All episodes
Can an Immersive World Become Too Immersive?
Ukrainian Science Fiction Goes to War
Losing The Human Touch in The Visual Arts
Nghi Vo’s Devilish Worldbuilding
The Sci-Fi Fantasy Tourist Economy
How Octavia Butler Wrote Her Own Story in Speculative Fiction
Monsters in The Static: Why Analog Horror Scares Gen Z
True Crime Fairy Tale
Indigenous Futurisms Try to Right Past Wrongs
Composing Music in the Key of SFF
VTubers Reinvent Themselves with Avatars
When Death Joins the Cast of Characters
Speculative Fiction Rewrites the Narrative on Colonialism
Were The Jedi Bad Mentors?
Dynamic Duos and the Need for Mentorship
Why Kids on Bikes is a Perfect Storytelling Genre
Charting Strange New Worlds
It Ain’t Over Till the Robot Sings
The Art of Piracy
E200 Imaginary Worlds
Mystery Science Theater Reopens
The Cyberpunk Novel That Influenced Silicon Valley (Too Much)
Which Heroes Are Aging Well or De-Aging Poorly?
The Neurodivergent Fans on Why Sci-Fi Matters to Them
Nosferatu: Live in Concert
How Sci-Fi Predicted the Russia-Ukraine War
Asian Futures Without Asians
Time Travel Migrants
Headcanon Fodder: Fandom Rewrites the Narrative
Politics of the Funnies: Li’l Abner Turns Right
Politics of the Funnies: Pogo Turns Left
Pop Culture Splits into Multiverses
Have Yourself a Scary Little Krampus
Building Fine Art One LEGO Brick at a Time
Re-Rolling the Design of Role-Playing Games
Did A French Theater Invent Modern Horror?
The Ecology of Dune
Why '70s Office Decor Holds the MCU Together
The Video Game Industry Adapts to Blind Players
The Hidden Queerness of Sailor Moon and Disney Villains
Samurai to Star Wars: The Legend of Musashi
Giving Imaginary Advice
The Married Couple Who Hooked Up Harley Quinn with Poison Ivy
Thankless Jobs: Journalists in Comic Book Stories
The Matrix Might Be Real
Fandom Confessions: Our Listeners’ Guilty Pleasures
Why Disco Elysium Broke Gamers and They Loved It
The Weir Science of Project Hail Mary and The Martian
The Zen of Sci-Fi
The Cozy Worldbuilding of Becky Chambers
The Jazz Genius From Outer Space
Second Life Goes On
Tron: Welcome to the Machine
Folklore Is No Fairy Tale
Reinventing The Spooky Sound of Classic Sci-Fi
Betty Boop and the Hays Code
Why Camelot Never Was and Always Shall Be
The Retro Makeup of Doctor Who’s Aliens
Monsters of 2020
Fan Films Put Fandom in The Captain’s Chair
ESpeculative Fiction Lost and Found in Translation
Adulting with Cowboy Bebop
Law & Order Superheroes
What Sci-Fi Fantasy Can Tell Us About Fascism
EAhsoka Tano: A New Hope for Star Wars Fans
Mission to Zyxx
Doug Jones: Guillermo del Toro’s Go-To Creature Actor
A Harry Potter Fan’s Reckoning
How Writers of Color Are Inverting Lovecraft
Once and Future Comic Con
Creativity of Creature Makeup Design
Larping in Place
Are Time Travel Stories Unhealthy Fantasies?
The Curse of The Horror Movie Curse
Childhood Toys That Still Comfort Our Listeners
Solarpunk the Future
The Video Game That Predicted a Real Pandemic
Are Retcons Gaslighting Fandoms?
The Challenge of Imagining Heavenly Places
Wild West to Watchmen: History Gets Whitewashed
2001: A Filmmaking Odyssey
The Forgotten Artist Behind the Most Famous Tarot Cards
Why The Borg Keeps Assimilating Star Trek Shows
In Defense of The Star Wars Holiday Special
Can Villains Be Good?
My So Called Evil Plan
For All Mankind Blasts Off
The Origin of Alien Abduction Narratives
The Art of Talking to the Dead
EMonster or Anti-Hero? Godzilla’s Creators Disagreed
Evangelion: The Anime That Won’t End
EWhat We Lost From Hand-Drawn Animation
The Booj
Superheroes in the Ring
Dirk Maggs on Creating Immersive Audio Dramas
The Undertaker Wrestles with The Supernatural
EMovie Props vs. Forgeries: A Collector’s Dilemma
ECosplay Meets Burlesque in Nerdlesque
ESidekicks: Harley Quinn Escapes Toxicity
Sidekicks: Tonto, Kato and Heroism Denied
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