter Family and the Death of God

96

020 Ralph Peer and the Bristol Sessions

97

019 Appalachia, Disaster Songs, and Fiddling Contests--Early Country Music

98

018-Crossing Over: Billboard, Nietzsche, and the Supremes

99

017-Motown, Black Uplift, and Fordism

100

016-Booker T. at the Crossroads: Country Blues

101

015-The Emergence of the Blues in the Mainstream

102

014 Nietzsche’s Rausch, Aesthetic Form, and Highlife Music

103

013 Syncretism and Highlife Music of Ghana

104

012 WEB DuBois, Double Consciousness, and Bert Williams’s Jonah Man

105

011 An Improvisation on Nietzsche, Adorno, and the Grateful Dead

106

010 Ragtime, Reversal, and Syncopation

107

009 Nietzsche Birth of Tragedy, Sections 3-25 and the 1960s Dionysian

108

008 Nietzsche, Eternal Recurrence, and Repetition in Music

109

007 Nietzsche, Birth of Tragedy, Sections 1-2

110

006 Nietzsche, Birth of Tragedy: An Introduction

111

005 Sousa, Nationalism, and Masculinity

112

004 The 19th-Century Parlor Ballad

113

003 Early Blackface Minstrelsy and the Racialized Other

114

002 Colonial Music and the Copyright Act of 1790

115

001 Popular Music and Mass Art