All Episodes

Dane Jensen on Art Advising in Los Angeles and the Ernie Barnes Market

Sotheby's David Galperin on Finding the Next Big Name

Art and Fashion Converge with FIT's Natasha Degen

Mo Ostin Collection; Press family collection, Basquiat, Rousseau & NY HIghlights, May 2023

The Gerald Fineberg Collection with Christie's Sara Friedlander

S.I. Newhouse: Portrait of a Collector

The Global Auction Calendar with Phillips CEO Stephen Brooks

Cecily Brown: Hugo Nathan on the Artist and Her Market

CJ Hendry: The Artist as Impresario

The Exploding Editions Market with Phillips Robert Kennan

Understanding Kenneth Noland: The artist's son, Bill Noland, & the estate's advisors

New York's March Sales with Christie's Sara Friedlander and LiveArt's George O'Dell

Understanding Philip Guston Now: The National Gallery's Harry Cooper; Collector Claude Reich

London Winter Sales Preview: Kandinsky, Munch, Magritte, Richter, Picasso, de Kooning and much more

Art Basel CEO Noah Horowitz on the Fair's Future

Eleanor Acquavella on Wayne Thiebaud and the Fondation Beyeler show

The Rome-New York Connection in High Modernism: David Leiber's Show at David Zwirner Gallery

LiveArt's Hot List for 2023

Gagosian's Laura Paulson on Managing the Big Collections for Sale

LiveArt's Market Pulse for Nov 22, 2022: Sotheby's Kelsey Leonard & Lucius Elliott

LiveArt's Market Pulse for November 18, 2022: Lock Kresler Assesses the Market

LiveArt Market Pulse for November 8, 2022: Day Sale Focus

Lynne Drexler's Extraordinary Year: Christine Berry, Sukanya Rajaratnam and Julian Ehrlich Explain

LiveArt's Market Pulse for Nov 2: Paul Allen, Alex Katz and the Surprise of Boetti

The Billion-Dollar Paul G. Allen Collection at Christie's with Marc Porter and Max Carter

LiveArt Market Pulse for Oct 24, 2022: Paris Plus, Mitchell/Monet & Alice Baber

James Sevier Takes Stock of Frieze Week in London

LiveArt's Market Pulse for October 10, 2022

Isa Lorenzo & Rachel Rillo Launch Manila Gallery Silverlens in New York

LiveArt's Market Pulse for October 3, 2022

LiveArt's Market Pulse for September 21, 2022

Jonathan Crockett on Phillips's Strength in Asia

LiveArt's Market Pulse for September 16, 2022

Devang Thakkar Leads Christie's into the Future of Technology

LiveArt's Market Pulse: September 7, 2022

LiveArt's Hot List for Spring 2022, Part 2

LiveArt's Hot List for Spring 2022, Part 1

Erick Calderon's Chromie Squiggle Conquers Basel

Magnus Resch Answers Artists Questions About NFTs

Hilton Als: Discovering Frank Walter and Finding New Ways to Present Literature and Art

William O'Reilly: The Thrill of Collecting Old Masters

Nate Freeman: Covering the Art World as Beau Monde

Gabriela Palmieri: How Collectors Navigate the Competitive Market for Emerging Artists

Andrew Fabricant Takes Gagosian Gallery into the Future

Good Times: Bill Perkins Explains Why He Bought Ernie Barnes's The Sugar Shack for $15 million

Rachel Hagopian Explains Private Sales on LiveArt Market

Christie's May Sale Preview: Warhol's Marilyn ; Anne Bass's Rothkos, Degas & Monets; and More

Phillips May Sale Preview: Basquiat's Devil, Calder's Snow Flurry, Kusama's Infinity Net

Brooke Lampley on the $676 Million Macklowe Sale—and This Season's Follow Up

Julian Ehrlich: Reading the Postwar to Present Market

LiveArt's Hot List for Winter 2022 with George O'Dell

Austin Lee Shares His Feelings

Nigel Freeman: Building the Auction Market for African-American Art

Bethany Collins: Art from an Enduring Melody

Jacky Ho Explains the Market in Hong Kong and China

Johann Konig: The Gallerist as Entrepreneur

Magritte, Monet, Bacon, Freud & Picasso—Preview London's 2022 Winter Auctions

Sonya Roth is Bullish on Los Angeles

Inside LiveArt & Our View of the Current Market

Antwaun Sargent Gets Ready for Another Big Year

How Esther Kim Varet Discovered Her Background Was an Asset

Sukanya Rajaratnam Redefines the Canon at Mnuchin Gallery

Sotheby's Mari-Claudia Jiménez Looks Ahead

Sharon Hayes Speaks About Her Work Bringing Queer Feminist Archives to Life

Exploring the Dirty South with VMFA's Valerie Cassel Oliver

Phillips Enters a New Era with CEO Edward Dolman

New Talent with Antwaun Sargent

Robert Mnuchin's Legendary Career

Artsy CEO Mike Steib Thrives in Lockdown

Hong Kong Saves the Art Market: Auction Reaction with Koji Inoue and Kim Heirston

Christie's Faces the New Reality with CEO Guillaume Cerutti

Made You Look, Barry Avrich's New Documentary About the Knoedler Forgeries

Buying, Selling and Financing Art from Quarantine with Bill Griffin, Cynthia Sachs and Naomi Baigell

KASMIN Director Nick Olney on Paul Kasmin, painter William Copley and California Surrealism

Michael Weisz on Art Lending for Collectors and Investors: Yieldstreet at The Armory Show

Tina Perry and Ric Whitney Discuss Their Art Collecting with ARTnews Editor in Chief Sarah Douglas

"The Point of Final Collapse": Brian Droitcour Interviews Postcommodity's Cristobal Martinez

Painter Diarmuid Kelley Interviewed by Art in America's Will Smith

Pamela Joyner and Sarah Douglas at the CORE Club

Adam Lindemann on Buying and Selling at Auction

Fantasy Art Collecting Tips from Christie's Johanna Flaum

Sean Kelly Collect Wisely

Art in America's Editor in Chief William Smith at CORE Club

Phillips's Deputy Chairman Jean-Paul Engelen

To Repel Ghosts: Jean-Michel Basquiat's Self Portrait from the Collection of Matt Dike

Christie's Education Panel: Selling Art in the Digital Age

Who Was Henry Geldzahler?--A Conversation with Randall Bourscheidt

Asher Edelman on Auction Guarantees and Art Market Liquidity

David Norman on Nov 2018 NY Impressionist and Modern art sales

Hugues Joffre, Senior Advisor to the CEO of Phillips

Magnus Renfrew on Taipei Dangdai

Jim Carona of Heather James Gallery

Megan Fox Kelly, Todd Levin and William O'Reilly on Giving Advice in the Global Art Market

Christie's Art + Tech Summit with Elliot Safra

Bloomberg's James Tarmy on Art Basel 2018

Thaddaeus Ropac

David Norman on Rockefeller & NY Imp-Mod, May 2018

Marc Porter: Behind the Scenes at the Rockefeller Sale

Lock Kresler on Lévy Gorvy's Source and Stimulus

James Tarmy on Contemporary Artists and Their Markets