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All Episodes

Between the Barlines — 119 episodes

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Title
1

To Let vs To Make: a comeback from perfectionism

2

Total Serialism

3

Olivier Messiaen: the birdman

4

Igor Stravinsky

5

The Neoclassical Period

6

More on the Second Viennese School: Berg and Webern

7

Music Theory Friday: the 12-tone technique

8

Arnold Schoenberg: the inventive colorist

9

The avant-garde

10

English Modernism

11

Eastern European Modernism

12

American Moderism

13

Spanish Nationalism

14

French Modernists: Debussy and Ravel

15

Richard Strauss: a bridge between two centuries

16

Gustav Mahler: the symphonist

17

Jazz: the true American Sound

18

What is Modernism?

19

Vernacular Music: what is meant by this?

20

Welcome to the 20th Century!

21

The transition into a new century

22

Nationalism in late 19th century American Music

23

The "English Musical Rensaissance"

24

The Mighty Five

25

Hybrid Styles in the late 19th Century

26

Late 19th century Germanicism

27

Late 19th Century Opera

28

Giacomo Puccini and the verismo style

29

Giuseppe Verdi - my "Mean Joe Green"

30

Richard Wagner and Gesamtkunstwerk

31

Bel Canto Opera and its composers

32

19th Century Opera: an overview

33

Programmatic Music

34

Orchestral and Chamber Music in the 19th century

35

Romantic Choral Music

36

Franz Liszt

37

Fryderyk Chopin: the virtuoso

38

Clara Schumann and Fanny Mendelssohn Hensel

39

19th century Music for the Piano

40

On 19th century German Poetry

41

Franz Schubert: the songster

42

German Lieder in the 19th century

43

Music in the Industrial Revolution

44

Romanticism: an era of love and change

45

Using Beethoven as a transition into the Romantic Era

46

Ludwig van Beethoven Part 3: Late Period

47

Ludwig van Beethoven Part 2: Middle Period

48

Ludwig van Beethoven Part 1: Early Period

49

Wolfgang Amadeus Mozart Part 3: Operas, Masses, and Songs

50

Wolfgang Amadeus Mozart Part 2: Chamber Music and Symphonies

51

Wolfgang Amadeus Mozart Part 1: Works for Keyboard

52

Franz Joseph Haydn Part 3: the Vocal Works

53

Franz Joseph Haydn Part 2: the Keyboard Sonatas

54

Franz Joseph Haydn Part 1: the Symphonies and String Quartets

55

Keyboard Composers of the 18th Century

56

Music Theory Friday: Musical Forms

57

Instrumental Music: the Concerto

58

Instrumental Music: the Symphony

59

Instrumental Music: the Sonata

60

The Beginnings of the German Lied

61

Christoph Willibald Gluck: the reformer

62

New Operatic Genres

63

Types of Early Classical Styles

64

The Early Classical Era and the Enlightenment

65

Antonio Vivaldi: a transition between baroque and classical

66

George Frederic Handel

67

Development of Conservatories in the early 1700s

68

J.S. Bach Part 3: the Chamber Works

69

J.S. Bach Part 2: the Vocal Works

70

J.S. Bach Part 1: the Keyboard Works

71

The Lutheran Church and Organ Music

72

Élisabeth Jacquet de La Guerre

73

Music Theory Friday: Counterpoint and Contrapuntal Masterpieces

74

Jean Baptiste Lully: the orchestrator

75

Instrumental Music of the 17th Century

76

Henry Purcell: the theatric

77

Happenings in other countries in the 17th century

78

François Couprin: the ornamenter

79

Sacred Music in the early 17th Century

80

17th Century Chamber Music

81

The Beginnings of Opera

82

From stile antico to stile moderno

83

Traits of Baroque Era Music

84

Welcome to the 17th Century: new styles and a transitional period

85

Tying up loose ends in the Renaissance

86

Instrumental Music in the 16th century

87

Giovanni Pierluigi da Palestrina: the mediator

88

The Council of Trent

89

Later Madrigalists

90

England and the Madrigal

91

William Byrd

92

Other European 16th century Secular Songs and Composers

93

The Reformation

94

16th century Italian Madrigal

95

Josquin Desprez: the influencer

96

Music Theory Friday: Masses on Borrowed Materials

97

Franco-Flemish Composers in the 16th century

98

The Polyphonic Mass

99

The Burgundian Court and its musicians

100

The "contenance angloise"

101

The Renaissance: New Ideas and Expansions

102

Paving the Road to the Renaissance: 14th Century Music and its Performance Practice

103

Tying Up Loose Ends Before the Renaissance

104

What are the formes fixes?

105

Music Theory Friday: isorhythm and its analysis

106

14th Century Musical Developments

107

The Beginnings of the Motet

108

Music Theory Friday: Organum

109

Polyphony in the 13th Century

110

Secular songs between the 11th and 13th centuries

111

Music Theory Friday: Sightreading and the Guidonian Hand

112

Hildegard von Bingen and extraneous chants

113

The Order of the Mass

114

Music Theory Friday: Church Modes!

115

The Church and its Foundational Tropes

116

Antiquity in Greece

117

Antiquity: Influences from Asia and Europe

118

Prehistoric Music and the Antiquity

119

Preview Episode: Let's conquer the comps!