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All Episodes

The Editing Podcast — 156 episodes

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Title
1

The proofreader’s toolkit

2

File management and version control for editorial freelancers

3

Dealing with editorial scope creep and client boundaries

4

Building an editing portfolio that converts browsers into buyers

5

How to use AI tools ethically when editing or proofreading

6

8 copyediting essentials

7

Why CPD matters for editors and proofreaders

8

Why editors should review their businesses annually

9

Do editors and proofreaders need insurance?

10

Reflections on the CIEP annual conference

11

Notes from the Podcast: New book series!

12

Should you make changes to your editing business?

13

15 types of materials that academic editors work on

14

What are editorial reports, and should you write them?

15

How to find the perfect academic editor or proofreader

16

Free bonus episode: Editorial websites

17

When should an editor build their website?

18

10 pieces of content that get editors noticed by academic writers

19

Assessing a non-fiction editing project: With Hester Higton

20

Efficient editing: With Hester Higton

21

Academic editing: With Hester Higton

22

Editorial events: 10 practical tips for beginner presenters

23

Why not having client testimonials could be damaging your editing business

24

7 tips for compelling titles to captivate your audience

25

The Chicago Manual of Style (CMOS): In conversation with Russell Harper

26

How to use an editorial marketing buddy to conquer overwhelm

27

Human vs AI: How editors and proofreaders can remain relevant

28

A checklist for proofreading designed page proofs

29

Fiction lingo: 5 character roles and their purpose

30

Should editors offer free discovery calls?

31

Editing and proofreading ELT materials

32

Scene technique: With Lisa Poisso

33

How are opportunity costs affecting your editing business?

34

What should I include in my editor services agreement?

35

Does my editing business need a newsletter?

36

10 brand design tips for editors and proofreaders

37

7 ways for editors to get paid faster

38

The pros and cons of niche editing and proofreading

39

How to build relationship marketing into your editing and proofreading business

40

7 reasons to advertise in editorial society directories

41

5 irresistible lead magnets for editors and proofreaders

42

Editing translated materials: With Andy Hodges

43

Worldbuilding in science fiction and fantasy: With Andy Hodges

44

5 ways editors can use text generative AI as a business tool

45

Proofreading symbols: Do we still need to learn them?

46

3 tips for developing an editorial business mindset

47

How to manage a hectic editorial business schedule

48

When to say goodbye to an editing client

49

When is a price for editing ‘too low’?

50

5 ways to be a more efficient editor and proofreader, part 2

51

5 ways to be a more efficient editor and proofreader, part 1

52

Reviewing your editing practice and planning for change

53

Editorial humility: Who’s the boss of the book?

54

8 reference books for business writing and editing

55

Why we don't tweet about content we hate

56

5 questions you should answer before writing a business book

57

5 ways to demonstrate editing competence on your website

58

Podcasting tips for editors and proofreaders

59

10 tips for examining our language in shared editorial spaces

60

What are editorial professional standards?

61

4 reasons to go to an editorial conference

62

5 things you need to know about line editing crime fiction and thrillers

63

Proofreading: 12 things you need to know, Part 2

64

Proofreading: 12 things you need to know, Part 1

65

5 tips for proofreading PDFs in Adobe Reader DC

66

Why editing is NOT about being ‘a bit OCD’

67

Editing the language of illness: With Louise Bolotin

68

What is subediting? With Louise Bolotin

69

Editing academic book proposals

70

Is proofreading or editing a good side hustle?

71

Academic developmental editing

72

Book-writing for editors

73

Do editors and proofreaders need a website?

74

Why editors and proofreaders should be networking

75

3 quick ways to improve the design of your editing website

76

Understanding microaggressions in editing

77

5 ways to spruce up your editing or proofreading business in the year ahead

78

How we’re ramping up The Editing Podcast!

79

Blogging tips for editors and authors #3: With Carol Saller

80

Blogging tips for editors and authors #2: With Carol Saller

81

Blogging tips for editors and authors #1: With Carol Saller

82

Romance editing with Sarah Calfee

83

Becoming a non-fiction editor: 4 things you need to know

84

Becoming a fiction editor: 4 things you need to know

85

Editing with The Chicago Manual of Style for PerfectIt

86

Style: What editors and proofreaders need to know

87

Is professional editing and proofreading training necessary?

88

How to choose a name for your editing or proofreading business

89

Should editors and proofreaders specialize?

90

2 more zombie rules we can do without

91

3 more tips on how editors can beat the marketing blues

92

Writing screenplays and novels: With Rich Leder

93

Editing short-form content

94

Accountability groups for editors

95

Sensitivity reading: With editor Crystal Shelley

96

3 ways to overcome your fear of editorial marketing

97

Creative writing tips: With thriller writer Andy Maslen

98

From the printed page to audio book: With author David Unger

99

Story creation and revision: With author David Unger

100

Zombie rules we can do without, part 1

101

Why editors and proofreaders should use audio

102

Moving from traditional to indie publishing. With John A. Connell

103

How to write a military story that sells. With Brunella Costagliola

104

Editing erotica and adult fiction. With Maya Berger

105

6 ways to use audio for book promotion

106

Do you need a specialist editor?

107

18 writing-craft blogs for editors and authors

108

How to run and grow an editing and proofreading business. Q&A, Part 2

109

How to run and grow an editing and proofreading business. Q&A, Part 1

110

How to save money and time with book coaching, with Lisa Poisso

111

Writing a content-marketing book. With John Espirian

112

How to use exclamation marks!

113

How to manage the grammar police

114

Using conlangs (constructed languages) in fiction

115

How to use em dashes

116

What is a comma splice?

117

How to use en dashes

118

Developmental editing and critiques

119

Understanding semi-colons

120

Editing 'unearned writing'

121

4 features of language that aren't Americanisms

122

Rob Drummond on grammar pedantry and peevery

123

How to use question marks

124

10 things an author needs to tell an editor

125

Editing and proofreading for a project management agency

126

Copyediting and the fact-checking process

127

Editing erotica and adult material

128

Organizing an editorial conference

129

How to use quotation marks (speech marks) in writing

130

Writing and editing for the web

131

Publisher chat with Jen Hamilton-Emery of Salt

132

How to change your editor with minimum stress

133

Tips for formatting in Microsoft Word

134

10 killer editing macros for writers and editors

135

Adverbs: Use and abuse in writing

136

How to edit for consistency and style with PerfectIt

137

4 types of editing for 4 kinds of writer

138

How to prepare your book file for editing

139

How long does editing take?

140

Does location matter when working with an editor?

141

Book editing and marketing

142

How to find and evaluate an editor

143

Author chat with Kenda Macdonald

144

Author chat with Tim Lewis

145

Author chat with Kia Thomas

146

Author chat with Simon Raybould

147

Author chat with Antoinette Oglethorpe

148

How to save money on editing

149

Page proofs and the proofreading process

150

Style sheets for writing and editing

151

What is a sample edit?

152

What kind of editor do you need?

153

How much does editing cost?

154

Should you work with an editor?

155

Publishing lingo explained

156

The different levels of editing