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All Episodes

Between the Barlines — 118 episodes

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Title
1

Total Serialism

2

Olivier Messiaen: the birdman

3

Igor Stravinsky

4

The Neoclassical Period

5

More on the Second Viennese School: Berg and Webern

6

Music Theory Friday: the 12-tone technique

7

Arnold Schoenberg: the inventive colorist

8

The avant-garde

9

English Modernism

10

Eastern European Modernism

11

American Moderism

12

Spanish Nationalism

13

French Modernists: Debussy and Ravel

14

Richard Strauss: a bridge between two centuries

15

Gustav Mahler: the symphonist

16

Jazz: the true American Sound

17

What is Modernism?

18

Vernacular Music: what is meant by this?

19

Welcome to the 20th Century!

20

The transition into a new century

21

Nationalism in late 19th century American Music

22

The "English Musical Rensaissance"

23

The Mighty Five

24

Hybrid Styles in the late 19th Century

25

Late 19th century Germanicism

26

Late 19th Century Opera

27

Giacomo Puccini and the verismo style

28

Giuseppe Verdi - my "Mean Joe Green"

29

Richard Wagner and Gesamtkunstwerk

30

Bel Canto Opera and its composers

31

19th Century Opera: an overview

32

Programmatic Music

33

Orchestral and Chamber Music in the 19th century

34

Romantic Choral Music

35

Franz Liszt

36

Fryderyk Chopin: the virtuoso

37

Clara Schumann and Fanny Mendelssohn Hensel

38

19th century Music for the Piano

39

On 19th century German Poetry

40

Franz Schubert: the songster

41

German Lieder in the 19th century

42

Music in the Industrial Revolution

43

Romanticism: an era of love and change

44

Using Beethoven as a transition into the Romantic Era

45

Ludwig van Beethoven Part 3: Late Period

46

Ludwig van Beethoven Part 2: Middle Period

47

Ludwig van Beethoven Part 1: Early Period

48

Wolfgang Amadeus Mozart Part 3: Operas, Masses, and Songs

49

Wolfgang Amadeus Mozart Part 2: Chamber Music and Symphonies

50

Wolfgang Amadeus Mozart Part 1: Works for Keyboard

51

Franz Joseph Haydn Part 3: the Vocal Works

52

Franz Joseph Haydn Part 2: the Keyboard Sonatas

53

Franz Joseph Haydn Part 1: the Symphonies and String Quartets

54

Keyboard Composers of the 18th Century

55

Music Theory Friday: Musical Forms

56

Instrumental Music: the Concerto

57

Instrumental Music: the Symphony

58

Instrumental Music: the Sonata

59

The Beginnings of the German Lied

60

Christoph Willibald Gluck: the reformer

61

New Operatic Genres

62

Types of Early Classical Styles

63

The Early Classical Era and the Enlightenment

64

Antonio Vivaldi: a transition between baroque and classical

65

George Frederic Handel

66

Development of Conservatories in the early 1700s

67

J.S. Bach Part 3: the Chamber Works

68

J.S. Bach Part 2: the Vocal Works

69

J.S. Bach Part 1: the Keyboard Works

70

The Lutheran Church and Organ Music

71

Élisabeth Jacquet de La Guerre

72

Music Theory Friday: Counterpoint and Contrapuntal Masterpieces

73

Jean Baptiste Lully: the orchestrator

74

Instrumental Music of the 17th Century

75

Henry Purcell: the theatric

76

Happenings in other countries in the 17th century

77

François Couprin: the ornamenter

78

Sacred Music in the early 17th Century

79

17th Century Chamber Music

80

The Beginnings of Opera

81

From stile antico to stile moderno

82

Traits of Baroque Era Music

83

Welcome to the 17th Century: new styles and a transitional period

84

Tying up loose ends in the Renaissance

85

Instrumental Music in the 16th century

86

Giovanni Pierluigi da Palestrina: the mediator

87

The Council of Trent

88

Later Madrigalists

89

England and the Madrigal

90

William Byrd

91

Other European 16th century Secular Songs and Composers

92

The Reformation

93

16th century Italian Madrigal

94

Josquin Desprez: the influencer

95

Music Theory Friday: Masses on Borrowed Materials

96

Franco-Flemish Composers in the 16th century

97

The Polyphonic Mass

98

The Burgundian Court and its musicians

99

The "contenance angloise"

100

The Renaissance: New Ideas and Expansions

101

Paving the Road to the Renaissance: 14th Century Music and its Performance Practice

102

Tying Up Loose Ends Before the Renaissance

103

What are the formes fixes?

104

Music Theory Friday: isorhythm and its analysis

105

14th Century Musical Developments

106

The Beginnings of the Motet

107

Music Theory Friday: Organum

108

Polyphony in the 13th Century

109

Secular songs between the 11th and 13th centuries

110

Music Theory Friday: Sightreading and the Guidonian Hand

111

Hildegard von Bingen and extraneous chants

112

The Order of the Mass

113

Music Theory Friday: Church Modes!

114

The Church and its Foundational Tropes

115

Antiquity in Greece

116

Antiquity: Influences from Asia and Europe

117

Prehistoric Music and the Antiquity

118

Preview Episode: Let's conquer the comps!