PODCAST · education
Short and Suite
by Adobe TV
Join your hosts Karl Soule' and Jason Levine as they show you important insider tips and tricks in the exciting world of video and audio production.
Episodes
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Save Time with Powerful Background Rendering Using Media Encoder
Learn how Adobe Premiere Pro and Adobe Media Encoder leverages background rendering to save you time. Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0;...
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The Power of Dynamic Link
Learn how to use the power of Dynamic Link to eliminate intermediate rendering between applications. Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0;...
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Get Blazing Performance and Rock-Solid Stability with the Enhanced Mercury Playback Engine
Learn how to get better performance and stability by taking advantage of sweeping optimizations and enhancements. Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0;...
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Work Natively with PSD files in Premiere Pro
In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency,...
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Stereoscopic 3D Workflows in Adobe After Effects CS5.5
Karl Soule demonstrates a couple different ways to work with and create stereoscopic 3D content inside of Adobe After Effects CS5.5. Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0;...
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Repair AGC (automatic gain control) Clipping Artifacts from DSLR in Adobe Audition CS5.5
In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to detect, analyze and repair digitally clipped samples and distortions caused by AGC on your DSLR and other video cameras and audio-capture devices. Adobe Audition CS5.5's incredible tools for audio…
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Quick-Start DSLR Editing Workflow for Final Cut Users/Switchers (updated for CS5.5!)
In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will take you 'from the camera to the timeline', showcasing a complete Ingest-Edit-Export workflow when working with DSLR video media, or really any tapeless, file-based format in Premiere Pro CS5.5. Along the way, he'll...
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Multitrack Mixing Automation in Adobe Audition CS5.5
In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's...
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Dual-System Sound Synchronization without Timecode in Premiere Pro CS5.5
In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode). Normal 0 false false false EN-US X-NONE X-NONE /* Style...
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Basic Secondary Color Correction/Grading in Premiere Pro CS5.5
In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine walks you through some basic techniques for using Secondary Color Correction in Premiere Pro CS5.5, focusing on skin tones, as well as individual color selections for more intricate grading tasks…all played in real-time…
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Using the Trim Monitor in Adobe Premiere Pro CS5.5
The Trim Monitor maybe an often-overlooked tool in Premiere Pro that can be used to precisely tweak an edit. Karl Soule shows you how to use this feature to fine-tune the in and out points of clips on a timeline at a cut with ease. For more Adobe tutorials, visit Adobe TV, http://tv.adobe.com
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Hardware for Video
In this episode of Short and Suite, Karl Soule talks about how the new HP Workstations powered by Intel Xeon processors make great hardware solutions for running Adobe Production Premium. For more Adobe tutorials, visit Adobe TV, http://tv.adobe.com
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Closed Captions in Premiere Pro CS5.5
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Cineform Neo3D for Mac with Adobe Premiere Pro
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Adobe Story
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Encoding in Encore
In this episode of Short and Suite, Karl Soule shares tips on how to optimize and increase the quality of your encodings in Encore for DVD and Bluray delivery.
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Color Finesse Workflow: Using a Control Surface
Join Karl Soule as he demonstrates how to use an external control surface to manipulate the controls of Color Finesse inside of Adobe After Effects.
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Premiere Pro CS5.5 Resources for Professional Editors
Thinking about switching to Adobe Premiere Pro CS5.5? Join Karl Soule as he shares some of the tricks that can make that transition easier as well as a variety of assets which will help you make an informed decision. Here are the links Karl referred to in the video:...
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Color Finesse Workflow: Secondary Grading
In this episode of Short and Suite, Technical Evangelist Karl Soule demonstrates how to use Color Finesse along with Adobe After Effects' built in masking tools to perform secondary color corrections.
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Adobe Story Overview with Karl Soule
Short and Suite’s Karl Soule briefly discusses the changes in Adobe Story and how it’s become a very powerful collaboration script writing tool.
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Stereoscopic 3D Editing with NVIDIA 3D Vision Pro and Adobe Premiere Pro
Edit in a new dimension – 3D Stereo! Immerse yourself in a true stereoscopic 3D, collaborative visualization experience, and see remarkable detail with NVIDIA® 3D Vision™ Pro solutions, Adobe Premiere Pro and Cineform Neo3D.
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GPU Acceleration and NVIDIA
In this Episode of Short and Suite, Karl Soule shows how Premiere Pro CS5’s new Mercury Playback Engine works with the Nvidia CUDA technology to greatly enhance the power of your workstation.
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Working with HD Digital SLR footage in Premiere Pro CS5
In this episode of Short and Suite, Karl Soule shows new features in Premiere Pro CS5 that are designed to make working with high definition footage shot with a DSLR easy and efficient.
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Adobe Story CS5
In this episode of Short and Suite, Karl Soule demonstrates how Adobe® Story, a collaborative script development tool designed for creative professionals, can help you create your next script or screenplay.
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Creating Video Portfolios with Flash Catalyst
Join Karl Soule as he demonstrates Adobe Flash Catalyst, a new tool in CS5 Production Premium that allows you to create interactive designs for the web… without coding!
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Creating a Rough Cut with OnLocation
In this episode of Short and Suite, Karl talks about OnLocation CS5's new ability to support tapeless workflows on set and shows you how to quickly create a rough cut edit using OnLocation and Premiere Pro CS5.
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Using Audio Effects in Premiere Pro
There are 2 different ways to add effects to audio in Premiere Pro. Karl Soule’ walks through both techniques, and when to use each technique.
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Making Text Masks in After Effects
After Effects makes it simple to use text as an outline for a different layer. Karl Soule’ explains how.
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Mapping Audio Channels in Premiere Pro
For editors dealing with footage using split-mono tracks (voice on one track, ambient sound on another) this quick tutorial on audio channel mapping is a must-see.
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How Content-Aware Fill can Help with Video
Content-Aware fill in Photoshop is a powerful tool for generating clean plates in Premiere Pro. Karl Soule’ provides some examples.
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Basic Use of the 3-Way Color Corrector
In Adobe Premiere Pro CS5 tutorial, Karl Soule shows how to adjust which areas of the video are affected by each of the 3 wheels, and how to blend the color effects better.
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Setting up the 3 Wheels of the 3-Way Color Corrector
In this Adobe Premiere Pro CS5 tutorial, Karl Soule shows how to adjust which areas of the video are affected by each of the 3 wheels, and how to blend the color effects better.
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Using the 3-way CoCo as a Secondary Color Corrector
This Adobe Premiere Pro CS5 tutorial unlocks the secrets of using the 3-way Color Corrector for secondary color effects. Secondaries only affect one part of an image, leaving the other values alone. Learn how to just affect skin tone in an image, boost saturation for a green field of grass, and...
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Performing an Extended Edit in Premiere Pro
In this episode of Short and Suite, Karl Soule demonstrates how to customize the keyboard to quickly extend the duration of a clip in a timeline by using the 'Roll Next Edit to CTI' and 'Roll Previous Edit to CTI' commands.
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Color Finesse Workflow: Workflow from Premiere Pro
In this episode of Short and Suite, Karl Soule demonstrates how to easily move your Premiere Pro timeline to After Effects for color correction using Synthetic Aperture's Color Finesse 3 plug-in. You'll learn basic techniques to enhance and color correct your footage using this powerful tool.
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Color Finesse Workflow: Primary Grading (Part 2)
Have you ever tried to match color from shots captured on different cameras, or from footage shot on the same camera, but under different lighting conditions? In this episode of Short and Suite, Karl Soule continues to explore Color Finesse workflows inside Adobe After Effects CS5. He shows you…
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Color Finesse Workflow: Primary Grading (Part 1)
In this second installment of a series of Short and Suite episodes focused on Color Finesse - the After Effects plug-in for color correcting which comes with Adobe Creative Suite CS5 Production Premium - Karl Soule dives deeper into the steps involved in performing a primary color correction to...
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ABOUT THIS SHOW
Join your hosts Karl Soule' and Jason Levine as they show you important insider tips and tricks in the exciting world of video and audio production.
HOSTED BY
Adobe TV
CATEGORIES
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