We Interrupt This Broadcast

This episode is sponsored by Getty Images, home to market-leading creative and editorial content from the world’s best photographers and videographers. ---In this episode, Robbie Miles speaks with Jairo Alvarado, manager and co-founder of Redefine Entertainment, about building a career and a company on your own terms. As a Literary Manager, Jairo has progressed from a junior executive job at Warner Brothers to launching his own management firm. He supports filmmakers with their projects and careers, giving creative feedback and helping position them in the industry.He and Robbie discuss why risk is the lifeblood of creativity, how reputation and people management can make or break a career, and why it's important to build relationships ahead of individual transactions while creating your own work.---Listen to hear Jairo discuss:Why risk is the lifeblood of creativity and how playing it safe can be a dangerous choiceWhy quality beats quantity when building relationshipsThe two questions he asks every artist to test whether they have real authorship and visionWhy people management and conflict resolution matter as much as craftHow to keep your eyes on the big picture so one project doesn't box you inWhy you don't need millions to make your first film---If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.---Further information about Jairo Alvarado:Jairo Alvarado on LinkedIn: https://www.linkedin.com/in/jairoalvaradoRedefine Entertainment: https://www.redefineent.comRedefine Entertainment on LinkedIn: https://www.linkedin.com/company/redefine-entertainmentRedefine Entertainment on Instagram: https://www.instagram.com/redefineent---This Deep Dive interview is hosted and edited by Robbie Miles.If you're enjoying the podcast, please leave a rating on Spotify or Apple Podcasts, and we'd love you to forward this episode to a friend!---Follow us on:Instagram - ⁠https://www.instagram.com/weinterruptpodcast⁠YouTube - ⁠https://www.youtube.com/@weinterruptpodcast⁠LinkedIn - ⁠https://www.linkedin.com/company/weinterruptpodcast⁠---Thanks to ⁠Getty Images⁠ for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to ⁠⁠gettyimages.com⁠⁠.

This episode is sponsored by ⁠Getty Images⁠, home to market-leading creative and editorial content from the world’s best photographers and videographers.---Aven and Loani wrap up all of your screen industry news from August, starting with the funding threats facing Screen Queensland and Screen Tasmania, and what deep cuts could mean for productions, crews and small businesses. They cover the ABC's restructure of its Indigenous Department and the fight for First Nations content, Screen Australia's 2026 Screen Currency report, and AI copyright rulings from Germany to Indonesia. Plus, it's festival and market season, with 37 South, TIFF's new financing market and the upcoming BBC Studios Creator Lab Australia.---Links to topics mentioned in this episode:Qld government $50m commitment to Screen Queensland: https://statements.qld.gov.au/statements/105920Screen Tasmania budget cuts and downsizing: https://pulsetasmania.com.au/news/film-industry-fears-screen-tasmania-could-lose-its-role-attracting-productionsTasmanian Filmmakers Alliance: https://tafa.au/ABC restructure of Indigenous Department: https://tvtonight.com.au/2026/08/abc-folds-indigenous-department.htmlScreen Australia Screen Currency 2026 report: https://screencurrency.screenaustralia.gov.au/Nicole Del Prado's post on kids content hours: https://www.linkedin.com/feed/update/urn:li:activity:7496353005244538880/German court ruling against Suno AI (GEMA): https://www.apraamcos.com.au/about-us/news-and-events/german-court-ruling-against-suno-sends-global-warningGetty Images indemnified AI tool and subscriptions for creators: https://www.gettyimages.com.au/ai/generationIndonesia AI copyright law draft: https://www.reuters.com/legal/litigation/indonesias-copyright-rewrite-puts-google-ai-platforms-notice-2026-07-17/37 South Market and Melbourne International Film Festival: https://if.com.au/three-australian-features-selected-for-tiff-financing-market/BBC Studios Creator Lab Australia applications: https://www.mediaweek.com.au/bbc-studios-launches-creator-lab-australia-with-sbs---If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.---This episode of We Interrupt This Broadcast was hosted and edited by Aven Yap and Loani Arman.Follow us on:Instagram: https://www.instagram.com/weinterruptpodcastYouTube: https://www.youtube.com/@weinterruptpodcastLinkedIn: https://www.linkedin.com/company/weinterruptpodcast------Thanks to ⁠⁠Getty Images⁠⁠ for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to ⁠⁠gettyimages.com⁠⁠.

This episode is sponsored by ⁠Getty Images⁠, home to market-leading creative and editorial content from the world’s best photographers and videographers. http://www.gettyimages.com---In this episode, Loani Arman speaks with Rachel Maxine Anderson and Rae Choi about their work on Ina, a six part online series, and how they built an audience without waiting for anyone to green light the series but themselves.They discuss how working in short form for an online audience pushed them to be more personal and more specific with the series, why trusting your audience matters more than trying to protect them, and how creative constraints forced them to make smarter production decisions.They also talk about building a direct relationship with an audience on social media, controlling your own marketing strategy, getting immediate feedback from audiences, and making decisions without waiting for a commissioner’s approval.---Listen to hear Rachel and Rae discuss:How writing from personal truth and specific experience reaches audiences far more effectively than trying to make something too broadWhy there’s no such thing as a spoiler online and how revealing plot points in social clips drove audiences to their seriesCreating their own fan edits using trending TikTok songsWhy format and budget constraints forced smarter production and creative decisionsHow comments online and audience feedback ultimately proved engagement, not rejection---If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.---Further information about Ina and the team:Watch Ina on YouTube https://www.youtube.com/@ina.seriesFollow Ina on Instagram: https://www.instagram.com/ina.seriesRachel Maxine Anderson on LinkedIn: https://www.linkedin.com/in/rachel-maxine-anderson-a815b593Rae Choi on LinkedIn: https://www.linkedin.com/in/raechoiRachel Maxine Anderson on Instagram: https://www.instagram.com/rachelmaxinexRae Choi on Instagram: https://www.instagram.com/raechoi_---Websites:rachelmaxine.comliminapictures.comcontrastories.com---This Deep Dive interview is hosted and edited by ⁠⁠Loani Arman.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!---Follow us on:Instagram - https://www.instagram.com/weinterruptpodcastYouTube - https://www.youtube.com/@weinterruptpodcastLinkedIn - https://www.linkedin.com/company/weinterruptpodcast---Thanks to ⁠Getty Images⁠ for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to ⁠gettyimages.com⁠.

This episode is sponsored by ⁠Getty Images⁠, home to market-leading creative and editorial content from the world’s best photographers and videographers. http://www.gettyimages.com---In this episode, Aven Yap speaks with Lyanna Kea, a Malaysian Chinese creator, actor and producer with over 15 million fans, about building the viral world of Aunty Kea and turning content creation into a genuine production business.From starting out broke and stuck at home during COVID as an international student, Lyanna shares how a pyjama-friendly “Asian mum” character grew into Kea Productions, a team of 16 people running scripted, animation and lifestyle channels across multiple platforms and languages.---Listen to hear Lyanna talk about:Why quantity beats quality when you are starting outHow she runs pre-production, production, post and development each weekWhy long form video drives loyalty and revenue, not just viewsLearning to delegate and build a business that survives when she steps awayHow her content opened doors to Screen Australia, ABC’s Ground Up and moreThe shifting relationship between creators and the traditional screen industry---If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.---Further information after listening to the episode:Lyanna on LinkedIn: www.linkedin.com/in/lyanna-kea-7a557a413Lyanna on Instagram: https://www.instagram.com/lyanna_kea/?hl=enLyanna on YouTube: https://www.youtube.com/@LyannaKeaLyanna on Facebook: https://www.facebook.com/lyannakeaa/Lyanna on TikTok: https://www.tiktok.com/@lyanna_kea?lang=enKea’s Universe on Instagram: https://www.instagram.com/keasuniverseKea Plus Ultra on Instagram: https://www.instagram.com/keaplusultra/Kea Plus Ultra on YouTube: https://www.youtube.com/@KeaPlusUltra---This Deep Dive interview is hosted and edited by ⁠⁠Aven Yap.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!---Follow us on:Instagram - https://www.instagram.com/weinterruptpodcastYouTube - https://www.youtube.com/@weinterruptpodcastLinkedIn - https://www.linkedin.com/company/weinterruptpodcast---Thanks to ⁠Getty Images⁠ for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to ⁠gettyimages.com⁠.

This episode is sponsored by ⁠Getty Images⁠, home to market-leading creative and editorial content from the world’s best photographers and videographers.---Online strategist, writer and producer Alyce Adams joins Robbie Miles to explore what it takes to identify and build an audience for your work in an algorithm-driven world.Drawing on eight years in Screen Australia's Online Department and her work developing and marketing digital-first projects, Alyce explains how audience identification goes hand-in-hand with development and starts long before production, why authenticity matters and a lack of it means death for your project, and why filmmakers need to stop thinking of marketing as something that happens after the edit.Essential listening for writers, producers and creators looking to build genuine communities around their work.---Listen to hear Alyce discuss:Why audiences can "smell a fake" and how authenticity drives online successThe three-second rule and what makes people stop scrollingWhy filmmakers should identify their audience before they start making their projectHow thumbnails, hooks and release strategies shape discoverabilityWhy niche audiences are often the fastest path to broader successWhy every film student should start a YouTube channel---Listen to Episode 66 on ⁠Spotify⁠, ⁠YouTube⁠ or ⁠Apple Podcasts⁠.If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.---Further information after listening to the episode:Alyce Adams: ⁠https://www.alyceadams.com.au⁠INA (YouTube): ⁠https://www.youtube.com/@ina.series⁠Sarah's Channel: ⁠https://www.youtube.com/watch?v=deLiDLkQzio&list=PLsPVOdZ3LN6emtXsW_JSloI_kVflZzAHW&index=2---This Deep Dive interview is hosted and edited by ⁠Robbie Miles.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠---Thanks to ⁠⁠Getty Images⁠⁠ for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to ⁠⁠gettyimages.com⁠⁠.

This episode is sponsored by Getty Images, home to market-leading creative and editorial content from the world’s best photographers and videographers.---Have thoughts to share about this episode or want to come and chat about everything going on in the industry? Join Loani, Aven, Robbie and Kirsty this Thursday 30th July at 8:30pm for our monthly Instagram Live: https://www.instagram.com/weinterruptpodcast---Aven and Kirsty catch up to discuss everything that happened in the industry in July, starting with Prime Minister Anthony Albanese’s speech announcing mandatory national AI standards, with a strong commitment to protecting Australian creators’ IP.They also cover Screen Australia’s new development guidelines, Netflix’s viewer numbers for the first half of 2026, and a big month of festival announcements from CinefestOz to TIFF and Venice.Plus tributes to Sam Neill and Tania Lambert ACS, industry moves at Screenworks and Screen Australia, what we’ve both been watching in cinemas, productions shooting around Australia, and more!---Links to topics mentioned in this episode:Australia’s AI Policy Update: https://theconversation.com/australia-wants-to-manage-ai-what-will-that-look-like-287496Can Filmmaking Survive Without AI? (Daniel Maze on LinkedIn): https://www.linkedin.com/pulse/can-filmmaking-survive-without-ai-daniel-maze-9j77e Stephen Follows: What Just Happened to TheNumbers.com Should Worry Us All: SPA’s Ones to Watch program: https://www.screenproducers.org.au/ones-to-watchAustralians in Film’s Future Vision Forward initiative: https://www.futurevisionsummit.orgSam Neill Dies After 78 Years of Living the Skuxx Life (Betoota Advocate): ⁠https://www.betootaadvocate.com/sam-neill-dies-after-78-years-of-living-the-skux-life ⁠Tania Lambert ACS Tribute: https://www.instagram.com/p/DbFeVwHE3LWPast episodes of We Interrupt This Broadcast we mentioned:Grainne Brunsdon & Ian Murray (Screen Australia’s Private Investment Toolkit): https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=reco4cIFdWhbwDfs2 Jasmine Yang (The Amazing Digital Circus): https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=recVN5R4R020S0EKn---If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.---This episode of We Interrupt This Broadcast was hosted and edited by ⁠Aven Yap⁠ and ⁠Kirsty Stark⁠.Follow us on: ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠---Thanks to ⁠Getty Images⁠ for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to ⁠gettyimages.com⁠.

This episode is sponsored by Getty Images, home to market-leading creative and editorial content from the world’s best photographers and videographers. ---In this special video episode, Kirsty Stark speaks with Grainne Brunsdon, COO of Screen Australia, and Ian Murray, founder of 113 Partners, about the recently released Private Investment Toolkit from Screen Australia: the first resource of its kind designed to help both producers and investors navigate screen finance.Grainne shares where the idea came from and why private investment is a key component of the Australian screen funding landscape, before Ian walks through the toolkit, sharing his screen to talk through the Producer and Investor journeys and all of the tools on offer.With everything from a waterfall analysis tool to investor communication plans, the toolkit is an invaluable asset for anyone financing a screen project.---This episode includes a video walk-through of the Private Investment Toolkit. Watch the video version on YouTube or Spotify to get the most from the episode.---Listen to hear Grainne and Ian discuss:Bridging the gap between producers and investorsThe producer journey vs the investor journey (commercial, impact and philanthropic)How the Waterfall Analysis Tool models recoupment and returnsWhy communication is the key to investors coming backThe massive intergenerational wealth transfer that’s on its way, and what it means for the screen sector---If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.---Screen Australia’s Private Investment Toolkit: https://www.screenaustralia.gov.au/private-investment-toolkitGrainne Brunsdon on LinkedIn: https://www.linkedin.com/in/grainne-brunsdon-a201876aIan Murray on LinkedIn: https://www.linkedin.com/in/icmurrayIan’s book, Learning the Language: A Guide to Private Investment in Australian Film: https://www.amazon.com.au/gp/product/1764660803If you haven’t listened to our recent Deep Dive episode with Ian Murray on Private Investment, it’s a fantastic episode to listen to alongside this one.---This Deep Dive interview is hosted and edited by Kirsty Stark.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠---Thanks to Getty Images for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to gettyimages.com.

YouTube strategist Nico Lockhart, founder of Team Falco, joins Aven Yap to pull apart what it really takes to build kids’ IP on a digital-first platform. Nico has a decade of experience across traditional and digital platforms, and facilitated the inaugural Kids IP Incubator run by Screen Australia and the Australian Children’s Television Foundation. He explains why creativity and distribution are now one process, why the best creators start with a thumbnail rather than a script, and why most channels take two to three years to build their audience. This is a practical roadmap for anyone creating in the kids’ space or thinking about how to find your audience on YouTube.---Listen to hear Nico discuss:How discovery works on YouTube and the friction points that stop people from watchingThumbnail-first ideation and why distribution and creativity are now one processBuilding flexible formats that never expireHow to spot a real trend vs. a passing momentThe financial reality of digital-first kids’ IPWhy the narrative of viral success hurts creators---Listen to Episode 65 on Spotify, YouTube or Apple Podcasts.If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.---Further information after listening to the episode:Team Falco: https://www.teamfalco.comNico Lockhart on LinkedIn: https://www.linkedin.com/in/nicolockhartColin and Samir (creators for creators): https://www.youtube.com/@ColinandSamirWe Interrupt This Broadcast Episode 60: David Hutchinson (Boy and Dragon): https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=recofZdKYcJcZV9aB---This Deep Dive interview is hosted and edited by Aven Yap.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠

Access coordination is fast moving from ‘nice to have’ to non-negotiable, and Stephanie Dower is one of the people building that shift from the ground up.In this Deep Dive episode, Loani Arman speaks with Stephanie about her work as an access coordinator, producer, and CEO of Dower Productions and what it takes to make screen productions genuinely accessible for cast and crew.They also get into the practical stuff like easy-read call sheets, captions, modifying trailers when no accessible ones exist for hire, and why including access requirements in your budget from Day One costs far less than scrambling to fix things when they’re broken.---Listen to hear Stephanie discuss:The earlier you engage an access coordinator, the better.Why no set is fully accessible, and what to aim for instead.How access coordination widens the talent pool.The real costs of getting it wrong, including burnout, reputational risk and the Disability Discrimination Act.Why access should be a budget line item.---Listen to Episode 62 on ⁠Spotify⁠, ⁠YouTube⁠ or ⁠Apple Podcasts⁠.If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.---Further information about Stephanie and Dower Productions:Dower Productions website: https://www.dowerproductions.comDower Productions on Instagram: https://www.instagram.com/dower_productions Dower Productions on LinkedIn: https://www.linkedin.com/company/dower-productionsStephanie Dower on LinkedIn: https://www.linkedin.com/in/stephanie-dower-61bb5131---This Deep Dive interview is hosted and edited by Loani Arman.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠

Have thoughts to share about this episode, Screen Forever, or anything else happening in the industry?Join Loani, Aven, Robbie and Kirsty this Thursday 2nd June at 8:30pm for our monthly Instagram Live: https://www.instagram.com/weinterruptpodcast---Robbie and Kirsty catch up to discuss everything that happened in the industry in June, from the release of “YouTube feature films” Backrooms, Obsession and our very own Australian contribution The Amazing Digital Circus: The Last Act. They also explore the question of fair pay for crew on independent feature films, and break down May’s record Australian box office takings.Plus, a Sydney Film Festival wrap-up, what we’ve both been watching in cinemas, productions currently shooting around Australia, and more!---Links to topics mentioned in this episode:The Amazing Digital Circus: The Last Act - Australian YouTube phenomenon just beat Star Wars at the box office: https://thenightly.com.au/culture/film/the-amazing-digital-circus-the-last-act-australian-youtube-phenomenon-just-beat-star-wars-at-the-box-office-c-22403900‘Obsession’ Art Director Calls for Industry Reform After Getting Paid Less Than $7,000 as Film Nears $175 Million: https://www.thewrap.com/creative-content/movies/obsession-art-director-salary-complaint-sally-choiAustralian Box Office Posts Biggest May Results of All Time: https://au.variety.com/2026/film/news/australian-box-office-posts-biggest-may-results-of-all-time-37185/Netflix Originals and Cultural Memory: https://www.linkedin.com/posts/cinema-netflix-streamingwars-share-7466148857072992256-MPHC/Kate Separovich’s fabulous Australia in Cinemas blog: https://australiaincinemas.substack.com/Past episodes of We Interrupt This Broadcast we mentioned:Jasmine Yang (The Amazing Digital Circus): https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=recVN5R4R020S0EKnDavid Hutchinson (Boy and Dragon): https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=recofZdKYcJcZV9aBMike Schwarz (Beast): https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=recfh66GZCH5cBHit---If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.This episode of We Interrupt This Broadcast was hosted and edited by Robbie Miles and Kirsty Stark.Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠

In this episode, Robbie Miles speaks with producer and director Michael Schwartz of Deeper Water Films about the realities of packaging films, attaching cast, navigating Hollywood agencies and building a sustainable producing career.From his unconventional entry into producing through to working with talent including Sam Worthington, Russell Crowe and Luke Bracey, Mike shares hard-earned lessons about getting projects made in an industry where persistence matters as much as creativity.Listen to hear Michael talk about:Why “every film wants to die” and what it takes to keep them aliveBuilding access, credibility and long-term industry relationshipsPackaging films and attaching cast in the independent marketplaceWorking with agents, sales companies and financiersLessons from projects that almost got made, and why some didn’tListen to Episode 62 on Spotify, YouTube or Apple Podcasts.If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.Further information after listening to the episode:Beast (2026): https://www.imdb.com/title/tt7708226/Michael Schwarz imdb: https://www.imdb.com/name/nm3751903/This Deep Dive interview is hosted and edited by Robbie Miles.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠

In this episode, Kirsty Stark speaks with Ian Murray, Founder of 113 Partners, about private investment for feature films, and what investors in Australia are looking for when they invest in a project or slate.Ian discusses the challenges of finding private investment, what we can do to make our industry more investable, and where to find potential investors if you don’t have rich parents or friends.Listen to hear Ian talk about:How production businesses can benefit from strategic planningThe importance of financial stability in your businessWhy private investment is vital in the current feature film landscapePrivate finance in the screen industrySlate financing vs. individual project financingChallenges in attracting Private InvestmentThe three types of investors in film projectsOpportunities for private investment in AustraliaBridging the gap between producers and investorsAudience-centric pitchingFinancial literacy for producersScreen Australia’s soon to be released Private Investment ToolkitListen to Episode 61 on Spotify, YouTube or Apple Podcasts.If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.Further information after listening to the episode:113 Partners: https://www.113partners.comIan Murray on LinkedIn: https://www.linkedin.com/in/icmurrayIan’s book, Learning the Language: A Guide to Private Investment in Australian Film (released today!): https://www.amazon.com.au/gp/product/1764660803/ref=ox_sc_act_title_1Screen Australia’s Private Investment Toolkit will be released soon, and we’ll update the episode show notes on all platforms once it’s available.This Deep Dive interview is hosted and edited by Kirsty Stark.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠

In this episode, Aven Yap speaks with Showrunner David Hutchinson about creating hit kids animated YouTube series Boy & Dragon, which has surpassed 6 billion views and 7 million subscribers.David dives deep into the creative process, industry insights, and the evolution of kids' content on YouTube.Listen to hear David talk about:Creating successful kids’ content on YouTubeThe creative process developing and producing Boy & DragonIndustry evolution and audience engagement strategiesCreative process and storytelling in animationListen to Episode 60 on ⁠⁠Spotify⁠⁠, ⁠⁠YouTube⁠⁠ or ⁠⁠Apple Podcasts⁠⁠.If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.Further information after listening to the episode:Boy and Dragon YouTube ChannelTeamFalcoDavid Hutchinson on LinkedInThis Deep Dive interview is hosted and edited by Aven Yap.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠

In this episode, Loani Arman speaks with Jodie Bell, CEO of Goolarri Media Enterprises and Ramu Productions in Broome, Western Australia, about what it really takes to build a First Nations media organisation from the ground up - and keep it there.For 35 years Goolarri has been doing something the Australian screen industry still hasn’t figured out - owned by community, accountable to community, telling stories on its own terms.They talk about what it really means to keep IP in First Nations hands, what community accountability looks like when the people you’re making stories about are your neighbours, and why this work is an essential service, not a nice to have.They also get into the nuts and bolts about shooting in Broome, building a pipeline of First Nations talent, and what the wider industry needs to do to be a genuine partner rather than just a gatekeeper.Listen to hear Jodie discuss:Why IP ownership matters as much as who directs and writes.What community accountability really looks like on a production.What shooting on a guerrilla crew teaches you that a full crew can’t.Why NITV needs more funding and what you can do about it.Building a pipeline of First Nations talent from Broome.Listen to Episode 59 on ⁠Spotify⁠, ⁠YouTube⁠ or ⁠Apple Podcasts⁠.If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.Further information after listening to the episode:Goolarri Media website: https://goolarri.comGoolarri Media on YouTube: https://www.youtube.com/c/GoolarriMediaGoolarri Media on Instagram: https://www.instagram.com/goolarrimediaGoolarri Media on Facebook: https://www.facebook.com/GoolarriMediaEnterprisesRamu Productions on Instagram: https://www.instagram.com/ramuproductionsRamu Productions on Facebook: https://www.facebook.com/ramuproductionsbroomeJodie Bell on LinkedIn: https://www.linkedin.com/in/jodie-bell-2b884510Watch ‘Warm Props’ on SBS: https://www.sbs.com.au/ondemand/tv-series/warm-propsWatch ‘Yokai’ on ABC Indigenous: https://www.youtube.com/watch?v=8PjF21eV3FYThis Deep Dive interview is hosted and edited by Loani Arman.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠

Have your own thoughts to share about this episode or anything else happening in the industry? Join Loani, Aven, Robbie and Kirsty this Thursday 28th May at 8:30pm for our second Instagram Live: https://www.instagram.com/weinterruptpodcastIn this monthly round-up episode, Robbie and Aven discuss Screen Well’s new Mental Health Action Plan and why conversations around leadership, safety and sustainability in production are more important than ever. They also explore the rapid rise of creator-led distribution, from TikTok micro-dramas to YouTube series, and what this shift means for traditional development cycles.Plus federal budget updates for the sector, key industry moves and opportunities, productions shooting around Australia, and the changing ways creatives are building audiences before projects even get financed.Links mentioned in this episode:Screen Well Mental Health Action Plan: https://www.screenwell.com.au/mhapIssa Rae Microdrama Article: https://www.thewrap.com/creative-content/tv-shows/issa-rae-microdrama-screen-time-ratings-viewership-tiktok-pinedrama-exclusive/Screenworks Regional-to-Global: https://screenworks.com.au/NFSA appoints Zareh Nalbandian to board: https://www.nfsa.gov.au/about/people/board---If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.This episode of We Interrupt This Broadcast was hosted by Aven Yap and Robbie Miles.Join the conversation about Episode 58 on ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ and ⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠, or submit your own Big Idea to shape the industry at ⁠⁠⁠⁠http://weinterruptthisbroadcast.com.au⁠⁠⁠⁠.---Have industry news, upcoming events or productions to share? Want to sponsor the podcast? Let us know at [email protected]

Fresh off of winning Tropfest 2026 with her short film Crescendo and taking home the Rebel8 Award for Most Outstanding Emerging Female Director at Flickerfest for Tuesday Tuesday, Lianne Mackessy reveals her process and reflects on the experiences that have shaped her creative voice.She chats to Robbie Miles to explore the pressures of creative ambition, motherhood and hustle culture, the importance of emotional truth in storytelling, and how working-class voices remain underrepresented behind the camera in the Australian screen industry.Listen to hear Lianne discuss:Why life experience is essential to storytellingThe transition from acting into writing and directingMaking Crescendo under the tight deadlines of TropfestMotherhood, creativity and redefining successBuilding authentic creative collaborations and communityWhy working-class representation behind the camera mattersSustainable filmmaking careers and balancing art with lifeListen to Episode 57 on Spotify, YouTube or Apple Podcasts.If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.Further information after listening to the episode:Lianne Mackessy Website: https://www.liannemackessy.com/Tropfest Winner - Crescendo: https://www.youtube.com/watch?v=ys7v4uEMS_MFlickerfest Winners: https://flickerfest.com.au/press-releases/flickerfest-2026-awards-announced-and-the-winners-are/Follow Lianne and her work:Lianne on LinkedIn: https://www.linkedin.com/in/lianne-mackessy-4a968b341/This Deep Dive interview is hosted and edited by Robbie Miles.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠Don’t forget to subscribe & get weekly episodes in your inbox.

** This is a special video masterclass, so make sure you watch on video to get the full benefit of seeing Dawid share his screen.**In this special masterclass episode, Kirsty Stark chats to Dawid Naude, CEO & Founder at Pathfindr, and an award-winning AI innovator and educator.Dawid takes Kirsty through the Claude AI platform, offering in depth insights into how to set it up for maximum efficiency in her day-to-day tasks as a producer. There is a huge wealth of knowledge in this episode and the lessons he shares are transferable to other AI platforms like ChatGPT and Gemini. They are focused on admin and workflow outcomes, rather than using AI to generate creative work.Whether you’ve been using AI regularly, or want to know what’s possible beyond basic prompting, this is an episode that can benefit anyone working in the screen industry. Watch as Dawid shares his screen and teaches:AI team members: your Assistant, Thinker and CreatorInterviewing AI to craft a plan for how it can help youTask management and prioritisationIntegrating AI with your email, notetaker and other toolsData privacy and security Preparing for meetings and keeping track of production informationUsing AI for deep researchPersonalising your AI interactionsCreating and managing Projects in ClaudeCreating AI Skills for repeated tasks Creating and managing AI policies for your teamClaude Cowork and using pluginsCreating websites and presentations directly from ClaudeAutomating tasks with browser controlWatch Episode 56 on Spotify or YouTube.If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.Links mentioned in the episode:Claude: https://claude.aiPathfindr: https://www.pathfindr.aiStart Learning AI (Dawid & Pathfindr’s monthly masterclass): https://startlearning.aiFollow Dawid on LinkedIn: https://www.linkedin.com/in/dawidnaudeThis Deep Dive interview is hosted and edited by Kirsty Stark.If you’re enjoying the podcast, please leave a comment or rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠Don’t forget to subscribe & get weekly episodes in your inbox.

Have your own thoughts to share about this episode, Screen Forever, or anything else happening in the industry? Join Loani, Aven, Robbie and Kirsty this Thursday 7th May at 8:30pm for our first ever Instagram Live: https://www.instagram.com/weinterruptpodcast---Screen Forever turned 40 on the Gold Coast last week, and there’s a lot to unpack!Kirsty and Loani reflect on the big conversations coming out of Screen Forever, from funding pressures and private investment to the risks of Australia becoming a service economy. They also dive into the growing conversations around AI in the sector, and what it means for authorship, voice and the future workforce.Plus feature film distribution challenges, major inbound productions shooting now, and why the National Cultural Policy consultation is a crucial moment for the industry.---Links mentioned in this episode:AACTA Proof Recipients: https://www.aacta.org/our-news/media-room/aacta-and-gold-coast-film-festival-announce-the-three-proof-finalistsScreen Australia funds 91 Narrative Projects: https://www.screenaustralia.gov.au/screen-australia-announces-narrative-content-funding-for-91-projects-including-four-short-films-paired-with-industry-mentors/Australia’s National Cultural Policy - Have Your Say (Closes May 24, 2026) https://www.arts.gov.au/have-your-say/new-national-cultural-policyDeep Dive: Right-Sizing Your Screen Production Business (Ep 051)https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=recGSZhWj4oxIhvrZDeep Dive: Why Nobody Saw Your Film at the Cinema (Ep 054)https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=recGSZhWj4oxIhvrZDeep Dive: Inventing a New Financing Model for Indie Features (Ep 034)https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=rec9998Xpoi4tYfyWProduction Infrastructure and Capacity Analysis (PICA) report:https://www.o-spi.com/projects/production-infrastructure-and-capacity-analysis-pica-for-australias-screen-production-sector---If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.This episode of We Interrupt This Broadcast was hosted by Kirsty Stark and Loani Arman.Join the conversation about Episode 55 on ⁠⁠⁠Instagram⁠⁠⁠ and ⁠⁠⁠LinkedIn⁠⁠⁠, or submit your own Big Idea to shape the industry at ⁠⁠⁠http://weinterruptthisbroadcast.com.au⁠⁠⁠.---Have industry news, upcoming events or productions to share? Want to sponsor the podcast? Let us know at [email protected]

** We’re postponing our regular monthly wrap-up episode to next week so that we can cover all of the conversations and discussion from Screen Forever. If you’ll be with us on the Gold Coast, make sure you say hello! **In this episode, Aven Yap chats to Kate Separovich, Producer at Lake Martin Films and creator of the Australia in Cinemas newsletter that dives into Australian box office numbers and the current situation for Australian films in Australian cinemas.(If you haven’t already subscribed, it’s a must read!) https://australiaincinemas.substack.comKate has just produced and released Proclivitas, written and directed by Miley Tunnecliffe, and shares some of her experience releasing the film, as well as what actually needs to change if we want Australian films to thrive in Australian cinemas.With the National Cultural Policy Review coming up, this conversation couldn’t be more timely.---Listen to hear Kate discuss:Why box office data is important for producersUnderstanding audience engagementCinemas as cultural infrastructure and their role in supporting Australian filmsFrance’s model for supporting local filmsWhy awareness, availability and habit all matter when ensuring Australian films get seen in cinemasThe upcoming National Cultural Policy review and why it’s importantInsights from producing ProclivitasWhat you can do to support Australian filmsListen to Episode 54 on Spotify, YouTube or Apple Podcasts.If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.Make your own submission to the new National Cultural Policy: https://www.arts.gov.au/have-your-say/new-national-cultural-policyFollow Kate and her work:Kate on LinkedIn: https://www.linkedin.com/in/kateseparovichLake Martin Films: https://lakemartinfilms.comAustralia in Cinemas newsletter: https://australiaincinemas.substack.comProclivitas trailer: https://www.youtube.com/watch?v=WtgkX5oHCVIThis Deep Dive interview is hosted and edited by Aven Yap. https://www.linkedin.com/in/avenyapIf you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/weinterruptpodcastYouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/ ⁨@weinterruptpodcast⁩ LinkedIn⁠⁠⁠ https://www.linkedin.com/company/weinterruptpodcastDon’t forget to subscribe & get weekly episodes in your inbox.

In this episode, Loani Arman speaks with Katrina Irawati Graham, co-director of the Stan series Bali 2002, about cultural safety in the screen industry - what it looks like in practice, and who is safe.They explore how cultural safety is shaped by systems of racism and power embedded in screen production, why racial literacy is necessary to recognise harm, and how harm is dangerously normalised in everyday industry practice.They also examine what it would take to move towards genuine cultural safety as a human right for all, grounded in collective responsibility, accountability, and care across the screen production pipeline.Listen to hear Katrina discuss:Cultural safety as a human rightThe impact of cultural safety on productionsWhy racial literacy is importantWhy cultural safety is a shared responsibility, and what you can doImplementing Cultural Safety PlansIf you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.Further information after listening to the episode:Dear White Screen Industry: https://www.screenhub.com.au/news/opinions-analysis/dear-white-screen-industry-261832-1429042/Birthing and Justice with Dr Ruth De Souza: https://www.ruthdesouza.com/podcast/Deb Verhoeven’s Australian film industry producer networks diagram https://debverhoeven.com/women-arent-the-problem-in-the-film-industry-men-areSuara Indonesia Dance: https://suara.danceDiversity in Australian Media Facebook group: https://www.facebook.com/share/g/14c8LNNKYXU/Follow Katrina and her work:Katrina on LinkedIn: https://www.linkedin.com/in/katrina-irawati-graham-2299122/Katrina’s Biography: https://www.bmegonline.com/screenwriters/katrina-iriwati-grahamWatch Bali 2002 on Stan https://www.stan.com.au/watch/bali-2002This Deep Dive interview is hosted and edited by Loani Arman.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠

In this episode, Robbie chats to Karina Libbey, screen culture specialist and festival director of the Capital Film Festival about what festival curation and audience engagement looks like from a programmer's perspective.They discuss what filmmakers may not know about how to engage with festivals, how a festival entry should read like a resume for your film, and the more you know about your audience the easier it is to program and market your film.Listen to hear Karina discuss:Audience-first programming as a guiding philosophyDefining, building, and challenging a festival audienceProgramming as curation, not just selectionThe role of trust in shaping audience behaviourWhy great films don’t always make the programWhy filmmakers must know who their film is for (and who it isn’t for)The unique power of shared cinema experiencesIf you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.Follow Karina and her work: https://www.karinalibbey.com.au This Deep Dive interview is hosted and edited by Robbie Miles.If you’re enjoying the podcast, please leave a rating or review, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠

In this episode, Kirsty chats to David Court, founder of Compton School, about how to right-size your screen business in the current Australian production landscape.They discuss why it’s important to take a step back and consider the way your business is structured, and the advantages and disadvantages of ‘going big’ vs. ‘going small.’ Listen to hear David discuss:Industry shifts, and where we currently sit in the market cycleGuiding principles for producers when considering the size of your companySmall vs. large business modelsCreating engagement in the marketplaceThe importance of momentum in getting your projects financedFinancing challenges in the industryExploring the value of your intellectual propertyThe need for private capital in productionListen to Episode 51 on Spotify, YouTube or Apple Podcasts.If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.Follow David and his work:Compton School: https://compton.school David on LinkedIn: https://www.linkedin.com/in/david-court-058965/Episode 23 of We Interrupt This Broadcast: Mentoring Can Change the Shape of our Industry, with David Court and Julie Eckersley: https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=recGSZhWj4oxIhvrZThis Deep Dive interview is hosted and edited by Kirsty Stark.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠

We’re already at the end of March, and there’s lots to talk about this month!Robbie Miles and Loani Arman round up all of your Australian - and global! - screen industry news, from actors being resurrected with AI, to legal cases around credits and authorship, to Australian success stories at the Oscars, AIDC, Tropfest and more.Plus: all of your March screen industry news, opportunities and opinions from around the country...Subscribe and get every episode of We Interrupt This Broadcast in your inbox.⁠Subscribe now00:00 What we’ve been up to this month01:32 Vale Rhoda Roberts01:58 Val Kilmer resurrected in AI (article)02:20 The importance of credits in film02:47 Audience trust and AI in storytelling04:26 The future of acting and AI (article)08:12 The impact of industry consolidation09:54 Celebrating Australian filmmakers10:50 Industry movements and appointments13:12 Grants and opportunities15:43 What have we been watching?17:29 What’s in production around the country22:12 Wrap-up & what’s coming up this monthIf you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.This episode of We Interrupt This Broadcast was hosted by Robbie Miles and Loani Arman.Join the conversation about Episode 50 on ⁠⁠Instagram⁠⁠ and ⁠⁠LinkedIn⁠⁠, or submit your own Big Idea to shape the industry at ⁠⁠http://weinterruptthisbroadcast.com.au⁠⁠.Have industry news, upcoming events or productions to share? Want to sponsor the podcast? Let us know at [email protected]

In this episode, Aven chats to Pauline Chan, an award-winning director, writer, and producer with a storied career spanning art-house cinema and international productions, featuring talent such as Jackie Chan, Nicole Kidman and Cate Blanchett.She famously made history by mounting the first two Australia-China official treaty co-productions, and over the past two years has been actively producing vertical series with titles including Divorced to be the Top Heiress for ShortMax and Alpha King, Your Pregnant Luna Escaped for NetShort.Aven and Pauline discuss the business model and production structure Pauline uses on these series, how they fit into her production company’s overall remit, and the ways they might be filling a gap in talent development, providing opportunities for emerging crew.Listen to hear Pauline discuss:How much audiences are paying to subscribe to a microdramaWhy the market for microdramas can be lucrative compared to film or televisionThe structure Pauline’s team puts in place for production and post, to make lower budgets work on their vertical seriesHow vertical series can support emerging talentWhy it makes sense to produce microdramas in AustraliaBuilding cliffhangers into each 1-3 minute episodeThe difference between producing microdramas and working in production servicingPauline’s Big Idea to shape the future of the industryListen to Episode 49 on Spotify, YouTube or Apple Podcasts.If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.Follow Pauline and her work:Pauline on LinkedIn: https://www.linkedin.com/in/pauline-chan-b041b540Pauline on IMDb: https://www.imdb.com/name/nm1298625Roaring Pictures: https://roaringpictures.com.auRoaring Pictures Productions: https://roaringpictures.com.au/#productionsThis Deep Dive interview is hosted by Aven Yap and edited by Aven and Kirsty Stark.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠, YouTube or LinkedIn.Don’t forget to subscribe & get weekly episodes in your inbox.

In this episode, Loani chats to Hannah Diviney, an author, screenwriter, actor, disability advocate, and media personality who isn’t afraid to call out big names and big systems.Hannah gained international attention for a 2020 petition demanding Disney create its first princess with a disability AND for calling out ableist lyrics in songs by Lizzo and Beyonce - which saw each artist change their lyrics.Her debut essay collection, I’ll Let Myself In, was published in 2023, and she was named Advocate of the Year at Marie Claire Australia’s 2023 Women of the Year Awards.Loani and Hannah chat about how Hannah made Australian TV history as the first disabled person to appear in a sex scene in the SBS Digital Original series Latecomers, and how she’s developing her own screen projects that put romance and representation front and centre.Listen to hear Hannah discuss:The importance of representing disabled characters as full humans on screenHow her advocacy and storytelling are intertwinedPetitioning Disney, and calling out Lizzo and Beyonce for their ableist lyricsJacob Elordi calling her beautifulDisabled representation and desirability in romanceHow the industry (and you!) can support and advocate for more unheard storiesHer big idea to shape the industryFollow Hannah and her work:Hannah on Instagram: https://www.instagram.com/hannahthewildflowerHannah on LinkedIn: https://www.linkedin.com/in/hannah-diviney-464239a4Hannah’s published essay collection, I’ll Let Myself In: https://www.allenandunwin.com/browse/book/Hannah-Diviney-I’ll-Let-Myself-In-9781761069710Jacob Elordi told me I looked beautiful?! https://www.instagram.com/p/DUtp4qBk9NRLatecomers on SBS on Demand: https://www.sbs.com.au/ondemand/tv-series/latecomersAudrey trailer: https://www.youtube.com/watch?v=pgMNlAC6GjwThis Deep Dive interview is hosted by Loani Arman and edited by Kirsty Stark.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Search all past episodes and read our guests' big ideas to shape the future of the screen industry at https://weinterruptthisbroadcast.com.auFollow us on: ⁠⁠⁠⁠⁠⁠⁠Instagram: https://www.instagram.com/weinterruptpodcast⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠: https://www.linkedin.com/company/weinterruptpodcastDon’t forget to subscribe & get weekly episodes in your inbox: https://weinterruptthisbroadcast.substack.com

In this episode, Kirsty chats to Leela Varghese, a writer and director, most recently of Lesbian Space Princess, which she co-wrote and co-directed with Emma Hough Hobbs, winning Best Indie Film at the AACTA Awards and the Teddy Award for Best Feature at Berlinale. Leela also wrote and directed the short film I’m the Most Racist Person I Know, which won the Special Jury Award at SXSW and the AACTA Award for Best Short Film.Kirsty and Leela discuss her career trajectory, including the strategies she applied on both recent films to try to build her profile as a director.Listen to hear Leela discuss:strategically aligning project ideas with grant criteria or historical festival programming to give them the best chance of successthe importance of building relationships with festival programmershow bold titles have played a role in her films’ success, and the way they’ve been seen by audiencesworking with distributors and sales agents as part of your festival strategythe relevance of film festivals in an age of social media and streaminghow to pivot and give your project the best chance of market success, while holding onto your creative vision why you should be thinking about distribution as you develop your projectsFollow Leela and her work:Leela on Instagram: https://www.instagram.com/leelavargoose Lesbian Space Princess: https://lesbianspaceprincessmovie.comLesbian Space Princess on Instagram: https://www.instagram.com/lesbianspaceprincessfilmLesbian Space Princess: Official Trailer:https://www.youtube.com/watch?v=Nra14aUNYS8This Deep Dive interview is hosted and edited by Kirsty Stark.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠Don’t forget to subscribe & get weekly episodes in your inbox.

In this episode, Robbie chats to Alexander Jeffery, a filmmaker based in Shreveport, Louisiana, where he co-owns production company Bespoke Works LLC with his friend and longtime collaborator, Paul Petersen.After moving to Los Angeles to pursue his dreams of acting and filmmaking, Alexander returned to the south to make low-budget, independent films with his friends, including his short film The Bespoke Tailoring of Mister Bellamy, which won the $50,000 Grand Prize at the Louisiana Film Prize, and his first feature, A Chance Encounter, which was released by Samuel Goldwyn Films after winning the audience choice award at Heartland Film Festival.Robbie and Alexander discuss the pros and cons of working outside a major film and television hub, and how he has built a sustainable career as an independent filmmaker. Listen to hear Alexander discuss:his reasons for choosing to work outside of LAwhat makes his projects resonate with an audiencehow to gain an insight into filmmaking trends as a screener for film festivalswhy creating work within a collaborative community can be an advantagehis strategy for creating profitable indie filmshow to find distribution and get your projects in front of an audiencehis new experiments in independent TVwhy low budgets are sometimes bestListen to Episode 46 on Spotify, YouTube or Apple Podcasts.If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.Follow Alexander and his work:Alexander on LinkedIn: https://www.linkedin.com/in/alexanderjefferyAlexander on Instagram: https://www.instagram.com/alexanderjefferyAlexander on YouTube: https://www.youtube.com/@alexanderjefferyBespoke Works LLC website: https://bespokeworksllc.comThis Deep Dive interview is hosted by Robbie Miles and edited by Robbie Miles and Kirsty Stark.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠Don’t forget to subscribe & get weekly episodes in your inbox.https://www.weinterruptthisbroadcast.com.au

It’s been a huge start to the year for the Australian screen industry, with lots to cover in this episode!Kirsty Stark and Aven Yap discuss their time at AACTA Festival, including all of the big winners from the AACTA Awards. We talk about Universal Studios International’s decision to close Matchbox Pictures, and what it means for our local industry.Plus: all of your February screen industry news, opportunities and opinions from around the country...Subscribe and get every episode of We Interrupt This Broadcast in your inbox.Subscribe now00:00 Happy Lunar New Year!00:42 AACTA Award Winners, AACTA Festival Highlights, and what we heard on the ground08:38 Matchbox Pictures closes13:01 SPA Seeks ACCC Authorisation for Collective Bargaining 14:47 Streaming Quotas in place & the ABC’s plans for its additional funding16:25 Screen Australia’s New Market & Audience Programs18:10 Minimum License Fees for TV Production Increase18:26 Brad Pitt Fights Tom Cruise & Darren Aronofsky Dabbles in AI20:54 SXSW Sydney Ends & Tropfest is Resurrected23:38 Industry Opportunities24:40 What We’re Watching: Iron Lung + Aussie Festival News & Selections27:37 What’s in production around Australia28:33 One year of We Interrupt This Broadcast, and thank you AFTRS!30:15 Acknowledgement of CountryIf you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.This episode of We Interrupt This Broadcast was hosted by Kirsty Stark and Aven Yap, and edited by Kirsty Stark.Thank you to AFTRS, the Australian Film, Television and Radio School, for sponsoring this episode. Applications for the 2026 mid-year intake of the AFTRS Master of Arts Screen Business, their postgraduate course on screen business and creative leadership, are now open until June 2.Head to aftrs.edu.au/award-course/master-of-arts-screen-business-mid-year for more information about , or listen to past student Fiona Kelly talk about her AFTRS experience in last week’s episode, Ep. 44.Join the conversation about Episode 45 on ⁠Instagram⁠ and ⁠LinkedIn⁠, or submit your own Big Idea to shape the industry at ⁠http://weinterruptthisbroadcast.com.au⁠.Have industry news, upcoming events or productions to share? Want to sponsor the podcast? Let us know at [email protected]

In this episode, Kirsty chats to screenwriter, story producer and script editor Fiona Kelly, about her 30 years’ experience writing for Australian television.Fiona has over 280 episodes of Australian drama to her name on shows including Home and Away, All Saints, Sea Patrol, and recently Scrublands Silver S2 and NCIS Sydney S3.Fiona shares her journey as a screenwriter from her early days to returning to study through a Master of Arts in Screen Business at AFTRS, including her tips for those wanting to forge a writing career today.Listen to hear Fiona discuss:Her initial journey into screenwritingThe changing landscape of televisionThe difference between a writer, story producer and script editorWhy she decided to pursue further studyThe Master of Arts in Screen Business at AFTRSAdvice for aspiring screenwritersHer big idea to change the shape of the industryListen to Episode 44 on Spotify, YouTube or Apple Podcasts.If you enjoyed this episode, please subscribe & leave a rating or review to help the show find more listeners.Follow Fiona and her work:Fiona on LinkedIn: https://www.linkedin.com/in/fiona-kelly-16002056 Fiona on IMDb: https://www.imdb.com/name/nm1282210If you’re interested in the Master of Arts Screen: Business at AFTRS, applications for the 2026 mid-year cohort (commencing August this year) are open now, until the 2nd of June. Designed for a new generation of screen leaders, AFTRS’ Master of Arts Screen: Business is Australia’s foremost creative screen business course. You can find out more at the links below:https://www.aftrs.edu.au/wp-content/uploads/2024/08/MASB-Course-Guide-2025.pdfhttps://www.aftrs.edu.au/award-course/master-of-arts-screen-business/This Deep Dive interview is hosted and edited by Kirsty Stark.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠This episode is sponsored by AFTRS, the Australian Film, Television and Radio School. Head to aftrs.edu.au to find your course and enrol.Don’t forget to subscribe & get weekly episodes in your inbox.

In this episode, Kirsty chats to Director, Writer & Producer Sophie Hyde, whose work includes 52 Tuesdays, Animals, Good Luck to You Leo Grande and Jimpa. Sophie shares insights into her process of collaborating with cast and crew, including internationally renowned performers like Emma Thompson, Alia Shawkat, Olivia Colman and John Lithgow. ---Listen to hear Sophie discuss:How she started as a director, and why it felt like the right role for herThe way she balances writing, directing and producing across her projectsThemes of freedom and intimacy across her projectsThe process of casting A list actorsSome of the ways she builds trust with cast and crewHow the body can serve as a way to access greater intimacy in storytellingCreating a supportive and collaborative culture on setHer big idea to shape the future of the industryFollow Sophie and her work:Sophie on Instagram: https://www.instagram.com/sophhydeCloser Productions: https://closerproductions.com.auJimpa (in Australian cinemas from February 19th):https://www.instagram.com/jimpa_filmTrailer: https://www.youtube.com/watch?v=LucqCU5y_-8This Deep Dive interview is hosted by ⁠Kirsty Stark⁠ and edited by Brandon Boyer and Kirsty Stark.This episode is sponsored by ⁠AFTRS⁠, the Australian Film, Television and Radio School. Head to aftrs.edu.au to find the right course for you.Join the conversation about Episode 43 on ⁠Instagram⁠ and ⁠LinkedIn⁠, or submit your own Big Idea to shape the industry at ⁠http://weinterruptthisbroadcast.com.au⁠.Have industry news, upcoming events or productions to share? Want to sponsor the podcast? Let us know at [email protected] you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Don’t forget to subscribe & get weekly episodes in your inbox.

In this episode, Kirsty chats to Screen industry consultant Dan Fahy about the evolving global marketplace for television, focusing on revenue trends, the importance of community, and the impact of data analysis on content creation.Dan outlines the opportunities for producers in a changing market with an emphasis on adaptability and innovation.Plus, the five realities buyers are facing that you should check your content against if you’re involved in the creation of stories.Listen to hear Dan discuss:His work for Paramount, BBC Studios and Nine, and why data analysis is crucial for understanding market trends.The slowing in revenue, leakage of revenue and concentration of revenue that are affecting content buyers globally.How children’s content presents great opportunities that we aren’t capitalising on in Australia.The five ways producers can adapt to make their content more favourable to buyers.Why the future of the industry relies on innovation and adaptability.Follow Dan on LinkedIn: https://www.linkedin.com/in/danfahy100 This Deep Dive interview is hosted by Kirsty Stark and edited by Brandon Boyer and Kirsty Stark.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠This episode is sponsored by AFTRS, the Australian Film, Television and Radio School. Head to aftrs.edu.au to find your course and enrol.

In this special bonus episode of We Interrupt This Broadcast, we're joined by Sam Buckland, the Programming and International Engagement Director at AACTA.With the AACTA Awards and AACTA Festival kicking off next week on the Gold Coast, we wanted to share a preview of some of the events that will be happening alongside the Awards.It's an incredible line-up, and the full We Interrupt This Broadcast team will be there, ⁠hosting a panel⁠ at 5:30pm on Thursday (register and say hi!), and running a special activation to capture your big ideas about the future of the industry. If you can't be at the Festival, you'll still have a chance to contribute, so make sure you follow us on Instagram and LinkedIn for more details once the Festival kicks off.https://www.instagram.com/weinterruptpodcasthttps://www.linkedin.com/company/weinterruptpodcastTune in to hear all of Sam’s highlights for the Festival, from the Awards and screenings to panels, special events and even karaoke!-----AACTA Festival takes place from Wednesday 4th to Sunday 8th of February on the Gold Coast. See the full program and register for the sessions you want to attend at https://www.aactafestival.com. We Interrupt This Broadcast is an official Media Partner for this year's event.

Happy New Year, and welcome to 2026!With Julie Eckersley departing We Interrupt This Broadcast for her new role at Screen Queensland, we’re excited to welcome Loani Arman, Aven Yap and Robbie Miles, who will be joining Kirsty Stark as hosts.We’re thrilled to expand the WITB team with a great mix of people and personalities who all have the best interests of the industry at heart - and we have big plans for the podcast this year!Tune in to this episode to hear more about who we are and what we’re excited about.Plus, we announce our upcoming first appearance as a team at AACTA Festival, where we’ll be hosting a panel (register and say hi!), and running an activation to capture your big ideas about the future of the industry (more news in the episode!). ---Loani Arman is a writer, director, and screen executive with over 20 years in the Australian screen industry, including her AIDC Award winning documentary My Body Says and as executive producer of the AACTA-winning series Latecomers. She most recently co-wrote a feature film adaptation of a hugely popular horror title.Aven Yap is a producer, writer, content creator working across Australia and Asia, and founder of Nimbus Creative. His credits span scripted and documentary projects for ABC, Nine, Disney+/NatGeo, and his award-winning short Piano Mums has a feature adaptation in development with investment from Screen Queensland and Screen Australia.Robbie Miles is a producer, educator and screen industry strategist with a deep interest in how creative work actually gets made. He currently leads industry engagement at the Australian Film Television and Radio School (AFTRS) and develops projects across film, television and digital platforms through Miles Ahead Productions.Kirsty Stark is an Emmy award-winning producer at Epic Films with a strong commitment to industry support, particularly in areas that promote career sustainability for freelancers and industry growth. She is the founder of CrewHQ, a nationwide crew database, and CrewCon, a conference for freelance crew. Kirsty is also Deputy Chair of The Mercury, and a host of We Interrupt This Broadcast.---Our podcast schedule for 2026:Last Tuesday of the month - Monthly round-up episodeAll other Tuesdays - Deep Dive interviewsNext week’s episode will be a special bonus AACTA Festival preview with Sam Buckland, with our regular schedule kicking off in February.Listen on Spotify, YouTube or Apple Podcasts.---Links for your enjoyment:Aven crashes out in Sunnybank Plaza: https://www.instagram.com/p/DTJ5xttDI_KRobbie Miles in The Guardian: What It’s Like Winning Mastermind Australia: https://www.theguardian.com/tv-and-radio/2025/jul/19/mastermind-australia-sbs-winner See you in February, and don’t forget to sign up for our mailing list to get all of our episodes in your inbox when they’re released!---If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.We Interrupt This Broadcast is hosted by Kirsty Stark, Loani Arman, Robbie Miles and Aven Yap. This episode was edited by Kirsty Stark.This episode is sponsored by AFTRS, the Australian Film, Television and Radio School. Head to aftrs.edu.au to find an AFTRS course that’s made for you.

In this final episode of We Interrupt This Broadcast for 2025 (and Julie’s last episode as a host), Julie and Kirsty wrap up the month’s industry news, including the new streaming quotas legislation, the Screen Australia Drama Report, the Netflix / Paramount / Warner Brothers Discovery saga, and our Spotify Wrapped stats for the year.Plus: all of your December screen industry news headlines from around the country...This episode is sponsored by ⁠AFTRS⁠, the Australian Film, Television and Radio School. Use the code SUMMER2026 for a 15% discount⁠⁠⁠⁠⁠ on all summer short courses. Head to aftrs.edu.au/shortcourses to find your course and enrol.00:00 Intro00:41 Kirsty’s Japan Prize Trip & Julie Starts at Screen Queensland02:45 Our Spotify Wrapped Results for 202504:27 Streaming Quotas05:58 Screen Australia Drama Report10:06 U16 Social Media Ban12:51 Warner Brothers Discovery + Netflix or Paramount17:36 Letterboxd’s Video Store19:32 Industry news, key appointments & opportunities25:10 What we’ve been watching28:32 What’s in production around Australia29:03 Farewell, Julie & see you all in 2026!30:28 Outro & Acknowledgement of CountryLinks:Our Spotify Wrapped for 2025: https://www.linkedin.com/feed/update/urn:li:activity:7402212521182744576 Streaming Quotas: https://deadline.com/2025/11/australia-streaming-quotas-sworn-into-law-1236630348Screen Australia Drama Report: https://www.screenaustralia.gov.au/sa/media-centre/news/2025/12-02-drama-report-2024-2025Warner Bros. Discovery + Netflix or Paramount: https://www.abc.net.au/news/2025-12-13/warner-bros-discovery-paramount-skydance-netflix-battle/106126968U16 Social Media Ban: https://www.theguardian.com/australia-news/2025/dec/09/australia-under-16-social-media-ban-begins-apps-listed Letterboxd’s Video Store: https://letterboxd.com/video-storeAACTA Nominees: https://www.aacta.org/aacta-awards/winners-and-nominees AACTA Wake In Fright Recipient: https://www.aacta.org/aacta-development-initiatives/wake-in-fright-development-initiativeAACTA Reg Grundy Award: https://www.aacta.org/our-news/media-room/top-5-finalists-announced-for-the-aacta-reg-grundy-award ASSG Awards: https://if.com.au/better-man-narrow-road-to-the-deep-north-lead-winners-at-assg-awardsASE Ellie Awards: https://if.com.au/the-order-apple-cider-vinegar-win-at-ellie-awardsACS State Awards: https://cinematographer.org.au/state-and-territory-awards Cameraimage Golden Frog: https://www.filmink.com.au/public-notice/australian-cinematographer-benjamin-bryan-takes-home-the-golden-frog-at-camerimage-2025-for-feature-documentary-iron-winter If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.We Interrupt This Broadcast is hosted by Julie Eckersley and Kirsty Stark. This episode was edited by Kirsty Stark.

In this episode, Producer Daren Smith returns to share more about his production fund for independent features. Daren was previously a guest on Episode 34 and is back to answer all of the questions you submitted after listening to the episode.He shares insights on marketing, building relationships with investors and understanding market needs, how each film's finance structure works, and how to manage the uncertainty of the industry.---This episode is sponsored by ⁠AFTRS⁠, the Australian Film, Television and Radio School. Use the code SUMMER2026 for a 15% discount⁠⁠⁠⁠⁠ on all summer short courses. Head to aftrs.edu.au/shortcourses to find your course and enrol.---Listen to hear Daren discuss:Brotherhood: A Cinematic Musical, the first film being greenlit under Producer Fund 1why you need to start marketing on Day 1finance plans for independent films, and why they shouldn't be 100% equitywhy he's chosen to release his films theatricallyhow to reach out to investors and the importance of continued outreach over timetracking progress and analysing your numbersFollow Daren and his work:Daren on LinkedIn: https://www.linkedin.com/in/darentsmithDaren on IMDb: https://www.imdb.com/name/nm2743912Craftsman Films: https://www.craftsmanfilms.coGet your free copy of Daren's book, Blockbuster: https://www.craftsmanfilms.co/blockbuster Follow Brotherhood - Producer Fund One's first film:https://newsletter.craftsmanfilms.co/posts/brotherhood-update-composer-sessions-social-media-now-liveInstagram: https://www.instagram.com/brotherhoodmusical/TikTok: https://www.tiktok.com/@brotherhoodmusicalYouTube: https://www.youtube.com/@BrotherhoodMusicalSpotify: https://open.spotify.com/album/2qxWEdMELDtPnr5qvq7Rsq This Deep Dive interview is hosted and edited by ⁠⁠⁠Kirsty Stark⁠.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠LinkedIn⁠

In this episode, Kirsty chats to Enzo Tedeschi, a director, producer, and writer at Deadhouse Films, and how he’s sustained a thriving indie production company through significant industry changes.Enzo has often been at the forefront of experimental production models made possible through changes in technology, from his early crowdfunded feature film The Tunnel, which now has an audience of over 25 million, to work across genre projects and documentary. He discusses audience building, the differences in audience building between documentary and narrative projects, evolving business models and the role of technology in shaping the future of indie filmmaking.Listen to hear Enzo discuss:How the traditional industry prevented Enzo and his team from their planned distribution rollout for The TunnelWhy crowdfunding isn’t the right move for 90% of projectsHow to cast a project in a way that increases its likely pathway to audienceThe importance of recognising - and leveraging - the story behind your projectHow Enzo is using AI on his latest project And much more!Follow Enzo and his work:Enzo Tedeschi on LinkedIn: https://www.linkedin.com/in/enzo-tedeschiEnzo Tedeschi on Instagram: https://www.instagram.com/enzotedeschiDeadhouse TV on YouTube: https://www.youtube.com/deadhousetvEnzo’s website: https://www.enzotedeschi.com.auDeadhouse Films: https://www.deadhousefilms.comThe Tunnel: https://www.thetunnelmovie.netThis Deep Dive interview is hosted and edited by Kirsty Stark.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠This episode is sponsored by AFTRS, the Australian Film, Television and Radio School. Use the code SUMMER2026 for a 15% discount⁠⁠⁠ on all summer short courses. Head to aftrs.edu.au/shortcourses to find your course and enrol.Don’t forget to subscribe & get weekly episodes in your inbox.

In this episode, Julie Eckersley dives into the fast-evolving world of the creator economy with Keith Quinn, founder of Engine Room - a new kind of studio helping independent creators turn their data into strategy, growth, and sustainable income.Keith’s career has spanned 25 years at the intersection of entertainment, digital innovation, and entrepreneurship. From Project Greenlight with Matt Damon and Ben Affleck, to running Paramount’s original digital content division, he’s watched the media landscape expand, contract, and re-invent itself multiple times.Now, with Engine Room, Keith is giving creators the kind of analytical and financial support once reserved for Hollywood studios. He explains how data can empower creative growth, why YouTube has quietly become the biggest player on TV screens, and what the next five years hold for creators, streamers, and the screen industry at large.Listen to hear Keith discuss:The evolution of entertainment: From the streaming boom to the rise of independent, open-platform creators.The creator economy as small business: Why data and audience insight are the new creative superpowers.Inside Engine Room: How the company helps creators understand and act on their analytics - with real examples of how simple insights doubled reach and revenue.The new model for creator growth: Subscription tools, sponsorship data, and how Engine Room connects like-minded creators to help build ‘creative clusters’ to leverage their successPlus: Keith’s big idea to change the future of our industryFollow Keith and his work:Keith Quinn on LinkedIn: https://www.linkedin.com/in/quinnkeith/Engine Room: https://www.engineroom.com.auThis Deep Dive interview is hosted by Julie Eckersley⁠⁠⁠ and edited by Brandon Boyer.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠This episode is sponsored by AFTRS, the Australian Film, Television and Radio School. Use the code SUMMER2026 for a 15% discount⁠⁠⁠ on all summer short courses. Head to aftrs.edu.au/shortcourses to find your course and enrol.

In this episode of We Interrupt This Broadcast, Julie and Kirsty wrap up this month’s industry news, including a summary of the streaming quotas bill that’s just been introduced to parliament, a wrap-up of the Australian International Movie Convention (AIMC), and what’s happening in AI.Plus: all of your November screen industry news headlines from around the country...This episode is sponsored by AFTRS, the Australian Film, Television and Radio School. Use the code SUMMER2026 for a 15% discount⁠⁠⁠ on all summer short courses. Head to aftrs.edu.au/shortcourses to find your course and enrol.00:00 Intro00:40 Julie’s new role at Screen Queensland02:10 AACTA Festival’s 2026 line-up 03:15 Streaming Quotas update07:40 AIMC wrap-up & what’s happening in the feature space11:57 AI update: copyright laws & OMNI AI film festival14:30 Industry news, key appointments & opportunities19:25 What we’ve been watching20:22 What’s in production around Australia21:13 Wrap-Up & Acknowledgement of CountryPodcast News:Julie’s new role at Screen Queensland: https://screenqueensland.com.au/sq-news/media-centre/screen-queensland-appoints-julie-eckersley-as-executive-director-screen-content/2026 AACTA Festival Program Launch: https://www.aactafestival.comStreaming Quotas:https://www.screenproducers.org.au/media/release/?id=SPA-01860https://deadline.com/2025/11/australia-streaming-quota-analysis-1236607691https://www.saveaustralianstories.com.auAIMC:https://cinemaassociation.asn.au/members-events/2025-aimcAI Updates:https://if.com.au/industry-commends-government-for-ruling-out-tdm-exception-in-copyright-lawshttps://www.theguardian.com/technology/2025/jun/27/deepfakes-denmark-copyright-law-artificial-intelligencehttps://omnifilmfestival.comThe Cinema That Never Was: https://www.youtube.com/watch?v=dfludfofQGwAwards & Announcementshttps://www.screenhub.com.au/news/news/natalie-miller-fellowship-awards-dual-recipients-with-2025-grant-2684678https://if.com.au/cornel-wilczek-jed-kurzel-meg-washington-on-top-at-screen-music-awardshttps://cinematographer.org.au/state-and-territory-awardshttps://if.com.au/screen-nsw-selects-daniel-king-for-first-nations-screen-fellowship https://if.com.au/spa-announces-pitch-on-demand-shortlist-for-2025https://www.sbs.com.au/aboutus/2025/10/29/sbs-nitv-and-screen-australia-announce2025-digital-originals-shortlisthttps://www.aacta.org/our-news/media-room/strawflower-wins-the-2025-aacta-pitch-focus-initiativeIndustry opportunitieshttps://www.screenaustralia.gov.au/funding-and-support/narrative-content-production/finance-attraction/international-initiatives/talent-gatewayhttps://www.screenaustralia.gov.au/funding-and-support/narrative-content-production/finance-attraction/international-initiatives/global-producers-exchange https://if.com.au/whos-the-next-big-thing-submit-your-picks-for-ifs-2026-rising-talent-listhttps://www.sbs.com.au/aboutus/2025/11/04/sbs-calls-for-bold-thought-provoking-factual-ideas-up-to-50000-in-development-funding-available https://www.screenproducers.org.au/spa-awards Race Around the World: https://if.com.au/abc-opens-applications-for-race-around-the-world-revival/Creator Economy Masterclass: https://www.screenproducers.org.au/events/details/?id=cdc82e50-50a7-4aee-b8f0-a7d9c14bbf57Wrap-UpJapan Prize: https://www.nhk.or.jp/jp-prize/english/index.htmlDaren Smith Episode (submit your questions to [email protected]): https://open.spotify.com/episode/38P6KVO39ekPEqlmw1C2dxIf you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.We Interrupt This Broadcast is hosted by Julie Eckersley and Kirsty Stark. This episode was edited by Brandon Boyer.

* Could you be our next We Interrupt This Broadcast co-host? *Read more and fill out an EOI here: https://forms.gle/oQgAoJXgnQpejfej9In this episode, Julie Eckersley chats to Amelia Darmawan, Co-Founder and Executive Producer at Totem, a company that’s quietly reimagining what a digital-first entertainment business can be.The company designs next-gen content businesses for media companies, brands, and creators, helping great IP reach millions more online.As Director of Strategy & Content, Amelia helps drive innovation across original content, revenue expansion, brand partnerships, and AI-powered workflows.She shares some of what she’s learnt while shaping the next generation of entertainment brands. Listen to hear Amelia discuss:The shift she’s seen across the screen and creative industries over the last 10 yearsHow the benefits can go both ways as we move into true collaborations between traditional media creators and the creatorsphereHow to maximise your IP and reach new audiences onlineHow to understand and work with the algorithmsThe importance of staying nimble as things continue to change and evolveFollow Amelia and her work:Amelia on LinkedIn: https://www.linkedin.com/in/amelia-darmawan-8a5b2541 Totem: www.totem.globalBondi Rescue on YouTube: www.youtube.com/bondirescueTwisted Lunchbox on YouTube: www.youtube.com/twistedlunchboxPeking Duck on TikTok: https://www.tiktok.com/@pekingduk Try Guys on Instagram: https://www.instagram.com/tryguys This Deep Dive interview is hosted by Julie Eckersley⁠⁠⁠ and edited by Brandon Boyer.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠This episode is sponsored by ⁠⁠AFTRS⁠⁠, the Australian Film, Television and Radio School. Use the code INTENSIVE2025 for a 20% discount⁠⁠⁠⁠⁠⁠⁠ on all “intensive” courses until the end of the year.

Could you be our next We Interrupt This Broadcast co-host? Read more and fill out an EOI here: https://forms.gle/oQgAoJXgnQpejfej9---What does it take to build a thriving, sustainable creative business in the new media landscape?In this episode, Julie Eckersley dives into the fast-evolving world of digital creators with Farhad Meher-Homji, Co-Founder and Head of Strategy at Changer Studios - an organisation that’s helped tens of thousands of creators in over 40 countries turn passion into profession.Farhad breaks down how the creator economy has matured from the fringes of entertainment into a powerful mainstream force and why the smartest creators now think like entrepreneurs. He unpacks how to build a content strategy that actually works, how to read audience data beyond the vanity of subscriber counts, and why psychographics - understanding why your audience connects - is the secret weapon of modern storytelling.---This episode is sponsored by ⁠⁠AFTRS⁠⁠, the Australian Film, Television and Radio School. Use the code INTENSIVE2025 for a 20% discount⁠⁠⁠⁠⁠⁠⁠ on all “intensive” courses until the end of the year. https://www.aftrs.edu.au/---Listen to hear Farhad discuss:The shift from attention as a metric to attention as a business modelHow creators are turning audiences into communities, and communities into media businessesWhy “audience ownership” is a key step for long-term sustainabilityWhat burnout looks like in the creator economy, and how to build for longevityHow authenticity, not production value, is now the ultimate marker of qualityThe rise of “human-led, AI-assisted” creativity, and the value of real human connectionFollow Farhad and his work:Farhad on LinkedIn: https://www.linkedin.com/in/farhadmh/Changer Studios: https://www.changerstudios.comChanger on Instagram: https://www.instagram.com/changerstudios-----This Deep Dive interview is hosted by Julie Eckersley⁠ and edited by Brandon Boyer and Kirsty Stark.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠LinkedIn⁠⁠---This episode is sponsored by ⁠AFTRS⁠, the Australian Film, Television and Radio School. Use the code INTENSIVE2025 for a 20% discount⁠⁠⁠⁠⁠ on all “intensive” courses until the end of the year. https://www.aftrs.edu.au/

In this episode, Kirsty talks to Daren Smith of Craftsman Films, a Utah-based independent producer with four features and multiple seasons of TV under his belt. Daren shares how he set up Craftsman Films, as an independent studio, and the new $10 million dollar film fund he’s raising, with the goal of producing ten profitable “blockbuster indies.”He also discusses the challenges of independent filmmaking, including financing, development and distribution, and how he’s addressing these issues through a new model inspired by venture capital structures.---This episode is sponsored by ⁠AFTRS⁠, the Australian Film, Television and Radio School. Use the code INTENSIVE2025 for a 20% discount⁠⁠⁠⁠⁠ on all “intensive” courses until the end of the year.---Listen to hear Daren discuss:The five key challenges of independent filmmakingCraftsman Films’ new model for indie film financingHow to approach a pitch so that private investors will listenThe importance of building your personal brandHow reaching out on LinkedIn beats cold emailingWhy it’s important for a film fund to have a clear thesisThe difference between asking ‘what’ questions and ‘why’ questionsFollow Daren and his work:Daren on LinkedIn: https://www.linkedin.com/in/darentsmithDaren on IMDb: https://www.imdb.com/name/nm2743912Craftsman Films: https://www.craftsmanfilms.coGet your free copy of Blockbuster: https://www.craftsmanfilms.co/blockbuster ---This Deep Dive interview is hosted by ⁠⁠Kirsty Stark and edited by Brandon Boyer.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ | ⁠⁠⁠⁠YouTube⁠⁠⁠⁠ | ⁠⁠⁠⁠LinkedIn⁠---This episode is sponsored by AFTRS, the Australian Film, Television and Radio School. Use the code INTENSIVE2025 for a 20% discount⁠⁠⁠ on all “intensive” courses until the end of the year.

In this episode of We Interrupt This Broadcast, Julie and Kirsty wrap up this month's industry news, from distributors making AI edits and Tilly Norwood's debut through to shifting audience habits and some great industry opportunities to apply for.Plus: all of your October screen industry news headlines from around the country...This episode is sponsored by ⁠AFTRS⁠, the Australian Film, Television and Radio School.00:00 Intro00:41 Exciting news! Our new sponsor & a new partnership.03:01 Critters - a $30m "AI-integrated" animated feature film05:39 AI "actress" Tilly Norwood07:40 Tropfest's stance on AI08:20 Trump, Tiktok & Tariffs09:46 Gen Z watching TV through social clips14:23 Do fans move from YouTube to TV?17:46 Industry news, key appointments & opportunities09:20 Opportunities & upcoming events20:17 What we've been watching22:43 What’s in production around Australia23:24 Wrap-Up & Acknowledgement of CountryPodcast NewsSay hello to our new podcast sponsor AFTRS and use the code INTENSIVE2025 for a 20% discount⁠ on all “intensive” courses until the end of the year: https://www.aftrs.edu.au Learn more about the upcoming AACTA Festival. We'll be there as official media partners: https://www.aacta.org/p/2025-aacta-festival AI Round-Up⁠⁠Deep Dive with Clayton Jacobson: https://weinterruptthisbroadcast.substack.com/p/ep-30-reimagining-filmmaking-with Critterz "AI-integrated" Feature Animationhttps://www.critterz.tv/ https://www.screendaily.com/news/ai-integrated-animation-critterz-in-production-for-uks-vertigo-films/5208690.article Unauthorised AI Editinghttps://www.linkedin.com/posts/activity-7376751430831079425-t5Yg/https://deadline.com/2025/09/together-china-gay-scene-ai-edit-neon-1236554804/ https://variety.com/2025/film/news/ai-actress-tilly-norwood-talent-agents-zurich-summit-1236533454/ Tilly Norwoodhttps://variety.com/2025/film/news/tilly-norwood-ai-eline-van-der-velden-1236543362/ https://www.hollywoodreporter.com/movies/movie-news/tilly-norwood-ai-actress-betty-gilpin-guest-essay-1236396217/https://www.sagaftra.org/sag-aftra-statement-synthetic-performerAI "not out of the question" at Tropfest⁠https://www.screenhub.com.au/news/interviews/tropfest-founder-john-polson-says-ai-not-out-of-the-question-in-2026-festival-return-2678406/⁠Trump, TikTok & Tariffshttps://www.cnbc.com/2025/09/25/trump-approves-tiktok-deal-through-executive-order.html https://www.telegraph.co.uk/us/news/2025/10/10/barron-trump-tipped-top-tiktok-jobhttps://www.abc.net.au/news/2025-09-30/fears-trump-film-tariff-could-hurt-australian-film-industry/105834582Audience ShiftsGenZ only watches TV through social clips: https://theankler.com/p/gen-z-only-watches-your-show-through Do Creator Fans Move from YouTube to TV? https://businessoftv.substack.com/p/do-creator-fans-move-from-youtube Industry News & Opportunities⁠AACTA Screen Careers Expo⁠AACTA Young Stars ⁠Reg Grundy AwardAIF Insider Sessions: Writers RoomAGSC Scoring SummitIf you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.We Interrupt This Broadcast is hosted by Julie Eckersley and Kirsty Stark.

In this episode, Kirsty talks to Creative Producer Nicholas Colla from LateNite Films in Melbourne about how he and his business partner Chris Hocking have built a slate of work that balances great storytelling with highly accomplished VFX and animation.Nick shares their approach to production, including integrating post production workflows and using technology in their planning and development process, plus the lessons they've brought into live action from their animation work.Listen to hear Nick discuss:Why planning in pre-production is crucial when making ambitious projects on lower budgetsHow LateNite approached Wizards of Oz and its 1200 VFX shotsThe technology that can assist with planning your shoot with a small team in development and preThe lessons LateNite has taken from animation into their live action workWhy the Australian screen industry needs to rethink development.Follow Nick and his work:LateNite Films: https://latenitefilms.com/Nick on LinkedIn: https://www.linkedin.com/in/nicholas-colla-07865790Nick on Instagram: https://www.instagram.com/nickcollaLateNite on YouTube: https://www.youtube.com/@latenitefilmsRebooted: https://youtu.be/1Rkn6rnsgc4?si=MI_iKFy2-KjREu1FThe Wizards of Aus: https://youtube.com/playlist?list=PLJSMFXYSojXotCa_NrjYM54ICmSmmCygg&si=Za3YlDg327mjyycRThe Future of Everything: https://youtu.be/cD2jXqBFaIQ?si=oLo32b-jNjm-yjevDeadbeat Ends Meet: https://youtube.com/playlist?list=PLJaZsLppUqpzk4tjJxcnBJunVHITREyTz&si=2xp5r9TkDpH1M69hVideo reference in the episode: I Am Mother VR Storyboarding: https://youtu.be/M4Xy9vvpLvE?si=L6ovF7pmv99c0273This Deep Dive interview is hosted by ⁠⁠⁠Kirsty Stark⁠⁠, and proudly brought to you by ⁠⁠⁠⁠⁠⁠⁠⁠⁠CrewHQ⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠Expanding Media⁠⁠⁠⁠⁠⁠⁠⁠⁠.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠LinkedIn⁠⁠Don’t forget to subscribe & get weekly episodes in your inbox.

In this episode, Julie talks to prolific producer Steve Jaggi, founder of Jaggi Entertainment, about how he has built one of Australia’s busiest independent studios. Steve unpacks his cradle-to-grave business model - spanning development, financing, production, post, VFX and distribution - and why being relentlessly audience-focused has been key to his global success.He shares candid insights into why legacy systems are struggling, how micro dramas and influencer-led casting are reshaping the industry, and why Australian producers must urgently rethink cost structures and audience engagement. Steve also reflects on AI, direct-to-consumer models, and what kind of leadership is needed to stop the industry’s “slow-moving train” from derailing.Listen to hear Steve discuss:The rise of vertical drama and mobile-first storytelling.Why influencer-driven casting is transforming audience definitions of quality.Rethinking cost, scale and sustainability in production.Preparing for disruption from AI, D2C models, and shifting global power.What kind of leadership the Australian industry needs right now.Follow Jaggi Entertainment:Jaggi Entertainment: https://www.jaggientertainment.com IMDb: https://www.imdb.com/name/nm1863720You Tube: https://www.youtube.com/@jaggi_entertainmentInstagram: https://www.instagram.com/jaggi_entertainmentFacebook: https://www.facebook.com/jaggientertainmentLinkedIn: https://www.linkedin.com/company/jaggientertainment/This Deep Dive interview is hosted by ⁠⁠Julie Eckersley⁠, and proudly brought to you by ⁠⁠⁠⁠⁠⁠⁠⁠CrewHQ⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠Expanding Media⁠⁠⁠⁠⁠⁠⁠⁠.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ | ⁠⁠⁠⁠YouTube⁠⁠⁠⁠ | ⁠⁠⁠⁠LinkedIn⁠Don’t forget to subscribe & get weekly episodes in your inbox.

In this episode, Julie talks to award-winning filmmaker Clayton Jacobson, best known for Kenny, about his pioneering work with AI in film. Clayton shares how AI is helping him bypass traditional gatekeepers, transform creative workflows, and unlock decades of unrealised ideas. He speaks candidly about the opportunities and challenges of this rapidly evolving technology, how it can democratise creativity, and why he believes it will change the way we make and experience stories.Listen to hear Clayton discuss:How AI is transforming filmmaking and creative workflows.The future of storytelling beyond traditional gatekeepers.Iterative creative processes using AI tools.Rethinking collaboration, production, and budgets in screen content.The broader cultural impact of AI on creativity and human connection.Follow Clayton and his work:LinkedIn: https://au.linkedin.com/in/clayton-jacobson-13453841Facebook: https://www.facebook.com/clayton.jacobson.79Youtube (portfolio): https://www.www.youtube.com/@GUNSHYCOWBOYS-285Escape AI: https://escape.ai/profile/gunshycowboys285 Dreamscreen Australia: https://www.dreamscreenaustralia.com/This Deep Dive interview is hosted by ⁠Julie Eckersley, and proudly brought to you by ⁠⁠⁠⁠⁠⁠⁠CrewHQ⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠Expanding Media⁠⁠⁠⁠⁠⁠⁠.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠Instagram⁠⁠⁠ | ⁠⁠⁠YouTube⁠⁠⁠ | ⁠⁠⁠LinkedIn⁠

In this episode, Julie Eckersley talks to Lee Naimo, Head of Creative for Grouse House at Haven’t You Done Well Productions, about the growth of online screen businesses in Australia and how to build a sustainable business model that works for you and your audience.Previously managing the Online and Games Unit at Screen Australia, Lee worked with Australian producers, writers, directors and gamemakers to elevate their projects and careers, and has great insight into how they’re succeeding in the marketplace.Even for those companies working in traditional media, online opportunities will need to make up at least one component of your future business strategy, so this is an episode not to miss!Listen to hear Lee discuss:The evolution of online content in AustraliaInnovative companies in the online spaceHow Grouse House is building opportunities for comedians to get their work in front of audiencesHow revenue stacking leads to sustainable business modelsWhy you should repurpose your existing content to find new audiencesWhat’s happening in the games space in AustraliaPlus, his big idea for the Australian industryFollow Lee, Grouse House and their work:⁠Haven’t You Done Well’s website: https://www.haventyoudonewell.com Grouse House’s website: https://www.haventyoudonewell.com/grouse-houseGrouse House on YouTube: https://www.youtube.com/channel/UCNuaFLcbAeycQAIAW5s7T0QLee Naimo on LinkedIn: ⁠https://www.linkedin.com/in/lee-naimo-689084233This Deep Dive interview is hosted by Kirsty Stark, and proudly brought to you by ⁠⁠⁠⁠⁠⁠CrewHQ⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠Expanding Media⁠⁠⁠⁠⁠⁠.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠Spotify⁠⁠⁠⁠ or ⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠Instagram⁠⁠ | ⁠⁠YouTube⁠⁠ | ⁠⁠LinkedIn⁠

In this episode of We Interrupt This Broadcast, Julie and Kirsty wrap up this month's industry news, from the announcement of Tropfest 2.0 and an audience shift back to cinemas, through to Netflix's new staff announcements and some international successes for Australian work.Plus: all of your September screen industry news headlines from around the country...00:00 Intro00:41 Julie on Stake Out & Kirsty on holidays!03:46 Tropfest is back!05:49 The re-emergence of cinema 08:18 Industry news & key appointments09:20 Opportunities & upcoming events11:04 Netflix releases AI guidelines12:37 Australian successes overseas: The Emmys & Hollow Knight: Silksong17:03 What we've been watching19:13 What’s in production around Australia21:11 Wrap-Up & Acknowledgement of CountryWhat We've Been Up ToStake OutDeep Dive with Jonathon DuttonDeep Dive with Sam JockelScreen Well’s Psychosocial Safety courseAudience TrendsDeep Dive with Sam JenningsAdelaide Film FestivalMelbourne Is Getting Another Independent CinemaA24 Buys Cherry Lane TheaterThe MercuryCan Gen Alpha Save the Box Office?Aunty Donna / Grouse House’s New Streaming ServiceHow Dropout went from College Humor to multi-media powerhouseIndustry News & OpportunitiesNetflix AppointmentsLeanne Tonks appointed WIFT Chair AACTA Entries Now Open AACTA Young Stars CinefestOZ Feature WinnerCinefestOZ Shorts WinnersNetflix AI GuidelinesNetflix Clipping Feature Aquarius Films to Close Love on the Spectrum Wins Two EmmysScreenrights Cultural Fund RecipientsScreen Forever Session Call Out SPA GENR8 ConferenceHollow Knight: SilksongTeam CherryWhat We're WatchingLesbian Space Princess: https://www.youtube.com/watch?v=Nra14aUNYS8 Went Up the Hill: https://www.youtube.com/watch?v=Ngflg43TKUI Top End Bub: https://www.youtube.com/watch?v=mDIbYTsWSqw Pasa Faho: https://www.youtube.com/watch?v=xZQln1EvjeA CEEBS: https://www.tiktok.com/@ceebsseries HOOPS: https://www.tiktok.com/@transathletica.series Kangaroo: https://www.youtube.com/watch?v=RvmaXOvLJNc Mystery Road: Origin S2: https://www.youtube.com/watch?v=zETZw4w-Hbs What's in ProductionStake Out: https://deadline.com/2025/08/brenton-thwaites-charlee-fraser-horror-stake-out-1236500324/ The Dispatcher: https://vicscreen.vic.gov.au/news/new-thriller-series-the-dispatcher-wraps-in-victoria Dog Park: https://www.filmink.com.au/public-notice/sit-stay-laugh-abcs-new-comedy-dog-park-begins-filming/ Happy House & Caper Crew: https://www.abc.net.au/about/media-centre/publicity-media-room/abc-unveils-two-new-original-children-s-series/105702130 Her Aussie Romance - Jaggi Entertainment:  https://if.com.au/colin-budds-her-aussie-romance-sets-melbourne-backdrop-with-mallory-jansen-ryan-corr-dannii-minogue/ Prima Facie: https://www.screendaily.com/news/prima-facie-starring-cynthia-erivo-gearing-up-to-shoot-at-londons-story-works-studios SXSW Sydney: https://www.sxswsydney.com/ Sony Scenescape: https://scene.sonyanz.com/sne-hub/explore-all/scenescape If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.We Interrupt This Broadcast is hosted by Julie Eckersley and Kirsty Stark.This episode is proudly brought to you by Expanding Media & CrewHQ.

In this episode, Kirsty Stark talks to Jonathon Dutton, Managing Partner of Screen Well, about mental health and wellbeing in the Australian screen industry.Screen Well's mission is to improve the mental health and wellbeing outcomes of the Australian Screen industry - not an easy task when their recent survey in partnership with Griffith University found that 25% of our workforce is looking to leave the industry within the next 6 months!This is a must-listen episode for anyone wanting to better look after our people - on an individual, production / workplace and industry-wide level. Listen to hear Jonathon discuss:The structural challenges in our industry that make wellbeing so much harder to maintainWhat you can do to manage your own mental health and wellbeing, or 'put your own life jacket on first.'How Town Hall meetings on productions can help to shift the culture on set and make policies 'real.'Mental Health First Aid Training and the impact it makes when people are trained across a production.Why you should have the Support Act number on your callsheets.Psychosocial safety, and your responsibility as an employer under new legislation.Screen Well's Mental Health Summit, and upcoming Mental Health Action PlanFollow Screen Well and their work:Screen Well's website: ⁠https://www.screenwell.com.auPsychosocial Safety training: https://www.screenwell.com.au/creative-workplaces Mental Health First Aid training: https://www.screenwell.com.au/mhfa-training Screen Well on Instagram: https://www.instagram.com/screenwell.com.auJonathon Dutton on LinkedIn: https://www.linkedin.com/in/jonathon-duttonBonus:Support Act (put this info on your callsheet!): https://supportact.org.au/individual-support/wellbeing-helplineThis Deep Dive interview is hosted by ⁠Kirsty Stark⁠, and proudly brought to you by ⁠⁠⁠⁠⁠⁠⁠CrewHQ⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠Expanding Media⁠⁠⁠⁠⁠⁠⁠.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠⁠Instagram⁠⁠⁠ | ⁠⁠⁠YouTube⁠⁠⁠ | ⁠⁠⁠LinkedIn⁠

In this episode, Kirsty Stark talks to Sam Jockel, Producer of Australian parenting documentary Seen, which has reached over 30,000 audience members and gone into profit within 4 months of release.Sam comes from outside the film industry, as a serial entrepreneur with expertise in community building across multiple businesses. Seen is her first feature film, and she used her business background to build a hybrid release model, working with distributor Bonsai Films.This is a must-listen episode for anyone interested in building audiences and community around a project. Sam openly shares her experience, including how difficult the process was, and whether it was worth it to challenge the norms of distribution.Listen to hear Sam discuss:Why someone needs to be working on audience building from the moment a film is conceivedHow much she raised at the film’s first fundraising event, and why it was so importantHer choice to build a distribution plan around community screenings, instead of targeting individual ticket salesHer initial reaction to the distribution models she was presented withThe difficulty of managing an impact campaign alone, and whether it was worth itHow Seen planned and managed their release, including the tools and platforms they used, how they ran events and the benefit of their websiteWhat she would pitch to the film industry as an outsider, to make it better for everyoneSam Jockel is an award-winning entrepreneur and content producer with over 15 years of experience, known for founding ParentTV, an innovative parenting platform, and building ALDI Mum and School Mum, online communities with over 650,000 members. Recognised by the World Summit Awards Globally winning the Learning and Education category for the Quality Education SDG, she has also taken on the role of producer tackling the tricky topic of parenting in modern times with the recently released documentary Seen.Follow Sam and her work:Seen’s official website: https://seenthefilm.comSeen Resources: https://seentheresources.comSeen on Instagram: https://www.instagram.com/seendocumentarySam Jockel on LinkedIn: https://www.linkedin.com/in/samjockelParentTV: https://parenttv.comYouTube: https://www.youtube.com/@ParentTVOfficial Trailer:This Deep Dive interview is hosted by Kirsty Stark, and proudly brought to you by ⁠⁠⁠⁠⁠⁠CrewHQ⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠Expanding Media⁠⁠⁠⁠⁠⁠.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠Spotify⁠⁠⁠⁠ or ⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠Instagram⁠⁠ | ⁠⁠YouTube⁠⁠ | ⁠⁠LinkedIn⁠

In this episode, Kirsty Stark talks to Samantha Jennings, Producer at Causeway Films - whose credits include Talk to Me, Cargo, Buoyancy and Of An Age.Sam breaks down the commitment that she and fellow Causeway producer Kristina Ceyton have to nurturing new Australian talent, and supporting them to direct internationally successful feature films.From the importance of authenticity in storytelling to the common traits amongst the diverse group of feature directors that Causeway has worked with, Sam’s advice is invaluable for anyone looking to build a career as a director in the screen industry.Key Takeaways:The importance of building relationships over timeHow to approach casting and packaging for featuresThe ideal budgets for feature films that Causeway will look to take onThe detail to which the directors they work with understand the audiences for their projectsWhy proof of concept shorts aren’t always the best pathway to directing featuresWhy you should build your own community of collaboratorsWhy the Australian industry needs to invest in building our next generation of cinemagoersSamantha Jennings and Kristina Ceyton co-founded Causeway Films with globally acclaimed THE BABADOOK in 2014, and produced Jennifer Kent’s follow up THE NIGHTINGALE. Causeway has launched many debuts on the global stage over the last decade, including Netflix Original CARGO starring Martin Freeman, Berlinale prize winner BUOYANCY by Rodd Rathjen, and Goran Stolevski’s YOU WON’T BE ALONE, OF AN AGE and HOUSEKEEPING FOR BEGINNERS, all released by Focus Features. In 2023, Causeway premiered Danny and Michael Philippou’s TALK TO ME at Sundance, which went onto become A24’s highest grossing genre release to date and earn over $140 million international box office. This year saw the release of the Philippous’ sophomore feature BRING HER BACK starring Sally Hawkins, distributed worldwide by A24 and Sony Pictures. Causeway is currently completing Dario Russo’s THE FOX starring Jai Courtenay and Emily Browning, and Adrian Chiarella’s LEVITICUS starring Joe Bird, Stacy Clausen and Mia Wasikowska.Follow Sam and her work:Causeway Films: http://www.causewayfilms.com.auCauseway Films on Instagram: https://www.instagram.com/causeway_films Samantha Jennings on LinkedIn: https://www.linkedin.com/in/samantha-jennings-89674621/Samantha Jennings on IMDB: https://www.imdb.com/name/nm1209992 This Deep Dive interview is hosted by Kirsty Stark, and proudly brought to you by ⁠⁠⁠⁠⁠⁠CrewHQ⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠Expanding Media⁠⁠⁠⁠⁠⁠.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠Spotify⁠⁠⁠⁠ or ⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!Follow us on: ⁠⁠Instagram⁠⁠ | ⁠⁠YouTube⁠⁠ | ⁠⁠LinkedIn⁠