The Holmes Archive of Electronic Music cover art

All Episodes

The Holmes Archive of Electronic Music — 100 episodes

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Title
1

The BBC Shipping Forecast Soundscape, No. 2, for 2026

2

Merry Moog 2025 A Soundscape of Vintage Holiday Synthesizer Music

3

Artificial Intelligence and Electronic Music

4

The 2025 US Open Sound Experiment

5

Chapter 38, Eurorack

6

Chapter 37, Contemporary Software and Synthesis

7

Chapter 36, Modern Turntablism

8

Chapter 35, Live Electronic Music— Historical Practices

9

Chapter 34, Live Electronic Music— Foundations

10

Chapter 33, Digital Synthesizers and Samplers

11

Chapter 32, Other Analog Synthesizers

12

Chapter 31, ARP Analog Synthesizers

13

Chapter 30, EMS Analog Synthesizers

14

Chapter 29, Buchla Analog Synthesizers

15

Chapter 28, Moog Analog Synthesizers, Part 2

16

Chapter 28, Moog Analog Synthesizers, Part 1

17

Chapter 27, Computer Music (1971–2014)

18

Chapter 26, Early Computer Music (1950–70)

19

Chapter 25, Electronic Music from Japan, China, and The Asia-Pacific, Part 2

20

Chapter 25, Electronic Music from Japan, China, and The Asia-Pacific

21

Chapter 24, Electronic Music in Latin America

22

Chapter 22, Electronic Music in Canada

23

Chapter 23, Radiophonic Music in the United Kingdom

24

Chapter 21, The San Francisco Tape Music Center

25

Chapter 20, The Experimental Music Studio, University of Illinois

26

Chapter 19, The Cooperative Studio for Electronic Music, Ann Arbor

27

Chapter 18, The Columbia– Princeton Electronic Music Center, New York

28

Chapter 17, John Cage in the United States

29

Chapter 16, Other European Electronic Music Studios

30

Chapter 15, Elektronische Musik in Germany

31

Chapter 14, Musique Concrète in France

32

Chapter 13, Edgard Varèse and The Listener’s Experiment

33

Chapter 12, The History of Audio Recording Technology

34

Chapter 11 Electronic Music Performance Instruments (1920– 40).

35

Chapter 10, Earliest Experiments in Electronic Music (Pre- 1920)

36

Chapter 09, MIDI, Noise Reduction, and Audio Compression Technologies

37

Chapter 08, Tape Composition and Sound Editing

38

Chapter 07, Computer Music Basics

39

Chapter 06, Analog and Digital Synthesis Basics, Part 2

40

Chapter 06, Analog and Digital Synthesis Basics, Part 1

41

Chapter 05, The Physics of Musical Sound

42

Chapter 04, Electronic Music Composition by Process

43

Chapter 03, How Electronic Music is Composed.

44

Chapter 02, Listening to Electronic Music

45

Chapter 01, Electronic and Experimental Music, Recommended Works

46

Electronic Music of Conrad Schnitzler—A Retrospective, Part 1

47

Merry Moog 2024

48

Sun Ra and Stockhausen—An Imaginary Encounter in Electronic Music

49

An Electronic Music Mixed-Bag

50

From Organ to Synthesizer: The Evolution of the Yamaha Electone

51

Sonic Adventures in Electronic Composition—The Ashley, Smith, and Hamilton Mix

52

The 2024 US Open Sound Experiment

53

Shortwave Particulates—A Soundscape

54

Recent Finds for the Electronic Music Archive

55

Women Synthesists

56

Terry Riley—Part 2, Solo Organ and Synthesizer Works

57

Terry Riley—Analog Organ Works

58

The Japanese Shigin Vocal Tradition—and Electronics

59

Trippy Trance Music Origins, Part 2

60

Trippy Trance Music Origins

61

Love Spells in Electronic Sound

62

Electronic Music for Babies

63

Crosscurrents in Early Electronic Music of Canada, Part 2

64

Crosscurrents in Early Electronic Music of Canada, Part 1

65

Phonographic Education—a Sound Collage

66

Electronic Keyboards in Jazz, A Recorded History, Part 2 of 2

67

Electronic Keyboards in Jazz, A Recorded History, Part 1 of 2

68

The Sounds of Motoring

69

Radio Spirits in the Night

70

Refined Noise

71

More Electronic Music for Astral Tripping

72

Merry Moog 2023--Holiday Music Performed on the Moog and other Synthesizers

73

Before and After Ambient, Part 2

74

Before and After Ambient, Part 1

75

Part 2 of The Distinctive Electronic Music of Oskar Sala and the Mixtur-Trautonium

76

The Distinctive Electronic Music of Oskar Sala and the Mixtur-Trautonium, Part 1

77

Crosscurrents in Early Electronic Music of Norway

78

Electronic Music of Dune

79

The 2023 US Open Tennis Soundscape

80

Experimental Music for Pipe Organ, The Original Synthesizer

81

Crosscurrents in Early Electronic Music of Japan

82

The BBC Shipping Forecast Soundscape

83

Crosscurrents in Early Electronic Music in Italy—Part 2

84

Crosscurrents in Early Electronic Music: Italy—Part 1

85

Crosscurrents in Electronic Tape Music in the United States

86

Women in Synthesis, Part 1: Managing Their Musical Identities

87

Crosscurrents in Elektronische Musik of Germany

88

Crosscurrents of Musique Concrète

89

Early Intersections of Rock and Electronic Music

90

Electronic Drone Music

91

New Arrivals to the Archives—Part 2: Noise Music, Improvisations, and Atmospheres

92

New Arrivals to the Archives—Part 1: Early and Symphonic Electronic Music

93

The Silent Episode

94

The Electronic Music of Ryuichi Sakamoto

95

The Theremin Part 2: Recordings After 1970

96

The Theremin Part 1: From the Beginning to 1970

97

Telephone Love

98

Merry Moog 2022

99

Rain Music

100

Psychedelic Japan, Part 3