Hashmoder

Electronic dance. 4/4 time signature. 128 BPM. Hypnotic, syncopated bassline is comprised of six-layer stack of analog and digital synthesizers, driving the groove throughout the entire track. Hard edge with homage to retro electronic dance music from the early 1980s. Tight beat with very angular, symetirical arrangements in line with brutalism architecture. Hashmoder (Omar Hash): Music composition, sound design, synthesizers, instruments, vocals, vocoder, arrangements, programming, editing, engineering, mixing and mastering.

Buy this track from Bandcamp https://hashmoder.bandcamp.com/track/getting-there For best results, please wear headphones for the binaural effect in the stereo-field. Hashmoder (Omar Hash): Music composition, sound design, synthesizers, instruments, vocals, vocoder, arrangements, programming, editing, engineering, mixing and mastering. ______________________________ LYRICS: NEUROTRANSMISSION THROUGH TIME AND SPACE BEYOND LIMITS OF INDIVIDUAL EXISTENCE OPEN YOUR EYES TO THE FUTURE NEUROTRANSMISSION TO THE FUTURE ______________________________ 'Getting There' is an hypnotic and transcendental music track with three separations which merge together as one towards the long outro. Synthesizer chords and evolving textural layers, along with organic, acoustic percussion. In three-four time signature driven by sequenced synthesizer baselines, 'Getting There' will take you through a long, driving, montage-like, scenic and groovy journey with the intention, vision and final destination leading you the way to an imaginary utopian world of tomorrow. Retro-future sound of an updated 1980s with musical and production/technical influences, borrowing heavily from Trevor Horn, Frankie Goes To Hollywood, Yello, Pink Floyd, Phil Collins, Peter Grabriel, and Jan Hammer. Also a nod to The Orb.

Buy this track from Bandcamp https://hashmoder.bandcamp.com/track/mindfull Hashmoder (Omar Hash): Music composition, sound design, instruments, vocals, vocoder, arrangements, programming, mixing and mastering. 'mindFULL' is carefully constructed electronic music track with synthesizer baselines (syncopated), granular synthesis and pad layers, all evolving very tightly in and out of each other texturally and musically, along a mildly distorted groove of a drum machine. This track is about being a victim/survivor from a highly manipulative and malignant person who has borderline and narcissistic personality disorders on the full spectrum. Hence the dreamy ethereal sounds. Overall meaning is about the honeymoon state at the start of the relationship, but then it becomes chaotic; whenever there was chaos, the abused victim dreams of going back to the honeymoon state and staying there for validation ('trauma bonding') after being devalued and discarded by the borderline/narcissist; and no matter what, even after the relationship is over, a part of the victim still loves and misses the good idea/image which the abused only hopes the abuser to become (again: trauma bonding). Hence the middle part of the track sounding chaotic but quantized, then gradually going back to pleasant-sounding etherealness. In essence, this track is about a dream of 'what it might've been' if everything stayed constantly beautiful; and also it’s a mourning -- the death of someone whom the victim misses terribly but that person does not exist in real life, because such a person is a chameleon, a person wearing a mask at all times, lacking empathy. ______________________________ LYRICS: BIG ROUND EYES BEAUTIFUL FACE POISE AND GRACE A LOVE REVISED THIS STORY BEGINS HEART OF HEARTS VISION, DESIRE MIND AND SPIRIT THICKENING SKIN IMAGINED ART TRANSITION, FIRE REFINED AND VIVID DREAMING OF TWO REGARD AND TRUST RELIANCE, SHELTER HONOR AND PRIDE KINDNESS, VIRTUE MERCY AND JUST FORGIVER, HELPER UNION MAGNIFIED CHAOS I MUST WARN YOU CHAOS IT’S JUST A DREAM CHAOS GOT TO GET UP CHAOS I WARNED YOU FLY FADING AWAY FLY FLY FADING AWAY FLY FADING AWAY CHAMELEON EXPLOITATION AMBIVALENCE DEGRADATION

"Hashmoder:Hills" hour on D3EP Radio Network with @Hashmoder Show: 050 - Mixed by @Hashmoder (Omar Hash) www.d3ep.com Mixed, Engineered & Mastered by @Hashmoder **MORE HASHMODER MIXES @Hashmoder

"Hashmoder:Hills" hour on D3EP Radio Network with @Hashmoder Show: 049 - Mixed by @Hashmoder (Omar Hash) www.d3ep.com Mixed, Engineered & Mastered by @Hashmoder **MORE HASHMODER MIXES @Hashmoder

"Hashmoder:Hills" hour on D3EP Radio Network with @Hashmoder & Jesse Hills Show: 043 - Mixed by @Hashmoder (Omar Hash) www.d3ep.com Mixed, Engineered & Mastered by @Hashmoder **MORE HASHMODER MIXES @Hashmoder

"Hashmoder:Hills" hour on D3EP Radio Network with @Hashmoder & Jesse Hills Show: 042 - Mixed by @Hashmoder (Omar Hash) www.d3ep.com Mixed, Engineered & Mastered by @Hashmoder **MORE HASHMODER MIXES @Hashmoder

"Hashmoder:Hills" hour on D3EP Radio Network with @Hashmoder & Jesse Hills Show: 041 - Mixed by @Hashmoder (Omar Hash) www.d3ep.com Mixed, Engineered & Mastered by @Hashmoder **MORE HASHMODER MIXES @Hashmoder

Buy this track from Bandcamp https://hashmoder.bandcamp.com/track/nightvision-six Hashmoder (Omar Hash): All music composition, arrangements, programming, keyboards, synthesizers, drum machines, sequencing, recording, editing, audio engineering, mixing, and mastering. Alan Wong Moon: Guitars ______________________________ 'NightVision Six' is a retro-future with an updated take and homage to the 1980s sound/genre. An electronic driven by a very tight groove stemming from a synthesizer baseline which drives the entire track along a montage highway to the future-past of an utopian tomorrow. Stabbing chords of stacked synthesizer layers. Carefully programmed drum machine. Heavily processed guitars and synths. Full-on dynamic automation. 'NightVision Six' gives a nod to Paul Hardcastle, Jan Hammer, Trevor Horn, Frankie Goes To Hollywood, The Art of Noise, and Yello.

"Hashmoder:Hills" hour on D3EP Radio Network with @Hashmoder & Jesse Hills Show: 040 - Mixed by @Hashmoder (Omar Hash) www.d3ep.com Mixed, Engineered & Mastered by @Hashmoder **MORE HASHMODER MIXES @Hashmoder

Buy this track from Bandcamp https://hashmoder.bandcamp.com/album/nightvision-531-ep Hashmoder (Omar Hash): Music programming & sequencing (synths, drums), editing, audio engineering, mixing and mastering. ______________________________ 'NightVision Three' has the intention to dive the listener into a deep soundtrack scene without dialogue. Syncopated, arpeggiated synth baselines and leads. Evolving and moving synth pads. Chord hits and stabs. This track is a nod and pays homage to Tangerine Dream and Enigma.

Buy this track from Bandcamp https://hashmoder.bandcamp.com/album/nightvision-531-ep Hashmoder (Omar Hash): Music programming & sequencing (synths, drums), editing, audio engineering, mixing and mastering. ______________________________ 'NightVision One' has the intention to dive the listener into a deep soundtrack scene without dialogue. Syncopated, arpeggiated synth baselines and leads. Evolving and moving synth pads. Chord hits and stabs. This track is a nod and pays homage to Tangerine Dream and Enigma.

Buy this track from Bandcamp https://hashmoder.bandcamp.com/album/nightvision-531-ep Hashmoder (Omar Hash): Music programming & sequencing (synths, drums), editing, audio engineering, mixing and mastering. ______________________________ 'NightVision Five' pays homage to Hashmoder's 'Tutumaraia' track. Enigma-esque synth pads serve as motif under two counterpoint syncopated synth leads going tightly against/opposite each other, in a driving motion. This track is a nod to Tangerine Dream and Enigma.er

This mix is the serious kick-ass, no nonsense dance music you'll hear, like one of those rare nights you hit the right spot and everything was bliss; you were sucked in by the music, deep in your zone, and grooving/dancing in a trance; and when the night was over, you were "OMFG that was amazing," dripping in sweat, and you hadn't experienced a night like that in a long long long time. "Hashmoder:Hills" hour on D3EP Radio Network with @Hashmoder & Jesse Hills Show: 038 - Mixed by @Hashmoder (Omar Hash) www.d3ep.com Mixed, Engineered & Mastered by @Hashmoder **MORE HASHMODER MIXES @Hashmoder

"Hashmoder:Hills" hour on D3EP Radio Network with @Hashmoder & Jesse Hills Show: 037 - Mixed by @Hashmoder (Omar Hash) www.d3ep.com Mixed, Engineered & Mastered by @Hashmoder **MORE HASHMODER MIXES @Hashmoder

"Hashmoder:Hills" hour on D3EP Radio Network with @Hashmoder & Jesse Hills Show: 036 - Mixed by @Hashmoder (Omar Hash) www.d3ep.com Mixed, Engineered & Mastered by @Hashmoder **MORE HASHMODER MIXES @Hashmoder

"Hashmoder:Hills" hour on D3EP Radio Network with @Hashmoder & Jesse Hills Show: 035 - Mixed by @Hashmoder (Omar Hash) - June 17th, 2016 www.d3ep.com Mixed, Engineered & Mastered by @Hashmoder **MORE HASHMODER MIXES @Hashmoder

Machine Dance, Intelligent, Groovy, Tech, House ...enjoy the ride! "Hashmoder:Hills" hour on D3EP Radio Network with @Hashmoder & Jesse Hills Show: 026 - Mixed by @Hashmoder (Omar Hash) - June 30th, 2015 www.d3ep.com Mixed, Engineered & Mastered by @Hashmoder **MORE HASHMODER MIXES @Hashmoder

LOVER'S GROOVE TO BOP YOUR HEAD TO ...enjoy the ride! Elevate Presents on D3EP Radio Network with Hashmoder & Jesse Hills Show: 025 - Mixed by @Hashmoder (Omar Hash) - May 30th, 2015 www.d3ep.com/listen Mixed, Engineered & Mastered by @Hashmoder **MORE HASHMODER MIXES @Hashmoder

GOOD MUSIC NEVER GETS OLD! A special old set/playlist from 2001 remixed. Back to the fundamental grooves. Set starts out serious deep house >> groovy deep vocal house >> disco house >> tech >> trance. Good programming and transitions from varying dance genres. Wherever you are and wherever you go... :) ...enjoy the ride! - Hashmoder ***THIS MIX IS ALSO AVAILABLE @ElevateEntertainment Elevate Presents on D3EP Radio Network with Hashmoder & Jesse Hills Show: 016 - Mixed by Hashmoder (Omar Hash) - Jan 31st, 2015 www.d3ep.com/listen Mixed, Engineered & Mastered by @Hashmoder @hashmoder

TRACKLISTING: A1: Duke Bootee – “Broadway” A2: Skinny Boys – “Awesome” A3: Kurtis Blow - “The Bronx” A4: DJ Scott La Rock, Blastmaster KRS One & D-Nice – “South Bronx” B1: Just-Ice - “Cold Gettin’ Dumb” B2: Faze One – “Layin’ Down A Beat” (Censored Version) B3: The Move - “Greedy Girls” (Extended Version) B4: Captain Rock – “Bongo Beat” ---------- I recorded digitally my entire StreetSounds Electro compilation series. I recorded my StreetSounds vinyls into Protools, with as much digital restorations as possible and widened stereo-field. The genre Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word & genre of “electro" today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots. The label Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan in 1981, specializing in releasing Electro and Hi-NRG releases. StreetSounds were series of compilation albums created from some of the hottest 12″ imports of the day. This series would run for over 6 years and contain over 50 albums. The most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street which helped in the creation of the UK’s hip hop scene. The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro, later changing to StreetSounds Hip Hop after release 12 in 1986. All of the albums were competently mixed by the best remixers of the day – predominately from the UK. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

TRACKLISTING: A1: Awesome Foursome – “Monster Beat” A2: Tricky Tee – “Leave It To The Drums (Here Comes The Drums)” (Club) A3: T La Rock - “Breaking Bells” (Club) A4: Mixmaster Gee & The Turntable Orchestra – “The Manipulator” (Extended Version) B1: Divine Sounds - “Me And My Posse” B2: Fresh Force – “She’s A Skeezer” B3: MC Chill (guest appearance by BeatMaster T) - “Downbeats” B4: Skinny Boys – “Rip The Cut” ---------- I recorded digitally my entire StreetSounds Electro compilation series. I recorded my StreetSounds vinyls into Protools, with as much digital restorations as possible and widened stereo-field. The genre Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word & genre of “electro" today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots. The label Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan in 1981, specializing in releasing Electro and Hi-NRG releases. StreetSounds were series of compilation albums created from some of the hottest 12″ imports of the day. This series would run for over 6 years and contain over 50 albums. The most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street which helped in the creation of the UK’s hip hop scene. The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro, later changing to StreetSounds Hip Hop after release 12 in 1986. All of the albums were competently mixed by the best remixers of the day – predominately from the UK. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

TRACKLISTING: A1: Grandmaster Flash – “Style” (Peter Gunn Theme) A2: Afrika Bambaataa & Family – “Bambaataa’s Theme” (Assault On Precinct 13) A3: Hashim - “UK Fresh ’86″ (The Anthem) Featuring MC Devon A4: Dr. Jeckyll & Mr. Hyde – “Fast Life” A5: Aleem - “Get Loose” A6: Masquerade - “(Solution To) The Problem” (The DEFinitive Dance Mix) A7: Sir Mix-A-Lot - “Square Dance Rap” (Power Mix) A8: Captain Rock - “Return Of Captain Rock” A9: Information Society - “Running” (“The Nest” Remix) A10: World Class Wreckin’ Cru - “Mission Possible” B1: Lovebug Starski - “Amityville” B2: Joe Ski Love – “Pee-Wee’s Dance” B3: Just-Ice - “Latoya” B4: MC Chill – “The Prophecy, Part 1″ (The Beginning) B5: Eric B & Rakim - “Eric B. Is President” B6: MC Boob aka Steady B - “Bring The Beat Back” (Vocal) B7: The Real Roxanne with Hitman Howie Tee - “(Bang Zoom) Let’s Go Go Go” B8: Roxanne Shante - “Queen Of Rox (Shante Rox On)” (Street Version) B9: Easy Mike - “The State We’re In” (Vocal) Featuring MC Sure Shot B10: Mantronix - “Ladies” B11: Family Quest - “Sleep Walking” ---------- I recorded digitally my entire StreetSounds Electro compilation series. I recorded my StreetSounds vinyls into Protools, with as much digital restorations as possible and widened stereo-field. The genre Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word & genre of “electro" today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots. The label Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan in 1981, specializing in releasing Electro and Hi-NRG releases. StreetSounds were series of compilation albums created from some of the hottest 12″ imports of the day. This series would run for over 6 years and contain over 50 albums. The most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street which helped in the creation of the UK’s hip hop scene. The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro, later changing to StreetSounds Hip Hop after release 12 in 1986. All of the albums were competently mixed by the best remixers of the day – predominately from the UK. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

TRACKLISTING: A1: Grandmaster Flash – “Fastest Man Alive” A2: Fat Boys – “Beat Box Is Rocking” A3: Sir Mix-A-Lot - “Square Dance Rap” (Rodeo Drive Mix) A4: Ghetto Style (with the 2 Live Crew) – “Trow The D. And Ghetto Bass” B1: Ultimate III - “Ultimate III Live!” B2: MC Chill – “MC Story” B3: Celebrity Club - “Girls (Rulin’ The World)” Featuring Royal Silk B4: Whodini – “Funky ---------- I recorded digitally my entire StreetSounds Electro compilation series. I recorded my StreetSounds vinyls into Protools, with as much digital restorations as possible and widened stereo-field. The genre Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word & genre of “electro" today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots. The label Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan in 1981, specializing in releasing Electro and Hi-NRG releases. StreetSounds were series of compilation albums created from some of the hottest 12″ imports of the day. This series would run for over 6 years and contain over 50 albums. The most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street which helped in the creation of the UK’s hip hop scene. The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro, later changing to StreetSounds Hip Hop after release 12 in 1986. All of the albums were competently mixed by the best remixers of the day – predominately from the UK. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

TRACKLISTING: A1: Roxanne Shante – “Def Fresh Crew” A2: Awesome Foursome – “Monster Beat” A3: Captain Rock - “You Stink” A4: Disco Four – “Get Busy” A5: 12:41 – “Success Is The Word” B1: The B-Boys - “Girls – Part 2″ B2: Stetsasonic – “Just Say Stet” B3: The 2 Live Crew – “What I Like” B4: Hashim - “Primrose Path” B5: Dr. Jeckyll & Mr. Hyde – “Butt Naked” ---------- I recorded digitally my entire StreetSounds Electro compilation series. I recorded my StreetSounds vinyls into Protools, with as much digital restorations as possible and widened stereo-field. The genre Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word & genre of “electro" today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots. The label Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan in 1981, specializing in releasing Electro and Hi-NRG releases. StreetSounds were series of compilation albums created from some of the hottest 12″ imports of the day. This series would run for over 6 years and contain over 50 albums. The most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street which helped in the creation of the UK’s hip hop scene. The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro, later changing to StreetSounds Hip Hop after release 12 in 1986. All of the albums were competently mixed by the best remixers of the day – predominately from the UK. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

TRACKLISTING: A1: Tricky Tee – “Johnny The Fox” A2: Roxanne Shante – “Bite This” A3: Dynamic Duo – “Knights Of The Turntables” Featuring Shaquan A4: 19th Fleet – “Star Raid” B1: Run DMC - “Together Forever” B2: MC Craig G – “Transformer” B3: DJ Born Supreme Allah – “Two, Three, Break” B4: Freestyle - “Don’t Stop The Rock” ---------- I recorded digitally my entire StreetSounds Electro compilation series. I recorded my StreetSounds vinyls into Protools, with as much digital restorations as possible and widened stereo-field. The genre Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word & genre of “electro" today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots. The label Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan in 1981, specializing in releasing Electro and Hi-NRG releases. StreetSounds were series of compilation albums created from some of the hottest 12″ imports of the day. This series would run for over 6 years and contain over 50 albums. The most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street which helped in the creation of the UK’s hip hop scene. The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro, later changing to StreetSounds Hip Hop after release 12 in 1986. All of the albums were competently mixed by the best remixers of the day – predominately from the UK. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

TRACKLISTING: A1: Doug E. Fresh & The Get Fresh Crew – “The Show” A2: Bad Boys – “Bad Boys” A3: D.ST – “The Home Of Hip Hop” A4: Kid Frost – “Terminator” B1: The World Class Wreckin’ Cru - “World Class” B2: Mantronix – “Needle To The Groove” B3: Fat Boys – “The Fat Boys Are Back” B4: Rock Master Scott & The Dynamic Three - “The Roof Is On Fire” ---------- I recorded digitally my entire StreetSounds Electro compilation series. I recorded my StreetSounds vinyls into Protools, with as much digital restorations as possible and widened stereo-field. The genre Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word & genre of “electro" today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots. The label Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan in 1981, specializing in releasing Electro and Hi-NRG releases. StreetSounds were series of compilation albums created from some of the hottest 12″ imports of the day. This series would run for over 6 years and contain over 50 albums. The most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street which helped in the creation of the UK’s hip hop scene. The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro, later changing to StreetSounds Hip Hop after release 12 in 1986. All of the albums were competently mixed by the best remixers of the day – predominately from the UK. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

TRACKLISTING: A1: Sparky Dee vs. Playgirls – “The Battle” A2: Davy DMX – “The DMX Will Rock” (Rap Mix) A3: Aleem- “Confusion” A4: D E F – “D E F Momentum” Featuring DJ Three D B1: Marley Marl - “Marley Marl Scratch” Featuring MC Shan B2: The B-Boys – “Girls” B3: The Papa Austen With Great Peso – “Wrong Girls To Play With” (Dub) B4: NYC Cutter - “DJ Cuttin” ---------- I recorded digitally my entire StreetSounds Electro compilation series. I recorded my StreetSounds vinyls into Protools, with as much digital restorations as possible and widened stereo-field. The genre Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word & genre of “electro" today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots. The label Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan in 1981, specializing in releasing Electro and Hi-NRG releases. StreetSounds were series of compilation albums created from some of the hottest 12″ imports of the day. This series would run for over 6 years and contain over 50 albums. The most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street which helped in the creation of the UK’s hip hop scene. The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro, later changing to StreetSounds Hip Hop after release 12 in 1986. All of the albums were competently mixed by the best remixers of the day – predominately from the UK. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

TRACKLISTING: A1: Egyptian Lover – “Girls” (Remix Long Version) A2: The Unknown DJ – “808 Beats” (Club Mix) A3: Knights Of The Turntables – “Fresh Mess (Jam …Your Radio)” B1: Roxanne Shante - “Queen Of Rox” (Street Version) B2: The Fearless Four – “Dedication” B3: Chris ‘The Glove’ Taylor – “Itchiban Scratch” B4: The B-Boys - “Stick Up Kid” ---------- I recorded digitally my entire StreetSounds Electro compilation series. I recorded my StreetSounds vinyls into Protools, with as much digital restorations as possible and widened stereo-field. The genre Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word & genre of “electro" today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots. The label Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan in 1981, specializing in releasing Electro and Hi-NRG releases. StreetSounds were series of compilation albums created from some of the hottest 12″ imports of the day. This series would run for over 6 years and contain over 50 albums. The most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street which helped in the creation of the UK’s hip hop scene. The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro, later changing to StreetSounds Hip Hop after release 12 in 1986. All of the albums were competently mixed by the best remixers of the day – predominately from the UK. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

TRACKLISTING: A1: UTFO – “Roxanne Roxanne” A2: The Real Roxanne – “The Real Roxanne” A3: Captain Rock – “Cosmic Blast” A4: Roxanne Shante - “Roxanne’s Revenge” A5: Whodini - “Freaks Come Out At Night” B1: Egyptian Lover – “My House On The Nile” B2: Bobby Broom – “Beat Freak” B3: Doug E. Fresh - “Just Having Fun (Do The Beat Box)” B4: Doug E. Fresh - “The Original Human Beat Box” ---------- I recorded digitally my entire StreetSounds Electro compilation series. I recorded my StreetSounds vinyls into Protools, with as much digital restorations as possible and widened stereo-field. The genre Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word & genre of “electro" today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots. The label Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan in 1981, specializing in releasing Electro and Hi-NRG releases. StreetSounds were series of compilation albums created from some of the hottest 12″ imports of the day. This series would run for over 6 years and contain over 50 albums. The most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street which helped in the creation of the UK’s hip hop scene. The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro, later changing to StreetSounds Hip Hop after release 12 in 1986. All of the albums were competently mixed by the best remixers of the day – predominately from the UK. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

TRACKLISTING: A1: Great Peso & Mr. Nasty – “It’s Time To Rock” A2: Dr. Jeckyll & Mr. Hyde – “Fast Life” A3: Knights Of The Turntables – “Techno Scratch” A4: Egyptian Lover – “Egypt Egypt” A5: Arthor Baker – “Breakers Revenge” B2: Captain Rock - “Captain Rock To The Future Shock” B2: Aleem – “Release Yourself” B3: Fantasy Three – “The Buck Stops Here” B4: High Fidelity Three – “B Boy Breakdance” ---------- I recorded digitally my entire StreetSounds Electro compilation series. I recorded my StreetSounds vinyls into Protools, with as much digital restorations as possible and widened stereo-field. The genre Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word & genre of “electro" today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots. The label Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan in 1981, specializing in releasing Electro and Hi-NRG releases. StreetSounds were series of compilation albums created from some of the hottest 12″ imports of the day. This series would run for over 6 years and contain over 50 albums. The most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street which helped in the creation of the UK’s hip hop scene. The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro, later changing to StreetSounds Hip Hop after release 12 in 1986. All of the albums were competently mixed by the best remixers of the day – predominately from the UK. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

TRACKLISTING: A1: Steps Ahead – “Radio Active” A2: Pumpkin & The Profile All-Stars – “Here Comes The Beat” A3: Herbie Hancock – “Megamix” (Includes: Rockit, Autodrive, Future Shock, TFS, Rough & Chameleon ’84) B1: Run DMC – “Sucker M.C.’s” B2: Key-Matic - “Breakin’ In Space” B3: The VHB – “Beethoven’s Fifth (Street) Symphony” B4: Cybotron – “Techno City” ---------- I recorded digitally my entire StreetSounds Electro compilation series. I recorded my StreetSounds vinyls into Protools, with as much digital restorations as possible and widened stereo-field. The genre Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word & genre of “electro" today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots. The label Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan in 1981, specializing in releasing Electro and Hi-NRG releases. StreetSounds were series of compilation albums created from some of the hottest 12″ imports of the day. This series would run for over 6 years and contain over 50 albums. The most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street which helped in the creation of the UK’s hip hop scene. The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro, later changing to StreetSounds Hip Hop after release 12 in 1986. All of the albums were competently mixed by the best remixers of the day – predominately from the UK. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

TRACKLISTING: A1: Divine Sounds – “Dollar Bill” A2: Imperial Brothers – “We Come To Rock” A3: Newcleus – “Jam On It” B1: Boogie Boys – “Zodiac” B2: Pumpkin - “King Of The Beat” B3: Davy DMX – “One For The Treble (Fresh)” B4: Fresh 3 MC’s – “Fresh” ---------- I recorded digitally my entire StreetSounds Electro compilation series. I recorded my StreetSounds vinyls into Protools, with as much digital restorations as possible and widened stereo-field. The genre Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word & genre of “electro" today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots. The label Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan in 1981, specializing in releasing Electro and Hi-NRG releases. StreetSounds were series of compilation albums created from some of the hottest 12″ imports of the day. This series would run for over 6 years and contain over 50 albums. The most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street which helped in the creation of the UK’s hip hop scene. The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro, later changing to StreetSounds Hip Hop after release 12 in 1986. All of the albums were competently mixed by the best remixers of the day – predominately from the UK. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

TRACKLINSTING: A1: The B-Boys – “Two, Three, Break” A2: The B-Boys – “Cuttin’ Herbie” A3: Xens – “On The Upside”) A4: Hashim - “Al-Naafiysh” B1: Rammellzee Vs. K-Rob – “Beat Bop”) B2: Two Sisters – “B-Boys Beware” (Club Mix) B3: Grandmaster Flash & Melle Mel - “White Lines” (Don’t Don’t Do It) ---------- I recorded digitally my entire StreetSounds Electro compilation series. I recorded my StreetSounds vinyls into Protools, with as much digital restorations as possible and widened stereo-field. The genre Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word & genre of “electro" today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots. The label Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan in 1981, specializing in releasing Electro and Hi-NRG releases. StreetSounds were series of compilation albums created from some of the hottest 12″ imports of the day. This series would run for over 6 years and contain over 50 albums. The most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street which helped in the creation of the UK’s hip hop scene. The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro, later changing to StreetSounds Hip Hop after release 12 in 1986. All of the albums were competently mixed by the best remixers of the day – predominately from the UK. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

TRACKLISTING: A1: The Packman – “I’m The Packman” A2: Newcleus – “Jam On Revenge” (The Wikki-Wikki Song) A3: West Street Mob – “Break Dancin’ – Electric Boogie” A4: C-Bank - “Get Wet” B1: K-9 Corp – “Dog Talk” B2: G-Force – “Feel The Force” B3: Project Future – “Ray-Gun-Omics” B4: Captain Rock – “The Return Of Captain Rock”) ---------- I recorded digitally my entire StreetSounds Electro compilation series. I recorded my StreetSounds vinyls into Protools, with as much digital restorations as possible and widened stereo-field. The genre Electro since the early 80′s was electric funk and hip-hop music, mainly for break-dancing, bee-bopping, and body-popping. In my opinion, the word & genre of “electro" today has been hijacked in the form of 4/4 dance music and not anywhere near its true roots. The label Streetsounds was part of the UK Streetwave stable of labels created by Morgan Khan in 1981, specializing in releasing Electro and Hi-NRG releases. StreetSounds were series of compilation albums created from some of the hottest 12″ imports of the day. This series would run for over 6 years and contain over 50 albums. The most coveted of the Streetsounds releases were the Electro series. These albums introduced the UK to the developing hip-hop scene from America – a stroke of genius that brought electro and early hip hop from the underground to the UK high street which helped in the creation of the UK’s hip hop scene. The Electro series ran for a total of 27 albums (and one box set) from 1982 to 1988. The albums were initially labeled StreetSounds Electro, later changing to StreetSounds Hip Hop after release 12 in 1986. All of the albums were competently mixed by the best remixers of the day – predominately from the UK. Headed by “Herbie The Mastermind” (aka Herbie Laidley) the team also featured Kiss FM radio DJ’s Dave VJ and Max LX who were also members of UK electro outfit Hard Rock Soul Movement, responsible for the massive “Double Def Fresh” release.

My cerebral DJ set for D3EP RADIO, Jan-10-2015. Wherever you are, just sit on the coach and smoke the herby, or download this mix and drive somewhere, and drift to this journeying mix; make this mix your own montage wherever you go :) Enjoy the ride! - Hashmoder ***THIS MIX IS ALSO AVAILABLE @ElevateEntertainment "Hashmoder:Hills" hour on D3EP Radio Network with @Hashmoder & Jesse Hills Show: 014 - Mixed by Hashmoder (Omar Hash) - Jan 10th, 2015 www.d3ep.com Mixed, Engineered & Mastered by @Hashmoder Thanks to @ElevateEntertainment

Happy New Year, World! Wherever you are, just sit on the coach and smoke the herby, or download this mix and drive somewhere, and drift to this journeying mix; make this mix your own montage wherever you go :) Enjoy the ride! - Hashmoder ***THIS MIX IS ALSO AVAILABLE @ElevateEntertainment "Hashmoder:Hills" hour on D3EP Radio Network with @Hashmoder & Jesse Hills Show: 013 - Mixed by Hashmoder (Omar Hash) - Jan 3rd, 2015 www.d3ep.com Mixed, Engineered & Mastered by @Hashmoder

My mix live on the radio. I poured my heart in my latest mix for D3EP RADIO. Steady lover's groove. Batteries included! The mix will take you on a groovy & cerebral journey. Enjoy the ride! ***THIS MIX IS ALSO AVAILABLE @ElevateEntertainment "Hashmoder:Hills" hour on D3EP Radio Network with @Hashmoder & Jesse Hills Show: 010 - Mixed by Hashmoder (Omar Hash) - Nov 22nd, 2014 www.d3ep.com Mixed, Engineered & Mastered by @Hashmoder

NOVEMBER 2014... Recorded live @ Hashmoder's Cave at the top of the British Properties in West Vancouver, on a beautiful sunny day. Food, coffee, couches, large 80" TV, music studio, vintage synths, old drum machines, a DJ booth, loud speakers, and GOOD VIBES :) Recorded, mixed, engineered and mastered @Hashmoder (aka Omar Hash)

Mixed, Engineered & Mastered by @Hashmoder I am very proud of this mix. This mix as well as Project June '13. Raw, baseline-driven, mature, no bullshit, and all-out GROOVY. The tracks in this mix will ride with no-nonsense grooves which have that raw feeling/energy from when the days of true underground house, but with today's bite, with your eyes closed in that dark attic of a makeshift nightclub (upstairs above a coffee shop on a Saturday night), and hypnotized/tantalized to the beef sounds of the raw underground. Then later walking back home, sweaty but in silence. ***THIS MIX IS ALSO AVAILABLE @ElevateEntertainment "Hashmoder:Hills" hour on D3EP Radio Network with @Hashmoder & Jesse Hills Show: 005 - Mixed by Hashmoder (Omar Hash) www.d3ep.com Mixed, Engineered & Mastered by @Hashmoder

TODAY: SEPTEMBER 16TH, 2014. 30 YEARS AGO TODAY THIS MIXTAPE: SEPTEMBER 16TH, 1984. The Twilight Zone was truly my favorite nightclub at 185 Richmond Street, Toronto. Its doors were opened in 1980 and closed in 1989. Denise Benson --a Toronto-based journalist/broadcaster and DJ-- in her article for TheGrid (which is a weekly magazine) described the nightclub in her own words: "...a magical late-night place where the mix of people was just as eclectic as the music itself. The Twilight Zone embraced the collage of sounds that came to define the 1980s, as local and international DJs played disco, funk, electro, early hip-hop, new wave, freestyle, house and techno over the years, and on an infamously state-of-the-art sound system. The Twilight Zone was the place to be, with large, diverse crowds dancing until morning week after week." (http://www.thegridto.com/culture/music/then-now-the-twilight-zone/) On a Sunday night, September 16th, 1984, at the young age of 13 years old and supposed to be in bed for school the following day, my elder brother snuck me in The Twilight Zone. He took me straight to the DJ booth. As I entered the booth, I gave the DJ a blank 90-minute TDK cassette tape. He took my tape, inserted it in the deck, hit record, and I just sat on the sofa next to the booth and listened to the music all night long. The DJ that night was no other than the legendary Greg Howlett. He was Toronto's best who broke new grounds. Howlett's friend and DJ comrade, Vince Degiorgio (songwriter/producer), describes Greg "as masterful DJ who played in clubs straight and gay. His mixing style was described as positively sublime and built a rush. Howlett was a rock star before DJ's were allowed to be. He would spin music (which never lets you off the hook) for hours, more than four nights a week" at all the clubs and gigs. Greg Howlett passed away in 1992, and his music and memory will forever live on. In honor and tribute to both Greg Howlett and The Twilight Zine club, I have digitized in Protools the tape mix (which Howlett recorded for me on that Sunday night, September 16th, 1984). I took out most of the hiss-noise and did a little mastering for your listening pleasure. Please sit back and enjoy this time capsule of sounds from 30 years ago. I am Hashmoder

MARCH 2014... It was 7pm, March 4th, 2014, and I hit the RECORD button and off I went mixing. I had no track list, no pre-programming in thought. I winged it live at my Cave. I captured the essence of "live" energy. Tempo starts at 84 BPM, gradually going up after every track to 123 BPM. Original recording & mastering format @ 48Hz/24-bit. Rendered bounced MP3 @ 44.1Hz/16-bit. Thus good low-end with wide stereo field.

June 7, 2013... This very special mix-set is a sequel to my other mix Project June which I did in June 2001. This deep mix still means so much to me, especially around the time when I started losing weight. I recorded this mix the day before I left to Arizona for 30 days, stayed with my best friend Shawn Willbanks, and hiked Phoenix South Mountain everyday in the scorching Arizona summer heat.

FEBRUARY 2012... Good music never gets old. I am really proud of this latest mix of mine. Took me months compiling and programming carefully all the individual tracks of Burning Passions Part-2. It's not just the mixing, but, also, it's the sound-design editing/layering on top it all. Lots of creative (and thought-of-carefully) automation across the entire [widened] stereo field. Journey indeed! Wear beefy headphones. Get full stereophonic experience. What's this mix-set about? The entire mix, as a whole, is like a torch-song. A torch-song is a sentimental love song, typically one in which the singer laments an unrequited or lost love, either where one party is oblivious to the existence of the other, where one party has moved on, or where a romantic affair has affected the relationship -- like carrying a torch for someone, or to keep aflame the light of an unrequited love. NOSTALGIC & SENTIMENTAL. Emotional at times.

SEPTEMBER 2011... This is my latest DJ mix-set. Long over-due since my last mix-set "54 Minute Hour" which was done in December 2004. This mix's tempo is 116.09. Tracks are italo/house/tech-house. Very emotional and melodic. I just hit the record-button and mixed away in my basement studio. I did minor mastering to this mix in Protools. I'm providing you high-quality .mp3 file of my latest mix.

I downloaded a track from Serge Santiago's SoundCloud page called "Real Passions" ... which was practically an remix-edit of Steel Mind's 1981 italo track "Bad Passion". I wasn't able to find the full version of Serge Santiago's Passion (dub) track anywhere else online but only on Serge's SoundCloud page. On that page, Serge provided (as free download) a very short edit of Real Passions (dub). So I downloaded it and listened to it, but I was still not satisfied as to how short his track was. i was left wanting more. In any case, I made my own edit/mash/mix of Passion by using two tracks: (1) Serge's short Real/Passions dub-edit; and (2) Steel Mind's original Bad Passion. Chopped both tracks into clips inside Protools. And then I arranged and mixed the clips together (from both tracks) in Ableton Live-8 to my liking. My edit is short (5 minutes in length), sweet and to the point. Very DJ-friendly. I hope Serge Santiago will forgive me for what I did :)

Edited, re-arranged, added new drum-track under-layer of Man Parrish's old 1983 track "HeatStroke". More DJ-friendly. 130 BPM.

Buy this track from Bandcamp https://hashmoder.bandcamp.com/track/tranquil-instrumental Hashmoder (Omar Hash): Sound design, synthesizers, instruments, vocals, vocoder, arrangements, programming, editing, engineering, mixing and mastering. Kou ChaiChian: Vocals. Guitars: Alan Wong Woon. Strings: Collective Soul.

Buy this track from Bandcamp https://hashmoder.bandcamp.com/track/tranquil-vocal Hashmoder (Omar Hash): Sound design, synthesizers, instruments, vocals, vocoder, arrangements, programming, editing, engineering, mixing and mastering. Kou ChaiChian: Vocals. Guitars: Alan Wong Woon. Strings: Collective Soul. Acoustic Drums: Collective Soul.

Buy this track from Bandcamp https://hashmoder.bandcamp.com/track/tutumaraia Hashmoder (Omar Hash): Music composition, sound design, synthesizers, instruments, vocals, vocoder, arrangements, programming, editing, engineering, mixing and mastering. Background Vocals: KouChaiChian ______________________________ 'Tutumaraia' was Hashmoder's second breakthrough attempt at composing/producing a long, epic electronic track with two movements separated by a long breakdown. Over fifty tracks of synthesizer layers and leads, percussion, original background vocals, voice samples, and vocoders, all driven along by tightly syncopated synth bassline. The first movement sounds very Enimga-esque. Second movement after middle-breakdown goes off into very tight synth-syncopation craziness. 'Tutumaraia' gives nod/homage to Enigma, Herbie Hancock, Casey Young, Trevor Horn, Franke Goes To Hollywood, The Art of Noise, Jan Hammer, and Yello.